The customers and staff were splattered everywhere. They were slumped over in the booths and in pieces on the floor. Body parts were on the tables and chairs. The walls were soaked with blood. The carnage was nearly immeasurable.

Stephenie stumbled; her mouth became dry.

Spinning, the world was spinning.

She put her hands on her knees and felt her stomach heave. Somehow she held it in. She wasn't sick on the floor but she wanted to be. Not that being sick would fix anything. It wouldn't. And her view wasn't better now that she was crouched over like an umpire at a ball game; it was worse.

She was looking at a corpse.

The corpse wore a yellow waitress uniform that consisted of a loose b.u.t.ton shirt, glossy black shoes and a miniskirt. The dead woman was twenty-five years old, give or take a year. Her nametag said SUSAN; her head was twisted awkwardly towards the door. Her skull had been cracked apart like an egg.

Stephenie could see the woman's brain just as clearly as she could count the bone fragments lying on top of it. And still, she held her nausea at bay. She held it because she didn't want to vomit on the girl. She didn't dare move, fearing her stomach would revolt against such action, leading her into a bought of illness that would last fifteen minutes or more.

She closed her eyes and squeezed them tight.

When she opened them nothing had changed. She was getting a real close look at this waitress named Susan, whose eyes were wide open, shockingly open, dreadfully open. Her face held an expression of terror so absolute she seemed to have died of fright before the killing blow had been able to claim her.

In time, Stephenie lifted herself to an upright position.

There was a puddle of blood around Susan's head and tiny footprints were in it. Tiny footprints. Carrie's footprints.

"Where's Carrie?" she whispered.

Then she closed her eyes, telling herself she was trapped inside a dream, a terrible dreama nightmare in fact. More than anything else, that's what she wanted to believe. Otherwise she'd need to face the fact that she was standing in a horrific bloodbath and her five-year-old daughter was suddenly gone.

4.

The scene was tranquil. Everything was calm. The customers were eating and socializing, the staff was working and everyone was happy. There was no blood on the walls, no bodies slumped over in the booths, no body parts lying amputated on the floor. There was nothing out of the ordinary. Nothing disturbing. Nothing to suggest there was a problem big enough to have people shaking their heads in disbelief. It was a diner, just a simple diner with no strings attached. It had stools with red seat covers, which were bolted to the floor in front of the counter. It had booths with divisional walls that were a little more than waist high, giving privacy but not too much privacy. It had cheap paintings on the walls between the dark windows. Florescent lights buzzed in the ceiling and ceiling fans spun below. It was the type of place that gets labeled a greasy spoon and often times deserves the label. It smelled like coffee, toast and bacon. The smell alone was enough to get your stomach rumbling and your waistline expanding.

Stephenie felt a tug on her finger. She heard a voice. It was a child's voice, her daughter's voice.

The voice said, "Mom?"

Sitting inside a booth in the center of the diner was a woman named Angela Mezzo. She was a beautiful Italian lady with dark hair and an exotic appearance. Her lips were full and her cheekbones were high. She was roughly the same age as Stephenie, twenty-nine, maybe thirty. But unlike Stephenie her youthful exterior was no longer present. Not in a bad way, in a good way. She had womanly features that weren't restricted to the curves of her body, but on her face too. In contrast, Stephenie's appearance suggested that she might carry her inner-girl around with her until the day she died.

Angela lifted a coffee mug from the table with delicate, manicured hands. She swallowed a sip of coffee without making a sound.

The mug had a yellow happy face painted on the side. It was the same yellow happy face that had been produced and reproduced a hundred million times and can be found on cups and gla.s.ses in dollar stores around the world.

Stephenie felt another tug on her finger. She heard the voice again: "Mom?"

Angela sat the mug on the table in front of her. She started to grin, but the grin sat on her face wrong somehow, like it didn't belong there, like it belonged somewhere else.

Stephenie's eyes narrowed. She had seen that smile before but didn't know where.

Angela's grin thickened, growing hard across her features like old gravy left forgotten on the stove.

Now Stephenie knew.

The smile was lifted from her late husband Hal. It was the same smile he made in her dreams, in her nightmares. Not when he was falling, but the moment before he hit the sign that said DANGER and his body was severed at the waist. But why was Hal's smile on Angela's face? It had to be a coincidence.

Angela began changing. Her eyes turned blacker than oil and her mouth crept open like a squeaky door in a haunted house. Her head tilted, hair swooped in front of her face and her skin became pale. For a moment Stephenie thought she might crumble into dust.

Then came a third tug on her finger.

