Fox-Ani nods. "Then you should leave now. I'll come find you when it's done."

She turns, unable to bear the human woman's eyes any longer. If she saw anger there, she would understand, but there is only a kind of sadness, and the fox-girl feels young and foolish again. How is it that she, who walked the earth for ages before the first humans ever raised their heads to look up at the stars, could be so much less wise than them?

The fox-girl hears the humans retreat, footsteps soft on the carpeted floor. She counts them along with her breath and her heartbeats, waiting until she can't hear them anymore, and kneels. She opens the panel beneath the desk, seeing where the chip fits back into the computer. The next time one of the humans tries to access something from the chip's memory, the essence of everything she was will infect the system, wipe it clean.

A sound that isn't a sound makes Ani's head snap up. Crow Lords-she can feel them coming, she can smell them on the air, a scent like oil and shadows and blood. She snaps the panel closed and rises, running for the hall.

Ani climbs, spiraling up into the dark. At the top of the stairs, she steps out onto the roof. Crows fall from the sky, screaming at her. Ten of them, whose taste she knows, throw their bodies between her and the bodies of their brothers, fighting beak and claw. She beats his brothers back, snapping with human teeth, trying to gather the birds belonging to her Crow Lord.

All around the edges of the roof, men with hollow eyes watch her while their shadows do battle. Only one does not have hollow eyes. His eyes are full of fox-light. He trembles.

Her gaze fixes on him, ignoring the feathers that snap against her skin and the beaks that draw blood.

"Trust me," she whispers.

Ani holds up cupped palms. She can feel hot, sticky blood, running down her skin. She won't fight the Crow Lords, not here, not now, not like this. Her war will be a quiet war, infecting the Crow Lords from within as she would have infected the humans. One of her birds lands, awkwardly in her out-stretched hands. She draws it close and holds it against her heartbeat. Then she lifts it to her lips.

Across the rooftop, the man with full eyes twitches. His Crow Lord shadow melts between her lips, sliding down her throat. He surrenders. The nine birds remaining flock to her. She opens her arms wide, opens her jaws, and devours them all.

When she has swallowed the last of her Crow Lord's shadow, Ani screams at his brothers. "I'm one of you now! Your Fox Brother, your Crow Sister."

The Crow Lords shriek their rage. They slash at her with beak and claw. Twelve birds lift, swirling around one of the hollow eyed men at the corner of the rooftop. They coalesce, and his shadow lies long beneath him. He steps forward.

"We still have your name." His chuckle becomes a crow-caw. Ani answers with a fox-grin.

"I don't need it anymore."

She turns towards her Crow Lord. He is on his knees now, but he raises his head. His eyes are full of light. Even though he is shaking, she feels his shadow inside her, stronger than ever. He knows her name, and he will whisper it to her in the dark. His eyes are a promise. It is all she needs.

He grits his teeth, and speaks. "Trust me. Jump."

She drops four paws onto the ground and runs for the edge of the roof. She leaps, trusting the shadow beneath her skin. She falls and the city streaks towards her from below. In the screaming wind, her shadow shreds, tatters, and spreads impossible wings. She soars.

She bares fox-teeth, laughing, and tasting the stars. She is free, and she is alive.

After an eternity of flight, of devouring the moonlight and drinking the world, she touches down. Four paws come to rest on dirty asphalt in an alley that smells of rotten food. Red neon spreads puddles of light beneath her feet. When she rises to stand on two legs, she is clothed in a coat as black as a crow's wing. It hides her torn and bloodied skin.

Yuki steps out of the doorway where the fox-girl first saw him, the human Ani behind him. She looks smaller away from the glow of the machines, half-broken by all that has been done to her.

Fox-Ani closes her eyes and places her hand to her mouth. She tastes the stone, Crow Lord magic, smooth and cool on her tongue. It has been there the whole time, but she can touch it now. She pushes it onto her palm and opens her eyes, holding out her hand.

Ani looks at her, questioning. "What is it?"

