At Quimperle was buried John de Montfort, rival of Charles of Blois for the ducal crown. Sent to Paris under a safe-conduct by the Dauphin John, Philip of Valois had him shut up in the Louvre, whence he escaped, after a captivity of three years, to England. Edward III. espoused his cause and granted him some troops. After an unsuccessful attack upon Quimper, De Montfort died (1345) at Hennebont, and was buried in the church of the Dominicans at Quimperle. He appointed Edward III. guardian of his son, and Edward immediately occupied Quimperle and caused money to be struck in his name. Lord Lewis of Spain, on the side of Charles of Blois, made a descent upon Quimperle at the head of 6000 men, and pillaged the whole country. On the news reaching Sir Walter Manny, he hastened to meet the enemy, took possession of their fleet, and made such carnage of the soldiers, that they were all killed or taken prisoners, and Lewis of Spain escaped with difficulty. The country about Quimperle is beautiful-wood and water in every direction. The department of Finistere is traversed by three hundred streams, and has an extent of nearly four hundred miles of coast. We were advised to go and see the rood-screen of the chapel of Rosgrand, but had no time. We visited the ruins of the church of St. Columban. Above a round-arched doorway is a beautiful flamboyant window, between two canopied niches. We next walked up to the Place near St. Michel, where a cattle-market was being held. The Breton peasants, with their long s.h.a.ggy uncombed hair hanging round their shoulders-they comb and wash only on fete days-their dirty canvas bragou bras, patched coats, and sabots with tufts of straw crammed in, looked more dirty than it is possible to imagine. Cleanliness is the last of the Breton virtues. The market and the fair are the two great events of the country, and people flock from great distances to sell their merchandise. But of all extraordinary animals is the Breton pig, as tall as a donkey; a lean, long-necked, ragged, bristly, savage-looking beast, as ill kept as its master, and it runs like a greyhound when approached. The Breton cow is very small, small as the Kerry cows of Ireland, very pretty and very productive. The Breton b.u.t.ter is proverbially good, and is given out most liberally, in lumps as big as loaves, at the tables-d'hote. It is brought to market in jars which the women carry upon their heads. It is to the Queen-d.u.c.h.ess that Brittany, and indeed all France, owes the privilege of eating b.u.t.ter in Lent. It was forbidden as animal food by the laws of the Church, and oil, a vegetable production, ordered as a subst.i.tute. In 1491, Anne solicited of Rome, for herself and household, permission to eat b.u.t.ter on fast-days, alleging, as a plea, that Brittany did not produce oil. Encouraged by this favour, Brittany obtained the same indulgence, and it was acquired successively by the other provinces of France; but all are originally indebted for the privilege to the good Queen-d.u.c.h.ess Anne.

Next day, leaving the department of Finistere, we entered that of Morbihan, and went by rail to Lorient on the river Scorff, here joined by the Blavet. It was formerly the seat of the French East India Company; it is now one of the five military ports of France and the residence of a maritime Prefect. In the Place Bisson is the statue of a young officer of the French navy, a native of Guemene-sur-Scorff (Morbihan). When commanding, in 1827, a brig in the Greek Archipelago, he was attacked by two pirate vessels. Nine out of his fifteen men were killed and himself wounded; the enemy crowded on the deck. Desiring the survivors of his crew to jump overboard, "Now," cried he to the pilot, "is the moment for revenge!" and, setting fire to the powder-magazine, he blew up himself, his ship, and the pirates who had boarded her. Next morning the bodies of seventy Greeks lay on the sea-sh.o.r.e, showing the success of his self-devotion. The pilot, who, with four sailors, was saved, received the decoration of the Legion of Honour. On the pedestal of Bisson's statue is an inscription, concluding with these words: "Mort en heros, pour son roi et sa patrie, ses amis le pleurent, la France le regrette, et ses freres d'armes envient son sort."