The tug seemed more urgent this time, but still, it was gentle. A child's hand was wrapped around her finger and Stephenie knew it was Carrie's hand, which was good news indeed because if Carrie was pulling her finger Stephenie knew exactly where the girl was hiding and there would be nothing more to worry about, nothing at all. Nothing except the cold hard fact that a room full of strangers was chopped into a million pieces and somebody was responsible. Strangers don't kill themselves when they step out for a bite to eatno way, no chance, no how.

But the room wasn't filled with dead people. The room was just the way you'd expect it to be: the staff were bustling about and the customers were enjoying their meals.

Except for Angela Mezzo.

Angela was sitting at the table with her happy face mug in front. Her eyes were black and her mouth hung open like someone had snagged it with a hook on a string and given the string a good yank.

Now she was about to say something.

Stephenie didn't want to hear it, not a single word. Once Angela started talking everything would be so bad she'd want to scream.

She felt another tug on her finger. Then the hand slipped away and that was the end of it. The finger tugging was over. If Carrie had been there she was gone now. She was gone to wherever she may be.

Stephenie was alone. Alone in the room with the cheerful people that didn't notice Angelayes s eyes had turned black and the color was draining from her skin. She was alone in the room with a ghoul that was opening her mouth so horrifically wide that a rat could crawl from her throat with room to spare.

Now Angela did speak. She did. And when she spoke it wasn't a woman's voice Stephenie heard. It was a child's voice. It was Carrie's voice. Carrie's voice was creeping free of that cavernous void that needed to be shut.

The voice said, "Mom?"

And Stephenie opened her eyes.

5.

Angela Mezzo was indeed dead. Her lifeless body was lying awkwardly across the table. Her fingers were wrapped around the coffee mug like she was about to take a drink. The yellow happy face on the mug smiled in spite of the carnage around it.

Stephenie lifted her stare from Angela, but everywhere she looked there was a new horror waiting to be seen. The restaurant was a killing box, simple as that. It was a killing box that had been exhaustively used.

She said, "Carrie?" Her voice sounded weak and shrouded in terror. "Where are you?"

She stepped forward. Her foot brushed against Susan's corpse. A spike of fear and panic gripped her with such strength she thought she'd faint. She turned quickly and reached for the door. Her foot slipped in the blood, not enough to knock her off balance; just enough to let her know what she was standing in. The walls seemed nearer; the ceiling seemed lower.

She pushed on the gla.s.s. The door opened, the bells sang and out she went.

She was outside.

Yes. Outside. Outside was good. The clean air and the open sky eased the claustrophobic feeling that had clutched her so tightly a moment before. She put both hands on her knees and breathed hard, like she had gone running. Her throat felt dry now, the sweat on her neck gave her a little chill.

This was bad, so very bad.

She stood up army straight and looked over her right shoulder. The swing was empty. Christina was gone. She looked over her left shoulder. Nothing.

The reality of the moment came rushing in, hitting her with enough power to knock her right out of her shoes.

Where is Carrie? Where's my daughter?

At first she didn't know what to do, what to think. The car was empty. The parking lot was empty. So what did that leave?

It left the restaurant; that's what it left. It left that f.u.c.king slaughterhouse, the gore-zone, the abattoir. And she didn't want to go in there. She didn't even want to think about going in there.

Stephenie stumbled away from the restaurant like she had one too many at the local pub, more anxious now than anything else. She said, "Carrie? Carrie where are you?"

There was no answer.

"Carrie?"

Nothing.

Carrie was in the restaurant. She had to be. There was nowhere else to hide unless she, shewhat? Wandered onto the highway? Sprouted wings and flew away? Disappeared into black-hole void like a s.p.a.cecraft from a science fiction story?

She was inside. G.o.dd.a.m.n it, she had to be inside somewhere.

Maybe she's dead.

Stephenie spun around quickly, holding a hand at her chest.

Don't think this way, she thought. Don't think she's dead, not even for a minute. My daughter isn't dead, just misplaced. Whoever's responsible for this mess is long gone, which means there's no danger here. None. So don't start thinking Carrie is in trouble; it'll only make matters worse.

She eyed the door.

The door looked the way you'd expect an old restaurant door to look: big and grimy with a large gla.s.s window. The bottom half had little splotches of dirt and mud clinging to the chipped paint. The gla.s.s was tinted dark and nearly impossible to see through. Behind the gla.s.s, a thin, dirty curtain hung from a cheap gold colored rod. The curtain needed to be cleaned. The rod needed to have its screws tightened, otherwise it would likely fall from the door before the season's end.

