"It was. Not mediocre, not pa.s.sing fair. Just plain outright mudbath bad. Friends knew it, editors knew it, teachers knew it, publishers knew it, and one strange fine day about four in the afternoon, when I was fifty, I knew it."

"But you can't write thirty years without-"

"Stumbling upon excellence? Striking a chord? Gaze long, gaze hard, Pip, look upon a man of peculiar talent, outstanding ability, the only man in history who put down five million words without slapping to life one small base of a story that might rear up on its frail legs and cry Eureka! we've done it!"

"You never sold one story?!"

"Not a two-line joke. Not a throwaway newspaper sonnet. Not a want ad or obit. Not a home-bottled autumn pickle recipe. Isn't that rare? To be so outstandingly dull, so ridiculously inept, that nothing ever brought a chuckle, caused a tear, raised a temper, or discharged a blow. And do you know what I did on the day I discovered I would never be a writer? I killed myself."

"Killed?!"

"Did away with, destroyed. How? I packed me up and took me away on a long train ride and sat on the back smoking-car platform a long time in the night and then one by one let the confetti of my ma.n.u.scripts fly like panicked birds away down the tracks. I scattered a novel across Nebraska, my Homeric legends over North, my love sonnets through South Dakota. I abandoned my familiar essays in the men's room at the Harvey House in Clear Springs, Idaho. The late summer wheatfields knew my prose. Grand fertilizer, it probably jumped up b.u.mper crops of corn long after I pa.s.sed. I rode two trunks of my soul on that long summer's journey, celebrating my badly served self. And one by one, slow at first, and then faster, faster, over I chucked them, story after story, out, out of my arms out of my head, out of my life, and down they went, sunk drowning night rivers of prairie dust, in lost continents of sand and lonely rock. And the train wallowed around a curve in a great wail of darkness and release, and I opened my fingers and let the last stillborn darlings fall. . . .

"When I reached the far terminus of the line, the trunks were empty. I had drunk much, eaten little, wept on occasion in my private room, but had heaved away my anchors, dead-weights, and dreams, and came to the sliding soft-chuffing end of my journey, praise G.o.d, in a kind of n.o.ble peace and certainty. I felt reborn. I said to myself, why, what's this, what's this? I'm-I'm a new man."

He saw it all on the ceiling, and I saw it, too, like a movie run up the wall in the moonlit night.

"I-I'm a new man I said, and when I got off the train at the end of that long summer of disposal and sudden rebirth, I looked in a fly-specked, rain-freckled gum-machine mirror at a lost depot in Peachgum, Missouri, and my beard grown long in two months of travel and my hair gone wild with wind that combed it this way sane, that way mad, and I peered and stood back and exclaimed softly, 'Why, Charlie d.i.c.kens, is that you?!'"

The man in the bed laughed softly.

"Why, Charlie," said I, "Mr. d.i.c.kens, there you are!" And the reflection in the mirror cried out, "Dammit, sir, who else would it be!? Stand back. I'm off to a great lecture!"

"Did you really say that, Mr. d.i.c.kens?"

"G.o.d's pillars and temples of truth, Pip. And I got out of his way! And I strode through a strange town and I knew who I was at last and grew fevers thinking on what I might do in my lifetime now reborn and all that grand fine work ahead! For, Pip, this thing must have been growing. All those years of writing and snuffing up defeat, my old subconscious must have been whispering, 'Just you wait. Things will be black midnight bad but then in the nick of time, I'll save you!'

"And maybe the thing that saved me was the thing ruined me in the first place: respect for my elders; the grand moguls and tall muckymucks in the lush literary highlands and me in the dry river bottom with my canoe.

"For, oh G.o.d, Pip, how I devoured Tolstoy, drank Dostoevsky, feasted on De Maupa.s.sant, had wine and chicken picnics with Flaubert and Moliere. I gazed at G.o.ds too high. I read too much! So, when my work vanished, theirs stayed. Suddenly I found I could not forget their books, Pip!"

"Couldn't?"

"I mean I could not forget any letter of any word of any sentence or any paragraph of any book ever pa.s.sed under these hungry omnivorous eyes!"

"Photographic memory!"

"Bull's-eye! All of d.i.c.kens, Hardy, Austen, Poe, Hawthorne, trapped in this old box Brownie waiting to be printed off my tongue, all those years, never knew, Pip, never guessed, I had hid it all away. Ask me to speak in tongues. Kipling is one. Thackeray another. Weigh flesh, I'm Shylock. Snuff out the light, I'm Oth.e.l.lo. All, all, Pip, all!"

"And then? And so?"

"Why then and so, Pip, I looked another time in that fly-specked mirror and said, 'Mr. d.i.c.kens, all this being true, when do you write your first book?'

"'Now!' I cried. And bought fresh paper and ink and have been delirious and joyful, lunatic and happy frantic ever since, writing all the books of my own dear self, me, I, Charles d.i.c.kens, one by one.

"I have traveled the continental vastness of the United States of North America and settled me in to write and act, act and write, lecturing here, pondering there, half in and then half out of my mania, known and unknown, lingering here to finish Copperfield, loitering there for Dombey and Son, turning up for tea with Marley's Ghost on some pale Christmas noon. Sometimes I lie whole s...o...b..und winters in little whistle stops and no one there guessing that Charlie d.i.c.kens bides hibernation there, then pop forth like the ottermole of spring and so move on. Sometimes I stay whole summers in one town before I'm driven off. Oh, yes, driven. For such as your Mr. Wyneski cannot forgive the fantastic, Pip, no matter how particularly practical that fantastic be.

"For he has no humor, boy.

