"----amium," contributed Cope. "An epithala-mium."

"Yes, an epithala-mium!" repeated Hortense, with an outburst of jarring laughter. "Isn't she absurd! Isn't she ridiculous!"

"Is she? Why, it seems to me a delicate attention, a very sweet thought." If Carolyn could make anything out of Amy--and of George--why, let her do it.

"You _like_ her poetry!" cried Hortense in a high, strained voice. "You enjoy her epithalamiums, and her--sonnets...."

Cope flushed and began to grow impatient. "She is a sweet girl," he said; "and if she wishes to write verse she is quite within her rights."

"'Sweet'! There you go again! 'Sweet'--twice. She ought to know!"

"Perhaps she does know. Everybody else knows."

"And perhaps she doesn't!" cried Hortense. "Tell her! Tell her!"

Cope stared. "She is a sweet girl," he repeated; "and she has been filling very discreetly a somewhat difficult position----"

He knew something of the suppressed bitterness which, in subordinate places, was often the lot of the pen. He found himself preferring, just here, "pen" to "typewriter": he would give Carolyn a touch of idealization--though she had afflicted him with a heavy stroke of embarra.s.sment.

"'Difficult position'?" shrilled Hortense. "With Aunt Medora the very soul of kindness? I like that! Well, if you want to rescue her from her difficult position, do it. If you admire her--and love her--tell her so! _She'll_ be grateful--just read those sonnets over again!"

Hortense dropped her palette and brushes and burst into outrageous tears.

Cope sat bolt upright in that s.p.a.cious chair. "Tell her? I have nothing to tell her. I have nothing to tell anyone!"

His resonant words cut the air. They uttered decision. He did not mean to make the same mistake twice.

Hortense drew across her eyes an ap.r.o.n redolent of turpentine and stepped toward the throne.

"Nothing? Why this sudden refuge in silence?" she asked, almost truculently, even if tremulously. "You usually find enough words--even though they mean little."

"I'm afraid I do," he admitted cautiously.

"You have nothing to tell anyone? Nothing to tell--me?"

Cope rose. "Nothing to tell anyone," he repeated. "Noth-ing."

"Then let me tell you something." There was an angry thrill in her voice. "For I am not so selfish and cold-hearted as you are. I have seen n.o.body but you all these months. I have never tried harder to please anybody. You have scarcely noticed me--you have never given me a glance or a thought. You could interest yourself in that silly Amy and in our foolish Carolyn; but for me--me--Nothing!"

Cope came down from the throne. If she had lavished her maiden thoughts on him, by day or evening or at night, he had not known and could hardly be supposed to know. Indeed, she had begun by treating him with a cursory roughness; nor had he noticed any great softening later on.

"Listen," he said. Under the stress of embarra.s.sment and alarm his cold blue eyes grew colder and his delicate nostrils quivered with an effect a little too like disdain. "I like you as well as another; no more, no less. I am in no position to think of love and marriage, and I have no inclination that way. I am willing to be friends with everybody, and nothing more with anybody." The sentences came with the cruel detachment of bullets; but, "Not again, not twice," was his uppermost thought. Any bluntness, any ruggedness, rather than another month like that of the past holiday season.

He took a step away and looked to one side, toward the couch where his hat and coat were lying.

"Go, if you will," she said. "And go as soon as you like. You are a contemptible, cold-hearted ingrate. You have grudged me every minute of your company, everywhere--and every second you have given me here. If I have been foolish it is over now, and there shall be nothing to record my folly." She stepped to the easel and hurled the canvas to the floor, where it lay with palette and brushes.

Cope stood with his hat in his hand and his coat over his arm. He seemed to see the open volume of some "printed play." After all, there was a type which, even under emotional stress, gave a measure of instinctive heed to structure and cadence. Well, if there was relief for her in words, he could stand to hear her speak for a moment or two more, not longer.

"One word yet," she said in a panting voice. "Your Arthur Lemoyne. That preposterous friendship cannot go on for long. You will tire of him; or more likely he will tire of you. Something different, something better will be needed,--and you will live to learn so. I should be glad if I never saw either one of you again!"

She turned her stormy face away, and Cope slipped out with a blended sense of mortification, pain and relief.

28

_COPE ABSENT FROM A WEDDING_

Cope went out on the square with his being a-tingle. If Hortense, on another occasion, had thrown a dash of brine, on this occasion she had rubbed in the salt itself. And he had struck a harsh blow in turn; the flat of his mind was still stinging, as if half the shock of the blow had remained behind. "But it was no time for half-measures," he muttered to himself. "Not again; not twice!" he repeated.

Hortense remained for several days in a condition of sullen anger--she was a cloud lit up by occasional unaccountable flashes of temper.

"Whatever in the world is the matter with her?" asked her aunt in more directions than one. And Amy Leffingwell, blissfully busy over her little trousseau and her selection of china-patterns, protested and opened wide, inquiring blue eyes against the intrusion of such a spirit at such a joyous time.

But Hortense, though better days intervened now and then, did not improve essentially; and she contrived at the climacteric moment of Amy's career to make herself felt--unduly felt--after all.

The wedding took place during the latter half of April, as demanded by the enterprising wooer. Then there would be a rapid ten-day wedding-journey, followed by a prompt, business-like occupancy of the new apartment on the first of May exactly.

