"So we write and move, move and write, Pip. And some year soon we may come back on the train which stops for water at your town. And if you're there and call our names as we know ourselves now, we shall step off the train. But perhaps meanwhile you will get too old. And if when the train stops, Pip, you're not there, we shall understand, and let the train move us on to another and another town.

"Signed, Emily d.i.c.kinson.

"P.S. Charlie says your grandfather is a dead ringer for Plato, but not to tell him.

"P.P.S. Charlie is my darling."

"Charlie is my darling," repeated Grandpa, sitting down and taking the letter to read it again. "Well, well . . ." he sighed. "Well, well . . ."

We sat there a long while, looking at the burning soft October sky and the new stars. A mile off, a dog barked. Miles off, on the horizon line, a train moved along, whistled, and tolled its bell, once, twice, three times, gone.

"You know," I said. "I don't think they're crazy."

"Neither do I, Pip," said Grandpa, lighting his pipe and blowing out the match. "Neither do I."

THE GARBAGE COLLECTOR.

THIS IS HOW HIS WORK WAS: He got up at five in the cold dark morning and washed his face with warm water if the heater was working and cold water if the heater was not working. He shaved carefully, talking out to his wife in the kitchen, who was fixing ham and eggs or pancakes or whatever it was that morning. By six o'clock he was driving on his way to work alone, and parking his car in the big yard where all the other men parked their cars as the sun was coming up. The colors of the sky that time of morning were orange and blue and violet and sometimes very red and sometimes yellow or a clear color like water on white rock. Some mornings he could see his breath on the air and some mornings he could not. But as the sun was still rising he knocked his fist on the side of the green truck, and his driver, smiling and saying h.e.l.lo, would climb in the other side of the truck and they would drive out into the great city and go down all the streets until they came to the place where they started work. Sometimes, on the way, they stopped for black coffee and then went on, the warmness in them. And they began the work which meant that he jumped off in front of each house and picked up the garbage cans and brought them back and took off their lids and knocked them against the bin edge, which made the orange peels and cantaloupe rinds and coffee grounds fall out and thump down and begin to fill the empty truck. There were always steak bones and the heads of fish and pieces of green onion and stale celery. If the garbage was new it wasn't so bad, but if it was very old it was bad. He was not sure if he liked the job or not, but it was a job and he did it well, talking about it a lot at some times and sometimes not thinking of it in any way at all. Some days the job was wonderful, for you were out early and the air was cool and fresh until you had worked too long and the sun got hot and the garbage steamed early. But mostly it was a job significant enough to keep him busy and calm and looking at the houses and cut lawns he pa.s.sed by and seeing how everybody lived. And once or twice a month he was surprised to find that he loved the job and that it was the finest job in the world.

It went on just that way for many years. And then suddenly the job changed for him. It changed in a single day. Later he often wondered how a job could change so much in such a few short hours.

He walked into the apartment and did not see his wife or hear her voice, but she was there, and he walked to a chair and let her stand away from him, watching him as he touched the chair and sat down in it without saying a word. He sat there for a long time.

"What's wrong?" At last her voice came through to him. She must have said it three or four times.

"Wrong?" He looked at this woman and yes, it was his wife all right, it was someone he knew, and this was their apartment with the tall ceilings and the worn carpeting.

"Something happened at work today," he said.

She waited for him.

"On my garbage truck, something happened." His tongue moved dryly on his lips and his eyes shut over his seeing until there was all blackness and no light of any sort and it was like standing alone in a room when you got out of bed in the middle of a dark night. "I think I'm going to quit my job. Try to understand."

"Understand!" she cried.

"It can't be helped. This is all the strangest d.a.m.ned thing that ever happened to me in my life." He opened his eyes and sat there, his hands feeling cold when he rubbed his thumb and forefingers together. "The thing that happened was strange."

"Well, don't just sit there!"

He took part of a newspaper from the pocket of his leather jacket. "This is today's paper," he said. "December 10, 1951. Los Angeles Times. Civil Defense Bulletin. It says they're buying radios for our garbage trucks."

"Well, what's so bad about a little music?"

"No music. You don't understand. No music."

He opened his rough hand and drew with one clean fingernail, slowly, trying to put everything there where he could see it and she could see it. "In this article the mayor says they'll put sending and receiving apparatus on every garbage truck in town." He squinted at his hand. "After the atom bombs. .h.i.t our city, those radios will talk to us. And then our garbage trucks will go pick up the bodies."

"Well, that seems practical. When-"

"The garbage trucks," he said, "go out and pick up all the bodies."

"You can't just leave bodies around, can you? You've got to take them and-" His wife shut her mouth very slowly. She blinked, one time only, and she did this very slowly also. He watched that one slow blink of her eyes. Then, with a turn of her body, as if someone else had turned it for her, she walked to a chair, paused, thought how to do it, and sat down, very straight and stiff. She said nothing.

He listened to his wrist.w.a.tch ticking, but with only a small part of his attention.

