"I know you do," he answered softly.

She looked at him again, and she liked him better than ever before, and pitied him sincerely. She had discovered that with all his faults he was not a bad man, as men go, for she did not know of that one deed of his youth which to her would have seemed a monstrous crime of sacrilege, beyond all forgiveness on earth or in heaven.

Then she began to speak of other things, for her own words, and his, had gone too near her heart, and presently he left her and strolled homeward through the sunny streets. He walked slowly and thoughtfully, unconscious of the man in a blue jacket with silver b.u.t.tons, who followed him and watched him with keen, unwinking eyes set under heavy brows.

But Stefanone was growing impatient, and his knife was every day a little sharper as he whetted it thoughtfully upon a bit of smooth oilstone which he carried in his pocket. Would the Englishman ever turn down into some quiet street or lane where no one would be looking? And Stefanone's square face grew thinner and his aquiline features more and more eagle-like, till the one-eyed cobbler noticed the change, and spoke of it.

"You are consuming yourself for some female," he said. "You have white hair. This is a shameful thing."

But Stefanone laughed, instead of resenting the speech--a curiously nervous laugh.

"What would you have?" he replied. "We are men, and the devil is everywhere."

As he sat on the doorstep by the cobbler's bench, which was pushed far forward to get the afternoon light, he took up the short sharp shoemaker's knife, looked at it, held it in his hands and pared his coa.r.s.e nails with it, whistling a little tune.

"That is a good knife," he observed carelessly.

The cobbler looked up and saw what he was doing.

"Black soul!" he cried out angrily. "That is my welt-knife, like a razor, and he pares his hoofs with it!"

But Stefanone dropped it into the little box of tools on the front of the bench, and whistled softly.

"You seem to me a silly boy!" said the cobbler, still wrathful.

"Apoplexy, how you talk!" answered Stefanone. "But I seem so to myself, sometimes."

CHAPTER XLIV.

THE life of Paul Griggs was not less lonely than it had been before the day on which he had received and read Gloria's letters to Reanda, but it was changed. Everything which had belonged to the dead woman was gone from the room in which he sat and worked as usual. Even the position of the furniture was changed. But he worked on as steadily as before.

Outwardly he was very much the same man as ever. Any one who knew him well--if such a person had existed--would have seen that there was a little difference in the expression of his impa.s.sive face. The jaw was, if possible, more firmly set than ever, but there was a line in the forehead which had not been there formerly, and which softened the iron front, as it were, with something more human. It had come suddenly, and had remained. That was all.

But within, the difference was great and deep. He felt that the man who sat all day long at the writing-table doing his work was not himself any longer, but another being, his double and shadow, and in all respects his slave, except in one.

That other man sometimes paused in his work, fingering the pen unconsciously, as men do who hold it all day long, and thinking of Gloria with an expression of horror and suffering in his eyes. But he, the real Paul Griggs, never thought of her. The link was broken, the thread that had carried the message of dead love between him and the lonely grave beyond Subiaco was definitely broken. Stefanone came to receive the small sum which Griggs paid him monthly for his care of the place, and Griggs paid him as he would have paid his tailor, mechanically, and made a note of the payment in his pocket-book. When the man was gone, Griggs felt that his double was staring at the wall as a man stares at the dark surface of the pool in which the thing he loves has sunk for the last time.

It was always the other self that felt at such moments. He could abstract himself from it, and feel that he was watching it; he could direct it and make it do what he pleased; but he could neither control its thoughts nor feel any sympathy for them. Until the fatal day, the world had all been black to him; only by closing his eyes could he bring into it the light that hovered about a dead woman's face.

But now the black was changed to a flat and toneless white in which there was never the least variation. Life was to him a vast blank, in which, without interest or sensation, he moved in any direction he pleased, and he pleased that it should be always the same direction, from the remembrance of a previous intention and abiding principle. But it might as well have been any other, backwards, or to right or left. It was all precisely the same, and it was perfectly inconceivable to him that he should ever care whether in the endless journey he ever came upon a spot or point in the blank waste which should prove to him that he had moved at all. Nothing could make any difference. He was beyond that state in which any difference was apprehensible between one thing and another.

His double had material wants, and was ruled by material circ.u.mstances.

