'I will not make a scene,' he said at last.

'Father!'

'I will not make a scene, but I must do something.... I promise you that I will not make a scene, but I must go down to the drawing-room in these clothes. In these clothes,' he repeated. There was something in his look which conveyed a sense of the inevitable, and Agnes watched him descend the stairs. She followed slowly, catching at the banisters leaning against the wall. She noticed that his step was heavy and irresolute and hoped he would refrain. But he went on, step after step.

V.

He had intended to turn the entire crew out of the house; but Agnes had induced him to relinquish this idea, and, as no fresh idea had taken its place, he entered the drawing-room with no more than a vague notion that he should parade his old clothes, and reprove the conversation.

'Olive, I've come down for a cup of tea.'

'I don't mind giving you a cup,' said Mrs. Lahens, 'but I think you might have taken the trouble to change your clothes: that's hardly a costume to receive ladies in. Look at him, Lady Castlerich--that's what I've to put up with.'

'Lady Castlerich will excuse my clothes. You know, Lady Castlerich, that I'm very poor. Some years ago I lost my money, and since then I've been merely an expense. It is most humiliating to have to ask your wife for twopence to take the omnibus.'

'My dear Major,' said Harding, 'what on earth is the matter with you?

You've been working too hard.... But, by the way, I forgot to tell you I've just finished a novel which I shall be glad if you'll copy it for me. You haven't shown me your machine. Come.'

'I shall be very glad to have your work to do, Harding, but I can't talk to you about it just at present. You must excuse me, I've an explanation to make. Oh, do not think of going, dear Lady Castlerich, do not let my costume frighten you away. These are my working clothes.

The last money I took from my wife was sixteen pounds to buy a type- writing machine. I made five shillings last week, four shillings went towards paying for the machine. When I am clear of that debt I shall make enough to pay for my room and my meals. I had always intended then to put my house in order.'

'But, my dear Major,' said Lady Castlerich, trying to get past him, 'your house is charmin', the drawing-room is perfectly charmin', I don't know a more charmin' room.'

'The room is well enough, it is what one hears in the room.'

'Hears in the room! Major, I'm sure our conversation has been most agreeable.'

'You'll agree with me that it is a little hard that my daughter should have to sit in her bedroom all day.'

'But we should be charmed to have her here,' expostulated the old lady. 'She was here just now, but she ran away.'

'Yes; she ran away from the conversation.'

'Ran away from the conversation, Major! Now what were we talking about, Olive?'

'I don't know.... He's in one of his mad humours, pay no attention to him, Lady Castlerich,' said Mrs. Lahens.

'Perhaps you were talking about your lovers, Lady Castlerich,' said the Major.

'I'm sure I couldn't have been, for the fact is I don't remember.'

'I really must be going,' said Harding; 'goodbye, Mrs. Lahens. And now, Major, come with me and we'll talk about the typing of the novel.'

'Later on, Harding, later on, I've to speak about my daughter. There's so much she doesn't understand. You know, Lady Castlerich, she has been very strictly brought up.'

'How very strange. I must really be going. Good-bye, Major, charmin'

afternoon, I'm sure.'

'I hope,' he said, turning to Lilian, 'that I can congratulate you on your engagement?'

'My engagement. With whom.... Mr. St. Clare? What makes you think that? We are not engaged; we're merely friends.'

'It was given out that you were engaged. Mr. Harding said it was physically impossible for you to see more than you did of each other.'

'My dear Major,' said Harding, 'you're mistaken; I never said such a thing, I a.s.sure you--'

'Physically impossible,' giggled Lady Castlerich. 'That's good. But won't you see me to my carriage, Mr. Harding. Did you say physically impossible?'

The Major looked round, uncertain whom to address next. Catching Mr.

Moulton, who was stealing past him, by the arm, he said:

'You, too, understand how humiliating it is to be a mere expense. Why don't you buy a type-writing machine?'

'Perhaps I shall ... the first money I get,' Mr. Moulton answered, and disengaging his arm he hurried away, leaving the Major alone with his wife. She sat in her arm-chair looking into the fire. The Major waited, expecting her to speak, but she said not a word.

'I want to talk to you, Olive.'

'To hear what I have to say about your conduct, I suppose. I have nothing to say.'

'I'm not clever, like you, and don't say the right thing, but something had to be done, and I did it as best I could.'

'You're madder than I thought you were.'

'Something had to be done?'

'Something had to be done! What do you mean? But it doesn't matter.'

'Yes, it does, Olive. I want you to understand that Agnes must be saved.'

'Saved!'

'Yes, saved from this drawing-room; you know that it is a pollution for one like her.'

'I remember,' said Mrs. Lahens, turning suddenly, 'that you said something about putting your house in order. I didn't understand what you meant. Did you mean this house?'

'Yes.'

'But you forget that this is my house. So you intend to rescue Agnes from this drawing-room. You can go, both of you.... I'll have both of you put out of doors!'

'You'll not turn your daughter out of doors!'

'If my drawing-room is not good enough for her, let her go back to the convent. You took her from me years ago; you never thought I was good enough for your daughter.'

'There was Chadwick. I begged of you to break with him for the sake of your daughter. You might have done that. I made sacrifices for her; I endured this house; I accepted your lover.'