"Call the executioner," said the Emperor.

"What's this!" cried the flier, bewildered. "What have I done?" He began to weep, so that the beautiful paper apparatus rustled.

"Here is the man who has made a certain machine," said the Emperor, "and yet asks us what he has created. He does not know himself. It is only necessary that he create, without knowing why he has done so, or what this thing will do."

The executioner came running with a sharp silver ax. He stood with his naked, large-muscled arms ready, his face covered with a serene white mask.

"One moment," said the Emperor. He turned to a nearby table upon which sat a machine that he himself had created. The Emperor took a tiny golden key from his own neck. He fitted this key to the tiny, delicate machine and wound it up. Then he set the machine going.

The machine was a garden of metal and jewels. Set in motion, birds sang in tiny metal trees, wolves walked through miniature forests, and tiny people ran in and out of sun and shadow, fanning themselves with miniature fans, listening to the tiny emerald birds, and standing by impossibly small but tinkling fountains.

"Is it not beautiful?" said the Emperor. "If you asked me what I have done here, I could answer you well. I have made birds sing, I have made forests murmur, I have set people to walking in this woodland, enjoying the leaves and shadows and songs. That is what I have done."

"But, oh, Emperor!" pleaded the flier, on his knees, the tears pouring down his face. "I have done a similar thing! I have found beauty. I have flown on the morning wind. I have looked down on all the sleeping houses and gardens. I have smelled the sea and even seen it, beyond the hills, from my high place. And I have soared like a bird; oh, I cannot say how beautiful it is up there, in the sky, with the wind about me, the wind blowing me here like a feather, there like a fan, the way the sky smells in the morning! And how free one feels! That is beautiful, Emperor, that is beautiful too!"

"Yes," said the Emperor sadly, "I know it must be true. For I felt my heart move with you in the air and I wondered: What is it like? How does it feel? How do the distant pools look from so high? And how my houses and servants? Like ants? And how the distant towns not yet awake?"

"Then spare me!"

"But there are times," said the Emperor, more sadly still, "when one must lose a little beauty if one is to keep what little beauty one already has. I do not fear you, yourself, but I fear another man."

"What man?"

"Some other man who, seeing you, will build a thing of bright papers and bamboo like this. But the other man will have an evil face and an evil heart, and the beauty will be gone. It is this man I fear."

"Why? Why?"

"Who is to say that someday just such a man, in just such an apparatus of paper and reed, might not fly in the sky and drop huge stones upon the Great Wall of China?" said the Emperor.

No one moved or said a word.

"Off with his head," said the Emperor.

The executioner whirled his silver ax.

"Burn the kite and the inventor's body and bury their ashes together," said the Emperor.

The servants retreated to obey.

The Emperor turned to his hand-servant, who had seen the man flying. "Hold your tongue. It was all a dream, a most sorrowful and beautiful dream. And that farmer in the distant field who also saw, tell him it would pay him to consider it only a vision. If ever the word pa.s.ses around, you and the farmer die within the hour."

"You are merciful, Emperor."

"No, not merciful," said the old man. Beyond the garden wall he saw the guards burning the beautiful machine of paper and reeds that smelled of the morning wind. He saw the dark smoke climb into the sky. "No, only very much bewildered and afraid." He saw the guards digging a tiny pit wherein to bury the ashes. "What is the life of one man against those of a million others? I must take solace from that thought."

He took the key from its chain about his neck and once more wound up the beautiful miniature garden. He stood looking out across the land at the Great Wall, the peaceful town, the green fields, the rivers and streams. He sighed. The tiny garden whirred its hidden and delicate machinery and set itself in motion; tiny people walked in forests, tiny foxes loped through sun-speckled glades in beautiful shining pelts, and among the tiny trees flew little bits of high song and bright blue and yellow color, flying, flying, flying in that small sky.

"Oh," said the Emperor, closing his eyes, "look at the birds, look at the birds!"

HEAVY-SET.

THE WOMAN STEPPED TO THE KITCHEN WINDOW and looked out.

