DEAD LEAVES

[Ill.u.s.tration: 216]

AUTUMN is here. The wind blowing through the woods whirls about the dead leaves. The chestnuts are stripped bare already and lift their black skeleton arms in the air. And now the beeches and hornbeams are shedding _their_ leaves. The birches and aspens are turned to trees of gold, and only the great oak keeps his coronal of green.

The morning is fresh; a keen wind is chasing the clouds across a grey sky and reddening the youngsters' fingers. Pierre, Babet, and Jeannot are off to collect the dead leaves, the leaves that once, when they were still alive, were full of dew and songs of birds, and which now strew the ground in thousands and thousands with their little shrivelled corpses. They are dead, but they smell good. They will make a fine litter for Riquette, the goat, and Roussette, the cow. Pierre has taken his big basket; he is quite a little man. Babet has her sack; she is quite a little woman. Jeannot comes last trundling the wheelbarrow.

Down the hill they go at a run. At the edge of the wood they find the other village children, who are come too to lay in a store of dead leaves for the winter. It is not play, this; it is work.

But never think the children are sad, because they are at work. Work is serious, yes; it is not sad. Very often the little ones mimic it in fun, and children's games, most times, are copies of their elders' workaday doings.

Now they are hard at it. The boys do their part in silence. They are peasant lads, and will soon be men, and peasants do not talk much. But it is different with the little peasant girls; _their_ tongues go at a fine pace, as they fill the baskets and bags.

But now the sun is climbing higher and warming the country pleasantly.

From the cottage roofs rise light puffs of smoke. The children know what that means. The smoke tells them the pease-soup is cooking in the pot.

One more armful of dead leaves, and the little workers will take the road home. It is a stiff climb. Bending under sacks or toiling behind barrows, they soon get hot, and the sweat comes out in beads. Pierre, Babet and Jeannot stop to take breath.

But the thought of the pease-soup keeps up their courage. Puffing and blowing, they reach home at last. Their mother is waiting for them on the door-step and calls out: "Come along, children, the soup is ready."

Our little friends find this capital. There's no soup so good as what you have worked for.

SUZANNE

[Ill.u.s.tration: 219]

THE Louvre, as you know, is a museum where beautiful things and ancient things are kept safe--and this is wisely done, for old age and beauty are both alike venerable. Among the most touching of the antiquities treasured in the Louvre Museum is a fragment of marble, worn and cracked in many places, but on which can still be clearly made out two maidens holding each a flower in her hand. Both are beautiful figures; they were young when Greece was young. They say it was the age of perfect beauty.

The sculptor who has left us their image represents them in profile, offering each other one of those lotus flowers that were deemed sacred.

In the blue cups of their blossoms the world quaffed oblivion of the ills of life. Our men of learning have given much thought to these two maidens. They have turned over many books to find out about them, big books, bound some in parchment, others in vellum, and many in pig-skin; but they have never fathomed the reason why the two beautiful maidens hold up a flower in their hands.

What they could not discover after so much labour and thought, so many arduous days and sleepless nights, Mademoiselle Suzanne knew in a moment.

Her papa had taken her to the Louvre, where he had business.

Mademoiselle Suzanne looked wonderingly at the antiques, and seeing G.o.ds with missing arms and legs and heads, she said to herself: "Ah! yes, these are the grown-up gentlemen's dolls; I see now gentlemen break their dollies the same as little girls do." But when she came to the two maidens who, each of them, hold a flower, she threw them a kiss, because they looked so charming. Then her father asked her: "Why do they give each other a flower?" And Suzanne answered at once: "To wish each other a happy birthday." Then, after thinking a moment, she added:

"They have the same birthday; they are both alike and they are offering each other the same flower. Girl friends should always have the same birthday."

Now Suzanne is far away from the Louvre and the old Greek marbles; she is in the kingdom of the birds and the flowers. She is spending the bright spring days in the meadows under shelter of the woods. She plays in the gra.s.s, and that is the sweetest sort of play. She remembers to-day is her little friend Jacqueline's birthday; and so she is going to pick flowers which she will give Jacqueline, and kiss her.

