[Ill.u.s.tration:

"Fire and sleet and candle-light; And Christ receive thy soul."

--Vol. I., p. 324.]

"Dreams? Yes. There will be dreams there. Dreams, and other things--'this ae night of all.' Not that my reason admits that they can be more than dreams, you know, Griggs. Reason says 'to sleep--no more.'

And fancy says 'perchance to dream.' Well, well, it will be a long dream, that's all."

"Yes. We shall be dead a long time. Better drink now." And Griggs drank.

"'Fire and sleet and candle-light, And Christ receive thy soul;'"

said Dalrymple, with a far-away look in his pale eyes. "Do you know the Lyke-Wake Dirge, Griggs? It is a grand dirge. Hark to the swing of it.

"'This ae night, this ae night, Every night and all, Fire and sleet and candle-light, And Christ receive thy soul.'"

He repeated the strange words in a dull, matter-of-fact way, with a Scotch accent rarely perceptible in his conversation. Griggs listened.

He had heard the dirge before, with all its many stanzas, and it had always had an odd fascination for him. He said nothing.

"It bodes no good to be singing a dirge at a betrothal," said the Scotchman, suddenly. "Drink, man, drink! Drink till the blue devils fly away. Drink--

"'Till a' the seas gang dry, my love, Till a' the seas gang dry.'

Not that it is in the disposition of the Italian inn-keeper to give us time for that," he added drily. "As I was saying, I am of a melancholic temper. Not that I take you for a gay man yourself, Griggs. Drink a little more. It is my opinion that a little more will produce an agreeable impression upon you, my young friend. Drink a little more. You are too grave for so very young a man. I should not wish to be indiscreet, but I might almost take you for a man in love, if I did not know you better. Were you ever in love, Griggs?"

"Yes," answered Griggs, quietly. "And you, Dalrymple? Were you never in love?"

Dalrymple's loosely hung shoulders started suddenly, and his pale blue eyes set themselves steadily to look at Griggs. The red brows were s.h.a.ggy, and there was a bright red spot on each cheek bone. He did not answer his companion's question, though his lips moved once or twice as though he were about to speak. They seemed unable to form words, and no sound came from them.

His anger was near, perhaps, and with another man it might have broken out. But the pale and stony face opposite him, and the deep, still eyes, exercised a quieting influence, and whatever words rose to his lips were never spoken. Griggs understood that he had touched the dead body of a great pa.s.sion, sacred in its death as it must have been overwhelming in its life. He struck another subject immediately, and pretended not to have noticed Dalrymple's expression.

"I like your queer old Scotch ballads," he said, humouring the man's previous tendency to quote poetry.

"There's a lot of life in them still," answered Dalrymple, absently twisting his empty gla.s.s.

Griggs filled it for him, and they both drank. Little by little the Italians had begun to go away. Giulio, the fat, white-jacketed drawer, sat nodding in a corner, and the light from the high lamp gleamed on his smooth black hair as his head fell forward.

"There is a sincere vitality in our Scotch poets," said Dalrymple, as though not satisfied with the short answer he had given. "There is a very notable power of active living exhibited in their somewhat irregular versification, and in the concatenation of their ratiocinations regarding the three princ.i.p.al actions of the early Scottish life, which I take to have been birth, stealing, and a violent death."

"'But of these three charity is the greatest,'" observed Griggs, with something like a laugh, for he saw that Dalrymple was beginning to make long sentences, which is a bad sign for a Scotchman's sobriety.

"No," answered Dalrymple, with much gravity. "There I venture--indeed, I claim the right--to differ with you. For the Scotchman is hospitable, but not charitable. The process of the Scotch mind is unitary, if you will allow me to coin a word for which I will pay with my gla.s.s."

And he forthwith fulfilled the obligation in a deep draught. Setting down the tumbler, he leaned back in his chair and looked slowly round the room. His lips moved. Griggs could just distinguish the last lines of another old ballad.

"'Night and day on me she cries, And I am weary of the skies Since--'"

He broke off and shook himself nervously, and looked at Griggs, as though wondering whether the latter had heard.

"This wine is good," he said, rousing himself. "Let us have some more.

Giulio!"

The fat waiter awoke instantly at the call, looked, nodded, went out, and returned immediately with another bottle.

"Is this the sixth or the seventh?" asked Dalrymple, slowly.

"Eight with Signor Reanda's," answered the man. "But Signor Reanda paid for his as he went out. You have therefore seven. It might be enough."

Giulio smiled.