Stephenie stepped towards the building and wrapped her fingers around the door handle. The handle felt like trucker sweat and french-fry grease. She tightened her grip; then taking a deep, stabilizing breath, she pulled the door open. Bells rang. The carnage became visible before she even stepped inside.

"Carrie?" She whispered.

The door closed behind her. The room was awful; it was also very quiet. But there was something, a sound of some kind. She wasn't sure what the sound was but it was there, no louder than the buzz of an electric heater. It didn't sound like a heater though. She didn't know what it sounded like. Scratching? Was that it? Did it sound like something scratching the wall?

"Carrie? Are you here? h.e.l.lo? Anybody? Is anybody... alive?"

No response.

Stephenie's eyes found Angela again, but she didn't want to look at the woman because Angela did one thing very, very well: she made Stephenie nervousbeyond nervous, actually. She made Stephenie feel like she was ready to die of anxiety. So she looked away, looked towards a dead body that was slumped against the counter, because that was better. Sure it was.

The corpse had a name: Craig Smyth. He was twenty-one, dressed in a nice white shirt. His hands were on his chest. His legs were curled towards his body, suggesting that he recoiled from something terrible in his last moment of life. There was a large wound near Craig's heart; it separated his ribs and caused a giant puddle on the floor around him. His white shirt was drenched in red.

Stephenie turned away. She said, "Carrie? Are you"

A wet hand slapped the floor, shocking the silence of the room. Stephenie flinched. Her words got caught in her throat as her head snapped towards the corpse once again. She wasn't sure what she expected to see but she felt like screaming.

Craig's arm had shifted; his hand had fallen from his chest. Now it was lying on the floor, surrounded in blood.

"Don't freak out," she whispered, allowing a little moan to escape. But Stephenie knew she might freak out. Oh yes. Freaking out was right around the bend and becoming more appealing all the time.

She heard the sound again: scratch, scratch.

It came from behind the counter. Yes, she was sure of it now.

She moved past Craig, trying not to look at him. And as she rounded the counter's corner she noticed the countertop had a big hack mark in it, like someone had slammed an axe into it. There was blood around this spot, but that wasn't really surprising; there was blood everywhere. She moved ahead. Another corpse came into view. It sat on the floor near the stove, leaning against a cupboard door that was missing a hinge. It was another waitress: Jennifer Boyle. The young woman's open eyes stared at nothing. Her legs were spread wide, creating a V, exposing her skimpy pink underwear, exposing her flesh. Her left arm had been severed near the elbow. Now it sat in a dark red puddle at her side that was easily a quarter of an inch thick. The open hand faced the ceiling like an overturned spider. Blood dribbled from her stump.

Stephenie looked at Jennifer; she looked at the severed arm. She was about to turn away when she heard that sound again: scratch, scratch. It sounded like, like... like what, a rat dragging its claws against a door? Maybe. She didn't know. But there was a door beside the corpse, and that's where the sound was coming from.

What was in there, a staff bathroom? Closet? Storage room?

"Carrie?"

She walked along the path behind the counter, past a pair of coffee makers, towards Jennifer and the door. She could smell greasy food. She could smell coffee as well. There was heat coming from a stove so Stephenie took a moment to turn the elements off. It seemed like the right thing to do. She placed a foot between Jennifer's open legs and put a hand on the doork.n.o.b. In contrast to the hot stove, the k.n.o.b felt cold. She turned it quickly and pulled, disregarding the fact that she hated rats. In her books, rats were disgusting.

The door opened, hitting Jennifer in the leg.

Stephenie pulled harder, causing Jennifer's right leg to slide towards her left. The sound of dead skin dragging across the floor was enough to make her stomach churn.

Want to keep reading?

Check out the rest of the story here: JAMES ROY DALEY - INTO h.e.l.l.

Preview of: PAUL KANE'S - PAIN CAGES Ask someone to describe pain...

And they might say, the feeling they get when they stub their toe on a table, or accidentally hit their thumb with a hammer when they're banging a nail into the wall. Pain can be more than merely physical, of course: it can hurt when a marriage breaks up or a loved one dies. That's even harder to put into words.

But these are all just shadows, echoes of something much greater.

Pain, true pain is impossible to describe, no matter how hard anyone tries. It can rip apart a person's soul, leaving them a sh.e.l.l of what they once were. And if it is hard to endure, it is certainly much harder to watch.

For some.

This story is about pain, in all its forms. We enter this world screaming and crying as we fight to take our first breathbeing struck on the back to rouse us into consciousness. Most of us leave this world the same way: with a jolt. If we're lucky it will be quick, if we're not...

This story is about pain.