"Tell me!" Shecky pounded the empty barber chair with his b.l.o.o.d.y fists.

"Please be careful of the leather," the old man said.

"I'm a success!" Shecky yelled. "I qualify! Tell him, George! Tell him about last night!"

"What do you care what this crummy--"

"_Tell him!_"

I walked over and pulled the newspaper out of the old man's hands. "Last night Shecky King was voted the most popular show business personality of all time," I said.

"Tell him who voted!"

"The newspaper and magazine critics," I said.

"And who else?"

"Thirty million people throughout the world."

"You hear that? Everybody. Eddie, don't you hear what he's saying? Everybody! I'm Number One!"

Shecky climbed onto the chair and sat down.

"Haircut," he said. "Easy on the sides. Just a light trim. You know." He sat there breathing hard for a couple of seconds, then he twisted around and screamed at the old man. "Eddie! For G.o.d's sake, cut my hair!"

"I'm sorry," the old man said. "I don't have an opening at the moment."

You know what happened to Shecky King. You read about it. I knew, and I read about it, too, six months before the papers came out. In his eyes. I could see the headline there. But I thought I could keep it from coming true.

I took him home in a cab and put him to bed. He didn't talk. He didn't even cry. He just laidthere, between the Hong Kong silk sheets, staring up at the ceiling, and for some crazy reason that made me think of the legless guy and the sign that said WALK. I was pretty tired.

The doctors ordered him to a hospital, but they couldn't find anything wrong, not physically anyway, so they called in the shrinks. A breakdown, the shrinks said. Nervous exhaustion. Emotional depletion. It happens.

It happens, all right, but I wasn't sold. Shecky was like a racing car, he operated best at high revs. That's the way some people are engineered. A nice long rest is a nice long death to them, because it gives them a chance to think, and for a performer that's the end. He sees what a stupid waste his life had been, working 24 hours a day so that people can laugh at him, or cry at him, running all the time--for what? Money. Praise. But he's got the money (if he didn't he wouldn't be able to afford the rest) and he's had the praise, and he hasn't really enjoyed what he's been doing for years--is it intellectual? does it contribute to the world? does it help anybody?--so he figures, why go on running? Why bother? Who cares? And he stops running. He gives it all up. And they let him out of the hospital, because now he's cured.

A lot of reasons why I didn't want this to happen to Shecky. He wasn't my friend--who can be friends with a mult.i.tude?--but he was an artist, and that meant he brought a lot of happiness to a lot of people. Of course he brought some unhappiness, too, maybe more than most, but that's the business.

Talent never was enough. It is if you're a painter, or a book writer, maybe, but even there chutzpah counts. Shecky had it. Like the old story, he could have murdered both his parents and then thrown himself on the mercy of the court on the grounds that he was an orphan. And he could have gotten away with it.

The fact is, the truth is, he didn't have anything _except_ _chutzpah_. His routines were written by other people. His singing was dubbed. His alb.u.ms were turned out by the best conductors around.

His movies and TV plays were put together like jigsaw puzzles out of a million blown takes. His books were ghosted.

But I say, anybody who can make out the way Shecky King made out, on the basis of nothing but personality and drive, that person is an artist.

Also, I was making close to a hundred grand a year off him.

What's the difference? I wanted him to pull out of it. The shrinks weren't worried. They said the barber was only "a manifestation of the problem". Not a cause. An effect. It meant that Shecky felt guilty about his success and was trying to re-establish contact with the common people.

I didn't ask them to explain why, if that was true, the barber refused to cut Shecky's hair. It would only have confused them.

Anyway, I knew they were wrong. Shecky was in the hospital because of that old son of a b.i.t.c.h on Third Avenue and not because of anything else.

All the next day I tried to piece it together, to make sense out of it, but I couldn't. So I started asking around. I didn't really expect an answer, and I didn't get one, until the next night. I was working on a double scotch on the rocks, thinking about the money we would be making if Shecky was at the Winter Garden right now, when a guy came in. You'd know him--a skinny Italian singer, very big. He walked over and put a hand on my neck. "I heard about Sheck," he said. "Tough break." Then, not because he gave a d.a.m.n about Shecky but because I'd done him a few favors when he needed them, he asked me to join his party, and I did. Another double scotch on the rocks and I asked if he'd ever heard of Eddie the barber. It was like asking him if he'd ever heard of girls.