Pearson's parents prepared to welcome Amy handsomely; and her own people--some of them--came on from Iowa to attend the ceremony. There was her mother, who had been rather disconcerted by the sudden shift, but who was satisfied with George Pearson the moment she saw him, and who found him even more vivid and agreeable than Amy's photograph of him had led her to expect. There was the aunt, who had lived a bare, starved life, and who luxuriated, along with her sister, in the splendor of the Louis Quinze chamber. And there was a friendly, wide-awake brother of fourteen who was tucked away in the chintz room up stairs, whence he issued to fraternize in the ball-room with Joe Foster, whose exacerbated spirit he did much to soothe.

This young brother was alert, cheery, chatty. He was not at all put out by Foster's wheeled chair and eyeshade, nor by the strange contortions which Foster went through when, on occasion, he left the chair for a couch or for some chair of ordinary type. He got behind the wheels, and together they made the tour of the landscapes, marines, and genre-pieces which covered the walls. The boy was sympathetic, without being obtrusively so, and his comments on the paintings were confident and unconventional. "So different from _ce cher_ Pelouse," said Foster, with a grimace. He enjoyed immensely the fragmental half-hours given him through those two days. His young companion was lavish in his reports on life's vast vicissitudes at Fort Lodge, and was always ready with comparisons between things as observed in his home town and in Churchton itself. He came as a tonic breeze; and the evening after he departed, Foster, left moping alone in the let-down which followed the festivities, said to himself more than once, "If I had had a boy, I should have wanted him just like d.i.c.k."

d.i.c.k's mother and aunt stood up as well as they could against the bustling, emphatic geniality of Medora Phillips; and they were able, after a little, to adjust themselves to the prosperity of the Pearsons.

These, they came to feel, were essentially of the same origin and traditions as themselves: just plain people who, however, had settled on the edge of the Big Town to make money and had made it. Pearson the elder was hardly more prepotent than Mr. Lusk, the banker at home.

George himself was a dashing go-ahead: if he turned into a tired business-man his wife would know how to divert him.

Medora Phillips provided rice. Also she satisfied herself as to where, if the newer taste were not too delicate, she could put her hand on an old shoe. She was happy to have married off Amy; she would be still happier once Amy got away. More room would be left for other young people. By "other young people" she meant, of course, certain young men. By "certain young men" she thought she meant Cope and Lemoyne. Of course she meant Cope only.

"If Carolyn keeps amiable and if Hortense contrives to regain her good-nature, we may have some pleasant days yet," she mused.

But Hortense did not regain her good-nature; she did not even maintain her self-control. In the end, the ceremony was too much for her. George and Amy had plighted their troth in a floral bower, which ordinarily was a bay window, before a minister of a denomination which did not countenance robes nor a ritual lifted beyond the chances of wayward improvisation; and after a brief reception the new couple prepared for the motor-car dash which was to take them to a late train. In the big wide hallway, after Amy had kissed Carolyn and thanked her for her poem and was preparing for the shower of rice which she had every reason to think she must face, there was a burst of hysterical laughter from somewhere behind, and Hortense Dunton, to the sufficing words, "O Bertram, Bertram!" emitted with sufficing clearness, fainted away.

Her words, if not heard by all the company, were heard by a few to whom they mattered; and while Hortense, immediately after the departure of the happy pair, was being revived and led away, they left occasion for thought. Carolyn Thorpe cast a startled glance. The aunt from Iowa, who knew that Bertrams did not grow on every bush, and whose senses the function had preternaturally sharpened for any address from Romance, seized and shook her sister's arm; and, later on, in a Louis Quinze _causeuse_, up stairs, they agreed that if young Cope really had had another claimant on his attention, it was all the better that their Amy had ended by taking George. And Medora Phillips, in the front hall itself----

Well, to Medora Phillips, in the front hall, much was revealed as in a lightning-flash, and the revelation was far from agreeable. What advantage in Amy's departure if Hortense continued to c.u.mber the ground? Hortense must go off somewhere, for a sojourn of a month or more, to recover her health and spirits and to let the house recover its accustomed tone of cheer.

Medora forced these considerations to the back of her mind and saw most of her guests out of the house. Toward the end of it all she found herself relaxing in the library, with Basil Randolph in the opposite chair. Randolph himself had figured in the ceremony. This had been a crude imitation of a time-hallowed form and had allowed for an extemporaneous prayer and for a brief address to the young couple; but it had retained the familiar inquiry, "Who giveth--?" "Who _can_ give?"

asked Medora of Amy. Poor Joe was rather out of the question, and Brother d.i.c.k was four or five years too young. Was there, then, anyone really available except that kind Mr. Randolph? So Basil Randolph, after remembering Amy with a rich and handsome present, had taken on a paternal air, had stepped forward at the right moment, and was now recovering from his novel experience.

The two, as they sat there, said little, though they looked at each other with half-veiled, questioning glances. Medora, indeed, improvised a little stretch of silent dialogue, and it made him take his share.

She felt dislocated, almost defeated. Hortense's performance had set her to thinking of Bertram Cope, and she figured the same topic as uppermost in the mind of Basil Randolph.

"Well, you have about beaten me," she said.

"How so?" she made him ask, with an affectation of simplicity.

"You know well enough," she returned. "You have played off the whole University against my poor house, and you have won. Your influence with the president, your brother on the board of trustees ... If Bertram Cope has any grat.i.tude in his composition...."