"Show me one."
Becky and Reggie ran downstairs to their father's library with Eliza on their heels. They pointed to a simple, decorative iron grate set along the floor at the base of a wall full of bookshelves.
"See?" Reggie said. "There's one."
Eliza examined the grate standing up, but saw nothing that indicated anything was on the other side. "Are you certain? I don't see anything."
"You have to get closer," Becky said.
Eliza dropped to her hands and knees. Within an inch of the grate she felt a draft and inhaled the same stale, moldy odor she had smelled through the panel upstairs.
"Where does this passageway go?" she asked.
"They are all connected," Reggie said. "Like a honeycomb inside the Abbey. Upstairs and down, from one wing to the other."
Eliza thought of the ghosts haunting the Abbey. Not ghosts at all, she realized, but real human voices-the sound perhaps distorted by distance-carried through these passageways from one room to the next. "These passageways must have been used once upon a time to eavesdrop," she mused aloud.
Reggie and Becky settled on the floor beside Eliza. "Father said the monks who built the Abbey must not have trusted each other very much."
Eliza smiled ruefully. "I never thought of that."
Fenwick appeared at the door to the library and cleared his throat.
Eliza jumped up and hurriedly began brushing the dust off her dress and the twins' shifts, as they rose beside her. She would have to get the maids to do a better job in here. "Yes, Fenwick? What is it?"
Fenwick pretended not to notice anything amiss. "Yer aunt has arrived, Yer Grace. I've arranged for her things to be taken upstairs to the room next to yers. She's waitin' on ye in the drawing room."
"Would you like to meet my aunt?" she asked the twins.
"We saw her at the wedding," Reggie said unenthusiastically.
"Please come," Eliza urged. "I think you will get along famously with each other." She took the twins' hands and led them out the door. "Aunt Lavinia cannot see," she began.
"At all?" Reggie asked, dumbfounded.
Eliza shook her head. "The one thing you must always remember when you are with Aunt Lavinia is ..."
The rest of the afternoon with her aunt and the twins was one of the most pleasant Eliza had ever spent. The twins loved trying to trick Aunt Lavinia in a game of hide-and-seek. She amazed them-and sometimes Eliza-with her ability to find them without ever leaving her chair.
Eliza enjoyed the day as best she could, knowing that when darkness fell, she would have to confront the Beast.
He had said she was not his whore. That it was a game she played. But he had commanded Griggs to turn her away, confirming she had no purpose except as his consort at night.
After supper, after the children had been tucked into bed, and she had assured herself that her aunt was comfortable, Eliza went to her bedroom and changed into a concealing nightgown. She was unwilling to take the chance that her husband would ask her to disrobe for him again. She crept down the stairs, with a candle to keep the dark at bay, and made her way to the east wing.
Griggs led her to the Beast's bedroom, held open the door for her to enter, and said, "His Grace will join you shortly."
The first thing Eliza looked for when she entered the bedroom was an iron grate, similar to the one in the library. She found two, not more than a foot wide, running floor to ceiling on either side of the thronelike chair. If only she had the courage to go into the passageway, she might catch the Beast unaware and see his face for herself.
Paralyzing terror rose in her breast at the thought of entering that dark abyss. She shook her head to free herself from the memory. She would never go in there again.
At least the search for a grate had helped to fill the time she waited for Marcus. She paced the room, becoming more and more nervous. She sat in the thronelike chair, paced, then sat again.
But he never came.
Eliza had made up her mind to leave when she noticed moonlight streaming through tiny holes in the black curtains. They were not as new as she had first thought. The velvet was riddled with tiny moth holes.
She shoved the worn velvet aside and looked out onto a neglected garden. She could see the barn in the distance. And on a far hillock, a ghostly white horse, ridden by a man dressed all in black.
Eliza left the Beast's bedroom on the run, headed for the barn. If she could only get there before he returned, she could hide herself and perhaps catch the Beast without his hood. She was barefoot, but she did not want to take the time to go up to her room for slippers, for fear she would miss him.
The grass was soft under her feet and wet with dew. Goose bumps rose on her arms, from the cold or the damp ... or the dark. She shivered, pulled up her gown to keep the hem from getting soaked, and raced through the cool night air.
But as fast as she ran, it was not fast enough. The Beast was there before her. She hesitated behind a lilac bush, watching as he led the immense white horse inside.
He was wearing his cloak and hood. She could see nothing of his face.
Eliza knew she should return to the house before the Beast caught her spying on him. But perhaps it was better-if she planned to raise her voice-to do it here, rather than in the Abbey, where the sound might carry through the grates to some other part of the house.
The Beast must have left his horse for the groom to tend, because he appeared moments later carrying something in his arms. It took a moment for her to realize it was a child.
Becky must also have seen her uncle riding, gone to wait for him at the stable, and fallen sound asleep. She had been right. It was her uncle who carried her back to her room at night and put her in bed.
Marcus was not uncaring, Eliza realized. Merely unwilling to have his daughters shrink from him in horror if they saw his face.
But she must see it. Would see it. She could see it, Eliza realized, if she confronted him now. There was no way he could stop her from removing the hood while he was holding Becky in both arms. He could not very well drop the child, and if she was quick enough ...
Eliza waited breathlessly until Marcus had reached the spot where she was hiding and stepped out directly in front of him.
"Hello, Marcus."
He froze. His features were well hidden by the hood.
Eliza knew she should do it now, before he suspected what she was about, but her courage failed her.
You must do it. Everything depends on your fortitude. Whatever is there, you can hear it. Must hear it.
But not yet, she thought. When I have said what must be said, then I will do it.