From here we proceeded to Hennebont (Breton, "old bridge"), famous, in the War of Succession, for its heroic defence by Jeanne de Flandre, during the captivity of her husband, Jean de Montfort, who had been taken prisoner at Nantes and carried off to Paris. Jeanne, who, as Froissart says, had the courage of a man and the heart of a lion, placed herself at the head of his party. Like another Maria Theresa, she presented herself before the Breton lords, with her infant son in her arms, and received their oaths of allegiance. She then joined in the defence of Hennebont, which was invested by Charles of Blois. Clothed in armour and mounted on a war-horse, she galloped up and down the streets, encouraging the inhabitants. She ordered the ladies of her suite and other women of the place to cut short their "keytels," carry the stones to the ramparts, and transport pots of quick-lime to throw down upon the enemy. At the head of 300 hors.e.m.e.n, the Countess, who rode better than any squire, sallied out of the town, attacked and burnt the enemy's camp, retreated to Auray, and, a few days after, re-entered Hennebont, with banners flying and trumpets sounding. But the blockade was so close that provisions were wanting, and the garrison compelled her to agree to a capitulation, unless within three days a.s.sistance arrived from England. The time was on the point of expiring, and a herald had approached the gate of the city to receive the keys in the name of Charles of Blois, when the Countess, from her window, perceived at sunrise the English fleet entering the port in full sail. She exclaimed, "We are saved!" The siege was raised, and the Countess, says Froissart, kissed Sir Walter Manny and all his companions, one after the other, two or three times, like a n.o.ble and valiant dame. "Better,"

observed Charles, when he heard the news, "that Jeanne, instead of her lord, had been shut up in the Louvre." He left the carrying on of the siege to Lewis of Spain, and proceeded to Vannes and Auray. Some fragments of walls are all that remain of Jeanne de Montfort's castle, which was situated on a height on the other side of the river in the "Vieille ville." The town on the left bank of the Blavet is called the "Ville neuve" and the "Ville close," being surrounded by walls. Large vessels ascend the Blavet to Hennebont. It is traversed by a light and elegant railway viaduct of twelve arches. We saw on the quay a quant.i.ty of red iron-ore from Bilbao.

Hennebont is a very pretty town; the princ.i.p.al building is the church of Notre Dame-de-Paradis, of the sixteenth century, with a fine square stone tower, surmounted by a beautiful spire, and a tall porch, forming one side of the tower. This handsome church has lately been restored. The scenery about the Blavet is very pretty-the banks wooded, and fertile fields. We took a boat and rowed up the river, pa.s.sing the ruined Abbaye de la Joie, where a hideous chateau has been built. This was a Cistercian convent, founded in the thirteenth century by Blanche of Navarre, wife of Duke John I. (_le Roux_). The chapel of Notre Dame-de-Paradis formerly belonged to the convent; but when the parish church was demolished, the Abbey ceded this chapel to the town, reserving the privilege of a separate seat for the Abbess, who, on the Sunday after St. John's day, had her crosier carried before her in state by one of her va.s.sals at high ma.s.s and vespers.

From Hennebont we went by rail to Auray, and established ourselves for some time in the Pavillon d'en Haut, a most comfortable hotel. Auray is situated on the slope of a hill, the streets narrow and steep.

Our first drive was to Ste. Anne d'Auray, one of the most famous places of pilgrimage in Brittany, on account of its miraculous well and church. It has been called the Mecca of Brittany. Here, according to the legend in the seventeenth century, Ste. Anne appeared to a countryman, and directed him to dig in a certain field, where he would find her image, and to build a chapel there. Guided by a miraculous light, Nicolazic discovered the statue, and erected a chapel on the site.

[Ill.u.s.tration: 33. Scala Sancta. Ste. Anne d'Auray.]

The spring where Ste. Anne first appeared is now enclosed in a large basin of cut stone. Near it is the church, in course of reconstruction. It stands in a court surrounded by covered galleries for the shelter of the pilgrims. Two flights of steps, called the Scala Sancta (after that of St.

