Well, less is more, Lucrezia: I am judged.

There burns a truer light of G.o.d in them, In their vexed beating stuffed and stopped-up brain, 80 Heart, or whate'er else, than goes on to prompt This low-pulsed forthright craftsman's hand of mine.

Their works drop groundward, but themselves, I know, Reach many a time a heaven that's shut to me, Enter and take their place there sure enough, Tho' they come back and cannot tell the world.

My works are nearer heaven, but I sit here.

The sudden blood of these men! at a word-- Praise them, it boils, or blame them, it boils too.

I, painting from myself and to myself, 90 Know what I do, am unmoved by men's blame Or their praise either. Somebody remarks Morello's outline there is wrongly traced, His hue mistaken; what of that? or else, Rightly traced and well ordered; what of that?

Speak as they please, what does the mountain care?

Ah, but a man's reach should exceed his grasp, Or what's a heaven for? All is silver-gray, Placid and perfect with my art: the worse!

I know both what I want and what might gain, 100 And yet how profitless to know, to sigh "Had I been two, another and myself, Our head would have o'erlooked the world!" No doubt.

Yonder's a work now, of that famous youth The Urbinate who died five years ago.

('Tis copied, George Vasari sent it me.) Well, I can fancy how he did it all, Pouring his soul, with kings and popes to see, Reaching, that heaven might so replenish him, Above and thro' his art--for it gives way; 110 That arm is wrongly put--and there again-- A fault to pardon in the drawing's lines, Its body, so to speak: its soul is right, He means right--that, a child may understand.

Still, what an arm! and I could alter it: But all the play, the insight and the stretch-- Out of me, out of me! And wherefore out?

Had you enjoined them on me, given me soul, We might have risen to Rafael, I and you! 119 Nay, Love, you did give all I asked, I think-- 120 More than I merit, yes, by many times.

But had you--oh, with the same perfect brow, And perfect eyes, and more than perfect mouth, And the low voice my soul hears, as a bird The fowler's pipe, and follows to the snare-- Had you, with these the same, but brought a mind!

Some women do so. Had the mouth there urged "G.o.d and the glory! never care for gain.

The present by the future, what is that?

Live for fame, side by side with Agnolo! 130 Rafael is waiting: up to G.o.d, all three!"

I might have done it for you. So it seems: Perhaps not. All is as G.o.d over-rules.

Beside, incentives come from the soul's self; The rest avail not. Why do I need you?

What wife had Rafael, or has Agnolo?

In this world, who can do a thing, will not; And who would do it, cannot, I perceive: Yet the will's somewhat--somewhat, too, the power-- And thus we half-men struggle. At the end, 140 G.o.d, I conclude, compensates, punishes.

'Tis safer for me, if the award be strict, That I am something underrated here, Poor this long while, despised, to speak the truth.

I dared not, do you know, leave home all day, For fear of chancing on the Paris lords.

The best is when they pa.s.s and look aside; But they speak sometimes; I must bear it all.

Well may they speak. That Francis, that first time, And that long festal year at Fontainebleau! 150 I surely then could sometimes leave the ground, Put on the glory, Rafael's daily wear, In that humane great monarch's golden look,-- One finger in his beard or twisted curl Over his mouth's good mark that made the smile.

One arm, about my shoulder, round my neck, The jingle of his gold chain in my ear, I painting proudly with his breath on me, All his court round him, seeing with his eyes.

Such frank French eyes, and such a fire of souls 160 Profuse, my hand kept plying by those hearts,-- And, best of all, this, this, this face beyond, This in the background, waiting on my work, To crown the issue with a last reward!

A good tune, was it not, my kingly days?

And had you not grown restless ... but I know-- 'Tis done and past; 'twas right, my instinct said; Too live the life grew, golden and not gray: And I'm the weak-eyed bat no sun should tempt Out of the grange whose four walls make his world, 170 How could it end in any other way?

You called me, and I came home to your heart, The triumph was--to reach and stay there; since I reached it ere the triumph, what is lost?

Let my hands frame your face in your hair's gold, You beautiful Lucrezia that are mine!

"Rafael did this, Andrea painted that; The Roman's is the better when you pray, But still the other's Virgin was his wife--"

Men will excuse me. I am glad to judge 180 Both pictures in your presence; clearer grows My better fortune, I resolve to think.

For, do you know, Lucrezia, as G.o.d lives, Said one day Agnolo, his very self, To Rafael... I have known it all these years...

(When the young man was flaming out his thoughts Upon a palace-wall for Rome to see, Too lifted up in heart because of it) "Friend, there's a certain sorry little scrub Goes up and down our Florence, none cares how, 190 Who, were he set to plan and execute As you are, p.r.i.c.ked on by your popes and kings, Would bring the sweat into that brow of yours!"

To Rafael's!--And indeed the arm is wrong.

I hardly dare ... yet, only you to see, Give the chalk here--quick, thus the line should go!

Ay, but the soul! he's Rafael! rub it out!

Still, all I care for, if he spoke the truth, (What he? why, who but Michel Agnolo?

Do you forget already words like those?) 200 If really there was such a chance so lost,-- Is, whether you're--not grateful--but more pleased.

Well, let me think so. And you smile indeed!

This hour has been an hour! Another smile?

If you would sit thus by me every night I should work better, do you comprehend?

I mean that I should earn more, give you more.

See, it is settled dusk now; there's a star; Morello's gone, the watch-lights show the wall, The cue-owls speak the name we call them by. 210 Come from the window, Love,--come in, at last, Inside the melancholy little house We built to be so gay with. G.o.d is just.

King Francis may forgive me: oft at nights When I look up from painting, eyes tired out, The walls become illumined, brick from brick Distinct, instead of mortar, fierce, bright gold, That gold of his I did cement them with!

