He pointed the barrel of the pistol at his wife's forehead and curled his finger around the trigger.

Another slight pressure and it would be over. Her suffering would be over. Just a slight pressure!

The drums droned louder until they were exploding in the quiet room.

Austin tensed and fought the trembling, gripped the pistol with his other hand to steady it.

But his finger refused to move on the curved trigger.

After a long moment, he lowered his arm and dropped the gun into his pocket.

"No." He said it quietly, undramatically. The word hit a barrier of mucus and came out high-pitched and child-like.

He coughed.

That was what they wanted him to do--he could tell, from the drums. That's what so many of the others had done. Panicked.

"No."

He walked quickly out of the room, through the hall, to the elevator. It lowered instantly but he did not wait for it to reach bottom before he leapt off and ran across the floor to the barricaded front door.

He tore at the locks. Then the door swung open and he was outside; for the first time in three weeks--outside, alone, in the city.

He paused, fascinated by the strangeness of it. Impossible to believe that he was the only white man left in the entire city.

He strode to a high-speed walkway, halted it and stepped on. Setting the power at half with his pa.s.s key, he pressed the control b.u.t.ton and sagged against the rail as the belt whispered into movement.

He knew where he was going. Perhaps he even knew why. But he didn't think about that; instead, he looked at the buildings that slid by silently, the vast rolling spheres and columns of colored stone, the balanced shapes that existed now and that had once existed only in his mind. And he listened to the drums, wondering why the sound of them seemed natural and his buildings suddenly so unnatural, so strange and disjointed.

Like green balloons on yellow stocks, the cultured Grant Wood trees slipped by, uniform and straight, arranged in aesthetically pleasing designs on the stone islands between belts. Austin smiled: The touch of nature. Toy trees, ruffling in artificial winds . . . It all looked, now, like the model he had presented to the Senators. About as real and lifelike.

Austin moved like a carefully carved and painted figurine, incredibly small and lonely-looking on the empty walkway. He thought about the years of preparation; the endless red tape and paper work that had preceded the actual job. Then of the natives, how they had protested and pet.i.tioned to influence theFive-Power governments and how that had slowed them down. The problem of money, whipped only by pounding at the point of over-populaton, again and again, never letting up for a moment. The problems, problems . . .

He could not recall when the work itself had actually begun--it was all so joined. Laying the first railroad could certainly not have been a particle as beset with difficulty. Because the tribes of the Kenya territory numbered into the millions; and they were all filled with hatred and fury, opposing the city at every turn.

No explanation had satisfied them. They saw it as the destruction of their world and so they fought. With guns and spears and arrows and darts, with every resource at their disposal, refusing to capitulate, hunting like an army of mad ants scattered over the land.

And, since they could not be controlled, they had to be destroyed. Like their forests and rivers and mountains, destroyed, to make room for the city.

Though not, Austin remembered grimly, without loss. The white men had fine weapons, but none more fatal than machetes biting deep into neck flesh or sharp wooden shafts coated with strange poisons.

And they did not all escape. Some would wander too far, unused to this green world where a white man could become hopelessly lost within three minutes. Others would forget their weapons. And a few were too brave.

Austin thought of Joseph Fava, the engineer, who had been reported missing. And of how Fava had come running back to the camp after two days, running and screaming, a bright crimson nearly dead creature out of the worst dreams. He had been cleanly stripped of all his skin, except for the face, hands, and feet .

But, the city had grown, implacably, spreading its concrete and alloy fingers wider every day over the dark and feral country. Nothing could stop it. Mountains were stamped flat. Rivers were d.a.m.ned off or drained or put elsewhere. The marshes were filled. The animals shot from the trees and then the trees cut down. And the big gray machines moved forward, gobbling up the jungle with their iron teeth, chewing it clean of its life and all its living things.

Until it was no more.

Leveled, smoothed as a highway is smoothed, its centuries choked beneath millions and millions of tons of hardened stone.

The birth of a city . . . It had become the death of a world.

And Richard Austin was its murderer.

As he traveled, he thought of the shaman, the half-naked toothless Bantu medicine man who had spoken for most of the tribes. "_You have killed us, and we could not stop you. So now we will wait, until you have made your city and others come to live here, Then YOU will know what it is to die_."

Bokawah, who lived in superst.i.tion and fear, whom civilization had pa.s.sed, along with the rest of his people. Who never spoke again after those words, and allowed himself to be moved to the wide iron plateau that had been built for the surviving natives.

Bokawah, the ignorant shaman, with his eternal smile. . . How distinct that smile was now!

The walkway shuddered, suddenly, and jarred to a noisy grinding stop. Austin pitched forward and grasped the railing in order to break his fall, Awareness of the silence came first. The eerie dead silence that hung like a pall. It meant that the central machines had ceased functioning. They had been designed to operate automatically and perpetually; it was unthinkable that these power sources could break down!

