"Please, sir," said Quentin, "I've learned all my lines to say for this ceremony. Puss and I thought them up together, and we both learned them."

"That's very nice, children," Azzie said.

"Won't we get a chance to say them?" Quentin asked.

"You can tell your lines to me later, when I've gotten you safe away from Venice."

"But sir, that won't be the same thing. We learned them for the ceremony."

Azzie grimaced. "There isn't going to be any ceremony."

"Did one of us do something bad?" Quentin asked.

"No, it's nothing like that," Azzie said.

"Was it a bad play, then?"

"No!" Azzie cried. "It was not a bad play! It was a fine play! All of you were acting just like yourselves, and that's the best acting job possible."

"If it wasn't a bad play," Quentin said, "and we didn't do anything wrong, "why can't we finish it?"

Azzie opened his mouth to speak, but he hesitated. He was remembering himself as a young demon, contemptuous of all authority, willing to pursue his sin and his virtue, his pride and his will, to wherever they would lead him. Well, he had changed a lot since that day. Now a mere woman commanded him, and he obeyed. It was true that Ananke wasn't quite the same as a woman - she was more like a vague but compelling divine principle with b.r.e.a.s.t.s. She had always loomed above everything, compelling but remote. But here she was, breaking the precedent that had been set since the beginning of time not to interfere. And who did she pick to be the bearer of her broken precedent? Azzie Elbub.

"My dear child," Azzie said, "to go on with this ceremony could mean the death of us all."

"I guess we all have to die someday, sir," Quentin said. Azzie stared at him, because the lad had the effrontery of a demon and the sangfroid of a saint. Could Azzie do any less?

"All right, kid," he said. "You've talked me into it. Everybody! Pick up your candlesticks and take your places on the stage that has been set up in front of the bar!"

"You're going through with it!" Aretino cried joyfully. "I am very thankful, sir. For what ending would I have had otherwise for the play I intend to write from this material?"

"You've got something to write about now," Azzie said. "Is the orchestra in the pit?"

They were, still cheerful because Aretino had paid them triple their usual wage to hang around waiting for Azzie, and because the city was so flooded that there were no other musical performances planned.

The orchestra struck up a tune. Azzie waved his hand. The ceremony began.

Chapter 4.

The ceremony was all pomp and circ.u.mstance such as demons and Renaissance people loved. Unfortunately there was no visible audience; this had to be a private affair. But it was all very impressive, there in the otherwise deserted inn, with the rain hammering overhead.

The pilgrims marched through the room, all dressed in their holiday best. They bore their candlesticks, which they retrieved from Aretino. They marched down the aisle and mounted to the stage. Azzie, master of ceremonies now, introduced each one, and made a short complimentary speech about him or her.

Eerie things began happening. There was a strange popping of curtains. The wind took on an uncanny moan. A pungent, unearthly smell suffused the s.p.a.ce. Most prominent was a wind that sounded like a tormented soul trying to get in.

"I've never heard the wind sound like that," Aretino said.

"It's not the wind," Azzie said.

"I beg your pardon?"

But Azzie refused to elaborate. He knew a visitation when he heard one. He had presided at too many to be deceived now, when an unearthly chill seemed to settle on the building, and curious thumping noises came from all over.

Azzie only hoped this new force, whatever it was, would hold off making an appearance for a while. It seemed to be having difficulty finding its way. And the h.e.l.l of it was, Azzie didn't even know who or what was hunting for him. It was an unusual situation, a demon being haunted by what seemed to be a ghost. Azzie got an idea of what lay ahead then, the vast chasms of unreason that threatened now to engulf those fragile edifices, logic and causality. With just the tiniest movement, it seemed, those things might cease to be.

After the speeches came a short, tasteful interlude that featured singing by the local boys' choir, an all-Europe- cla.s.s group that Aretino had booked for this occasion. Some thought St. Gregory himself was putting in a ghostly appearance, for a tall thin shape had begun to materialize near the door. But whatever it was hadn't quite got it right; it faded out before it could fully materialize itself, and the ceremony was able to continue.

Next, the contestants ma.s.sed their candlesticks on the altar and lit them. Azzie made a short speech congratulating his contestants, driving home the premise of his play by pointing out that they had done well by simply going about their natural pursuits. They had won good fortune through no great effort, and that good fortune was by no means the concomitant of good character and good action. On the contrary, good luck was a neutral quality that could happen to anyone. "As proof of that," Azzie said, "here stand my contestants, all of whom have earned golden rewards this evening by nothing more taxing than being themselves in all their imperfections."

Throughout all of this Aretino sat in a front-row pew and was busy scribbling notes. He was already planning out the play he would weave from this material. It was all very well for Azzie to think it was sufficient to stage a sort of divine comedy, but that was not the way of art. The really good stuff was contrived, not improvised, and that was what Aretino planned to do with it.

Aretino was so busy writing that he didn't realize the ceremony was over until the pilgrims were all around him, pounding him on the back and asking if he'd liked their speeches. Aretino curbed his natural acerbity and declared that they all had done well.

"And now," Azzie said, "it's time to get out of here. You won't need your candlesticks any longer. Just pile them in the corner there and I'll call up a minor miracle to get them back to Limbo. Aretino, are you ready to lead these people to safety?"

"Indeed I am," Aretino said. "If it's possible to get off this island, I'll find a way. Are you not going to accompany us?"

"I intend to," Azzie said, "but I may be delayed along the way by circ.u.mstances beyond my control. If that should happen, you know what to do, Pietro. Get these people to safety!"

"And what of you?"

"I'll do what I can to keep myself alive," Azzie said. "Perseverance in our own self-interests is a faculty highly developed in us demons."

Azzie, Aretino, and the little troop of pilgrims went forth into the stormy night of the doom that was falling upon Venice.

Chapter 5.

They left the inn and hurried out into the storm. The streets were filled with people trying to flee the city; the water was now waist high and still rising. Aretino had brought along plenty of bribe money, but he could find no available boatmen to bribe. The various stations along the Grand Ca.n.a.l had been abandoned hours ago.

"I don't know what to do," Aretino told Azzie. "Every boat in the city seems to be destroyed or already booked."

"There's still a way of getting the contestants to safety," Azzie said. "It will no doubt result in another anomaly for which I'll be held to blame, but we'll try it anyway. We need to find Charon. His boat is always around places like this where there are so many dead and dying. He's a connoisseur of large-scale tragedies."

"The actual Charon from the Greek myths is here?"

"Certainly. Somehow he's been able to continue ferrying people all through the Christian era. That's an anomaly too, but one they can't blame on me."

"Will he take living people? I thought Charon's boat was only for the other kind."

"I know him pretty well. We've done business together. I think he'll make an exception, this being an emergency of the sort he likes."

"Where do we find him?"

Azzie led them in the right direction. Aretino wanted to know what the big hurry was to get the pilgrims off. "Is the situation really so bad?" he asked.

"Yes, it is. The fall of Venice is only the beginning; it heralds the collapse of the entire universe. Both the Copernican and the Ptolemaic models are in difficulty, and the signs of anomaly shock are everywhere. Already the streets are full of prodigies and miracles. Business has come to a standstill, and even love has been forced to put itself on hold."