"Tell me about it," I said.

He did. Eddie had been around, he said, forever. He was a fair barber, no better and no worse than any other, and he smelled bad, and he was creepy; but he was The End. I shouldn't feel bad about not knowing this, because I was one of the Out people. There were In people and Out people and the In people didn't talk about Eddie. They didn't talk about a lot of things.

"Why is he The End?" I asked.

Because he only takes certain people, my friend said. Because he's selective. Because he's exclusive."I was in his shop. He had a lousy wino b.u.m in the chair!"

With that lousy wino b.u.m, I was told, three-fourths of the big names in show business would trade places. Money didn't matter to Eddie, he would never accept more than a dollar. Clothes didn't matter, or reputation, or influence.

"Then what _does_ matter?"

He didn't know. n.o.body knew. Eddie never said what his standards were, in fact, he never said he _had_ any standards. Either he had an opening or he didn't, that was all you got.

I finished off the scotch. Then I turned to my friend. "Has he ever cut your hair?"

"Don't ask," he said.

I had a tough time swallowing it until I talked to a half-dozen other Names. Never mind who they were. They verified the story. A haircut from Eddie meant Success. Until you sat in that chair, no matter what else had happened to you, you were nothing. Your life was nothing. Your future was nothing.

"And you go for this jazz?" I asked all of them the same question. They all laughed and said, "h.e.l.l, no! It's those other nuts!" But their eyes said something different.

It was fantastic. Everybody who was anybody in the business knew about Eddie, and everybody was surprised that I did. As though, I'd mentioned the name of the crazy uncle they kept locked in the bas.e.m.e.nt, or something. A lot of them got sore, a few even broke down and cried. One of them said that if I doubted Eddie's pull I should think about the Names who had knocked themselves off at the top of their success, no reason ever given, except the standard one. I should think about those Names real hard.

And I did, remembering that headline in Shecky's eyes.

It fit together, finally, when I got to a guy who used to know Shecky in the old days, when he was a 20th mail boy named Sheldon Hochstra.s.ser. He wanted to be In more than he wanted anything else, but he didn't know where In was. So he stuck close to the actors and the directors and he heard them talking about Eddie. One of them had just got an appointment and he saw that now he could die happy because he knew he had made it. Shecky was impressed. It gave him something to work towards, something to hang onto. From that point on, his greatest ambition was to get an appointment with Eddie.

He was smart about it, though. At least he thought he was. You don't get a good table at Chasen's, or Romanoff's, he said to himself, and to his buddy, unless you're somebody. For Eddie, he went on, you've got to be more. You've got to be a _success_. So the thing to do was to succeed.

He gave himself fifteen years.

Fifteen years later, to the day I'll bet, I met him at that bar on Third Avenue. Either he'd been thinking about Eddie all that time or he hadn't thought about him at all. I don't know which.

I turned the tap up, then, because he wasn't getting any better. I found out the ones who had made it and talked to them, but they weren't any help. They didn't know why they were In or even how long they'd stay. That was the lousy part of it: you could get cancelled. And putting in a word for Shecky wouldn't do any good, they said, because Eddie made his own decisions.

I still had a hard time getting it down. I'd been around for fifty-four years and I hadn't met anything like this, or even clost to it. A Status Symbol makes a little sense if it's the n.o.bel Prize or a Rolls Royce, but a _barber!_ Insanity, even for show business people.

I started out with money and didn't make it, but that didn't mean he didn't have a price. I figured everybody could be bought. Maybe not with dollars, but with something.

I thought of the calendars on the wall. They're supposed to be for the customers, but I wondered, are they? You never knew about these old guys.

I found the wildest broad in New York and told her how she could earn two grand in one evening. She said yes.

Eddie said no.

I told him if he'd play along, I'd turn over a check for one million dollars to his favorite charity.

No.

