"The exit was crowded," said Strong. "We ran on down a pa.s.sage at the side of it, followed by many others. At the end, down a short flight of steps, was a door. It was locked. In desperation I threw myself against it. I couldn't budge it. Then, standing on the top step of the little stairway, I smashed the gla.s.s above with my fist and crawled through the transom.

"When I fell on the outside I heard the screams on the other side, and, scrambling to my feet, I tried again to open the door, but couldn't. The key was not there. I ran down a stairway to the floor below, where I found a carpenter. I asked him to give me something to break down the door, and he got me a short board. I ran back with this and began pounding, but the door was too heavy to be broken.

"I scarcely know what happened afterward. Smoke was pouring over the transom and I felt myself suffocating. Alone, or with the a.s.sistance of the carpenter, I at last found myself at the bottom of the stairway opening into the lobby of the theater. From there I pushed my way to the street. Until then I didn't know I was burned."

GIRL'S MIRACULOUS ESCAPE.

The most miraculous escape was that of Winnie Gallagher, an 11-year-old girl, who occupied a seat with her aunt almost directly under the stage.

When the panic was started she jumped to her feet and after being thrown about and trampled upon and having her clothing torn from her she managed to climb over the seats and reach the street in safety. What few pieces of wearing apparel she had on at the time were in ribbons and a messenger boy, seeing her predicament, pulled off his overcoat and wrapped it around her. She went to the Central station, where she gave the police her name and asked that someone take her to her home, 4925 Michigan avenue.

AN ACCOUNT FROM THE BOXES.

The first two lower boxes on the left of the stage were occupied by a party of young women who were being entertained by Mrs. Rollin A. Keyes of Evanston, in honor of her young daughter, Miss Catherine Keyes, who was home from school in Washington for the holidays.

"We arrived at the theater shortly after the first act," said Miss Emily Plamondon of Astoria, Ore., a member of the party, in describing the fire.

"As far as I could see the house was filled with women and children, who occupied seats on the first floor and in the galleries. It was about a quarter to 3 when one of the young women in the party asked Mrs. Keyes if she did not smell something burning and an instant afterward a great cloud of smoke spread across the stage and into the body of the house.

Immediately we realized the danger we were in, as did all around us.

Instead of a rush to the doors, the audience gazed for a moment at the stage, and as a whole the people appeared very calm, under the circ.u.mstances, and as if contemplating how they would escape.

"Again another cloud of smoke issued from the stage and several stage hands appeared, shouting at the top of their voices for the people to sit down. But it was only for an instant that they obeyed, for by that time the smoke had spread through the theater and men, women and children were gasping for breath. Then a mad rush was made for the doors and for the supposed exits, but in vain. Mrs. Pearson and Mrs. Keyes commanded us to keep together by all means and just as we were leaving the boxes the theater became darkened, which, I suppose, was caused by the burning out of the electric light, and thus made our escape the harder. We plodded through the aisles until we came within about ten feet of the main entrance without encountering any violence from the panic-stricken women and children who were fighting for their lives. Then the crush became terrible and the members of our party, Mrs. Rollin A. Keyes, Mrs. Pearson, Misses Charlotte Plamondon, Catherine Keyes, Elmore of Oregon, Amelia Ormsby, Grace Hills, Josephine Eddy and Miss Elizabeth Eddy realized that it would be impossible to get to the street through that door.

"It was only a short time, however, when somebody knocked down two doors, which had been locked, and the majority of the people on the first floor escaped through them without serious injury. Miss Charlotte Plamondon, who was bruised about the face and hands, and I were the only ones in the party who escaped with our wraps. The others had their clothes torn almost from them, as they were hurrying from the burning theater.

"Before we had left the boxes the fire had spread to the first row of seats and the stage hands were endeavoring to lower the asbestos curtain.