FISHING

[Ill.u.s.tration: 222]

JEAN set out betimes in the morning with his sister Jeanne, a fishing-pole over his shoulder and a basket on his arm. It is holiday time and the school is shut; that is why Jean goes off every day with his sister Jeanne, a rod over his shoulder and a basket on his arm, along the river bank. Jean is a Tourainer, and Jeanne a la.s.s of Touraine. The river is Tourainer too. It runs crystal-clear between silvery sallows under a moist, mild sky. Morning and evening white mists trail over the gra.s.s of the water-meadows.' But Jean and Jeanne love the river neither for the greenery of its banks nor its clear waters that mirror the heavens. They love it for the fish in it. They stop presently at the most likely place, and Jeanne sits down under a pollard willow. Laying down his baskets, Jean unwinds his tackle. This is very primitive--a switch, with a piece of thread and a bent pin at the end of it. Jean supplied the rod, Jeanne gave the line and the hook; so the tackle is the common property of brother and sister. Both want it all to themselves, and this simple contrivance, only meant to do mischief to the fishes, becomes the cause of domestic broils and a rain of blows by the peaceful riverside. Brother and sister fight for the free use of the rod and line. Jean's arm is black and blue with pinches and Jeanne's cheek scarlet from her brother's slaps. At last, when they were tired of pinching and hitting, Jean and Jeanne consented to share amicably what neither could appropriate by force. They agreed that the rod should pa.s.s alternately from the brother's hands to the sister's after each fish they caught.

Jean begins. But there's no knowing when he will end. He does not break the treaty openly, but he shirks its consequences by a mean trick.

Rather than have to hand over the tackle to his sister, he refuses to catch the fish that come, when they nibble the bait and set his float bobbing.

Jean is artful; Jeanne is patient. She has been waiting six hours. But at last she seems tired of doing nothing. She yawns, stretches, lies down in the shade of the willow, and shuts her eyes. Jean spies her out of one corner of his, and he thinks she is asleep. The float dives.

He whips out the line, at the end of which gleams a flash of silver. A gudgeon has taken the pin.

"Ah! it's my turn now," cries a voice behind him.

And Jeanne s.n.a.t.c.hes the rod.

THE PENALTIES OF GREATNESS

[Ill.u.s.tration: 225]

IT was to go and see their friend Jean that Roger, Marcel, Bernard, Jacques, and Etienne set out along the broad highroad that winds like a handsome yellow riband through the fields and meadows. Now they are off.

They start all abreast; it is the best way. Only there is one defect in the arrangement this time; Etienne is too little to keep up.

He tries hard and puts his best foot foremost. His short legs stretch their widest. He swings his arms into the bargain. But he is too little; he cannot go as fast as his companions. He falls behind because he is too small; it is no use.

The big boys, who are older, should surely wait for him, you say, and suit their pace to his. So they should, but they don't. Forward! cry the strong ones of this world, and they leave the weaklings in the lurch.

But hear the end of the story. All of a sudden our four tall, strong, st.u.r.dy friends see something jumping on the ground. It jumps because it is a frog, and it wants to reach the meadow along the roadside. The meadow is froggy's home, and he loves it; he has his residence there beside a brook. He jumps, and jumps.

He is a green frog, and he looks like a leaf that is alive. Now the lads are in the meadow; very soon they feel their feet sinking in the soft ground where the rank gra.s.s grows. A few steps more, and they are up to their knees in mud. The gra.s.s hid a swamp underneath.

They just manage to struggle out. Shoes, socks, calves are all as black as ink. The fairy of the green field has put gaiters of mire on the four bad boys.

Etienne comes up panting for breath. He hardly knows, when he sees them in this pickle, if he should be glad or sorry. His simple little heart is filled with a sense of the catastrophes that befall the great and strong. As for the four muddy urchins, they turn back piteously the way they came, for how can they, I should like to know, how can they go and see their friend Jean with their shoes and stockings in this state? When they get home again, their mothers will know how naughty they have been by the evidence of their legs, while little Etienne's innocence will be legible on his st.u.r.dy little stumps.

A CHILD'S DINNER PARTY

[Ill.u.s.tration: 228]

WHAT fun it is playing at dinner parties! You can have a very plain dinner or a very elaborate one, just as you like. You can manage it with nothing at all. Only you have to pretend a great deal then.

Therese and her little sister Pauline have asked Pierre and Marthe to a dinner in the country. Proper invitations have been issued, and they have been talking about it for days. Mamma has given her two little girls good advice--and good things to eat, too. There will be nougat and sweet cakes, and a chocolate cream. The table will be laid in the arbour.

"If only it will be fine!" cries Therese, who is nine now. At her age one knows the fondest hopes are often disappointed in this world and you cannot always do what you propose. But little Pauline has none of these worries. She cannot think it will be wet. It will be fine, because she wants it to.

And lo! the great day has broken clear and sunny. Not a cloud in the sky. The two guests have come. How fortunate! For this was another subject of anxiety for Therese. Marthe had caught a cold, and perhaps she would not be better in time. As for little Pierre, everybody knows he always misses the train. You cannot blame him for it. It is his misfortune, not his fault. His mother is unpunctual by nature.