As unthinkable as the drums that murmured to life again beyond the stainless towers, so loud now in the silence, so real.

Austin gripped his pistol tightly and shook away the panic that had bubbled up like acid in his chest. It was merely that the power had gone off. Strike out impossible, insert improbable.

Improbabilities happen. The evil spirits do not summon them, they happen. Like strange diseases.

_I am fighting_, he thought, _a statistical paradox. That's all. A storage pike of coincidences. If Iwait_--he walked close to the sides of the buildings--_and fight, the graph will change. The curve will_ . .

The drums roared out a wave of scattered sound, stopped, began again . . .

He thought a bit further of charts; then the picture of Mag materialized, blocking out the thick ink lines, ascending and descending on their giant graphs.

Thinking wasn't going to help . . .

He walked on.

Presently, at the end of a curve in the city maze, the "village" came into view, suspended overhead like a gigantic jeweled spider. It thrust out cold light. It was silent.

Austin breathed deeply. By belt, his destination was only minutes away. But the minutes grew as he walked through the city, and when he had reached the lift, hot pains wrenched at his muscles. He stood by the crystal platform, working action back into numbed limbs.

Then he remembered the silence, the dead machines. If they were not functioning, then the elevator--.

His finger touched a b.u.t.ton, experimentally.

A gla.s.s door slid open with a pneumatic hiss.

He walked inside, and tried not to think as the door closed and the bullet-shaped lift began to rise.

Below, Mbarara grew small. The treated metals glowed in a dimming lace of light. And the city looked even more like the little clay model he had built with his hands.

At last, movement ceased. Austin waited for the door to slide open again, then he strode out onto the smooth floor.

It was very dark. The artificial torches did not even smolder: their stubs, he noticed, were blackened and cold.

But the gates to the village lay open.

He looked past the entrance into the frozen shadows.

He heard the drums, throbbing from within, loud and distinct. But--ordinary drums, whose sound-waves would dissipate before ever reaching the city below, He walked into the village.

The huts like gla.s.s blisters on smooth flesh, sat silent. Somehow, they were obscene in the dark, to Austin. Built to incorporate the feel and the atmosphere of their originals and yet to include the civilized conveniences; planned from an artistic as well as a scientific standpoint--they were suddenly obscene.

Perhaps, Austin thought, as he walked, perhaps there was something to what Barney had been saying . . - No--these people had elected to stay of their own free will. It would have been impossible to duplicate _exactly_ the montrous conditions under which they had lived. If not impossible, certainly wrong.

Let them wallow in their backward filth? In their disease and corruption, let them die--merely because their culture had failed to absorb scientific progress? No. You do not permit a man to leap off the top of a hundred-story building just because he has been trained to believe it is the only way to get to the ground floor--even though you insult him and blaspheme against his G.o.ds through your intervention.

You restrain him, at any cost. Then, much later, you show him the elevator, And because he is a man, with a brain no smaller than yours, he will understand. He will understand that a crushed superst.i.tion is better than a crushed head. And he will thank you, eventually.

That is logic.

Austin walked, letting these thoughts form a thick crust. He felt the slap of the pistol against his thigh and this, also, was comforting.

Where were they now? Inside the huts, asleep? All of them? Or had they, too, contracted the disease and begun to die of it? . - - Far ahead, at the clearing which represented the tip of the design, a glow of light appeared. As he approached, the drums grew louder, and other sounds--voices. How many voices? The air was at once murmurous and alive.He stopped before the clearing and leaned on the darkness and watched, Nearby a young woman was dancing. Her eyes were closed, tightly, and her arms were straight at her sides like black roots. She was in a state of possession, dancing in rhythm to the nearest drum. Her feet moved so fast they had become a blur, and her naked body wore a slick coat of perspiration.

Beyond the dancing woman, Austin could see the crowd, squatted and standing, swaying; over a thousand of them--surely every native in the village!

A clot of brown skin and bright white paint and brilliant feathers, hunched in the firelight.

An inner line of men sat over drums and hollow logs, beating these with their palms and with short sticks of wood. The sounds blended strangely into one--the one Austin had been hearing, it seemed, all his life.

He watched, fascinated, even though he had witnessed Bantu ceremonies countless times in the past, even though he was perfectly familiar with the symbols. The little leather bags of hex-magic: nail-filings, photographs, specks of flesh; the rubbing boards stained with fruit-skins; the piles of bones at the feet of the men--old bones, very brittle and dry and old.

Then he looked beyond the natives to the sensible clean crystal walls that rose majestically, cupping the area, giving it form.

It sent a chill over him.

He walked into the open.

The throng quieted, instantly, like a scream cut off. The dancers caught their balance, blinked, drew in breath. The others lifted their heads, stared.

All were turned to dark, unmoving wax.

Austin went past the gauntlet of eyes, to one of the painted men.