When it was about half down it became caught and the attempt to drop it was abandoned. A great gush of fire then spread to the draperies over the boxes. The people were wonderfully calm, it seemed to me, for so crucial a moment and it was not until the smoke filled the house that they became frantic and screamed for help. We could hardly breathe and I believe had we been in the theater a few minutes longer we, too, would have been suffocated, as the heat and smoke were becoming unendurable. Had the exits been open and unlocked the loss of life would not have been nearly so great."

"We were seated for half an hour before the fire broke out. Our attention was first attracted by a wreath of flame, which crept slowly along the red velvet curtain. We all noticed it. So did the audience and I could see little girls and boys in the orchestra chairs point upward at the slowly moving line of flame. As the fire spread the people in the balcony and on the first floor arose to their feet as if to rush out of the place. Then Eddie Foy hurried to the front of the stage and commanded the people to be quiet, saying that if they would remain seated the danger would be averted. All the people who were then on the stage maintained remarkable presence of mind and the chorus girls endeavored to divert the attention of their auditors off the fire by going on with their parts.

"I looked over the faces of the audience and remarked how many children were present. I could see their faces filled with interest and their eyes wide open as they watched the burning curtain.

"Then I looked behind me and realized the awful consequence should the people become alarmed. The doors, except for the one through which we entered the theater, were closed and apparently fastened. Up in the balcony I could see people crowding forward in order to obtain a better view. Again the audience arose as if to flee.

"Eddie Foy again rushed on the stage and waved his arms in a gesture for the people to be seated. But just then the shrill cry of a woman caused the women and children to rise to their feet, filled with a sudden and uncontrollable terror.

"'Fire!' I heard her exclaim, and in another instant the eyes of the audience were turned to the exits in the rear. The flames lighted up the stage as the light tinsel stuffs blazed up, and the scene changed from mimicry to tragedy. A confused, rumbling noise filled the theater from the pit to the dome. I knew it was the sound of a thousand people preparing to leave their seats and rush madly from the impending danger. The noise of their footsteps in the balcony was soon deadened by the cries for aid from those who were hemmed in by the struggling ma.s.s.

"On the stage the chorus girls, who had exhibited rare presence of mind, turned to flee. Many were overcome before they could stir a step. They fell to the floor and I saw the men in the cast and the stage hands lift them to their feet and carry them to the rear of the stage. By this time the scenery was a ma.s.s of flames."

INSPECTION AFTER THE FIRE.

Deputy Building Commissioner Stanhope with three inspectors made a thorough examination of the theater building yesterday.

"I first examined the building with respect to the safety of its walls and found them in perfect condition," said Mr. Stanhope. "They are not out of plumb an inch and are as good as they ever were. The steel structure is not injured except that portion which supported the stage. The heat has twisted some of the supports but they can be replaced at little cost.

Except the backs of the seats and the floor of the stage the interior of the auditorium was not injured by the fire. The carpets in the gallery, where most of the people were killed, were not even scorched."

A YOUNG HEROINE.

Verma Goss is one of the young heroines of the fire. She attended the theater in a party composed of her mother, Mrs. Joseph Goss; her 5-year-old sister, Helen; Mrs. Greenwald of 536 Byron street and her young son Leroy. In the rush for the door Miss Verma caught her young sister's hand and pulled her out of the crowd and carried the child to safety. She thought her mother was following, but she and her sister were the only ones of the party who escaped.

A NARROW ESCAPE.

Mrs. William Mueller, with her two children, Florence Marie, 5 years of age, and Barbara Belle, 7, occupied a seat in the parquet.

"I was not in the theater auditorium," said Mrs. Mueller. "I was in one of the waiting rooms, but was on my way to our seats. As I entered the doors somebody yelled fire. I looked up and saw the curtain ablaze. Then came the stampede. I picked up my children and ran toward the door. I was caught in the jam and it seemed that I would fail to reach it. Some man saw my plight and jumped to my a.s.sistance. He picked up Florence and threw her over the heads of the rushing people. She fell upon the pavement, but was not badly injured."

FINDS WIFE IN HOSPITAL.

