"They were booked solid. Roarke clears a table quicker than Dallas."

"Ah."

"Oh. Ah. Blah blah."

He laughed, pinched her, then turned to the apparently disinterested maitre d'. "You've a table for two, under Roarke."

The man was squat, with his ample bulk squeezed into an old-fashioned tuxedo like a soy sausage pumped into a casing. His bored eyes popped wide, and he lurched from his stool station to his feet. When he bowed, Eve expected him to pop out of the tuxedo.

"Yes, yes! Mr. Roarke. Your table is waiting. Best table in the house." His Italian accent had a definite New York edge. Rome via the Bronx. "Please, come with me. Shoo, shoo." He waved at and jostled waiters and customers alike to clear a path. "I am Gino. Please to tell me if you wish for anything. Anything. Tonight's pasta is spaghetti con polpettone, and the special is rollatini di pollo. You will have wine, yes? A complimentary bottle of our Barolo. It's very fine. Handsome and bold, but not overpowering."

"Sounds perfect. Thank you very much."

"It's nothing. Nothing at all." He snapped his fingers toward a waiter who'd obviously been put on alert. In short order, the wine was displayed, opened, poured and approved. Menus were offered with a flourish, and the staff retreated to hover and largely ignore diners who hoped to be served sometime in the next decade.

"Do you ever get tired of being fawned over?" Eve asked him.

"Let me think." Roarke sipped his wine, leaned back. Smiled. "No."

"Figured." She glanced at the menu. "What's that spaghetti polepot stuff he was talking about?"

"Polpettone. Spaghetti and meatb.a.l.l.s." Spaghetti and meatb.a.l.l.s."

"Really?" She perked up. "Okay, that sets me up." She laid the menu aside. "What are you having?"

"I think I'll try the two-sauce lasagna. You put it in my head, and I can't get it out. We'll have some antipasto to start, or we'll disappoint our hosts."

"Let's keep them happy."

The instant Roarke set down his menu, both the maitre d' and the waiter materialized at the table. She let Roarke order, and drew the ID photo of Tina Cobb out of her bag. "Do you recognize this woman?" she asked Gino.

"I'm sorry?"

"She was in here on a date in July. Do you remember seeing her?"

"I'm sorry," he repeated. He looked apologetic, then apoplectic as he glanced at Roarke. "We have so many customers." His brow pearled with sweat; he wrung his hands and stood like a nervous student failing a vital test.

"Just take a look. Maybe you'll remember her coming in. Young, probably spruced up for a date. About five feet three inches, a hundred and twenty pounds. First-date glow on her."

"Ah . . . "

"You could do me a favor," Eve said before the guy dripped into a nerve puddle at her feet. "You could show that to the waitstaff, see if she rings any bells."

"I'd be happy to. Honored Honored to, of course. Right away." to, of course. Right away."

"I like it better when they're annoyed or p.i.s.sed off," Eve decided as he scurried away. "Well, either way, it's a long shot."

"We'll get a good meal out of it. And . . . " He lifted her hand, kissed her knuckles. "I get a date with my wife."

"Place does a h.e.l.l of a business. How come you don't own it?"

He kept her hand as he sipped his wine. There was no sign of a man who'd bounced from city to city all day, firing embezzlers and incompetents. "Would you like to?"

She only shook her head. "Two dead women. One a means to an end, the other just in the right place at the wrong time. He's not a killer by design. He kills because it's expedient. Wants to reach the goal. To reach it, you have to utilize tools, dispose of obstacles. Sort of like what you did today, only with real blood."

"Hmm" was Roarke's comment.

"What I mean is you're going to get from point A to point B, and if you have to take a side trip and mow over somebody, you do. I mean, he's directed."

"Understood."

"If Jacobs hadn't been there, he wouldn't have had to kill her. If he hadn't had to kill Jacobs, he probably wouldn't have killed Cobb. At least not right away, though I'd lay odds he'd worked out how he'd do it when and if. If he'd found the diamonds-fat chance-or more likely found something that led him to them, he'd have followed the trail."