"Where is Bokawah?" he said loudly, in precise Swahili. His voice regained its accustomed authority. "Bokawah. Take me to him."

No one moved. Hands lay on the air inches above drums, petrified.

"I have come to talk!"

From the corner of his eyes, Austin felt the slight disturbance. He waited a moment, then turned.

A figured crouched beside him. A man, unbelievably old and tiny, sharp little bones jutting into loose flesh like pins, skin cross-hatched with a pattern of white paint, chalky as the substance some widows of the tribes wore for a year after the death of their mates. His mouth was pulled into a shape not quite a smile, but resembling a smile. It revealed hardened toothless gums.

The old men laughed, suddenly. The amulet around his chicken-neck bobbled. Then he stopped laughing and stared at Austin.

"We have been waiting," he said, softly. Austin started at the perfect English. He had not heard English for a long time; and now, coming from the little man . . . Perhaps Bokawah had learned it. Why not? "Walk with me, Mr. Austin."

He followed the ancient shaman, dumbly, not having the slightest idea why he was doing so, to a square of moist soil. It was surrounded by natives.

Bokawah looked once at Austin, then reached down and dipped his hands into the soil. The h.o.r.n.y fingers scratched away the top-dirt, burrowed in like thin, nervous animals, and emerged, finally, holding something.

Austin gasped. It was a doll.

It was Mag.

He wanted to laugh, but it caught in his throat. He knew how primitives would try to inflict evil upon an enemy by burying his effigy. As the effigy rotted symbolically, so would . . .

He s.n.a.t.c.hed the doll away from the old man. It crumbled in his hands.

"Mr. Austin," Bokawah said, "I'm very sorry you did not come for this talk long ago." The old man's lips did not move. The voice was his and yet not his.

Austin knew, suddenly, that he had not come to this place of his own accord. He had beensummoned.

The old man held a hyena's tail in his right hand. He waved this and a slight wind seemed to come up, throwing the flames of the fire into a neurotic dance.

"You are not convinced, even now, Mr. Austin. Aiii. You have seen suffering and death, but you are not convinced," Bokawah sighed. "I will try one last time." He squatted on the smooth floor, "When you first came to our country, and spoke your plans, I told you--even then--what must happen. I told you that this city must not be. I told you that my people would fight, as _your_ people would fight if _we_ were to come to your land and build jungles. But you understood nothing of what I said," He did not accuse; the voice was expressionless. "Now Mbarara lies silent and dead beneath you and still you do not wish to understand. What must we do, Mr. Austin? How shall we go about proving to you that this Mbarara of yours will _always_ be silent and dead, that your people will never walk through it?"

Austin thought of his old college friend Barney--and of what Barney had once told him. Staring at Bokawah, at this scrawny, painted savage, he saw the big Texan clearly and he remembered his wild undergraduate theories--exhuming the antique view of primitives and their religions, their magics.

"_Go on, pal, laugh at their tabus_," Barney, who was an anthropologist, used to be fond of saying, "_sneer, while you throw salt over your shoulder. Laugh at their manas, while you blab about our own 'geniuses'!_"

He had even gone beyond the point of believing that magic was important because it held together the fabric of culture among these natives, because it--and their religious superst.i.tions--gave them a rule for behavior, therefore, in most cases, happiness. He had even come to believe that native magic was just another method of arriving at physical truths.

Of course, it was all semantic nonsense, It suggested that primitive magic could lift a ship into s.p.a.ce or destroy disease or . . .

That had been the trouble with Barney. You could never tell when he was serious. Even a social anthropologist wouldn't go so far as to think there was more than one law of gravity.

"Mr. Austin, we have brought you here for a purpose. Do you know what that purpose is?"

"I don't know and I don't--"

"Have you wondered why you, alone, of all your people, have been spared? Then--listen to me, very carefully. Because if you do not, then what has happened in your new city is merely the beginning.

The winds of death will blow over Mbarara and it will be far more awful than what has been." The medicine man stared down at the scattered piles of bones. Panther bones, Austin knew--a divination device. Their position on the ground told Bokawah much about the white people.

"Go back to your chiefs. Tell them that they must forget this city. Tell them that death walks here and that it will always walk, and that their magic is powerful but not powerful enough. It cannot stand against the spirits from time who have been summoned to fight. Go and talk to your chiefs and tell them these things. Make them believe you. Force them to understand that if they come to Mbarara, they will die, in ways they never dreamed, of sickness, in pain, slowly. Forever."

The old man's eyes were closed. His mouth did not move at all and the voice was mechanical.

"Tell them, Mr. Austin, that at first you thought it was a strange new disease that struck the workers. But then remind them that your greatest doctors were powerless against the contagion, that it spread and was not conquered. Say these things. And, perhaps, they will believe you. And be saved."

Bokawah studied the panther bones carefully, tracing their arrangement.