John Lateran), lead to a platform over the three entrance gates, upon which is an altar surmounted by a cupola, where ma.s.s can be heard by 20,000 persons. The steps are ascended by the pilgrims barefooted, as they do at Rome. The fete of Ste. Anne is celebrated on the 26th of July, when pilgrims arrive from all parts of Brittany to visit the miraculous statue, to ascend the holy staircase, and to drink or wash in the sacred fountain.

It was a fete day when we visited Ste. Anne. There was a large a.s.semblage of people, and booths were erected round the court, where were sold rosaries and the wire brooches, with scarlet and blue tufts of worsted, called _epinglettes_, worn by the Bretons in their hats as a token of their having made a pilgrimage. We saw exhibited the photograph of a young lady, said to have lately recovered from paralysis after bathing in the holy well. So world-wide is the fame of Ste. Anne d'Auray that a traveller mentions having seen at her shrine an embroidered altar-cloth of Irish damask, with "Irlande: Reconnaissance a Sainte Anne, 1850," woven into the pattern. The convent, with its enclosure, the Scala Sancta, fountain, and miraculous bush, all date from the seventeenth century. There is a railway station for Ste. Anne, within two miles of the church.

Returning to Auray, we went to the Chartreuse, which owes its origin to the chapel of Saint Michel-du-Champ founded (1382) by John de Montfort, afterwards Duke John IV., on the spot where, in 1364, he gained the battle of Auray, which obtained for him the duchy of Brittany. The chapel is close to the railway station. In the fifteenth century it was given to the Chartreux, and became a monastery of the order which existed until the Revolution. The present church was built at the end of the reign of Louis XV.

The battle was fought on the marshy plain by the side of the muddy river Alree. It is fully described by Froissart. In the two armies were a.s.sembled all the chivalry of England, France and Brittany. The Breton-English were commanded by Sir John Chandos; the French, by Du Guesclin; with de Montfort were also Sir Robert Knollys, Sir Hugh Calverley and Olivier de Clisson; with Charles of Blois, Du Guesclin, the Comte d'Auxerre, the Viscomtes of Rohan and Tournemine, and Charles de Dinan. At the moment of the battle, the white greyhound of Charles of Blois deserted his master and ran to his rival de Montfort, who was on horseback, and caressed him, standing on his hind paws. De Montfort recognised the dog by his collar, ornamented with the arms of Brittany, and this incident pa.s.sed through his army as a favourable omen. The dog was known to have been the gift of a witch to Duke John the Good, who bequeathed it to his niece Jeanne, wife of Charles of Blois.

Both armies heard ma.s.s, confessed themselves, and received the Communion before they opened the battle. The war cry of Charles was, "In the name of G.o.d and St. Ives," Montfort repeated the motto of his family, "Malo mori quam fdari" (better to die than be sullied), and his troops advanced to the onset to the cry of "Malo." Both chiefs wore the ermines emblazoned on their armour and their standards; and relatives and friends were ranged in battle array against each other. Following the tactics which had been successful at Cressy and Poitiers, Chandos quietly awaited the impetuous attack of the Franco-Breton army, which was unable to shake their antagonists, who returned the charge. The melee was fearful, but the battle was in favour of the English. Charles performed prodigies of valour. In vain Rohan and Laval rallied round him with the flower of the Breton knights; the prince was a prisoner, and an English soldier despatched him by plunging a dagger into his throat. Du Guesclin sustained all the force of the fight with his heavy steel mace, his battle-axe and his sword; but his mace was broken, the handle of his axe carried away, his sword shivered, and he had no other weapon left but his gauntlets, and was nearly overpowered by numbers, when Chandos, who fought with a battle-axe, entreated him to surrender, "Messire Bertrand, rendez-vous, cette journee n'est pas votre; il faut ceder a la fortune, une autre fois vous serez plus heureux." Convinced of the truth of Chandos' words, Du Guesclin surrendered to him the handle of his sword. Beaumanoir was among the prisoners; and Clisson, who never left the field, lost an eye in the conflict.

