The old man was on a goddamned rampage. Where the hell was it?

Sam had torn his office apart in the morning and now he was at his home, tearing it apart.

Goddamned sonofabitching bastards had done it again on him!

They'd hidden something. They were doing it more and more these days. They'd sneak in, late, while he slept, and hide things, steal things, move things. They'd rearrange his drawers, so that one day his socks would be in the third one and the next in the top one. Sometimes his hairbrush and razor were on the left side of the sink and sometimes on the right.

The fury was like smoke, hot and bright, and it seemed to fill his veins so that a ropy blue Y stood out on his forehead and his temple throbbed strangely.

The other day they hid his pipe. His pipe, his meerschaum, picked up in Germany after the war, he'd smoked it every night for close to fifty years and it was gone. It had vanished. They changed the names of his grandchildren on him and they even mixed up two of his surviving daughters.

They moved his car when he drove to the store. They changed the stoplight on him as he accelerated through an intersection and then they honked or yelled rudely to him. Sometimes they confused him as to what side of the road he was supposed to drive on.

It was enough to make a man seriously angry, but this one, their last prank, was the worst.

For so long he had been such a methodical man. He was the kind of American who believed not in law and order but that order was was law. Thus he carefully cataloged or recorded his materials, he took infinitely detailed notes, he went over testimony forward and backwards, he mastered evidence forward and backwards and he never, ever asked a question twice or to which he did not know the answer. law. Thus he carefully cataloged or recorded his materials, he took infinitely detailed notes, he went over testimony forward and backwards, he mastered evidence forward and backwards and he never, ever asked a question twice or to which he did not know the answer.

He had outargued them all, until these new invisible devils had come gunning for him.

But he wouldn't let them win, or if, by chance, they won, if someone finally beat him, by God they'd know they'd been in a fight.

He looked around the carnage of his basement. Someone had literally dumped his files out of their cardboard boxes onto the floor in a frenzy. Who would do such a thing? Then he remembered: he he had done such a thing. Just a few minutes ago. had done such a thing. Just a few minutes ago.

What was I looking for?

Yes: a copy of the report to the coroner he had put together in 1955 on a wrongful death hearing in the case of Earl Swagger. He knew he had it. He had to have it. It was in here somewhere. But where?

The box marked 1955 was empty and he'd emptied 1953 to 1957 as well, in the thought that maybe sometime when he left office and was transferring these boxes to his home, he or one of his secretaries-he'd buried more secretaries than he could even remember-had misfiled it.

Or maybe he didn't even have have a copy. It was a report on an investigation, but it didn't lead to a prosecution or a decision not to prosecute, but only to a dead end in the Coroner's Office, so possibly even back then he didn't file it with his regular case files but in some other file, some annex or something. a copy. It was a report on an investigation, but it didn't lead to a prosecution or a decision not to prosecute, but only to a dead end in the Coroner's Office, so possibly even back then he didn't file it with his regular case files but in some other file, some annex or something.

It wasn't like he couldn't remember now. It wasn't his memory that was going. No sir, not him. It was instead a sense of fog drifting through his mind. The memory was still there. It was a vision problem: he still had all his books organized just so in the library of his mind, but for some reason he had trouble reading the names on the spines and he couldn't get them out without groping. It made him furious!

He hated the idea of going to that smug kid Rusty or whatever his goddamned name was and saying, "You know, I can't find that document. I told you I could, but I can't. I must have misremembered."

Rusty would look at him as a few of his grandchildren did: their eyes would behold a relic, a living fossil, something that belonged behind glass in a museum.

Well, goddamn him anyway! Sam felt an eruption of anger so intense it was physical; his knotty old hand formed into a fist and he imagined smashing Rusty or whatever his name was in the mouth. That would satisfy him so. Sam felt an eruption of anger so intense it was physical; his knotty old hand formed into a fist and he imagined smashing Rusty or whatever his name was in the mouth. That would satisfy him so.

He bent, but discovered his back too stiff to allow him to stay in such a position. So he knelt, and began to scrape the files up, to try and get them into some semblance of order.

A name leaped out at him.

