Evelyn went to the looking-gla.s.s and removed her hat, and readjusted her flying hair around her glowing face. She did not notice her sister's pallor and expression of shock, almost of horror, but Aunt Maria did. Finally she spoke.

"What on earth ails you, Maria Edgham?" she said, harshly. When Aunt Maria was anxious, she was always harsh, and seemed to regard the object of her solicitude as a culprit.

Evelyn turned abruptly and saw her sister's face, then she ran to her and threw her arms around her neck and pulled her head against her shoulder. "What is it? What is it?" she cried, in her sobbing, emotional voice, which any stress aroused.

Maria raised her head and pushed Evelyn gently away. "Nothing whatever is the matter, dear," she said, firmly, and took up her work again.

"Folks don't turn as white as sheets if nothing is the matter," said Aunt Maria, still in her harsh, accusing voice. "I want to know what is the matter. Did your dinner hurt you? You ate that lemon-pie."

"I feel perfectly well, Aunt Maria," replied Maria, making one of her tremendous efforts of will, which actually sent the color back to her face. She smiled as she spoke.

"You do look better," said Aunt Maria doubtfully.

"Yes, you do," said Evelyn.

"Maybe it was the light," said Aunt Maria in a rea.s.sured tone.

"There isn't much light to see to sew by, I know that," Maria said in an off-hand tone. "I believe I will take a little run down to the post-office for the night mail. Evelyn, you can help Aunt Maria get supper, can't you, dear?"

"Of course I can," said Evelyn. "But are you sure you are well enough to go alone?"

"Nonsense!" said Maria, rising and folding her work.

"Do you think anything is the matter with sister?" Evelyn asked Aunt Maria after Maria had gone.

"Don't ask me," replied Aunt Maria curtly.

"Aunt Maria!"

"Well?"

"Professor Lane isn't married. You don't suppose sister--"

"What a little goose you are, Evelyn Edgham!" cried Aunt Maria, almost fiercely turning upon her. "Do you suppose if Maria Edgham had wanted any man she couldn't have got him?"

"I suppose she could," said Evelyn meekly. "And I know Professor Lane is so much older, but he always seemed to like sister, and I didn't know but she felt badly because he was so ill."

"Stuff!" said Aunt Maria. "Come, you had better set the table. I have got to make some biscuits for supper. They won't be any more than done by the time Maria gets back."

"Did you think she looked so very pale?" asked Evelyn, following her aunt out of the room.

"No, I didn't think she looked pale at all when I came to look at her," said Aunt Maria, sharply. "She looked just as she always does.

It was the light."

Aunt Maria unhesitatingly lied. She knew that her niece had been pale, and she believed that it was on account of Professor Lane. She thought to herself what fools girls were. There Maria had thrown away such a chance as George Ramsey, and was very likely breaking her heart in secret over this consumptive, old enough to be her father.

Evelyn also believed, in her heart of hearts, that her sister was in love with Professor Lane, but she took a more sentimental view of the matter. She was of the firm opinion that love has no age, and then Professor Lane had never seemed exactly old to her, and he was a very handsome man. She thought of poor Maria with the tenderest pity and sympathy. It almost seemed to her that she herself was in love with Professor Lane, and that his going so far away to recover his health was a cruel blow to her. She thought of poor Maria walking to the post-office and brooding over her trouble, and her tender heart ached so hard that it might have been Maria's own.

But Maria, walking to the post-office, realized not so much an ache in her heart as utter horror and terror. She asked herself how could she possibly continue teaching in that school if Wollaston Lee were princ.i.p.al; how could she endure the daily contact with him which would be inevitable. She wondered if he could possibly have known that she was teaching in that school when he accepted the position.

Such a deadly fear was over her that her cla.s.s-room and the great pile of school buildings seemed to her fancy as horrible as a cage of wild beasts. She felt such a loathing of the man who was legally, although not really, her husband, that the loathing itself filled her with shame and disgust at herself. She told herself that it was horrible, horrible, that she could not endure it, that it was impossible. She was in a fairly desperate mood. She had a sudden impulse to run away and leave everybody and everything, even Evelyn and her aunt, whom she loved so well. She felt pitiless towards everybody except herself. She took out her pocket-book and counted the money which it contained. There were fifteen dollars and some loose change. The railroad station was on a road parallel to the one on which she was walking. An express train flashed by as she stood there. Suddenly Maria became possessed of one of those impulses which come to everybody, but to which comparatively few yield in lifetimes.

The girl gathered up her skirts and broke into a run for the railroad station. She knew that there was an accommodation train due soon after the express. She reached the dusty platform, in fact, just as the train came in. There were no other pa.s.sengers from Amity except a woman whom she did not know, dragging a stout child by the arm. The child was enveloped in clothing to such an extent that it could scarcely walk. It stumbled over its voluminous white coat. n.o.body could have told its s.e.x. It cast a look of stupid discomfort at Maria, then its rasped little face opened for a wail. "Shet up!" said the mother, and she dragged more forcibly at the podgy little arm, and the child broke into a lop-sided run towards the cars.