A hair shirt was found, with thick knotted cords round the waist, upon the body of Charles, for he delighted in deeds of mortification. He often used to place pebbles in his shoes, and once walked two leagues barefoot in the snow to visit the relics of St. Ives, in consequence of which he was laid up for three months. He was buried at Guingamp, and his widow and children desired his canonisation; but de Montfort, fearing such a step would render him unpopular in Brittany, persuaded Pope Gregory XI. to refuse it.

Du Guesclin, after he recovered his liberty, was destined, three years later, to be a second time the prisoner of the English at Navarrete, when the Black Prince replaced on his throne the cruel, perfidious Don Pedro.

When Sir Hugh Calverley asked for the freedom of Du Guesclin, he was met by the reply, "Il ne faut pas lacher ce dogue de Bretagne, si fatal aux Anglais." It was represented to the Black Prince that report ascribed his detention to fear or jealousy; upon which he sent for Du Guesclin, who told him he was tired of listening to the squeaking of the mice in his prison, and longed to hear the nightingales of Brittany. He named his own ransom at 100,000 florins, the Black Prince reduced it to 60,000; and the Princess of Wales contributed 20,000. It was paid by Charles V. "Had it been ten millions," says his biographer, "France would have paid it all."

In the Musee des Archives at Paris is preserved an order of Charles V. to his treasurer, to prepare 30,000 Spanish doublons, to be paid to the Prince of Wales for the ransom of Du Guesclin, adding, "il touche notre honneur grandement." This is the most ancient royal autograph in the collection. Charles calls him Bertran de Caclin. The Constable, in a deed of gift of the Chateau of Cachant to the Duke of Anjou, signs "Bertrain."

A school for deaf and dumb occupies the Chartreuse, directed by the Surs de la Sagesse. We were shown round by a deaf and dumb guide, who made us write on his slate what we could not explain on our fingers, and he also wrote his reply. He showed us a series of paintings, copies of Le Sur's Life of St. Bruno in the Louvre, which are said to have been executed by the monks of the Chartreuse. Attached to the church is a sepulchral chapel containing the bones of the victims of the unfortunate descent on Quiberon, when the immense armament of French royalists who were landed in British ships, perished. They were commanded by d'Hervilly, an old officer of the Const.i.tutional Guard of Louis XVI., and he had for lieutenant Count Charles de Sombreuil, whose sister had rendered the name ill.u.s.trious by her heroism in the Reign of Terror. They landed at Carnac, where Georges Cadoudal and a band of Chouans awaited their arrival. Hoche, at the head of a republican army, hastened to meet them. Every thing depended upon their rapidity of action, but three days were lost in disputes about the command among the emigrant generals. They took possession of the peninsula of Quiberon, a strip of land about six miles long by three wide, united to the mainland by a narrow tongue of sand a league in extent, called the Falaise. Fort Penthievre, placed on the plateau of a steep rock, and bathed on each side by the sea between the peninsula and the Falaise, defends the approach by land. The emigrant army was protected by the English fleet which lay in the bay of Quiberon, one of the safest and most sheltered on the coast. The defence of Fort Penthievre was entrusted to some republican soldiers taken from the English prisons. In a night encounter d'Hervilly was killed. Hoche marched upon Fort Penthievre, which was given up to him by the traitor soldiers. La Puisaye threw himself into a boat and gained the English fleet. The emigrant army was thrown into the greatest disorder; the "Bleus," as the republican soldiers were called, pressed close upon them, and Sombreuil, driven to the water's edge, and deserted by his troops, offered to capitulate, on the condition that the lives should be spared of all save himself. "Yes," cried the republicans with one voice. They demanded that the fire of the English corvette should cease, and there being no boat at hand, Gesril du Papeu swam to the English ship, and having delivered his message, returned and surrendered himself prisoner. It is said that Hoche considered the capitulation sacred, but Tallien arrived armed with full powers from the Convention to treat the emigrants according to law. The prisoners had been conducted to Auray; Hoche, unwilling to be the witness of acts he could not prevent, returned to Brest. Not one French officer would consent to be a member of the military commission who were to try, or rather condemn, the captives. It was composed of Belgians and Swiss, and it was difficult to induce the soldiers to execute the sentence. Sombreuil and a few others were shot at Vannes. The execution of the rest took place in a field now called the Champ des Martyrs. They were brought out in twenties, and placed before a trench, dug beforehand, and shot. The ma.s.sacre lasted three weeks. In all there were 952 victims. Two chapels have been erected; the one attached to the Chartreuse, and the other on the Champ des Martyrs. That in the Chartreuse has inscribed over the front, in letters of gold, "France in tears has raised it." The interior walls are overlaid with black and white marble, with two marble bas-reliefs by David of Angers: one representing the Duc d'Angouleme praying over the bones of the victims in 1814, when they were transferred from the Champ des Martyrs to the Chartreuse; the other, the laying of the first stone of the mausoleum by the d.u.c.h.esse d'Angouleme in 1823. In 1829 the solemn inauguration of the expiatory monument took place; and it must have been touching to the spectators to have a.s.sisted at the ceremony with the d.u.c.h.esse d'Angouleme, daughter of Louis XVI. and Marie Antoinette, niece of the martyr saint the Princess Elizabeth, and herself long subjected to imprisonment and indignities. Only one year after this ceremony she again took the road to exile, where she ended her troublous life, a pattern of piety and resignation-