It was like a musical tone or something, soft and vague but oddly familiar. What was it? What did it connect with? What could it mean?

Nothing. He had it, it tantalized him, then it was gone.

Goddamn them, they were doing it to him again!

He got the files together and saw from the dates they were all 1955s, and so again he slipped through them one more time and by God no, no Earl Swagger anywhere. Where did it go? Where had it- Parker!

He held the Shirelle Parker file in his hand. It was quite thin, not much to show for such a horrible crime, though it had been an open-and-shut case.

Why was this important?

Yes, Earl's last case. That day: July 23, 1955.

He opened the file and a picture greeted him: Shirelle at her eighth-grade graduation. He remembered some policeman had given it to him before the trial. He looked at it now and saw such a pretty girl, her eyes so lit up and full of hope. She was a colored child in the Arkansas of the fifties and she was full of hope! Now, wasn't that something! She must have been a wonderful child, but he realized he had no evidence about her. He knew nothing about her, except the facts of the death, which are all that matter to a prosecutor. It doesn't matter if they're good, bad, wonderful or evil: if they've been killed you try and put the killers in the chair or at least in the house.

The next picture was more familiar. It was marked POLK COUNTY SHERIFF'S DEPARTMENT PROPERTY, JULY 24, 1955-EVIDENCE. The crime scene. Shirelle, on her back on the hard shale wash of the hillside, her dress up, her privates violated, her face still and swollen, her eyes wide.

He put the photo down. He could not look at it.

I got him for you, Shirelle, he thought. Yes, I did. I got him for you and Earl. That was my job Yes, I did. I got him for you and Earl. That was my job.

He remembered. It was so easy.

He'd gotten to the scene late the day after, having been devoured by the terrible mess of Earl Swagger's death in the cornfield, by the grief and the rage and all the long and terrible ceremonies to go through.

Now, finally, at 4:00 P.M P.M. on the twenty-fourth he arrived at Shirelle's site. He could see in an instant that it had been hopelessly contaminated. Footprints scalloped the ground around her, the litter of candy bar wrappers and pop bottles lay everywhere, one lazy Polk County sheriff's deputy lounged under a tree, smoking a cigarette.

"Has the state police forensics team been here?" Sam demanded.

"No sir. They ain't a-coming, I hear. Too busy with Mr. Earl."

Sam shook his head, but realized it didn't really matter. There was no evidence left to be gotten here.

"It looks like the goddamned army's been here."

"Well, folks heard about the dead nigger gal. They come to look. I tried to keep 'em away but you know how word git around."

This enraged Sam but he saw the pointlessness of exploding at this dim fool. Instead, seething, he walked to the body. By now Shirelle was gray in color, almost dusty. Her negritude had all but vanished. She was simply a dead child, puffed up with gas that almost took her humanity away.

"You heard about the pocket?" the deputy asked.

Sam hadn't.

"Earl done found it yesterday, put it in an envelope for Lem to give the state police boys, but when they done never showed, he gave it to the Sheriff's Office."

"Pocket?"

"I hear. Ripped from a shirt. Monogrammed. Said RGF on it, pretty as you please."

Amazing, thought Sam. He'd been investigating and prosecuting murder for thirty years, with five years off for the war, and he'd never come across anything so lucky. But murder was like that: it defied rational explanation and was full of crazy things, coincidences, freaks of happening, the sheer play of the irrational in the universe. A Baptist, he hated murder because it always made him doubt God's wisdom and even, if he pressed too hard, God's existence, though he would never utter such heresy.

"I'm going to call the coroner," he told the deputy. "It's time to git this poor little girl out of here. Now, you listen to me, you see anybody else pulling up for a free look at the show, you chase 'em goddamn away, you understand? I don't want to hear about people coming up here no more. It ain't right."

"Sam, she's only a nigger gal."

Sam turned away.

By the time he got back, the raiding party was already to go. Five sheriff's deputies with shotguns and rifles and clubs, the sheriff himself already to lead the outfit in search of glory and headlines.

"No," Sam told them. "Not yet. You boys can be cowboys later."

