Bergson does not accept the hypothesis of psycho-physical parallelism.

In the first of his four lectures on La Nature de l'Ame, given at London University in 1911, we find him criticizing the notion that consciousness has no independence of its own, that it merely expresses certain states of the brain, that the content of a fact of consciousness is to be found wholly in the corresponding cerebral state. It is true that we should not find many physiologists or philosophers who would tell us now that "the brain secretes thought as the liver secretes bile." [Footnote: Cabanis (1757-1808). Rapports du physique et du morale de l'homme, 1802. See quotation by William James in Human Immortality.

Note (4) in his Appendix.] But there was an idea that, if we could see through the skull and observe what takes place in the brain, if we had an enormously powerful microscope which would permit us to follow the movements of the molecules, atoms, electrons, of the brain, and if we had the key to the correspondence between these phenomena and the mind, we should know all the thoughts and wishes of the person to whom the brain belonged--we should see what took place in his soul, as a telegraph operator could read by the oscillation of his needles the meaning of a message which was sent through his instrument. The notion of an equality or parallelism between conscious activity and cerebral activity, was commonly adopted by modern physiology, and it was adopted without discussion as a scientific notion by the majority of philosophers. Yet the experimental basis of this theory is extremely slight, indeed altogether insufficient, and in reality the theory is a metaphysical conception, resulting from the views of the seventeenth century thinkers who had hopes of "a universal mathematic." The idea had been accepted that all was capable of determination in the psychical as well as the physical world, inasmuch as the psychical was only a reflex of the physical. Parallelism was adopted by science because of its convenience.[Footnote: See The Times of Oct. 21, 1911.] Bergson, however, pointed out that philosophy ought not to accept it without criticism, and maintained, moreover, that it could not stand the criticism that might be brought against it. Relation of soul and body was undeniable, but that it was a parallel or equivalent relation he denied most emphatically. That criticism he had launched himself with great vigour in 1901 at a Meeting of the Societe francaise de philosophie,[Footnote: See Bibliography, p. 153.] and on a more memorable occasion, at the International Congress of Philosophy at Geneva in 1904.[Footnote: See Bibliography, p. 154.] Before the Philosophical Society he lectured on Le Parallelisme psycho-physique et la Metaphysique positive, and propounded the following propositions:

1. If psycho-physical parallelism is neither rigorous nor complete, if to every determined thought there does not correspond an absolutely determined state (si a toute pensee determinee ne correspond pas un etat cerebral determine absolument), it will be the business of experience to mark with increasing accuracy the precise points at which parallelism begins and ends.

2. If this empirical inquiry is possible, it will measure more and more exactly the separation between the thought and the physical conditions in which this thought is exercised. In other words, it will give us a progressive knowledge of the relation of man as a thinking being to man as a living being, and therefore of what may be termed "the meaning of Life."

3. If this meaning of Life can be empirically determined more and more exactly, and completely, a positive metaphysic is possible: that is to say, a metaphysic which cannot be contested and which will admit of a direct and indefinite progress; such a metaphysic would escape the objections urged against a transcendental metaphysic, and would be strictly scientific in form.

After having propounded these propositions, he defended them by recalling much of the data considered in his work Matiere et Memoire which he had published five years previously and which has been examined in the previous chapter. The onus of proof lay, said Bergson, with the upholders of parallelism. It is a purely metaphysical hypothesis unwarrantable in his opinion as a dogma. He distinguishes between correspondence--which he of course admits--and parallelism, to which he is opposed. We never think without a certain substratum of cerebral activity, but what the relation is precisely, between brain and consciousness, is one for long and patient research: it cannot be determined a priori and a.s.serted dogmatically. Until such investigation has been carried out, it behoves us to be undogmatic and not to allege more than the facts absolutely warrant, that is to say, a relation of correspondence. Parallelism is far too simple an explanation to be a true one. Before the International Congress, Bergson launched another attack on parallelism which caused quite a little sensation among those present. Says M. E. Chartier, in his report: La lecture de ce memoire, lecture qui commandait l'attention a provoque chez presque tous les auditeurs un mouvement de surprise et d'inquietude. [Footnote: The paper Le Paralogisme psycho-physiologique is given in Revue de metaphysique et de morale, Nov., 1904, pp. 895-908. The Discussion in the Congress is given on pp. 1027-1037. This was reissued under the t.i.tle Le Cerveau et la Pensee: une illusion philosophique in the collected volume of essays and lectures, published in 1919, L'Energie spirituelle, pp. 203-223 (Mind-Energy).] He there set out to show that Parallelism cannot be consistently stated from any point of view, for it rests on a fallacious argument--on a fundamental contradiction. To grasp Bergson's points in this argument, the reading of this paper in the original, as a whole, is necessary. It is difficult to condense it and keep its clearness of thought. Briefly, it amounts to this, that the formulation of the doctrine of Parallelism rests on an ambiguity in the terms employed in its statement, that it contains a subtle dialectical artifice by which we pa.s.s surrept.i.tiously from one system of notation to another ignoring the subst.i.tution: logically, we ought to keep to one system of notation throughout. The two systems are: Idealism and Realism. Bergson attempts to show that neither of these separately can admit Parallelism, and that Parallelism cannot be formulated except by a confusion of the two--by a process of mental see-sawing as it were, which of course we are not ent.i.tled to perform, Idealism and Realism being two opposed and contradictory views of reality. For the Idealist, things external to the mind are images, and of these the brain is one. Yet the images are in the brain. This amounts to saying that the whole is contained in the part. We tend, however, to avoid this by pa.s.sing to a pseudo-realistic position by saying that the brain is a thing and not an image. This is pa.s.sing over to the other system of notation. For the Realist it is the essence of reality to suppose that there are things behind representations. Some Realists maintain that the brain actually creates the representation, which is the doctrine of Epiphenomenalism: while others hold the view of the Occasionalists, and others posit one reality underlying both. All however agree in upholding Parallelism. In the hands of the Realist, the theory is equivalent to a.s.serting that a relation between two terms is equal to one of them. This involves contradiction and Realism then crosses over to the other system of notation. It cannot do without Idealism: science itself oscillates from the one system to the other. We cannot admit Parallelism as a dogma--as a metaphysical truth--however useful it may be as a working hypothesis.