"I don't care much for the terms of our marriage so far," she said baldly. "I needed to speak with you today, but Griggs turned me away."
"He was obeying my orders."
"What if I had needed you for something important?" she demanded.
"Was it important?"
"Did you know your brother may be alive?"
"Griggs told me there is a chance Alastair is in Scotland, at Blackthorne Hall. So you see, there was no need after all for you to see me."
Eliza blew out a breath of air. "Is this really what you want, Marcus? Is there no other way we can arrange to live together?"
He shook his head.
Eliza made her move.
Marcus was apparently so stunned that she would dare to remove his hood, that the deed was done before he could back away. Suddenly his head was bare.
And she could see his face.
Chapter 19.
Eliza fought not to cry out. The scars were not as terrible as she had expected. But the damage was not as little as she had hoped.
"You have what you wanted," Marcus snarled. "Are you satisfied?"
She swallowed hard, forcing herself to look at him. With the moonlight at his back, she could not see enough of his features to get more than an impression of disfigurement.
"You need a shave, Marcus," she said as calmly as she could. "I cannot find your face for all the hair growing on it."
"There is a reason I do not shave," he said, his body rigid with tension, his voice hoarse with rage.
She fought to keep her gaze even with eyes that threatened violence. "I brought a looking glass with me to your bedroom tonight."
"I do not wish to see myself."
"Shall I describe what I see for you?" Before he could object, she said, "An unkempt head of hair. A beard that has grown wild. Two gleaming eyes. An aristocratic nose. I believe there must be a mouth beneath the beard, but I cannot see it."
She swallowed and said, "Your left eye is webbed with scars at the far edge near your temple, and your eyebrow is divided by the same line that travels down your cheek to separate your beard. Coincidentally, it is not much wider than the blade of a saber.
"I would say the scar also cuts through the edge of your mouth. But it has not affected your speech that I can hear. Or any other use to which you have put your mouth," she said quietly.
She was remembering all the things he had done to her with his mouth the night past. And done very well.
"I have seen your face, Marcus," Eliza said. "And I have not fled screaming in terror."
"It is dark. You cannot see it as it really is!"
"You are no monster, Marcus. Only a very foolish and frightened man." Eliza turned to leave.
"I expect to find you waiting for me," he said, "after I have put Becky to bed."
She glanced at him over her shoulder. "And if I am not?"
"I will come and get you."
Marcus felt confused, and as frightened as Eliza had accused him of being. She had challenged everything he had believed about himself for the past year. Was it possible the wounds had healed looking less terrible than when he had last seen them? Griggs had told him as much, but the sergeant was used to seeing desecrated bodies.
Marcus was afraid to hope, afraid to believe that he might be able to move again in Society, or at least among his household servants, without them shrinking from him.
He shifted Becky in his arms, trying to relieve the pressure on his clawlike hand and headed for the Abbey. He had felt the familiar tension building in the hand late in the afternoon and known what was coming. The cramps began as muscle twitches. The muscles steadily tightened over the next several hours until the wrenching spasms began. When the agony became unbearable, he drank himself into oblivion.
He had gone riding soon after sundown in the hope that if he refused to acknowledge the pain, it would go away. Marcus had not realized how long he had been running from the inevitable, until Eliza confronted him at the stable. Under the circumstances, it had been insane to order his wife to be waiting for him in his bedroom. Rather, he should have sent her away and ordered a bottle of brandy from Griggs.
But after seeing her barefoot, her hair flowing down her back in the moonlight, her nipples poking at the thin cloth, he had wanted her badly enough to deny the pain. He would take her quickly, he decided, push her and himself to the heights of ecstasy, where the pain could not follow, then send her away before the shrieking muscles unmanned him.
On his way up the stairs to her bedroom, he shifted Becky again, accidentally waking her. He tensed, remembering that his hood no longer concealed his face.
"Father?" she asked groggily.
He realized she was still half asleep, and the hall was too dark for her to see him. "No, Becky. It is Uncle Marcus."
She snuggled against him trustingly. "I dreamed you were Father," she mumbled.
He waited for her to say more, but she had fallen back asleep. He was glad, because he had no way of getting her to bed except through the lighted doorway.
He walked as quietly as he could across the bedroom and laid her gently on the bed beside Reggie who was sprawled out in the middle. He slipped Becky's feet under the covers and pulled the sheet and coverlet up over her.
When he leaned over to kiss Becky on the forehead, he realized that Reggie's eyes were open. And that she was staring at him with wide-eyed horror.
He quickly yanked the hood up over his face, blew out the candle, and whirled, cloak flying, to leave the room.
The sound of Reggie screaming ... and screaming ... and screaming ... followed him down the stairs all the way to the east wing. He was trembling, his heart pounding, when Griggs met him there.
"See to the children, Griggs." He met the sergeant's eyes and said, "Reggie saw my face."
Marcus headed down the hallway toward his bedroom more furious with Eliza than he had been when she exposed his face in the moonlight. She had lied to him. Told him his face was bearable. Allowed him to hope.
He slammed open his bedroom door and found her bent over a black kettle set on a hob over the fire. Too many candles, he thought. Too much light. She would see his face.
And then he did not care. He saw her and wanted her and nothing else mattered.
She rose quickly and smoothed her gown over her belly and hips, revealing even more of her body than she had in the moonlight.
"Get in bed," he said. "Now."
"No. Not until you shave. I have warmed water over the fire-"
He reached her in two strides, grabbed her by the hair, and dragged her to the bed. He mantled her struggling body with his own, using his legs to force hers wide. As she bucked against him, he settled his engorged shaft in the cradle of her thighs.