At last she laughed. "They were joking!"

He shook his head. He felt his head moving from left to right and from right to left, as slowly as everything else had happened. "No. They put a receiver on my truck today. They said, at the alert, if you're working, dump your garbage anywhere. When we radio you, get in there and haul out the dead."

Some water in the kitchen boiled over loudly. She let it boil for five seconds and then held the arm of the chair with one hand and got up and found the door and went out. The boiling sound stopped. She stood in the door and then walked back to where he still sat, not moving, his head in one position only.

"It's all blueprinted out. They have squads, sergeants, captains, corporals, everything," he said. "We even know where to bring the bodies."

"So you've been thinking about it all day," she said.

"All day since this morning. I thought: Maybe now I don't want to be a garbage collector anymore. It used to be Tom and me had fun with a kind of game. You got to do that. Garbage is bad. But if you work at it you can make a game. Tom and me did that. We watched people's garbage. We saw what kind they had. Steak bones in rich houses, lettuce and orange peel in poor ones. Sure it's silly, but a guy's got to make his work as good as he can and worthwhile or why in h.e.l.l do it? And you're your own boss, in a way, on a truck. You get out early in the morning and it's an outdoor job, anyway; you see the sun come up and you see the town get up, and that's not bad at all. But now, today, all of a sudden it's not the kind of job for me anymore."

His wife started to talk swiftly. She named a lot of things and she talked about a lot more, but before she got very far he cut gently across her talking. "I know, I know, the kids and school, our car, I know," he said. "And bills and money and credit. But what about that farm Dad left us? Why can't we move there, away from cities? I know a little about farming. We could stock up, hole in, have enough to live on for months if anything happened."

She said nothing.

"Sure, all of our friends are here in town," he went on reasonably. "And movies and shows and the kids' friends, and . . ."

She took a deep breath. "Can't we think it over a few more days?"

"I don't know. I'm afraid of that. I'm afraid if I think it over, about my truck and my new work, I'll get used to it. And, oh Christ, it just doesn't seem right a man, a human being, should ever let himself get used to any idea like that."

She shook her head slowly, looking at the windows, the gray walls, the dark pictures on the walls. She tightened her hands. She started to open her mouth.

"I'll think tonight," he said. "I'll stay up a while. By morning I'll know what to do."

"Be careful with the children. It wouldn't be good, their knowing all this."

"I'll be careful."

"Let's not talk anymore, then. I'll finish dinner!" She jumped up and put her hands to her face and then looked at her hands and at the sunlight in the windows. "Why, the kids'll be home any minute."

"I'm not very hungry."

"You got to eat, you just got to keep on going." She hurried off, leaving him alone in the middle of a room where not a breeze stirred the curtains, and only the gray ceiling hung over him with a lonely bulb unlit in it, like an old moon in a sky. He was quiet. He ma.s.saged his face with both hands. He got up and stood alone in the dining room door and walked forward and felt himself sit down and remain seated in a dining room chair. He saw his hands spread on the white tablecloth, open and empty.

"All afternoon," he said, "I've thought."

She moved through the kitchen, rattling silverware, crashing pans against the silence that was everywhere.

"Wondering," he said, "if you put the bodies in the trucks lengthwise or endwise, with the heads on the right, or the feet on the right. Men and women together, or separated? Children in one truck, or mixed with men and women? Dogs in special trucks, or just let them lay? Wondering how many bodies one garbage truck can hold. And wondering if you stack them on top of each other and finally knowing you must just have to. I can't figure it. I can't work it out. I try, but there's no guessing, no guessing at all how many you could stack in one single truck."

He sat thinking of how it was late in the day at his work, with the truck full and the canvas pulled over the great bulk of garbage so the bulk shaped the canvas in an uneven mound. And how it was if you suddenly pulled the canvas back and looked in. And for a few seconds you saw the white things like macaroni or noodles, only the white things were alive and boiling up, millions of them. And when the white things felt the hot sun on them they simmered down and burrowed and were gone in the lettuce and the old ground beef and the coffee grounds and the heads of white fish. After ten seconds of sunlight the white things that looked like noodles or macaroni were gone and the great bulk of garbage silent and not moving, and you drew the canvas over the bulk and looked at how the canvas folded unevenly over the hidden collection, and underneath you knew it was dark again, and things beginning to move as they must always move when things get dark again.

He was still sitting there in the empty room when the front door of the apartment burst wide. His son and daughter rushed in, laughing, and saw him sitting there, and stopped.

Their mother ran to the kitchen door, held to the edge of it quickly, and stared at her family. They saw her face and they heard her voice: "Sit down, children, sit down!" She lifted one hand and pushed it toward them. "You're just in time."

THE VISITOR.

SAUL WILLIAMS AWOKE TO THE STILL MORNING. He looked wearily out of his tent and thought about how far away Earth was. Millions of miles, he thought. But then what could you do about it? Your lungs were full of the "blood rust." You coughed all the time.