There in the twilight yard a man stood surrounded by barbells and dumbbells and dark iron weights of all kinds and slung jump ropes and elastic and coiled-spring exercisors. He wore a sweat suit and tennis shoes and said nothing to no one as he simply stood in the darkening world and did not know she watched.

This was her son, and everyone called him Heavy-Set.

Heavy-Set squeezed the little bunched, coiled springs in his big fists. They were lost in his fingers, like magic tricks; then they reappeared. He crushed them. They vanished. He let them go. They came back.

He did this for ten minutes, otherwise motionless.

Then he bent down and hoisted up the one-hundred-pound barbells, noiselessly, not breathing. He motioned it a number of times over his head, then abandoned it and went into the open garage among the various surfboards he had cut out and glued together and sanded and painted and waxed, and there he punched a punching bag easily, swiftly, steadily, until his curly golden hair got moist. Then he stopped and filled his lungs until his chest measured fifty inches and stood eyes closed, seeing himself in an invisible mirror poised and tremendous, two hundred and twenty muscled pounds, tanned by the sun, salted by the sea wind and his own sweat.

He exhaled. He opened his eyes.

He walked into the house, into the kitchen and did not look at his mother, this woman, and opened the refrigerator and let the arctic cold steam him while he drank a quart of milk straight out of the carton, never putting it down, just gulping and swallowing. Then he sat down at the kitchen table to fondle and examine the Hallowe'en pumpkins.

He had gone out earlier in the day and bought the pumpkins and carved most of them and did a fine job: they were beauties and he was proud of them. Now, looking childlike in the kitchen, he started carving the last of them. You would never suspect he was thirty years old, he still moved so swiftly, so quietly, for a large action like hitting a wave with an uptilted and outthrust board, or here with the small action of a knife, giving sight to a Hallowe'en eye. The electric light bulb filled the summer wildness of his hair, but revealed no emotion, except this one intent purpose of carving, on his face. There was all muscle in him, and no fat, and that muscle waited behind every move of the knife.

His mother came and went on personal errands around the house and then came to stand and look at him and the pumpkins and smile. She was used to him. She heard him every night drubbing the punching bag outside, or squeezing the little metal springs in his hands or grunting as he lifted his world of weights and held it in balance on his strangely quiet shoulders. She was used to all these sounds even as she knew the ocean coming in on the sh.o.r.e beyond the cottage and laying itself out flat and shining on the sand. Even as she was used, by now, to hearing Heavy-Set each night on the phone saying he was tired to girls and said no, no he had to wax the car tonight or do his exercises to the eighteen-year-old boys who called.

She cleared her throat. "Was the dinner good tonight?"

"Sure," he said.

"I had to get special steak. I bought the asparagus fresh."

"It was good," he said.

"I'm glad you liked it, I always like to have you like it."

"Sure," he said, working.

"What time is the party?"

"Seven thirty." He finished the last of the smile on the pumpkin and sat back. "If they all show up, they might not show up, I bought two jugs of cider."

He got up and moved into his bedroom, quietly ma.s.sive, his shoulders filling the door and beyond. In the room, in the half-dark, he made the strange pantomime of a man seriously and silently wrestling an invisible opponent as he got into his costume. He came to the door of the living room a minute later licking a gigantic peppermint-striped lollipop. He wore a pair of short black pants, a little boy's shirt with ruff collar, and a Buster Brown hat. He licked the lollipop and said, "I'm the mean little kid!" and the woman who had been watching him laughed. He walked with an exaggerated little child's walk, licking the huge lollipop, all around the room while she laughed at him and he said things and pretended to be leading a big dog on a rope. "You'll be the life of the party!" the woman cried, pink-faced and exhausted. He was laughing now, also.

The phone rang.

He toddled out to answer it in the bedroom. He talked for a long time and his mother heard him say Oh for gosh sakes several times and finally he came slowly and ma.s.sively into the living room looking stubborn. "What's wrong?" she wanted to know. "Aw," he said, "half the guys aren't showing up at the party. They got other dates. That was Tommy calling. He's got a date with a girl from somewhere. Good grief." "There'll be enough," said his mother. "I don't know," he said. "There'll be enough for a party," she said. "You go on." "I ought to throw the pumpkins in the garbage," he said, scowling. "Well you just go on and have a good time," she said. "You haven't been out in weeks."