She grabbed a bread stick, broke it in half, then crunched down. "He doesn't quibble at murder, and must have-because he thinks ahead-he must have considered the possibility of disposing of Samantha Gannon once he had his prize in hand. But he didn't go into her house with murder on the agenda."

"He adjusts. Understands the value of being flexible and of keeping his eye on the ball, so to speak. What you have so far doesn't indicate a man who panics when something alters his game plan. He works with it, and moves on accordingly."

"That's a pretty flattering description."

"Not at all," Roarke disagreed. "As his flexibility and focus are completely amoral and self-serving. As you pointed out, I've had-and have-game plans of my own, and I know, very well, the seductive pull of glittering stones. Cash, however s.e.xy it might be, doesn't hook into you the same way. The light of them, the dazzle and the colors and shapes. There's something primitive about the attraction, something visceral. Despite that, to kill over a handful of sparkles demeans the whole business. To my mind, in any case."

"Stealing them's okay though."

He grinned now, and took the second half of her bread stick. "If you do it right. Once-in another life, of course-I . . . relieved a London bird of a number of her sparkling feathers. She kept them locked away in a vault-in the dark-such a pity. What's the point in locking all those beauties away, after all, where they only wait to shine again? She kept a house in Mayfair, guarded like Buckingham b.l.o.o.d.y Palace. I did the job solo, just to see if I could."

She knew she shouldn't be amused, but she couldn't help it. "Bet you could."

"You win. Christ, what a rush. I think I was twenty, and still I remember-remember exactly-what it was to take those stones out of the dark and watch them come alive in my hands. They need the light to come alive."

"What did you do with them?"

"Well now, that's another story, Lieutenant." He topped off their winegla.s.ses. "Another story entirely."

The waiter served their antipasto. On his heels the maitre d' came hurrying back, pulling a waitress by the arm.

"Tell the signora," he ordered.

"Okay. I think that maybe I waited on her."

"She thinks maybe," Gino echoed. He almost sang it.

"She with a guy?"

"Yeah. Listen, I'm not a hundred percent."

"Is it okay if she sits down a minute?" Eve asked Gino.

"Whatever you like. Anything you like. The antipasto, it's good?"

"It's great."

"And the wine?"

Noting the flicker in Eve's eyes, Roarke shifted. "It's very nice wine. A wonderful choice. I wonder, could we have a chair for . . . "

"I'm Carmen," the waitress told him.

Fortunately there was a chair available as Eve had no doubt Gino would have personally dumped another diner out of one to accommodate Roarke's request.

Though he continued to hover, Eve ignored him and turned to Carmen. "What do you remember?"

"Well." Carmen looked hard at the photo she'd given back to Eve. "Gino said it was a first-date thing. And I think I remember waiting on her-them. She was all nervous and giddy like she didn't get out much, and she looked young enough that I had to card her. I sort of hated to do it because she got all fl.u.s.tered, but it was okay because she was legal. Barely. That's why I sort of remember."

"What about him. What do you remember about him?"

"Um . . . He wasn't as young as her, and he was a lot smoother. Like he'd been around some. He ordered in Italian, casual like. I remember that because some guys do and it's a real show-off deal, and others pull it off. He pulled it off. And he didn't stint on the tip."

"How'd he pay?"

"Cash. I always remember when they pay cash, especially when they don't stiff me."

"Can you describe him?"

"Oh, I don't know. I didn't pay that close. I think he had dark hair. Not too dark. I mean not . . . " She shifted her gaze to Roarke and her eyes skimmed over his hair and would have sighed if they could. "Not black."

"Uh-huh. Carmen." Eve tapped her on the hand to regain her attention. "What about skin color?"

"Oh, well, he was white. But he had a tan. I remember that now. Like he'd had a really good flash or a nice vacation. No, he had light hair! That's right. He had blondish hair because it was a real contrast with the tan. I think. Anyway. He was really attentive to her, too. Now that I'm thinking, I remember most times I went by he was listening to her, or asking her questions. A lot of guys-h.e.l.l, most guys-don't listen."