"Sa mort fut le soir d'un beau jour."

In the centre of the mausoleum is the vault containing the bones, and over it a sarcophagus on a pedestal, upon which are inscribed the names of the victims. On the sarcophagus are busts of Sombreuil and the other chiefs of the expedition; and a profile of Monseigneur d'Herce, Bishop of Dol, one of the victims. Of the bas-reliefs on the mausoleum, one represents the heroic act of Gesril du Papeu, with the words "I hoped in G.o.d, and shall not be afraid;" the other, the landing of the emigrants on the sh.o.r.e of Carnac, with "All my brothers are dead for Israel;"-these inscriptions are all in Latin. Others are round the monument:-"Unworthily slain for G.o.d and the King;"-"Precious before G.o.d is the blood of his saints;"-"For our lives and our laws;"-"You will receive a greater glory and an eternal name." Our deaf and dumb guide let a light down into the vault to show us the bones of the victims, collected in one common sepulchre. The Chartreuse convent therefore commemorates two great tragedies of history: in ancient times the battle of Auray, which caused the death of Charles of Blois, the captivity of Du Guesclin, and the slaughter of the flower of Breton chivalry by the swords of their fellow Bretons. In modern days, the ma.s.sacre of the royalists at Quiberon-both the horrible consequence of civil war.

We then repaired to the "Champ des Martyrs," where took place the execution of the royalists. At the end of an avenue of silver firs is the expiatory chapel, with a granite portico, in the Doric style. Above is inscribed, "It is here they fell," and "The memory of the just shall be eternal."

On the tomb is written, "Tombeau des royalistes courageux defenseurs de l'autel et du trone, ils tomberent martyrs de leurs n.o.bles efforts. Quel Francais penetre des droits de la couronne ignore ce qu'il doit a ces ill.u.s.tres morts."

The inn Pavilion d'en Haut is particularly comfortable and reasonable, and the people very obliging. Wishing to taste the crepes we had seen before, they procured some, and gave them to us hot-we thought they resembled a greasy crumpet.

[Ill.u.s.tration: 34. Champ des Martyrs. Auray.]

Auray is a good central point for visiting the Celtic remains:-menhirs, dolmens, cromlechs, all of which are as plentiful here as are calvaries, shrines, and churches in Leon. They seem all concentrated on these dreary wild landes, sometimes covered with furze bushes, at others strewn along the coast.