"Forgetting. If you want, you can start over again."

Ani considers a moment, then holds out her hand. The Fox-Crow-Girl tips the stone onto the human woman's palm. The woman considers it a moment, weighing it, then slips the stone into her pocket.

"Thank you."

She turns away. Yuki moves after her. "Ani! Wait!"

The human woman turns, a sad smile moving cracked lips, pulling bruised flesh tight around her eye. "That's not my name anymore. I'm no-one, now. A ghost."

She turns again and walks away. This time Yuki doesn't try to stop her. Fox-Ani steps close and slips her hand into his, pressing warm skin against skin. "I'm sorry."

"Don't be," he answers, but she can feel the sorrow rolling off him. The air around him smells like tea and tears. "I never really knew her. I only had an image of her in my head that I wanted to love. Now there isn't enough of her left to know."

"Maybe she'll come back one day."

"Maybe." Yuki shrugs. He turns to look at Ani, his tea-brown eyes clear. "What are you going to do now?"

"Run. Fly." She lets go of his hand and whirls, changes, a blur of fur and feathers, then she is a girl again.

"Thank you for everything." Her voice is soft in the neon tinted dark. She means the words more than she has ever meant any words before. Though it was the Crow Lord's shadow she devoured, Yuki has changed her, too.

"We'll see each other again," she says. "If you want. We can eat noodles on the rooftops, up under the sky. The world is going to change soon. I'll tell you what it looks like from above."

A smile touches Yuki's lips, shadowed with pain, but still a smile. "I'd like that."

He lifts his hand to wave goodbye, and she is flying, fox and crow and girl, lifting up above the city to taste the light of the stars.

THE POISON EATERS.

HOLLY BLACK.

I trust that your bonds are not too tight, my son. Please don't struggle. Don't bother. You're soft. All princes are soft and these cells are built for hardened men.

It is a shame that you never met your grandmother. You are very like with your tempers and your rages. I imagine she would have doted on you. How ironic that father tried her for being a poisoner. Right now, especially, Paul, I imagine irony is much on your mind.

The morning of her execution she had her attendants dress her all in red and braid her hair with fresh roses. Wine-colored stones cluttered her fingers. There are several paintings of it; she died opulently. It was drizzling. I was to walk her to her tomb. It was something like a wedding processional as she took my arm and we went together, down the steep steps. The place was dark and stank of incense. My mother leaned close to me and whispered that I looked splendid in black. I remember not being able to say anything, only taking her hand and pressing it. Outside, the rain began to fall hard. We heard the shrieks of the assemblage; aristocrats don't like to be wet.

My mother smiled and said, "I bet they wish they were down here where it's dry."

I forced a smile and made myself kiss her cheek and bid her farewell. The masons were waiting at the top of the stairs.

My mother and I were not close, but she was still my mother. I was a dutiful son. I had commanded the cooks to put the sharpest of my hunting knives beneath the food they had prepared for her. I wonder if you would do that for me, Paul. Perhaps you would. After all, it cost me nothing to be kind.

See this cup? A beautiful thing, solid gold, one of the few treasures of our family that remain. It was my father's. He had a cupbearer bring him his wine in it, even as his other guests drank from silver. I have it here beside me, just as you filled it-half with poison and half with cider, so that it will go down easy.

I have a story to tell you. You've always been restless, too busy to hear stories of people long dead and secrets that no longer matter. But now, Paul, bound and gagged as you are, you can hardly object to my telling you a tale: Sometimes at night the three sisters would sleep in one bed, limbs tangling together. Despite that, they would never get warm. Their lips would stay blue and sometimes one of them would shake or cramp, but they were used to that. Sometimes, in the mornings, when women would bring them their breakfasts, one might touch them by accident and the next day she would be missing. But they were used to that too. Not that they did not grieve. They often wept. They wept over the mice they would find, stiff and cold, on the stone floor of their chamber; over the hunting dogs that would run to them when they were out walking on the hills, jumping up and then falling down; over the butterfly that once landed on Mirabelle's cheek for a moment, before spiraling to the ground like a bit of paper.