I threatened him.

He smiled.

I begged him.He said he was sorry.

I asked him why. Just tell me why, I said.

"I don't have an opening," he said.

Two weeks and two dozen tries later, I went back to the hospital. The Most Popular Show Business Personality of All Time was still lying in the bed, still staring at the ceiling.

"He'll give you an appointment," I said.

He shook his head.

"I'm telling you, Sheck. I just talked with him. He'll give you an appointment."

He looked at me. "When?"

"As soon as he finds an opening."

"He won't find an opening."

"Don't be stupid, Sheck. You're just nervous. The guy's busy all the time. I was there. He's got people lined up halfway down the street."

"Eddie's never busy," he said.

Christ, I had to try, didn't I? "I was there, Sheck!"

"Then you know," he said. "Eddie's kind of customer, you don't get many. Just a few. Just a few, George." He turned his head away. "I'm not one of them."

"Well, maybe not now, Sheck, but some day. You can talk to him ... ask him what he wants you to do. I mean, he's got to have a reason!"

"He's got a reason, George."

"What is it?"

"Don't you know?"

"No! You've stepped on a few heads, sure, but who hasn't? You don't get to the top by helping old ladies across the street. You've got to fight your way up there, everybody does, and when you fight, people get hurt."

"Yeah," he said, "you know," and for a second I thought I did. I sat there looking at him for a long time, then I went out and got drunker than h.e.l.l.

They called me the next morning. I was in bad shape but I had my suit on so it only took fifteen minutes to get to the hospital.

It was a circus already. I pushed through the cops and the reporters and went into the room.

He was still lying on the bed, still staring up at the ceiling, looking no different from the way I'd left him. Except of the two deep slashes in his wrists, the broken gla.s.s and the blood. There was a lot of that. It covered the Hong Kong silk sheets and the rug and even parts of the wall.

"What made him do it?" somebody said.

"Overwork," I said.

The papers played it that way. Only a few guys knew the dirt, and they were paid for, so Shecky was turned into a martyr. I forget what to. His public, I think. I have most of the clippings. "In his efforts to bring joy to the people of the world, The King went beyond the limits of his endurance; he had gone beyond ordinary human limits long before . . ."

"He had no ambition other than to continue entertaining his fans . . ."

"Following the old show business motto, 'Always leave 'em laughing', Shecky King departed this world at the height of his popularity. No other performer has ever matched his success . . ." "He is a legend now, the man who had everything and gave everything . .

I don't think about it much any more.

I just lie awake nights and thank G.o.d that I'm bald.

THE CRIME OF WILLIE WASHINGTON.

by Charles Beaumont

The second after Willie Washington put his knife in George Mana.s.san's stomach, he knew he'd done a bad thing. But all the demons in Hades put together couldn't have made Willie run or lose his head, so he stood around very quiet, waiting to see what would happen. He figured deep inside his head that he'd done an evil deed, although he wasn't exactly sorry. George had told tales about Cleota and as far as Willie knew, there wasn't a man alive who'd stand for another man telling tales about his wife. He wasn't sorry and he wasn't glad and there was a sharp thing eating at his insides, sharper than the knife that had cut George.

Willie waited for a considerable time, but George only groaned and wheezed. And since the blood didn't stop oozing out over the rug, Willie finally decided that he must do something. He put on his hat and walked quickly down the street until he came to an apartment like his own.

He knocked hard on the door, several times.

The old woman who opened the door was very withered and dried up with the years, but when she heard the news she moved faster than she had for quite a while. She flew about the rooms, gathering all the clean rags she could find and muttering under her breath and Willie had to trot to keep up with her when she hobbled out the door and back up the street.

When they got to the room, however, there was no sign of George Mana.s.san except for the blood left on the rug and floor.

The old woman looked around and when she was convinced that George had left, the fear in her face disappeared.

"You cut him deep, boy?" she asked.

"No'm, Aunt Lucy, I didn't. I don't think he got hurt too bad," Willie answered.

Then Willie went to the sink and wet a large cloth. He bore down and managed to get the blood off the floor, but it wouldn't come out of the rug.