His double was a broken-hearted creature, toiling to make money for a little child to which it felt itself bound by every responsibility which can bind father to son; acknowledging the indebtedness in every act of its laborious life, denying itself every luxury, and almost every comfort, that there might be a little more for the child, now and in time to come; weary beyond earthly weariness, but untiring in the mechanical performance of its set task; fatally strong and destined, perhaps, to live on through sixty or seventy years of the same unceasing toil; fatally weak in its one deep wound, and horribly sensitive within itself, but outwardly expressionless, strong, merely a little more pale and haggard than Paul Griggs had been.

This was the being whom Paul Griggs employed, as it were, to work for him, which he thoroughly understood and could control in every part except in its thoughts, and they were its own. But he himself existed in another sphere, in which there were neither interests nor responsibilities, nor landmarks, nor touches of human feeling, neither memories for the dead nor hopes for the living; in which everything was the same, because there was nothing but a sort of universal impersonal consciousness, no more attached to himself than to the beings he saw about him, or to that particular being which was his former self,--in which he chose to reside, merely because he required a bodily evidence of some sort in order to be alive--and there was no particular reason why he should not be alive. He therefore did not cease to live, but a straw might have turned the balance to the side of death.

It was certainly true that, so far as it could be said that there was any link between him and humanity, it lay in the existence of the little boy beyond the water. But it would have been precisely the same if little Walter Crowdie had died. He did not wish to see the child, for he had no wishes at all. Life being what it was, it would be very much better if the child were to die at once. Since it happened to be alive, he forced his double to work for it. It was no longer any particular child so far as he himself was concerned. It belonged to his double, which seemed to be attached to it in an unaccountable way and did not complain at being driven to labour for it.

At certain moments, when he seemed to have got rid of his double altogether for a time, a question presented itself to his real self. The question was the great and old one--What was it for? And to what was it tending? Then the people he saw in the streets appeared to him to be very small, like ants, running hither and thither upon the ant-hill and about it, moved by something which they could not understand, but which made them do certain things with an appearance of logical sequence, just as he forced his double to work for little Walter Crowdie from morning till night. So the people ran about anxiously, or strolled lazily through the hours, careful or careless, as the case might be, but quite unconscious that they were of no consequence and of no use, and that it was quite immaterial whether they were alive or dead. Most of them thought that they cared a good deal for life on the whole, and that it held a mult.i.tude of pleasant and interesting things to be liked and sought, and an equal number of unpleasant and dangerous things to be avoided; all of which things had no real existence whatever, as the impersonal consciousness of Paul Griggs was well aware. He watched the people curiously, as though they merely existed to perform tricks for his benefit. But they did not amuse him, for nothing could amuse him, nor interest him when he had momentarily got rid of his double, as sometimes happened when he was out of doors.

One day, the month having pa.s.sed again, Stefanone came for his money. It was very little, and the old peasant would willingly have undertaken that the work should be done for nothing. But he was interested in Paul Griggs, and he was growing very impatient because he could not get an opportunity of falling upon Lord Redin in a quiet place. He had formed a new plan of almost childlike simplicity. When Griggs had paid him the money, he lingered a moment and looked about the room.

"Signore, you have changed the furniture," he observed. "That chair was formerly here. This table used to be there. There are a thousand changes."

"Yes," said Griggs, taking up his pen to go on with his work. "You have good eyes," he added good-naturedly.

"Two," a.s.sented Stefanone; "each better than the other. For instance, I will tell you. When that chair was by the window, there was a little table beside it. On the table was the work-basket of your poor Signora, whom may the Lord preserve in glory! Is it truth?"

"Yes," answered Griggs, with perfect indifference. "It is quite true."

The allusion did not pain him, the man who was talking with Stefanone.

It would perhaps hurt the other man when he thought of it later.

"Signore," said Stefanone, who evidently had something in his mind, "I was thinking in the night, and this thought came to me. The dead are dead. Requiescant! It is better for the living to live in holy peace.

You never see the father of the Signora. There is bad blood between you.

This was my thought--let them be reconciled, and spend an evening together. They will speak of the dead one. They will shed tears. They will embrace. Let the enmity be finished. In this way they will enjoy life more."

"You are crazy, Stefanone," answered Griggs, impatiently. "But how do you know who is the father of the Signora?"