Next day we drove to Locmariaker, nine miles from Auray, through Crach. On the right is the river or estuary of that name; over which a bridge is contemplated at La Trinite, to communicate with Carnac. Locmariaker is at the extremity of the peninsula formed by the rivers of Crach and Auray, at the entrance of the Morbihan. It must have been a place of some importance in the time of the Roman occupation of Gaul, as there are the remains of a circus, whose walls now enclose the cemetery, of a Gallo-Roman house, with baths, frescoed walls, and marble pavement. We picked up some fragments of Roman bricks which lie strewn upon the ground in great abundance. Midst these Roman remains are gigantic menhirs, barrows, and dolmens, vestiges of a still more ancient race. Locmariaker has two large tumuli, both vast tombs.

[Ill.u.s.tration: 35. Sculptured Stone. Manne er Hroeck. Locmariaker.]

We first visited the Manne-er-Hroek, the Montagne de la Fee, or de la Femme, which bears in the marine charts the name of "b.u.t.te de Cesar," for it was the fashion with antiquaries to attribute to Caesar and the Romans every Celtic monument, although bearing no resemblance whatever to any work of these conquerors. The Montagne de la Fee is a galgal or tumulus of elliptic form, about thirty feet high, formed of dry stones. It was opened in 1863, and found to contain a sepulchral chamber or dolmen, outside of which lay a granite stone above three feet long, inscribed with various figures, and, in the middle, a cartouche, with hatchet-shaped characters. There were also found a number of celts (stone hatchets or knives), a green jasper necklace, and some gla.s.s beads, which have been transferred to the museum at Vannes. The guide who furnished the light and showed us the grotto is the widow of a Polish officer. She had a Scotch terrier, which she wanted us to accept. The legend of the mound is this:-A widow had the misfortune of losing her only solace, her son, compelled by law to embark for foreign lands. Years rolled by; he did not return. All said he was lost; but the heart of a mother hopes for ever, and the sad Armorican went every day to the point of Kerpenhir, whence she surveyed the ocean, and searched the depths of the horizon with tearful eyes for the purple sail(16) which was to bring joy and peace to her dwelling. One day, when she was returning sad as usual to her desolate home, she was accosted by an old woman, who enquired the cause of her troubles; and, on hearing them, advised her to heap a pile of stones, so that, mounting on the summit, she might see to a greater distance, and perhaps discern the long looked-for vessel. During the whole night the two women worked, and carried in their ap.r.o.ns the stones they gathered on the heath. In the morning their task was finished, and the Bretonne was scared to see the enormous heap that had been piled together; but the other quieted her fears, and helped her to climb to the top, whence soon the happy mother beheld the vessel of her son. The fairy, her a.s.sistant, had disappeared. This story evidently bears a vague tradition of this tumulus having been raised by a woman, and of some maritime expedition made by him for whom it was probably destined. The name of fairy is attached in Brittany to everything-mountains, springs, grottoes, rocks; every accident in nature is explained by a fairy origin.

The next object we saw is also attributed to the fairies, the great menhir, called Men-er-Groach, or stone of the fairies. It is the largest menhir known, but it has been broken into three pieces, some say by thunder. Put together, it measures about 67 feet in length, and is 16 feet in diameter. The wonder is how it was placed there, for it is little less than the obelisk of St. Peter's, which took 800 to 900 men and 70 horses nearly a year to raise,-a work which was the great triumph of Fontana the engineer. The menhir is estimated to be one-third the height of Notre Dame at Paris.

Lying also prostrate on the ground, by the side of it, is a smaller menhir, which is, however, above 30 feet long.

[Ill.u.s.tration: 36. Hatchet-shaped Sculpture. Dol des Marchands.

Locmariaker.]