Silence.

He stood there twisting the huge lollipop as big as his head, turning it in his large muscular fingers. He looked as if at any moment now he would do what he did other nights. Some nights he pressed himself up and down on the ground with his arms and some nights he played a game of basketball with himself and scored himself, team against team, black against white, in the backyard. Some nights he stood around like this and then suddenly vanished and you saw him way out in the ocean swimming long and strong and quiet as a seal under the full moon or you could not see him those nights the moon was gone and only the stars lay over the water but you heard him there, on occasion, a faint splash as he went under and stayed under a long time and came up, or he went out some times with his surfboard as smooth as a girl's cheeks, sandpapered to a softness, and came riding in, huge and alone on a white and ghastly wave that creamed along the sh.o.r.e and touched the sands with the surfboard as he stepped off like a visitor from another world and stood for a long while holding the soft smooth surfboard in the moonlight, a quiet man and a vast tombstone-shaped thing held there with no writing on it. In all the nights like that in the past years, he had taken a girl out three times one week and she ate a lot and every time he saw her she said Let's eat and so one night he drove her up to a restaurant and opened the car door and helped her out and got back in and said There's the restaurant. So long. And drove off. And went back to swimming way out, alone. Much later, another time, a girl was half an hour late getting ready and he never spoke to her again.

Thinking all this, remembering all this, his mother looked at him now.

"Don't stand there," she said. "You make me nervous."

"Well," he said, resentfully.

"Go on!" she cried. But she didn't cry it strong enough. Even to herself her voice sounded faint. And she did not know if her voice was just naturally faint or if she made it that way.

She might as well have been talking about winter coming; everything she said had a lonely sound. And she heard the words again from her own mouth, with no force: "Go on!"

He went into the kitchen. "I guess there'll be enough guys there," he said. "Sure, there will," she said, smiling again. She always smiled again. Sometimes when she talked to him, night after night, she looked as if she were lifting weights, too. When he walked through the rooms she looked like she was doing the walking for him. And when he sat brooding, as he often did, she looked around for something to do which might be burn the toast or overfire the steak. She made a short barking faint and stifled laugh now, "Get out, have a good time." But the echoes of it moved around in the house as if it were already empty and cold and he should come back in the door. Her lips moved: "Fly away."

He s.n.a.t.c.hed up the cider and the pumpkins and hurried them out to his car. It was a new car and had been new and unused for almost a year. He polished it and jiggered with the motor or lay underneath it for hours messing with all the junk underneath or just sat in the front seat glancing over the strength and health magazines, but rarely drove it. He put the cider and the cut pumpkins proudly in on the front seat, and by this time he was thinking of the possible good time tonight so he did a little child's stagger as if he might drop everything, and his mother laughed. He licked his lollipop again, jumped into the car, backed it out of the gravel drive, swerved it around down by the ocean, not looking out at this woman, and drove off along the sh.o.r.e road. She stood in the yard watching the car go away. Leonard, my son, she thought.

It was seven fifteen and very dark now; already the children were fluttering along the sidewalks in white ghost sheets and zinc-oxide masks, ringing bells, screaming, lumpy paper sacks banging their knees as they ran.

Leonard, she thought.

They didn't call him Leonard, they called him Heavy-Set and Sammy, which was short for Samson. They called him Butch and they called him Atlas and Hercules. At the beach you always saw the high-school boys around him feeling his biceps as if he was a new sports car, testing him, admiring him. He walked golden among them. Each year it was that way. And then the eighteen-year-old ones got to be nineteen and didn't come around so often, and then twenty and very rarely, and then twenty-one and never again, just gone, and suddenly there were new eighteen year olds to replace them, yes, always the new ones to stand where the others had stood in the sun, while the older ones went on somewhere to something and somebody.