Saul arose this particular morning at seven o'clock. He was a tall man, lean, thinned by his illness. It was a quiet morning on Mars, with the dead sea bottom-flat and silent-no wind on it. The sun was clear and cool in the empty sky. He washed his face and ate breakfast.

After that he wanted very much to be back on Earth. During the day he tried every way that it was possible to be in New York City. Sometimes, if he sat right and held his hands a certain way, he did it. He could almost smell New York. Most of the time, though, it was impossible.

Later in the morning Saul tried to die. He lay on the sand and told his heart to stop. It continued beating. He imagined himself leaping from a cliff or cutting his wrists, but laughed to himself-he knew he lacked the nerve for either act.

Maybe if I squeeze tight and think about it enough, I'll just sleep and never wake, he thought. He tried it. An hour later he awoke with a mouth full of blood. He got up and spat it out and felt very sorry for himself. This blood rust-it filled your mouth and your nose; it ran from your ears, your fingernails; and it took a year to kill you. The only cure was shoving you in a rocket and shooting you out to exile on Mars. There was no known cure on Earth, and remaining there would contaminate and kill others. So here he was, bleeding all the time, and lonely.

Saul's eyes narrowed. In the distance, by an ancient city ruin, he saw another man lying on a filthy blanket.

When Saul walked up, the man on the blanket stirred weakly.

"h.e.l.lo, Saul," he said.

"Another morning," said Saul. "Christ, I'm lonely!"

"It is an affliction of the rusted ones," said the man on the blanket, not moving, very pale and as if he might vanish if you touched him.

"I wish to G.o.d," said Saul, looking down at the man, "that you could at least talk. Why is it that intellectuals never get the blood rust and come up here?"

"It is a conspiracy against you, Saul," said the man, shutting his eyes, too weary to keep them open. "Once I had the strength to be an intellectual. Now, it's a job to think."

"If only we could talk," said Saul Williams.

The other man merely shrugged indifferently.

"Come tomorrow. Perhaps I'll have enough strength to talk about Aristotle then. I'll try. Really I will." The man sank down under the worn tree. He opened one eye. "Remember, once we did talk on Aristotle, six months ago, on that good day I had."

"I remember," said Saul, not listening. He looked at the dead sea. "I wish I were as sick as you, then maybe I wouldn't worry about being an intellectual. Then maybe I'd get some peace."

"You'll get just as bad as I am now in about six months," said the dying man. "Then you won't care about anything but sleep and more sleep. Sleep will be like a woman to you. You'll always go back to her, because she's fresh and good and faithful and she always treats you kindly and the same. You only wake up so you can think about going back to sleep. It's a nice thought." The man's voice was a bare whisper. Now it stopped and a light breathing took over.

Saul walked off.

Along the sh.o.r.es of the dead sea, like so many emptied bottles flung up by some long-gone wave, were the huddled bodies of sleeping men. Saul could see them all down the curve of the empty sea. One, two, three-all of them sleeping alone, most of them worse off than he, each with his little cache of food, each grown into himself, because social converse was weakening and sleep was good.

At first there had been a few nights around mutual campfires. And they had all talked about Earth. That was the only thing they talked about. Earth and the way the waters ran in town creeks and what homemade strawberry pie tasted like and how New York looked in the early morning coming over on the Jersey ferry in the salt wind.

I want Earth, thought Saul. I want it so bad it hurts. I want something I can never have again. And they all want it and it hurts them not to have it. More than food or a woman or anything, I just want Earth. This sickness puts women away forever; they're not things to be wanted. But Earth, yes. That's a thing for the mind and not the weak body.

The bright metal flashed on the sky.

Saul looked up.

The bright metal flashed again.

A minute later the rocket landed on the sea bottom. A valve opened, a man stepped out, carrying his luggage with him. Two other men, in protective germicide suits, accompanied him, bringing out vast cases of food, setting up a tent for him.

Another minute and the rocket returned to the sky. The exile stood alone.

Saul began to run. He hadn't run in weeks, and it was very tiring, but he ran and yelled.

"h.e.l.lo, h.e.l.lo!"

The young man looked Saul up and down when he arrived.

"h.e.l.lo. So this is Mars. My name's Leonard Mark."

"I'm Saul Williams."

They shook hands. Leonard Mark was very young-only eighteen; very blond, pink-faced, blue-eyed and fresh in spite of his illness.

"How are things in New York?" said Saul.

"Like this," said Leonard Mark. And he looked at Saul.

New York grew up out of the desert, made of stone and filled with March winds. Neons exploded in electric color. Yellow taxis glided in a still night. Bridges rose and tugs chanted in the midnight harbors. Curtains rose on spangled musicals.

Saul put his hands to his head, violently.

"Hold on, hold on!" he cried. "What's happening to me? What's wrong with me? I'm going crazy!"

Leaves sprouted from trees in Central Park, green and new. On the pathway Saul strolled along, smelling the air.

"Stop it, stop it, you fool!" Saul shouted at himself. He pressed his forehead with his hands. "This can't be!"