"He does not see that we all do what we must to survive, survive.

"Some laugh, some cry, some bang the world with fists, some run, but it all sums up the same: they make do.

"The world swarms with people, each one drowning, but each swimming a different stroke to the far sh.o.r.e.

"And Mr. Wyneski? He makes do with scissors and understands not my inky pen and littered papers on which I would flypaper-catch my borrowed English soul."

Mr. d.i.c.kens put his feet out of bed and reached for his carpetbag.

"So I must pick up and go."

I grabbed the bag first.

"No! You can't leave! You haven't finished the book!"

"Pip, dear boy, you haven't been listening-"

"The world's waiting! You can't just quit in the middle of Two Cities!"

He took the bag quietly from me.

"Pip, Pip . . ."

"You can't, Charlie!"

He looked into my face and it must have been so white hot he flinched away.

"I'm waiting," I cried. "They're waiting!"

"They . . .?"

"The mob at the Bastille. Paris! London. The Dover sea. The guillotine!"

I ran to throw all the windows even wider as if the night wind and the moonlight might bring in sounds and shadows to crawl on the rug and sneak in his eyes, and the curtains blew out in phantom gestures and I swore I heard, Charlie heard, the crowds, the coach wheels, the great slicing downfall of the cutting blades and the cabbage heads falling and battle songs and all that on the wind . . .

"Oh, Pip, Pip . . ."

Tears welled from his eyes.

I had my pencil out and my pad.

"Well?" I said.

"Where were we, this afternoon, Pip?"

"Madame Defarge, knitting."

He let the carpetbag fall. He sat on the edge of the bed and his hands began to tumble, weave, knit, motion, tie and untie, and he looked and saw his hands and spoke and I wrote and he spoke again, stronger, and stronger, all through the rest of the night . . .

"Madame Defarge . . . yes . . . well. Take this, Pip. She-"

"Morning, Mr. d.i.c.kens!"

I flung myself into the dining room chair. Mr. d.i.c.kens was already half through his stack of pancakes.

I took one bite and then saw the even greater stack of pages lying on the table between us.

"Mr. d.i.c.kens?" I said. "The Tale of Two Cities. It's . . . finished?"

"Done." Mr. d.i.c.kens ate, eyes down. "Got up at six. Been working steady. Done. Finished. Through."

"Wow!" I said.

A train whistle blew. Charlie sat up, then rose suddenly, to leave the rest of his breakfast and hurry out in the hall. I heard the front door slam and tore out on the porch to see Mr. d.i.c.kens half down the walk, carrying his carpetbag.

He was walking so fast I had to run to circle round and round him as he headed for the rail depot.

"Mr. d.i.c.kens, the book's finished, yeah, but not published yet!"

"You be my executor, Pip."

He fled. I pursued, gasping.

"What about David Copperfield?! Little Dorrit?!"

"Friends of yours, Pip?"

"Yours, Mr. d.i.c.kens, Charlie, oh, gosh, if you don't write them, they'll never live."

"They'll get on somehow." He vanished around a corner. I jumped after.

"Charlie, wait. I'll give you-a new t.i.tle! Pickwick Papers, sure, Pickwick Papers!"

The train was pulling into the station.

Charlie ran fast.

"And after that, Bleak House, Charlie, and Hard Times and Great-Mr. d.i.c.kens, listen-Expectations! Oh, my gosh!"

For he was far ahead now and I could only yell after him: "Oh, blast, go on! get off! get away! You know what I'm going to do!? You don't deserve reading! You don't! So right now, and from here on, see if I even bother to finish reading Tale of Two Cities! Not me! Not this one! No!"

The bell was tolling in the station. The steam was rising. But, Mr. d.i.c.kens had slowed. He stood in the middle of the sidewalk. I came up to stare at his back.

"Pip," he said softly. "You mean what you just said?"

"You!" I cried. "You're nothing but-" I searched in my mind and seized a thought: "-a blot of mustard, some undigested bit of raw potato-!"

"'Bah, Humbug, Pip?'"

"Humbug! I don't give a blast what happens to Sidney Carton!"

"Why, it's a far, far better thing I do than I have ever done, Pip. You must read it."

"Why!?"

He turned to look at me with great sad eyes.

"Because I wrote it for you."

It took all my strength to half-yell back: "So-?"

"So," said Mr. d.i.c.kens, "I have just missed my train. Forty minutes till the next one-"

"Then you got time," I said.

"Time for what?"

"To meet someone. Meet them, Charlie, and I promise I'll finish reading your book. In there. In there, Charlie."

He pulled back.

"That place? The library?!"

"Ten minutes, Mr. d.i.c.kens, give me ten minutes, just ten, Charlie. Please."

"Ten?"

And at last, like a blind man, he let me lead him up the library steps and half-fearful, sidle in.

The library was like a stone quarry where no rain had fallen in ten thousand years.

Way off in that direction: silence.

Way off in that direction: hush.

It was the time between things finished and things begun. n.o.body died here. n.o.body was born. The library, and all its books, just were.

We waited, Mr. d.i.c.kens and I, on the edge of the silence.

Mr. d.i.c.kens trembled. And I suddenly remembered I had never seen him here all summer. He was afraid I might take him near the fiction shelves and see all his books, written, done, finished, printed, stamped, bound, borrowed, read, repaired, and shelved.

But I wouldn't be that dumb. Even so, he took my elbow and whispered: "Pip, what are we doing here? Let's go. There's . . ."

"Listen!" I hissed.

And a long way off in the stacks somewhere, there was a sound like a moth turning over in its sleep.

"Bless me," Mr. d.i.c.kens's eyes widened. "I know that sound."