Maria had no time to get a ticket. She only had time for that one glance at the helpless, miserable child, before she climbed up the steep car-steps. She found an empty seat, and shrugged close to the window. She did not think very much of what she was doing. She thought more of the absurdly uncomfortable child, over-swathed in clothing, and over-disciplined with mother-love, she could not have told why. She wondered what it would be like to have an ugly, uninteresting, viciously expostulating little one dragging at her hand. The mother, although stout and mature-looking, was not much older than she. It seemed to her that the being fond of such a child, and being happy under such circ.u.mstances, would involve as much of a vital change in herself as death itself. And yet she wondered if such a change were possible with all women, herself included. She gazed absently at the pale landscape past which the train was flying. The conductor had to touch her arm before he could arouse her attention, when he asked for her ticket. Then she looked at him vacantly, and he had to repeat his "Ticket, please."

Maria opened her pocket-book and said, mechanically, the name of the first station which came into her head, "Ridgewood." Ridgewood was a small city about fifteen miles distant. She had sometimes been there shopping. She gave the conductor a five-dollar bill, and he went away, murmuring something about the change. When he returned with the rebate-slip and the change, he had to touch her shoulder again to arrest her attention.

"Change, miss," said the conductor, and "you can get ten cents back on this at the station."

Maria took the change and the slip and put them in her pocket-book, and the conductor pa.s.sed on with a quick, almost imperceptible backward glance at her. Maria sat very still. The child who had got on at Amity began to wail again, and its outcries filled the whole car. To Maria it seemed like the natural outburst of an atmosphere overcharged with woe, and the impotent rage and regret of the whole race, as a cloud is charged with electricity. She felt that she herself would like to burst into a wild wail, and struggle and wrestle against fate with futile members, as the child fought against its mother with its fat legs in shoes too large, and its bemittened hands. However, she began to get a certain comfort from the rapid motion. She continued to stare out of the window at the landscape, which fast disappeared under the gathering shadows. The car lamps were lit. Maria still looked, however, out of the window; the lights in the house windows, and red and green signal-lights, gave her a childish interest. She forgot entirely about herself. She turned her back upon herself and her complex situation of life with infinite relief. She did not wonder what she would do when she reached Ridgewood. She did not think any more of herself. It was as if she had come into a room of life without any looking-gla.s.ses, and she was no longer visible to her own consciousness. She did not look at the other pa.s.sengers. All that was evident to her of the existence of any in the car besides herself was the unceasing wail of the child, and its mother's half-soothing, half-scolding voice. She did not see the pa.s.sengers who boarded the train at the next station beyond Amity, and that Wollaston Lee was one of them. Indeed, she might not at once have recognized him, although the man retained in a marked degree the features of the boy. Wollaston had grown both tall and broad-shouldered, and had a mustache. He was a handsome fellow, well dressed, and with an easy carriage, and he had an expression of intelligent good-humor which made more than one woman in the car look at him. Although Maria did not see him, he saw her at once, and recognized her, and his handsome face paled. The ridiculous complexity of his position towards her had not tended to make him very happy. He had kept the secret as well as Maria; for him, as for her, a secret was a heavy burden, almost amounting to guilt. He continued to glance furtively at her from time to time. He thought that she was very pretty, and also that there was something amiss with her. He, as well as the girl, had entirely gotten over his boyish romance, but the impulse to honorable dealing and duty towards her had not in the least weakened.

When the train stopped at Ridgewood he rose. Maria did not stir.

Wollaston stopped, and saw the conductor touch Maria, and heard him say, "This is your station, lady."

Maria rose mechanically and followed the conductor through the car.

When she had descended the steps Wollaston, who had gotten off just in advance, stood aside and waited. He felt uneasy without just knowing why. It seemed to him that there was something strange about the girl's bearing. He thought so the more when she stood motionless on the platform and remained there a moment or more after the train had moved out; then she went towards a bench outside the station and sat down. Wollaston made up his mind that there was something strange, and that he must speak to her.

He approached her, and he could hear his heart beat. He stood in front of her, and raised his hat. Maria did not look up. Her eyes seemed fixed on a fringe of wood across the track in which some katydids were calling, late as it was. That wood, with its persistent voices of unseen things, served to turn her thought from herself, just as the cry of the child had done.

"Miss Edgham," said Wollaston, in a strained voice. It suddenly occurred to him that that was not the girl's name at all, that she was in reality Mrs. Lee, not Miss Edgham.

Maria did not seem to see him until he had repeated her name again.

Then she gave a sudden start and looked up. An electric light on the platform made his face quite plain. She knew him at once. She did not make a sound, but rose with a sudden stealthy motion like that of a wild, hunted thing who leaves its covert for farther flight. But Wollaston laid his hand on her shoulder and forced her gently back to her seat. There was no one besides themselves on the platform. They were quite alone.

"Don't be afraid," he said. But Maria, looking up at him, fairly chattered with terror. Her lips were open, she made inarticulate noises like a frightened little monkey. Her eyes dilated. This seemed to her incredibly monstrous, that in fleeing she should have come to that from which she fled. All at once the species of mental coma in which she had been cleared away, and she saw herself and the horrible situation in which her flight had placed her. The man looked down at her with the utmost kindness, concern, and pity.

"Don't be afraid," he said again; but Maria continued to look at him with that cowering, hunted look.

"Where are you going?" asked Wollaston, and suddenly his voice became masterful. He realized that there was something strange, undoubtedly, about all this.

"I don't know," Maria said, dully.

"You don't know?"

"No, I don't."

Maria raised her head and looked down the track. "I am going on the train," said she, with another wild impulse.

"What train?"

"The next train."

"The next train to where?"

"The next train to Springfield," said Maria, mentioning the first city which came into her mind.

"What are you going to Springfield for so late? Have you friends there?"

"No," said Maria, in a hopeless voice.