"Bring seven more, Giulio," said the Scotchman, gravely. "It will save you six journeys."

"Does the Signore speak in earnest?" asked the servant, and he glanced at Griggs, who was impa.s.sive as marble.

"You flatter yourself," said Dalrymple, impressively, to the man, "if you imagine that I would make even a bad joke to amuse you. Bring seven bottles." Giulio departed.

"That is a Homeric order," observed Griggs.

"I think--in fact, I am almost sure--that seven bottles more will produce an impression upon one of us. But I have a decidedly melancholic disposition, and I accustomed myself to Italian wine when I was very young. Melancholy people can drink more than others. Besides, what does such a bottle hold? I will show you. A tumbler to you, and one to me.

Drink; you shall see."

He emptied his gla.s.s and poured the remainder of the bottle into it.

"Do you see? Half a tumbler. Two and a half are a bottle. Seven bottles are seventeen and a half gla.s.ses. What is that for you or me in a long evening? My blue devils are large. It would take an ocean to float them all. I insist upon going to bed in a good humour to-night, for once, in honour of my daughter's engagement. By the bye, Griggs, what do you think of Reanda?"

"He is a first-rate artist. I like him very well."

"A good man, eh? Well, well--from the point of view of discretion, Griggs, I am doing right. But then, as you may very wisely object, discretion is only a point of view. The important thing is the view, and not the point. Here comes Ganymede with the seven vials of wrath! Put them on the table, Giulio," he said, as the fat waiter came noiselessly up, carrying the bottles by the necks between his fingers, three in one hand and four in the other. "They make a fine show, all together," he observed thoughtfully, with his bony head a little on one side.

"And may G.o.d bless you!" said Giulio, solemnly. "If you do not die to-night, you will never die again."

"I regard it as improbable that we shall die more than once," answered Dalrymple. "I believe," he said, turning to Griggs, "that when men are drunk they make mistakes about money. We will pay now, while we are sober."

Griggs insisted on paying his share. They settled, and Giulio went away happy.

The two strong men sat opposite to each other, under the high lamp in the small room, drinking on and on. There was something terrifying in the Scotchman's determination to lose his senses--something grimly horrible in the younger man's marble impa.s.siveness, as he swallowed gla.s.s for gla.s.s in time with his companion. His face grew paler still, and colder, but there was a far-off gleaming in the shadowy eyes, like the glimmer of a light over a lonely plain through the dark.

Dalrymple's spirits did not rise, but he talked more and more, and his sentences became long and involved, and sometimes had no conclusion. The wine was telling on him at last. He had never been so strong as Griggs, at his best, and he was no match for him now. The younger man's strangely dual nature seemed to place his head beyond anything which could affect his senses.

Dalrymple talked on and on, rambling from one subject to another, and not waiting for any answer when he asked a question. He quoted long ballads and long pa.s.sages from Shakespeare, and then turned suddenly off upon a scientific subject, until some word of his own suggested another quotation.

Griggs sat quietly in his seat, drinking as steadily, but paying little attention now to what the Scotchman said. Something had got hold of his heart, and was grinding it like grain between the millstones, grinding it to dust and ashes. He knew that he could not sleep that night. He might as well drink, for it could not hurt him. Nothing material had power to hurt him, it seemed. He felt the pain of longing for the utterly unattainable, knowing that it was beyond him forever. The widowhood of the unsatisfied is h.e.l.l, compared with the bereavement of complete possession. He had not so much as told Gloria that he had loved her. How could he, being but one degree above a beggar? The unspoken words burned furrows in his heart, as molten metal scores smoking channels in living flesh. Gloria would laugh, if she knew. The torture made his face white. There was the scorn of himself with it, because a mere child could hurt him almost to death, and that made it worse. A mere child, barely out of the schoolroom, petulant, spoiled, selfish!

But she had the glory of heaven in her voice, and in her face the fatal beauty of her dead mother's deadly sin. He need not have despised himself for loving her. Her whole being appealed to that in man to which no woman ever appealed in vain since the first Adam sold heaven to Satan for woman's love.

Dalrymple, leaning on his elbow, one hand in his streaked beard, the other grasping his gla.s.s, talked on and quoted more and more.

"'The flame took fast upon her cheek, Took fast upon her chin, Took fast upon her fair body Because of her deadly sin.'"

His voice dropped to a hoa.r.s.e whisper at the last words, and suddenly, regardless of his companion, his hand covered his eyes, and his long fingers strained desperately on his bony forehead. Griggs watched him, thinking that he was drunk at last.