But the evidence was undeniable. A quick scan of tax records in the County Clerk's Office, happily segregated by color, had turned up but one Negro with the initials RGF. His name was Reggie Gerard Fuller, he was eighteen and the second son of Davidson Fuller, the most prosperous Negro in town and owner of Fuller's Funeral Parlor, which buried all the Negroes. Reggie had a driver's license on record, and access to an automobile, the hearse, or more likely one of the two smaller black Fords the parlor used to transport mourners. On top of that, Reggie was known as a sharp dresser: his shirts were were monogrammed. monogrammed.

High school records indicated that Reggie was a studious though not overbright boy who placidly accepted that he would work for his father in some clerical capacity, lacking the grit and smarts to take over the business himself. He had no incidents on his record, but he was, after all, colored and young, and therefore by inclination more inclined toward deviant behavior. Most sensible people realized that in each Nigra there lurked the secret potential of the rapist and the killer; it had merely to be brought out by liquor or jealousy and knives would flash. The deputies even had a name for the crimes such behavior inspired: they were called "Willie-thumped-Willies" as in, "Oh, hey, I hear you caught a Willie-thumped-Willie the other night." "Yeah, goddamned coon cut up his old lady with a whiskey bottle. Bitch died before the goddamn ambulance came. I don't blame the ambulance. I wouldn't go down there for nothing." In this one Reggie thumped Shirelle.

But Sam was a stickler. After examining the evidence, he personally called Judge Harrison and personally drove the eighteen miles out to the judge's farm to get the search warrant and the probable-cause warrant signed.

"This ain't goddamn Mississippi," he said. "Or goddamned Alabam. We do things by the law here."

And he went along on the raid. He knew his presence would considerably lessen the thunder and the fury of the event; white deputies kicking down black doors in the middle of the night, no, not in his county.

So instead of kicking in doors, the deputies waited outside while Sam and the sheriff knocked on the door of the biggest, whitest house in what was called Niggertown but was actually a six-block-square neighborhood in west Blue Eye.

It was four in the morning. Groggily, Mr. Fuller opened the door with a shotgun in his hand and Sam was glad he had come along; the deputies might have opened fire.

"Mr. Fuller, I am Sam Vincent, Polk County prosecutor, and I think you recognize the sheriff."

Automatic race fear came upon the man's face: he saw stern whites in his doorway, and behind them, parked at the curb, four police cars, light bars flashing.

"What is this about?"

"Sir, we've come to question your son Reggie. And to serve papers on a search warrant. I've instructed the boys to be courteous and professional. But we do have an investigation to run. Could you please bring Reggie down to us? Say, the living room?"

"What is-"

"Mr. Fuller, I know you've heard, there was another terrible crime yesterday. One of your own kind. Now, we have an investigation to run."

"My boy didn't do nothing," said Mr. Fuller.

"You know me to be a fair man, and I swear to you nothing will happen here tonight or any night except what the law decrees. That's how I run things. But we have our duty to do. In the meantime, the deputies will search the house. I have a legal paper here which says it's all right. The deputies won't break anything and if they do, they'll pay for it out of their own pockets. But we have to do what we have to do."

Eventually, the sleepy Reggie was brought before Sam. He could have taken him to headquarters for questioning, but he elected, out of respect for Mr. Fuller's position, to do the initial here.

"Reggie, where were you five nights ago, that is, July 19?"

"He was here," said Mrs. Fuller.

"You let him answer, ma'am, or I will have to take him away."

Reggie was an almost fat boy, with pale skin and an unfocused quality about him that had nothing to do with the late hour. His eyes drifted, he fidgeted. He smiled and no one returned the smile. He blinked, and seemed to forget where he was; for a while he stopped paying attention. He was wearing pajamas with butterflies on them. He betrayed more confusion than fear; nothing about him suggested aggression or tendency to violence. But Nigras were strange that way: they looked calm one second and the next they could go amok.

"Sir," he finally said, "I don't 'member. Just around. Maybe in my room. I can't say. No, I think I went for a drive in Daddy's big old wagon."

"The hearse?"