"Every one knows it, Signore!" replied the peasant, with well-feigned sincerity. "Every one knows that it is the great English lord who lives at the hotel in the Piazza di Spagna this year. Signore, I have said a word. You must not take it ill. Enmity is bad. Friendship is a good thing. And then it is simple. With maccaroni one makes acquaintance again. There is the Falcone, but it would be better here. We will cook the maccaroni in the kitchen; you will eat on this table. What are all these papers for? Study, study! A dish of good paste is better, with cheese. I will bring a certain wine--two flasks. Then you will be friends, for you will drink together. And if the English lord drinks too much, I will go home with him to the hotel in the Piazza di Spagna. But you will only have to go to bed. Once in a year, what is it to be a little gay with good wine? At least you will be good friends. Then things will end well."

Griggs looked at Stefanone curiously, while the old peasant was speaking, for he knew the people well, and he suspected something though he did not know what to think.

"Perhaps some day we may take your advice," he said coldly. "Good morning, Stefanone; I have much to write."

"I remove the inconvenience," answered Stefanone, in the stock Italian phrase for taking leave.

"No inconvenience," replied Griggs, civilly, as is the custom. "But I have to work."

"Study, study!" grumbled Stefanone, going towards the door. "What does it all conclude, this great study? Headache. For a flask of wine you have the same thing, and the pleasure besides. It is enough. Signore,"

he added, reluctantly turning the handle, "I go. Think of what I have said to you. Sometimes an old man says a wise word."

He went away very much discontented with the result of the conversation.

His mind was a medley of cunning and simplicity backed by an absolutely unforgiving temper and great caution. His plan had seemed exceedingly good. Lord Redin and Griggs would have supped together, and the former would very naturally have gone home alone. Stefanone was oddly surprised that Griggs should not have acceded to the proposition at once, though in reality there was not the slightest of small reasons for his doing so.

It was long since anything had happened to rouse Griggs into thinking about any individual human being as anything more than a bit of the world's furniture, to be worn out and thrown away in the course of time, out of sight. But something in the absolutely gratuitous nature of Stefanone's advice moved his suspicions. He saw, with his intimate knowledge of the Roman peasant's character, the whole process of the old wine-seller's mind, if only, in the first place, the fellow had the desire to hara.s.s Dalrymple. That being granted, the rest was plain enough. Dalrymple, if he really came to supper with Griggs, would stay late into the night and finish all the wine there might be. On his way home through the deserted streets, Stefanone could kill him at his leisure and convenience, and n.o.body would be the wiser. The only difficulty lay in establishing some sufficient reason why Stefanone should wish to kill him at all, and in this Griggs signally failed, which was not surprising.

All at once, as generally happened now, he lost all interest in the matter and returned to his work; or rather, to speak as he might have spoken, he set his mechanical self to work for him, while his own being disappeared in blank indifference and unconsciousness. But on the following day, which chanced to be a Sunday, he went out in the morning for a walk. He rarely worked on Sundays, having long ago convinced himself that a day of rest was necessary in the long run.

As he was coming home, he saw Lord Redin walking far in front of him down the Corso, easily recognizable by his height and his loose, swinging gait. Griggs had not proceeded many steps further when Stefanone pa.s.sed him, walking at a swinging stride. The peasant had probably seen him, but chose to take no notice of him. Griggs allowed him to get a fair start and then quickened his own pace, so as to keep him in view. Lord Redin swung along steadily and turned up the Via Condotti. Stefanone almost ran, till he, too, had turned the corner of the street. Griggs, without running, nearly overtook him as he took the same turn a moment later.

It was perfectly clear that Stefanone was d.o.g.g.i.ng the Scotchman's steps. The latter crossed the Piazza di Spagna, and entered the deep archway of his hotel. The peasant slackened his speed at once and lounged across the square towards the foot of the great stairway which leads up to the Trinita de' Monti. Griggs followed him, and came up with him just as he sat down upon a step beside one of the big stone posts, to take breath and light his pipe. The man looked up, touched his hat, smiled, and struck a sulphur match, which he applied to the tobacco in the red clay bowl before the sulphur was half burned out, after the manner of his kind.

"You have taken a walk, Signore," he observed, puffing away at the willow stem and watching the match.