Q. You cannot say whether it was hung on the wire on the right or left hand side?

A. No, sir. I should not think that it had anything to do with it.

Q. Was that stationary?

A. It hung from the front, and it was unhooked and put on the woman when she went out in the air.

Q. Did any part of it go behind the curtain?

A. Yes, it went behind the curtain, but that could not have possibly stopped it, because it would have broken it. I don't think the curtain was low enough down to touch it, because the girl is only a little girl, Miss Reed, and they had to hook it on her.

Q. About how high up was the wire?

A. Well, so that a man like the stage manager would take it off and the man that was a.s.sisting in this flying ballet would hook it on this little girl that flew out.

Q. She was killed?

A. She was killed.

CHAPTER XVII.

EFFECT OF THE FIRE NEAR AND FAR.

Many of the members of the "Mr. Bluebeard, Jr.," company were arrested and retained as witnesses in the trial, on a charge of manslaughter, of Messrs. Davis and Powers, Building Commissioner Williams and the stage manager, electricians and carpenters especially concerned in the manipulation of the lights and curtains. On the Sat.u.r.day night succeeding the fire Mayor Harrison closed all the theaters in the city, numbering thirty-seven, for a period of two weeks, or until a thorough investigation could be made as to whether they were complying with the city ordinances in every detail.

People with seat checks were turned away from the doors of the theaters.

Even the fireproof Auditorium was not permitted to remain open, and Theodore Thomas and his musicians returned to their homes without playing.

Theatrical people in the dressing-rooms of the theaters took off their makeup and left. Ushers turned out the lights and the managers locked the doors. It was a condition without precedent in any large city of this or any other country--every public place of theatrical amus.e.m.e.nt closed by command, as the result of a great disaster.

And not only did the terrible calamity close every theater in Chicago, but it sent the city authorities, fire inspectors, aldermen and all, scurrying through the city, examining the big department stores and their means of escape for their thousands of employees. The alarm and inspection also extended to the public schools of the city. Nor was the awful upheaval felt with startling force only at home, but like an earthquake its vibrations reached distant cities and countries. The monarchs of Europe, with the great public men of America, sent words of sympathy over the throbbing wires, those which came from Emperor William being:

"NEUES PALAIS, Dec. 31.--To the President of the United States: Aghast at the terrible news of the catastrophe that has befallen the citizens of Chicago the empress and myself wish to convey to you how deeply we feel for the American people who have been so cruelly visited in this week of joy. Please convey expression of our sincerest sympathy to the city of Chicago. Many thanks for your kind letter. In coming years may Providence shield you and America from harm and such accidents.

"WILHELM I. R."

Within a few days there was abundant evidence that profound sympathy had given place, in all the large cities of the world, to practical endeavors to avert like calamities.

NEW YORK THEATERS AND SCHOOLS.

As his first official act, Nicholas J. Hayes, who on New Year's became fire commissioner of New York, ordered an investigation of all the theaters of that city. He declared that he intended to ascertain whether the New York playhouses were so constructed and equipped as to safeguard human life in case of fire or panic.

"The protection of human life is the first and most important duty of the fire commissioner," said Mr. Hayes. "In this work no one shall hinder me from doing my full duty."

In each battalion district where a theater was located the new fire commissioner designated a competent a.s.sistant foreman as theater inspector and provided for weekly inspection of theaters. These inspectors were under the supervision of a general theater inspector. One of the tests at once applied by Commissioner Hayes was to have the inspector pour gasoline on the asbestos curtain and then apply fire. Several houses were at once closed, as the curtains failed to stand the test.

City Superintendent of Schools Maxwell, of New York, also issued special fire instructions to the district superintendents and princ.i.p.als of schools, whom he directed to perfect fire drills and the rapid dismissal of school children under their care.

CRUSADE IN PITTSBURG.

The Pittsburg department of public safety immediately began a crusade against the violation of the ordinances regarding theater construction and equipment. Managers were compelled to arrange their fire escapes, curtains and apparatus so that everything worked with facility. At the Nixon theater, at the close of a performance, the people were rapidly dismissed after a fire alarm, and ushered out into the alley exits and down fire escapes in two and one-half minutes. Other theaters were put through similar drills.

WASHINGTON THEATER OWNERS ARRESTED.

Warrants were issued for the arrest of the proprietors of three of the seven Washington theaters. Failure to comply with building regulations in making improvements resulted in the withholding of the license of one theater. The two other proprietors were arrested for failure to provide proper exit lights, fire escapes and stage stairways.

Ma.s.sACHUSETTS THEATERS INVESTIGATED.

As a result of the fire Chief Rufus R. Wade, of the Ma.s.sachusetts state police, at once issued orders for his inspectors to make immediate and thorough inspection of every theater in the commonwealth outside of Boston. The statutes give no jurisdiction over Boston, but his orders meant that more than 100 theaters under his supervision would receive immediate attention.

The Chicago theater horror caused such a decreased attendance at Boston theaters as to mean comparatively empty houses for some time afterward.

Huge areas of vacant seats were to be observed and the crowds at theater exits at 10:45 were prominent for their absence.

ACTION IN MILWAUKEE.

Spurred to action by the theater horror in Chicago, the city officials of Milwaukee, Wis., closed four theaters. The orders to darken the houses followed an investigation by the chief of the fire department. In the Academy and the Bijou, popular-priced houses, and in the two vaudeville houses, the Star and the Crystal, the chief found the "fire" curtains were made of thin canvas.

PRECAUTIONS AT ST. LOUIS.

In St. Louis the commissioner of public buildings and the chief of the fire department served notice on theater managers that the provisions of the city ordinances designed to prevent fire and panic must be rigidly carried out. A new ordinance revising the building laws was at once laid before the city council. One of its new features insists on a metal skylight or fire vent over the stage. This vent must be so constructed as to open instantly and automatically. Fire Chief Swingle sent notice to the managers that all aisles must be kept cleared.

ORDERS AFFECTING OMAHA THEATERS.

Building Inspector Withnell ordered several radical changes in theaters and large department stores as a result of the fire. All the theaters were required to increase their exit facilities, and one theater was ordered to put in additional aisles and remove 150 rear seats in the parquet circle and balconies, which would interfere with a free exit in case of panic.

Asbestos curtains were ordered into use at all the theaters.

EFFECT ABROAD.

The news of the awful calamity shocked the great cities of Europe beyond expression, and its discussion excluded even such large agitating questions as the Eastern--possible war between j.a.pan and Russia, which might involve the entire Old World. The so-called American colonies of London, Paris and Berlin were especially shocked, many members of whom sought for news of friends and relatives who might be among the list of dead or injured. As the complete list could not be cabled for several days thereafter their suspense was, in many cases, unbearable, and scores took the first steamers for America.

HORROR FELT IN LONDON.

Upon the receipt of the first news all local and foreign topics of interest were forgotten in London in the universal horror over the tragedy. The extra editions of the newspapers giving the latest details were eagerly bought up and newspaper placards bore in flaring type the announcement of further news from Chicago. The flags over the American steamship offices were half-masted.

The accounts of the deadly panic were read by the English people with peculiar sympathy and horror, for the pantomime season was at its height and the London theaters were daily packed with women and children.