"Yes suh. I went for a drive, that's all. Listen some to the radio, you know, from Memphis."

"Anybody see you? Got people who can testify to where you were?"

"No sir."

"Reggie, were you near the church? Did you go to the church and that meeting they had there that night?"

"No sir."

"Reggie, you listen to me. If you were someplace you don't want your daddy to know about, you have to be a man now and 'fess up. You were at a crib, drinking? You were gambling, you were with a woman?"

"Sir, I-"

"Mr. Sam, my boy Reggie, he's a good good boy. He's not no genius, but he works hard and-" boy. He's not no genius, but he works hard and-"

"Sam."

It was the sheriff.

"Sam, the boys found something."

That was it, really. Sam walked into the bedroom and watched as one of the deputies pointed to a little corner of blue shirt that peeked from between the mattress and the box spring of the now stripped bed. Sam nodded, and the deputy separated the two: the corner yielded to a larger mass of material. Very carefully, with a pencil, Sam nabbed it and lifted it off the bed. It was a shirt, with the pocket missing, blue cotton. It was streaked with rust, which Sam knew to be the color of dried blood.

"Think we got us a nigger," someone said.

"Okay," Sam said, "mark it and bag it, very carefully. People are going to be looking at this case and we can't afford to make a mistake."

Then he headed back to the living room to arrest Reggie Fuller for murder.

The trial, three months later, was over in a day. The Fullers were willing to spend their life savings to hire a Little Rock lawyer, but Sam looked at the evidence and suggested that they'd do better to have Reggie plead guilty and throw himself on the mercy of the court. A Fort Smith lawyer told them the same thing: the shirt was indeed Reggie's, as laundry markings subsequently proved and nobody ever bothered to deny. The pocket matched perfectly with the ripped seams on the chest. The blood was AB positive, as was Shirelle's. Reggie had no meaningful alibi; he had taken the hearse that night and just "driven around."

No bargain was ever offered, because there was no cause to. The evidence was such that a confession had no meaning. Sam made the melancholy but firm decision that Reggie, though he was young and somewhat distracted, must die. It wasn't that Sam was a cruel man but he felt the simple rhythms of the universe had been violated and must be forcefully returned to normal. An eye for an eye: it was the best system, the only true system. He spoke for the dead, and it only worked if he spoke loudly. Besides, it was Earl's last case: Earl would have wanted it that way too.

The Fullers finally found a lawyer who would take the case on appeal, and though Sam warned them not to throw their money away, they did so anyway, on a desperately vain attempt to save their son. For over two years Mrs. Fuller wrote Sam a letter once a week begging for mercy as the case dragged through the courts and Reggie moldered at the Cummins Farm at Gould, where the Negroes were sent. When the Fullers ran out of money, they sold their house and moved into a smaller one; when they ran out of money again, Mr. Fuller sold his business to a white man and went to work for that same white man, who called him, behind his back, "the dumbest nigger in Arkansas for selling a business that did sixty thousand clear a year for sixty thousand!" Then Mrs. Fuller died, Jake Fuller, the older boy, went off to join the navy and the two daughters, Emily and Suzette, moved to St. Louis with their aunt. But old Davidson Fuller took up the letter duty and wrote Sam every week and tried to talk to him, to get him to look at the evidence one more time.

"You a fair man, sir. Don't let them do this to my boy. He didn't do it."

"Davidson, even your own Nigra people say he did it. I have sources. I know what's being said in the churches and the cribs."

"Don't take my boy from me, Mr. Sam."

"I am not taking your boy from you. The law is following its course. This ain't Mississippi. I gave him a fair trial, you had good lawyers, the reason he is going where he is going is because he has to pay. You had best adjust to that, sir. I know this is not easy on your family; it wasn't easy on Shirelle's either. The balance has to be squared off and restored, and we can go on from there."

"Tell them I did it, if they want a Negro to die. I'll go. I'll confess. Take me. Please, please, please, Mr. Sam, don't take my poor little boy."

Sam just looked at him.

"You have too much love in your heart for that boy," he finally said. "He's not worth it. He killed an innocent girl."