Leonard, my good boy, she thought. We go to shows on Sat.u.r.day nights. He works on the high power lines all day, up in the sky, alone, and sleeps alone in his room at night, and never reads a book or a paper or listens to a radio or plays a record, and this year he'll be thirty-one. And just where, in all the years, did the thing happen that put him up on that pole alone and working out alone every night? Certainly there had been enough women, here and there, now and then, through his life. Little scrubby ones, of course, fools, yes, by the look of them, but women, or girls, rather, and none worth glancing at a second time. Still, when a boy gets past thirty . . .? She sighed. Why even as recent as last night the phone had rung. Heavy-Set had answered it, and she could fill in the unheard half of the conversation because she had heard thousands like it in a dozen years: "Sammy, this is Christine." A woman's voice. "What you doing?"

His little golden eyelashes flickered and his brow furrowed, alert and wary. "Why?"

"Tom, Lu, and I are going to a show, want to come along?"

"It better be good!" he cried, indignantly.

She named it.

"That!" He snorted.

"It's a good film," she said.

"Not that one," he said. "Besides, I haven't shaved yet today."

"You can shave in five minutes."

"I need a bath, and it'd take a long time."

A long time, thought his mother, he was in the bathroom two hours today. He combs his hair two dozen times, musses it, combs it again, talking to himself.

"Okay for you." The woman's voice on the phone. "You going to the beach this week?"

"Sat.u.r.day," he said, before he thought.

"See you there, then," she said.

"I meant Sunday," he said, quickly.

"I could change it to Sunday," she replied.

"If I can make it," he said, even more quickly. "Things go wrong with my car."

"Sure," she said. "Samson. So long."

And he had stood there for a long time, turning the silent phone in his hand.

Well, his mother thought, he's having a good time now. A good Hallowe'en party, with all the apples he took along, tied on strings, and the apples, untied, to bob for in a tub of water, and the boxes of candy, the sweet corn kernels that really taste like autumn. He's running around looking like the bad little boy, she thought, licking his lollipop, everyone shouting, blowing horns, laughing, dancing.

At eight, and again at eight thirty and nine she went to the screen door and looked out and could almost hear the party a long way off at the dark beach, the sounds of it blowing on the wind crisp and furious and wild, and wished she could be there at the little shack out over the waves on the pier, everyone whirling about in costumes, and all the pumpkins cut each a different way and a contest for the best homemade mask or makeup job, and too much popcorn to eat and- She held to the screen door k.n.o.b, her face pink and excited and suddenly realized the children had stopped coming to beg at the door. Hallowe'en, for the neighborhood kids anyway, was over.

She went to look out into the backyard.

The house and yard were too quiet. It was strange not hearing the basketball volley on the gravel or the steady b.u.mble of the punching bag taking a beating. Or the little tweezing sound of the hand-squeezers.

What if, she thought, he found someone tonight, found someone down there, and just never came back, never came home. No telephone call. No letter, that was the way it could be. No word. Just go off away and never come back again. What if? What if?

No! she thought, there's no one, no one there, no one anywhere. There's just this place. This is the only place.

But her heart was beating fast and she had to sit down.

The wind blew softly from the sh.o.r.e.

She turned on the radio but could not hear it.

Now, she thought, they're not doing anything except playing blind man's buff, yes, that's it, blind tag, and after that they'll just be- She gasped and jumped.

The windows had exploded with raw light.

The gravel spurted in a machine-gun spray as the car jolted in, braked, and stopped, motor gunning. The lights went off in the yard. But the motor still gunned up, idled, gunned up, idled.

She could see the dark figure in the front seat of the car, not moving, staring straight ahead.

"You-" she started to say, and opened the back screen door. She found a smile on her mouth. She stopped it. Her heart was slowing now. She made herself frown.

He shut off the motor. She waited. He climbed out of the car and threw the pumpkins in the garbage can and slammed the lid.

"What happened?" she asked. "Why are you home so early-?"

"Nothing." He brushed by her with the two gallons of cider intact. He set them on the kitchen sink.

"But it's not ten yet-"