One winter, their father gave them lockets. Each locket had the painting of a boy inside of it. They took turns making up stories about the boys. In one story, Alice's picture, who they'd taken to calling Nicholas, was a knight with a silver arm, questing after a sword cooled from the forge with the blood of sirens. At night, the sword became a siren with hair as black as ink and Nicholas fell in love with her. At this point the story stopped because Alice stormed off, annoyed that Cecily had made up a story where the boy from her locket fell in love with someone else.

Each day they would eat a salad of what looked like flowering parsley. Afterwards, their hands would tremble and they would become so cold that they had to sit close to the fire and scorch themselves. Sometimes their father came in and watched them eat, but he was careful to never touch them. Instead, he would read them prayers or lecture on the dangers of sloth and the importance of needlework. Occasionally, he would have one of them read from Homer.

Summer was their favorite time. The sun would warm their sluggish blood and they would lie out in the garden like snakes. It was on one of those jaunts that the blacksmith's apprentice first spotted Alice. He started coming around a lot after that, reading his weepy poetry and trying to get her to pay him attention. Before long, Alice was always crying. She wanted to go to him, but she dared not.

"He's not the boy in your locket," Mirabelle said.

"Don't be stupid." Alice wiped her reddened eyes. "Do you think that we're supposed to marry them and be their wives? Do you think that's why we have those lockets?"

Cecily had been about to say something and stopped. She'd always thought the boys in the lockets would be theirs someday, but she did not want to say so now, in case Alice called her stupid too.

"Imagine any of us married. What would happen then, sisters? We are merely knives in the process of being sharpened."

"Why would father do that?" Cecily demanded.

"Father?" Alice demanded. "Do you really think he's your father? Or mine? Look at us. How could you, Mirabelle, be short and fair while Cecily is tall and dark? How could I have breasts like melons, while hers are barely currants? How could we all be so close in age? We three are no more sisters than he is our father."

Mirabelle began to weep. They went to bed that night in silence, but when they awoke, Mirabelle would no longer eat. She spit out her bitter greens, even when she became tired and languid. Cecily begged her to take something, telling her that they were sisters no matter what.

"Different mothers could explain our looks," Alice said, but she did not sound convinced and Mirabelle would not be comforted.

Their father tried to force Mirabelle to eat, but she pushed food into her cheek only to spit it out again when he was gone. She got thinner and more wan, her shriveling, but she did not die. She faded into a thin wispy thing, as ephemeral as smoke.

"What does it mean?" Cecily asked.

"It means she shouldn't be so foolish," said their father. He tried to tempt her with a frond of bitter herb in a gloved hand, but she was so insubstantial that she passed through him without causing harm and drifted out to the gardens.

"It's my fault," said Alice.

But the ghostly shape of Mirabelle merely laughed her whispery laugh.

The next day Alice went out to meet the blacksmith's apprentice and kissed him until he died. It did not bring her sister back. It did not help her grief. She built a fire and threw herself on it. She burned until she was only a blackened shadow.

No tears were enough to express how Cecily felt so her eyes remained dry as her sisters floated like shades through the halls of the estate and her father locked himself in his study.

As Cecily sat alone in a dim room, her sisters came to her.

"You must bury us," Alice said.

"I want it to be in the gardens of one of our suitors. Together so that we won't be lonely."

"Why should I? Why should I do anything for you?" Cecily asked. "You left me here alone."

"Stop feeling sorry for yourself," said Alice. Lack of corporeal form had not made her any less bossy.

"We need you," Mirabelle pleaded.

"Why can't you bury yourselves? Just drift down into the dirt."

"That's not the way it works," Mirabelle told her.

And so, with a sigh of resignation, gathering up the lockets of her sisters, Cecily left the estate and began to walk. She was not sure where she was headed, but the road led to town.

It was frightening to be on her own, with no one to brush her hair or tell her when to sit down to lunch. The forest sounded strange and ominous.

