No, they would take the sh.o.r.e itself--open to the wide firmament, clear of all snares, and free from every disconcerting sight.

"Poor Carolyn!" said Medora presently. "How fluttered and inefficient she was! A good secretary--in a routine way--but so lacking in initiative and self-possession!"

Cope's look tended to become a stare. He thought that Carolyn had been in pretty fair control of herself,--had been less fluttery and excited, indeed, than her employer.

But Medora had been piqued, the night before, by Carolyn's tendency to linger on the scene and to help skim the emotional cream from the situation.

"And in such dishabille, too! I hope you don't think she seemed immodest?"

But Cope had given small heed to their dress, or to their lack of it.

In fact, he had noticed little if any difference between them. He only knew that he had felt a degree more comfortable after getting his own coat on.

"Carolyn understands her place pretty well," mused Medora. "Yet..."

"Anybody might be excused for looking anyhow, at such a time," observed Cope, fending off the intrusion of a new set of considerations; "and in such a sudden stir. I hope n.o.body noticed how I looked!"

"Well, you were noticeable," declared Medora, with some archness. She had been conscious enough of his spare waist, his sinewy arms, his swelling chest. "It was easy enough to see where the noise came from,"

she said, looking him over.

"Yes, I supplied the noise--and that only. It was Peter, please remember, who supplied the muscle."

She declined to let her mind dwell on Peter. Peter possessed no charm.

Besides, he was prosaically on the payroll.

They continued to saunter along the sand. Yesterday's spa.r.s.e clouds had vanished, along with much of yesterday's wind. The waters that had tumbled and vociferated now merely murmured. The lake stood calmly blue, and the new green was thickening on the hills. Confident birds flitted busily among the trees and shrubs. Spring was disclosed in its most alluring mood.

Suddenly three or four figures appeared on the beach, a quarter of a mile away. They had descended through one of the sandy and ravaged channelings which broke at intervals the regulated rim of the hills, and they came on toward our two strollers. Medora closed her eyes to peer at them. "Are they marching a prisoner?" she asked.

"They all appear to be walking free."

"Are they carrying knapsacks?"

"Khaki, puttees,--and knapsacks, I think."

"Some university men said they might happen along to-day. If they really have knapsacks, and anything to eat in them, they're welcome.

Otherwise, we had better hide quick--and hope they'll lose the place and pa.s.s us by."

One of the advancing figures lifted a semaphoric arm. "Too late," said Cope; "They recognize you."

"Then we'll walk on and meet them," declared Medora.

The new-comers were young professors and graduate students. They were soon in possession of the thrilling facts of the past night, and one of them offered to be a prisoner, if a prisoner was desired. When they heard how Bertram Cope had saved the lives of defenseless women in a lonely land, they inclined to smile. Two of them had been present on another sh.o.r.e when Cope had "saved" Amy Leffingwell from a watery death, and they knew how far heroics might be pushed by women who were willing to idealize. Cope saw their smiles and felt that he had fumbled an opportunity: when he might have been a truncheon, he had been only a megaphone.

The new arrivals, after climbing the sandy rise to the house, were shown the devastated kitchen and were asked to declare what provisions they carried. They had enough food for their own needs and a trifle to spare. Lunch might be managed, but any thought of a later meal was out of the question. "We'll start back at four-thirty," said Medora to Peter. "Meanwhile"--to the college men--"the world is ours."

After lunch the enlarged party walked forth again. Mrs. Phillips had old things to show to fresh eyes: she formed the new visitors into a compact little group and let them see how good a guide she could be.

Cope and Carolyn strolled negligently--even unsystematically--behind.

Once or twice the personally conducted looked back.

"I hope she won't tell them again how I came to the rescue," said Cope.

"It makes a man feel too flat for words. Anybody might think, to hear her go on, that I had saved you all from robbery and murder...."

"Why, but didn't you?" inquired Carolyn seriously.

31

_COPE GETS NEW LIGHT ON HIS CHUM_

Cope had the luck to get back to Churchton with little further in the way of homage. He was careful with Carolyn; she had perhaps addressed him in a sonnet, and she might go on and address him in an ode. He thought he had done nothing to deserve the one, and he would do almost anything to escape the other. She was a nice pleasant quiet girl; but nice pleasant quiet girls were beginning to do such equivocal things in poetical print!

Having returned to town by a method that put the minimum tax on his powers, Cope was in shape, next day, for an hour on the faculty tennis-courts. He played with no special skill or vigor, but he made a pleasing picture in his flannels; and Carolyn, who happened to pa.s.s--who pa.s.sed by at about five in the afternoon, lingered for the spectacle and thought of two or three lines to start a poem with.

