The performance of the Trilogy in New York has naturally revived among the Wagnerites the question as to which of the master's works is the greatest. Leaving aside "Tristan" and "Die Meistersinger," which he never surpa.s.sed, many regard the first act of "Die Walkure" the most finished of Wagner's creations; and certainly it has a marvellously impressive climax--_Siegmund's_ drawing of the sword from the ash-tree, and the love duo which follows; and another in _Wotan's_ farewell in Act III. But grand as these are, many consider the last act of "Die Gotterdammerung" the supreme achievement of Wagner. The exquisite trio of the Rhine maidens swimming and singing in a picturesque forest scene; the death of _Siegfried_, and the procession that slowly carries his body by the light of the moon up the hill; and the burning of the funeral pyre at the end, until it is put out by the rising waters of the Rhine bearing the maidens on the surface; these scenes, with the glorious music accompanying, cannot be matched by any act of any other opera. Nevertheless, as a whole, "Siegfried" is, in my opinion, the grandest part of the Trilogy. In no other work of Wagner is there such a minute correspondence, every second, between the poetry, music, and scenery. Every action and gesture on the stage is mirrored in the orchestra; and I shall never forget the remark made to me in 1876, at Bayreuth, by a musician, that in "Siegfried" we hear for the first time music such as Nature herself would make if she had an orchestra.