She stopped and paid for an apple with a silver ring. As she passed a stall, she overheard one of the merchants say. "Look at her blue mouth, her pale skin. She's the walking dead." As soon as he said it, Cecily knew it to be true. That was why Alice and Mirabelle would not die. They were already dead.

She walked for a long time, resting by a stream when she was tired. After she rose, she saw the imprint of herself in the withered grass. Tears rolled over her cheeks and dampened the cloth of her dress, but one fell where ants scurried and stilled them. After that, Cecily was careful not to cry.

At the next town, she showed the pictures in each of the lockets to the woman who sold wreaths for graves. She knew only the first boy. His name was Vance-not Nicholas-and he was the son of a wealthy landowner to the East who had once paid her for a hundred wreaths of chrysanthemums to decorate the necks of horses on Vance's twelfth birthday.

She started down the winding and dusty road East. Once she was given a ride on a wagon filled with hay. She kept her hands folded in her lap and when the farmer reached out to touch her shoulder in kindness, she shied away as though she despised him. The coldness in his eyes afterward hurt her and she tried not to think of him.

Another traveler demanded the necklace of opals she wore at her throat, but she slapped him and he fell, as if struck by a blow more terrible than any her soft hand should have delivered.

Her sisters chattered at her as she went. Sometimes their words buzzed around her like hornets, sometimes they went sulkily silent. Once, Mirabelle and Alice had a fight about which of their deaths were more foolish and Cecily had to shout at them until they stopped.

Cecily often got hungry, but there was no salad of bitter parsley, so she ate other leaves and flowers she picked in the woods. Some of them filled her with that familiar cold shakiness while others went down her throat without doing anything but sating her. She drank from cool streams and muddy puddles and by the time she reached Vance's estate, her shoes were riddled with holes.

The manor house was at the top of a small hill and the path was set with smooth, pale stones. The door was a deep red, the color berries stained eager fingers. Cecily rapped on the door.

The servants saw her tattered finery and brought her to Master Hornpull. He had white hair that fell to his shoulders but the top of his pate was bald, shining with oil, and slightly sunburnt.

Cecily showed him the locket with Vance's picture and told him about Alice's death. He was kind and did not mention the state of Cecily's clothing or the strangeness of her coming so suddenly and on foot. He told servants to prepare a room for her and let her wash herself in a tub with golden faucets in the shape of swans.

"If you kiss him once, then I will be able to kiss him forever and ever," Alice told her as she dried off.

"I thought you liked the blacksmith's apprentice," Cecily said.

"I always liked Nicholas better." Alice's ghostly voice sounded snappish.

"Vance," Cecily corrected.

Servants came to ask Cecily if she would go to dinner, but she begged off, pleading weariness. She planned to doze on the down mattress until nightfall when she could steal out to the gardens, but there was a sharp rap on the door and her father walked into the room.

Cecily made a poorly-concealed gasp and struggled to stand. For a moment, she was afraid, without really knowing why.

He pushed back graying hair with a gloved hand. "How fortunate that you are so predictable. I was quite worried when I found you had gone."

"I was too sad to be there alone," Cecily said. She could not meet his eyes.

"'You must marry Vance in Alice's place.'

"I can't," Cecily said. What she meant was that Alice would be mad and indeed, Alice was already darting around, muttering furiously.

"You can and you will," her father said. "Every thing yearns to do what it is made for."

Cecily said nothing. He drew from his pocket a necklace of tourmalines and fastened them at her throat. "Be as good a girl as you are lovely," he said. "Then we will go home."

The earliest memory Cecily had of her father was of gloved hands, mail-over-leather, checking her gums. She had been very sick for a long time, lying on mounds of hay in a stinking room full of sick little girls. She remembered his messy hair and his perfectly trimmed beard and the way his smile had seemed aimed in her direction but not for her. "Little girls are like oysters," he told her as he pried her eyelids wide. "Just as a grain of sand irritates the oyster into making nacre, so your discomfort will make something marvelous."