Cope, unconscious of this, presently turned his attention to Lemoyne, who was on the eve of his first dress rehearsal and who was a good deal occupied with wigs and lingerie. Here one detail leads to another, and anyone who goes in wholeheartedly may go in dreadfully deep. Their room came to be strown with all the disconcerting items of a theatrical wardrobe. Cope soon reached the point where he was not quite sure that he liked it all, and he began to develop a distaste for Lemoyne's preoccupation with it. He came home one afternoon to find on the corner of his desk a long pair of silk stockings and a too dainty pair of ladies' shoes. "Oh, Art!" he protested. And then,--not speaking his essential thought,--"Aren't these pretty expensive?"

"The thing has got to be done right," returned Lemoyne. "Feet are about the first thing they notice."

At the actual performance Lemoyne's feet were noticed, certainly; though perhaps not more than his head. His wig, as is usually the case with dark people, was of a sunny blond hue. Its curls, as palpably artificial as they were voluminous, made his eyes look darker and somehow more liquid than ever. The contrast was piquant, almost sensational. Of course he had sacrificed, for the time, his small moustache. Lemoyne was not "Annabella" herself, but only her chief chum; yet shorter skirts and shorter sleeves and a deliberately a.s.sumed feminine air helped distinguish him from the hearty young lads who manoeuvred in the chorus.

Just who are those who enjoy the epicene on the stage? Not many women, one prefers to think; and surely it arouses the impatience, if not worse, of many men. Most amateur drama is based, perhaps, on the attempted "escape": one likes to bolt from his own day, his own usual costume, his own range of ideas, and even from his own s.e.x. Endeavors toward this last are most enjoyable--or least offensive--when they show frank and patent inadequacy. It was Arthur Lemoyne's fortune--or misfortune--to do his work all too well.

Mrs. Phillips found his performance as little to her taste as she had antic.i.p.ated. Carolyn Thorpe got as much enjoyment out of the gauche carriage and rough voices of the "chorus girls" as she had expected, but was not observed to warm toward "Annabella's" closest friend. The Pearsons, back from their wedding trip, had seats near the big crimson velvet curtain. Pearson himself openly luxuriated in the amusing inept.i.tude of two or three beskirted acquaintances among the upper cla.s.smen, but frowned at Lemoyne's light tenor tones and mincing ways.

Of course the right sort of fellow, even if he had to sing his solo in the lightest of light tenors, would still, on lapsing into dialogue, reinstate himself apologetically by using as rough and gruff a voice as he could summon. Not so Lemoyne: he was doing a consistent piece of "characterization," and he was feminine, even overfeminine, throughout.

"I never liked him, anyway," said George to Amy.

Amy gave a nod of agreement. Yet why this critical zeal? There was but one man to like, after all.

"That make-up! That low-cut gown!" said George, in further condemnation. "There's such a thing as going too far."

Basil Randolph met Cope in the back lobby at the close of the performance. The dramatic season in the city itself had begun to languish; besides that, Randolph, in order to maintain his place on the edge of the life academical, always made it a point to remember the Grayfriars each spring.

"A very thorough, consistent piece of work--your friend's," said Randolph. He spoke in a firm, net, withholding tone, looking Cope full in the face, meanwhile. What he said was little, perhaps, of what was in his mind; yet Cope caught a note of criticism and of condemnation.

"Yes," he almost felt constrained to say in reply, "yes, I know what you did for him--for me, rather; and possibly this is not the outcome foreseen. I hope you won't regret your aid."

Randolph went past him placidly. He seemed to have little to regret. On the contrary, he almost appeared to be pleased. He may have felt that Lemoyne had shown himself in a tolerably clear light, and that it was for Cope, should he choose, to take heed.

Two days later, Randolph gave his impression of the performance to Foster. "It's just what I should have expected," declared the cripple acrimoniously. "I'm glad you never had any taste for the fellow; and I should have been quite as well pleased if I hadn't found you caring for the other."

Randolph took refuge in a bland inexpressiveness. There was no need to school his face: he had only to discipline his voice.

"Oh, well," he said smoothly, "it's only a pa.s.sing _amitie_--something soon to be over, perhaps." He used an alien word because he could not select, on the instant, from his stock of English, the word he needed, and because he was not quite sure what idea he wanted to express. "I only wish," he went on, in the same even tone, "that this chap had been doing better by his work. At one early stage of the rehearsals there was a lot of registration and fee-paying for the new term. Well, if he hasn't been satisfactory, they needn't blame me. Let them blame the system that diverts so much time and attention to interests quite outside the regular curriculum."

"You talk like a book!" said Foster, with blunt disdain.