"You said he was older than she was. How much older?"

"Jeez, it's hard to say. To remember. I don't think it was one of those daddy-type things."

"How about build?"

"I don't really know. He was sitting, you know. He wasn't a porker. He just looked normal."

"Piercings, tattoos?"

"Oh wow. Not that I remember. He had a really good wrist unit. I noticed it. She was in the ladies' when I brought out their coffee, and he checked the time. It was really sharp-looking, thin and silvery with a pearly face. What do they call that?"

"Mother-of-pearl?" Roarke suggested.

"Yeah. Yeah, mother-of-pearl. It was one sharp-looking piece. Expensive-looking."

"Would you be willing to work with a police artist?"

"This is a cop thing? Wow. What did they do?"

"It's him I'm interested in. I'd like to arrange for you to come down to Central tomorrow. I can have you transported."

"I guess. Sure. It'd be kind of a kick."

"If you'd give me your information, someone will contact you."

Eve plucked an olive from the plate as Carmen carried her chair away. "I love when long shots pay off." She saw the plates of pasta heading in their direction and struggled not to salivate. "Just give me one minute to set this up."

She pulled out her 'link to call Central and arrange for an artist session. While she listened to the desk sergeant, asked a couple of pithy questions, she twirled pasta on her fork.

She ended the call, stuffed the pasta in her mouth. "Nadine broadcast the connection."

"What?"

"Sorry." She swallowed and repeated the statement more coherently. "Figured she'd make it after talking to Gannon, and that she'd go on air."

"Problem?"

"If it was dicey I'd've stopped her. And to give her credit, she'd have let me. No, it's no problem. He'll catch a broadcast and he'll know we've got lines to tug. Make him think, make him wonder."

She stabbed a meatball, broke off a forkful, wrapped pasta around it. "Bobby Smith, whoever the h.e.l.l he is, should be doing a lot of thinking tonight."

And he was. He'd come home early from a c.o.c.ktail party that had bored him to death. The same people, the same conversations, the same ennui. There was never anything new.

Of course, he had a great deal new to talk about. But he hardly thought his recent activities were c.o.c.ktail conversation.

He'd switched on the screen. Before he'd gone out he'd programmed his entertainment unit to record any mention of various key words: Gannon, Jacobs-as that had turned out to be her name-Cobb. Sweet little Tina. And sure enough, there'd been an extended report by the delicious Nadine Furst on 75 that had combined all of those key words.

So, they'd made the connection. He hadn't expected the police to make it quite that quickly. Not that it mattered.

He changed into lounging pants, a silk robe. He poured himself a brandy and fixed a small plate of fruit and cheese, so that he could be comfortable while he viewed the report again.

Settled on the sofa in the media room of his two-level apartment on Park Avenue, he nibbled on Brie and tart green grapes while Nadine relayed the story again.

Nothing to link him to the naive little maid, he concluded. He'd been careful. There'd been a few transmissions, true, but all to the account he'd created for that purpose, and sent or received from a public unit. He'd always taken her places where they were absorbed by a crowd. And when he'd decided he needed to kill her, he'd taken her to the building on Avenue B.

His father's company was renovating that property. It was untenanted, and though there had been some blood-actually, considerable blood-he'd tidied up. Even if he'd missed a spot or two, crews of carpenters and plumbers would hardly notice a new stain or two among the old.

No, there was nothing to connect a silly maid from the projects to the well-educated, socially advanced and cultured son of one of the city's top businessmen.

Nothing to connect him to the earnest and struggling young artist Bobby Smith.

The artist angle had been brilliant-naturally. He could draw competently enough, and he'd charmed the naive and foolish Tina with a little sketch of her face.

Of course, he'd had to ride a bus bus to create the "chance" meeting. Hideous ordeal. He had no idea how people tolerated such experiences, but imagined those who did neither knew nor deserved any better. to create the "chance" meeting. Hideous ordeal. He had no idea how people tolerated such experiences, but imagined those who did neither knew nor deserved any better.