The first woman to be rescued over the temporary bridge between the theater and the Northwestern university building was Mrs. Mary Marzein of Elgin, Ill. She was severely burned and lost consciousness after her rescue. A score or more suffered death on every side as she crept over the ladder. They were thrown aside and knocked down, but she clung to the ladder and escaped. She was taken to the Michael Reese hospital and did not regain consciousness until the following day. Her husband, who is an employe of the Elgin Watch Company, searched all the morgues and was making a tour of the hospitals when he found his wife.

When Mrs. Marzein recovered in the afternoon the first person she inquired for was her husband, who at that moment was being ushered into the room.

Their eyes met as she was whispering his name to the nurse, and an affecting scene followed.

A MIRACULOUS AND UNCONSCIOUS ESCAPE.

One of the most miraculous escapes from the fire was that of Miss Winifred Cardona. She was one of a party of four and with her friends occupied seats in the seventh row of the parquet.

"The first intimation I had of the danger was when I saw one of the chorus girls look upward and turn pale. My eyes immediately followed her glance and I saw the telltale sparks shooting about through the flies. The singing continued until the blaze broke out. Then Mr. Foy appeared and asked the audience to keep their seats, a.s.suring them that the theater was thoroughly fireproof. We obeyed, but when we saw the seething ma.s.s behind struggling for the door we rushed from our seats. I became separated from the other girls and had not gone far before I stumbled over the prostrate body of a woman who was trampled almost beyond recognition. For an instant I thought it was all over. Then I felt someone lift me and I knew no more until I revived in the street. It was the most awful experience I have ever had and I consider my escape nothing short of miraculous."

LITTLE GIRL'S MARVELOUS ESCAPE.

"I'm the most grateful man in all Chicago," said J. R. Thompson, who owns the restaurant. "My sister was in the theater with my two children--John, aged 9, and Ruth, aged 7. Sister got almost to the door with both of them.

Then Ruthie disappeared. She told me she knew the child must be safe, but I was like a maniac. It was an hour before we found her. How it happened I didn't know, but she ran back into the theater and out under the stage, out through the stage entrance."

"Where is the little girl now?" I asked him.

"I sent her home to her mother," he said.

Only ten feet away lay the chestnut-haired girl who "was a great one to scamper."

FOUR GENERATIONS REPRESENTED.

Members of four generations of a family were turned into mourners, only one member remaining from a party of nine made up of Benjamin Moore and eight of his relatives, of whom only one, Mrs. W. S. Hanson, Hart, Mich., escaped. Following are the names of the eight victims: Mrs. Joseph Bezenek, 41 years old, West Superior, Wis., daughter of Benjamin Moore; Benjamin Moore, 72 years old, Chicago; Roland Mackay, 6 years old, Chicago, grandson of Mrs. Joseph Bezenek and great grandson of Benjamin Moore; Mrs. Benjamin Moore, 47 years old, wife of Benjamin Moore; Joseph Bezenek, 38 years old, West Superior, Wis., husband of Mrs. Bezenek and son-in-law of Benjamin Moore; Mrs. Perry Moore, 33 years old, Hart, Mich., daughter-in-law of Benjamin Moore; Miss Sibyl Moore, Hart, Mich., 13 years old, daughter of Mrs. Perry Moore and granddaughter of Benjamin Moore; Miss Lucile Bond, 10 years old, daughter of George H. Bond and granddaughter of Benjamin Moore, Chicago.

DAUGHTERS AND GRANDCHILDREN GONE.

Three daughters and two grandchildren, const.i.tuting the entire family of Mr. and Mrs. Morris Eger, Chicago, perished in the fire. The daughters were Miss S. Eger, who was a teacher in the Mosely school; Mrs. Marion Rice, wife of A. Rice, and Mrs. Rose Bloom, wife of Max Bloom, and the children were: Erna, the 10-year-old daughter of Mrs. Rice, and her 11-year-old brother, Ernest.

After a long search among the many morgues of the city the bodies were all identified, two of them being found there.