Let us but love each other. Must you go?

That Cousin here again? he waits outside? 220 Must see you--you, and not with me? Those loans?

More gaming debts to pay? you smiled for that?

Well, let smiles buy me! have you more to spend?

While hand and eye and something of a heart Are left me, work's my ware, and what's it worth?

I'll pay my fancy. Only let me sit The gray remainder of the evening out, Idle, you call it, and muse perfectly How I could paint, were I but back in France, One picture, just one more--the Virgin's face, 230 Not yours this time! I want you at my side To hear them--that is, Michel Agnolo-- Judge all I do and tell you of its worth.

Will you? To-morrow, satisfy your friend.

I take the subjects for his corridor, Finish the portrait out of hand--there, there, And throw him in another thing or two If he demurs; the whole should prove enough To pay for this same Cousin's freak. Beside, What's better and what's all I care about, 240 Get you the thirteen scudi for the ruff! 241 Love, does that please you? Ah, but what does he, The Cousin! what does he to please you more?

I am grown peaceful as old age to-night.

I regret little, I would change still less.

Since there my past life lies, why alter it?

The very wrong to Francis!--it is true I took his coin, was tempted and complied, And built this house and sinned, and all is said My father and my mother died of want. 250 Well, had I riches of my own? you see How one gets rich! Let each one bear his lot.

They were born poor, lived poor, and poor they died: And I have laboured somewhat in my time And not been paid profusely. Some good son Paint my two hundred pictures--let him try!

No doubt, there's something strikes a balance. Yes, You love me quite enough, it seems to-night.

This must suffice me here. What would one have?

In heaven, perhaps, new chances, one more chance-- Four great walls in the New Jerusalem, 260 Meted on each side by the angel's reed, For Leonard, Rafael, Agnolo, and me 262 To cover--the three first without a wife, While I have mine! So--still they overcome Because there's still Lucrezia,--as I choose.

Again the Cousin's whistle! Go, my Love.

CALIBAN UPON SETEBOS;

OR,

NATURAL THEOLOGY IN THE ISLAND

"Thou thoughtest that I was altogether such an one as thyself."

['Will sprawl, now that the heat of day is best, Flat on his belly in the pit's much mire, With elbows wide, fists clenched to prop his chin, And, while he kicks both feet in the cool slush, And feels about his spine small eft-things course, Run in and out each arm, and make him laugh: And while above his head a pompion-plant, Coating the cave-top as a brow its eye, Creeps down to touch and tickle hair and beard, And now a flower drops with a bee inside, 10 And now a fruit to snap at, catch and crunch,-- He looks out o'er yon sea which sunbeams cross And recross till they weave a spider-web, (Meshes of fire, some great fish breaks at times) And talks, to his own self, howe'er he please, Touching that other, whom his dam called G.o.d.

Because to talk about Him, vexes--ha, Could He but know! and time to vex is now, When talk is safer than in winter-time.

Moreover Prosper and Miranda sleep 20 In confidence, he drudges at their task, And it is good to cheat the pair, and gibe, Letting the rank tongue blossom into speech.]

Setebos, Setebos, and Setebos!

'Thinketh, He dwelleth i' the cold o' the moon.

'Thinketh He made it, with the sun to match, But not the stars; the stars came otherwise; Only made clouds, winds, meteors, such as that: Also this isle, what lives and grows thereon, And snaky sea which rounds and ends the same. 30

'Thinketh, it came of being ill at ease: He hated that He cannot change His cold, Nor cure its ache. 'Hath spied an icy fish That longed to 'scape the rock-stream where she lived, And thaw herself within the lukewarm brine O' the lazy sea her stream thrusts far amid, A crystal spike 'twixt two warm walls of wave; Only, she ever sickened, found repulse At the other kind of water, not her life, (Green-dense and dim-delicious, bred o' the sun) 40 Flounced back from bliss she was not born to breathe, And in her old bounds buried her despair, Hating and loving warmth alike: so He.

'Thinketh, He made thereat the sun, this isle, Trees and the fowls here, beast and creeping thing.

Yon otter, sleek-wet, black, lithe as a leech; Yon auk, one fire-eye in a ball of foam, That floats and feeds; a certain badger brown, He hath watched hunt with that slant white-wedge eye By moonlight; and the pie with the long tongue 50 That p.r.i.c.ks deep into oakwarts for a worm, And says a plain word when she finds her prize, But will not eat the ants; the ants themselves That build a wall of seeds and settled stalks About their hole--He made all these and more, Made all we see, and us, in spite: how else?

He could not, Himself, make a second self To be His mate: as well have made Himself: He would not make what He mislikes or slights, An eyesore to Him, or not worth His pains; 60 But did, in envy, listlessness, or sport, Make what Himself would fain, in a manner, be-- Weaker in most points, stronger in a few, Worthy, and yet mere playthings all the while, Things He admires and mocks too,--that is it!

Because, so brave, so better tho' they be, It nothing skills if He begin to plague.

Look now, I melt a gourd-fruit into mash, Add honeycomb and pods, I have perceived, Which bite like finches when they bill and kiss,-- 70 Then, when froth rises bladdery, drink up all, Quick, quick, till maggots scamper thro' my brain; Last, throw me on my back i' the seeded thyme.

And wanton, wishing I were born a bird.

Put case, unable to be what I wish, I yet could make a live bird out of clay: Would not I take clay, pinch my Caliban Able to fly?--for there, see, he hath wings, And great comb like the hoopoe's to admire, And there, a sting to do his foes offence, 80 There, and I will that he begin to live, Fly to yon rock-top, nip me off the horns Of grigs high up that make the merry din, Saucy thro' their veined wings, and mind me not.