Close to these gigantic menhirs is the large dolmen (Breton, _daul_, table, and _mn_, stone), known as the "Table de Cesar," or the "Dol des Marchands." We walked under it to see the curious hatchet-shaped figure sculptured on one of the upper stones. The common belief is that these dolmens or table-stones were Druidic altars, and the guides will show you the furrows for the blood of the human sacrifice to run down; but human bones having been found under some of these dolmens, lead one to suppose they were tombs. In the Scandinavian countries the peasants call them "Giants' Graves."

The other great tumulus of Locmariaker is the Mont Heleu or Manne-Lud, also opened in 1863, and supposed to have been the sepulchre of a number of persons, perhaps of a whole generation. It has, like the Montagne de la Fee, a galleried chamber or dolmen, the floor formed of an enormous slab across the centre, on which is a sculpture resembling a celt; other sculptured stones were found in the same chamber. At the other end of the dolmen was an avenue of stones, some supporting the skeletons of horses'

heads. This tumulus was probably the tomb of some great warrior: the horses' skeletons were the remains of a sacrifice, and the human bones of beings who had been immolated to accompany the earthly remains of their great chief to another world.

We took a boat for Gavr' Inis, or the Goat Island, and embarked on the Morbihan (Breton, Little Sea), an inland sea, that gives its name to the department. Shut out from the ocean by the two peninsulas of Locmariaker and Rhuys, which form a narrow gully between the points of Kerpenhir and Port Navalo, this sea contains an archipelago of islands, numbering, according to tradition, as many as the days in the year. Of these, the Ile aux Moines is the largest. The arms of the sea forming the rivers of Auray and Vannes run into it. The navigation of the Morbihan is very dangerous, the ocean entering it by this narrow opening in three distinct currents; it is an endless labyrinth of rocks and water; its granite sh.o.r.es, torn by the sea, are indented with creeks, capes, and inlets.

[Ill.u.s.tration: 37. Entrance to the Tumulus of Gavr' Inis.]

[Ill.u.s.tration: 38/39. Sculptured Stones. Gavr' Inis.]

Gavr' Inis is a small island, surmounted by a tumulus, which forms a conspicuous object, seen from all the mounds and dolmens around. It is a galgal of heaped stones, in the centre of which is a dolmen or galleried chamber, which was opened in 1832, and is the most curious monument in the Morbihan. The gallery, with its square sepulchral chamber at the end, is above fifty feet long and about five wide, composed of two rows of granite menhirs, or upright stones, which form the sides, with horizontal stones resting on them, ending in a chamber consisting of eight menhirs, with an enormous slab, thirteen feet long, placed over them horizontally to form the roof, and another, nearly as large, to form the floor. These stones are of granite, and no cement is used to unite them. They are covered with incised figures of unknown meaning: sculptures in concentric whorls or circles, as if tattoed like the cheek of a New Zealander; and the only forms to be distinguished are serpent-like figures, and the representation of an axe, similar to those to be seen in the Grotte des Fees, the Dol des Marchands, and the Manne-Lud. In one of the side stones of the chamber are two handle-looking projections, with a recess behind, said, probably erroneously, to be the place where the victims were bound. No celts or other objects of antiquity were found in the grotto, which must have been previously rifled of its contents. These sculptures cannot have been executed without the use of metal instruments. There are also Celtic remains in the Ile aux Moines and other islands of the Morbihan, but our guide did not encourage us to extend our sail to visit them. The current between the island and Port Navalo is sometimes of great rapidity and violence.

Next day we went to Carnac to see its marvellous avenues of menhirs. The Celtic remains here are of a different character from those of Locmariaker. Here there is quant.i.ty, at Locmariaker size. The monuments of the last are covered with strange characters and signs; in Carnac they are all plain and silent, according to the laws of the Druids, who prohibited writing, in the fear of thereby divulging their mysteries, and also that the people might not neglect to cultivate their memories.

"Tout cela eut un sens, et traduisit Une pensee; mais la cle de ce mystere, Ou est elle? et qui pourrait dire aujourd'hui Si jamais elle se retrouvera?"-CAYAT DELANDRE.

Before reaching Carnac, we stopped at Kermario on the left, and got out of the carriage to inspect the army of large menhirs about the windmill. They are arranged in eleven rows, some sixteen feet high, placed with the small end in the ground. They are all of a sombre grey, many of them clothed with straggling lichens of various species. This wild heathy tract was covered with the blue flower of the dwarf gentian, and strewed all over with menhirs. Before arriving at Carnac, the road pa.s.ses the avenues of Menec, all running in the same direction as those of Kermario, from east to west: among these are some of the largest stones. The third large group, at Erdeven, we saw on our way from Carnac back to Auray by another road.

"D'un pa.s.se sans memoire incertaines reliques, Mysteres d'un vieux monde en mysteres ecrits."

LAMARTINE.

We do not pretend to enter into the various explanations attempted of this wonderful monument. The legend at Carnac is, that St. Cornely, pursued by an army of pagans, fled towards the sea; finding no boat at hand, and on the point of being taken, he transformed the soldiers into stones.

"Les soldats de deux rois idolatres Poursuivaient notre saint deja l'ami des patres, Et sur un chariot traine par de grands bufs Le bons vieux Corneli se sauvait devant eux; Or, voici que la mer, terrible aussi l'arrete; Alors, le saint prelat, du haut de sa charrette Tend la main: les soldats, tels qu'ils etaient ranges, En autant de menhirs, voyez! furent changes.

Telle est notre croyance, et personne n'ignore Que le patron des bufs c'est ici qu'on l'honore; Aux lieux ou la charrette et le saint ont pa.s.ses, Le froment pousse encor plus vert et plus presse."

BRIZEUX.

St. Cornely is the patron of bullocks. When a beast is ill, his owner buys an image of St. Cornely, and hangs it up in the stable till its recovery.

In the church of Carnac is a series of fresco paintings portraying the princ.i.p.al events of his life, and outside, a sculpture representing him between two bullocks. The head of St. Cornely is preserved here; the pulpit is of forged iron, and in the sacristy is shown a silver gilt monstrance of the Louis XIV. period, with a representation of the Supper at Emmaus, chased in relief round the foot. We walked to the Mont St.

Michel, a tumulus of stones with sepulchral dolmen, opened in 1862, but now closed. It was found to contain objects of the "Stone" age, a number of jade celts from four to sixteen inches long, some perforated beads and pendents for a necklace, and there were traces of burnt bones. Like most monuments of Celtic origin, these tumuli were regarded with religious veneration; and the first teachers of Christianity, to enlist the old worship to the cause of truth, marked each of these monuments with the symbol of the new faith. Thus the cross was placed on the menhir, and a chapel built upon Mont St. Michel, and, as we have before seen, on Mont Dol, and other high places of Druidic worship. The little chapel dedicated to St. Michel, which surmounts the tumulus, forms a conspicuous landmark from every point, and commands a most extensive view over the stones of Carnac ranged in their eleven lines, on a treeless plain, the Morbihan, and the long dreary peninsula of Quiberon.

Returning by another route, we alighted at the inn at Plouharnel to see a collection of jade celts, gold torques, and necklaces of beads, found in the neighbourhood, belonging to the landlord, M. Bail, who has them all arranged in a frame. They were discovered in a group of dolmens near the village, opened in 1830, consisting of three grottos or allees couvertes, a kind of triple dolmen, covered over with a mound. The central grotto and gallery had been opened before. The second dolmen had also a grotto or allee couverte, in which was found an earthen pot, containing ashes and three gold necklaces. In the third were some fragments of pottery. Three gold necklaces, composed each of a single plate of metal, an inch and a half wide, with fragments of the earthen vessels in which they were found, together with stone celts and some pieces of bronze, extracted from the dolmen, we afterwards saw exhibited in the "Musee du Travail" of the Universal Exhibition of 1867. These dolmens belong to a much later period of civilisation than those of Locmariaker-to the "Bronze" Age.