Bergson then proceeds to state and to criticize some of the mischievous ideas which arise from Parallelism. There is the idea of a brain-soul, of a spot where the soul lives or where the brain thinks--which we have not quite abandoned since Descartes named the pineal gland as the seat of the soul. Then there is the false idea that all causality is mechanistic and that there is nothing in the universe which is not mathematically calculable. There is the confusion of representations and of things. There is the false notion that we may argue that if two wholes are bound together there must be an equivalent relation of the parts. Bergson points out in this connexion that the absence or the presence of a screw can stop a machine or keep it going, but the parts of the screw do not correspond to the parts of the machine. In his new introduction to Matiere et Memoire, he said, "There is a close connexion between a state of consciousness and the brain: this we do not dispute.

But there is also a close connexion between a coat and the nail on which it hangs, for if the nail is pulled out the coat falls to the ground.

Shall we say then that the shape of the nail gives us the shape of the coat or in any way corresponds to it? No more are we ent.i.tled to conclude because the psychical fact is hung on to a cerebral state that there is any parallelism between the two series psychical and physiological." [Footnote: There must be an awkward misprint "physical"

for "psychical" in the English translation, p. xi.] Our observation and experience, and science itself, strictly speaking, do not allow us to a.s.sert more than that there exists a certain CORRESPONDENCE between brain and consciousness. The psychical and the physical are inter-dependent but not parallel.

Bergson however has more to a.s.sert than merely the inadequacy and falsity of Parallelism or Epiphenomenalism. This last theory merely adds consciousness to physical facts as a kind of phosph.o.r.escent gleam, resembling, in Bergson's words, a "streak of light following the movement of a match rubbed along a wall in the dark." [Footnote: L'Ame et le Corps, pp. 12-13, in Le Materialisme actuel, or pp. 35-36 of L'Energie spirituelle (Mind-Energy).] He maintains, as against all this, the irreducibility of the mental, our utter inability to interpret consciousness in terms of anything else, the life of the soul being unique. He further claims that this psychical life is wider and richer than we commonly suppose. The brain is the organ of attention to life.

What was said in regard to memory and the brain is applicable to all our mental life. The mind or soul is wider than the brain in every direction, and the brain's activity corresponds to no more than an infinitesimal part of the activity of the mind. [Footnote: L'Ame et le Corps, Le Materialisme actuel, p. 45, L'Energie spirituelle, p. 61.]

This is expressed more clearly in his Presidential Address to the British Society for Psychical Research at the Aeolian Hall, London, 1913, where he remarked, "The cerebral life is to the mental life what the movements of the baton of a conductor are to the symphony."

[Footnote: The Times, May 29, 1913.] Such a remark contains fruitful suggestions to all engaged in Psychical Research, and to all persons interested in the fascinating study of telepathy. Bergson is of the opinion that we are far less definitely cut off from each other, soul from soul, than we are body from body. "It is s.p.a.ce," he says, "which creates multiplicity and distinction. It is by their bodies that the different human personalities are radically distinct. But if it is demonstrated that human consciousness is partially independent of the human brain, since the cerebral life represents only a small part of the mental life, it is very possible that the separation between the various human consciousnesses or souls, may not be so radical as it seems to be." [Footnote: The Times, May 29, 1913.] There may be, he suggests, in the psychical world, a process a.n.a.logous to what is known in the physical world as "endosmosis." Pleading for an impartial and frank investigation of telepathy, he pointed out that it was probable, or at least possible, that it was taking place constantly as a subtle and sub-conscious influence of soul on soul, but too feebly to be noticed by active consciousness, or it was neutralized by certain obstacles.

We have no right to deny its possibility on the plea of its being supernatural, or against natural law, for our ignorance does not ent.i.tle us to say what may be natural or not. If telepathy does not square at all well with our preconceived notions, it may be more true that our preconceived notions are false than that telepathy is fict.i.tious; especially will this be so if our notion of the relation of soul and body be based on Parallelism. We must overcome this prejudice and seek to make others set it aside. Telepathy and the sub-conscious mental life combine to make us realize the wonder of the soul. It is not spatial, it is spiritual. Bergson insists strongly on the unity of our conscious life. Merely a.s.sociationist theories are vicious in this respect: they try to resolve the whole into parts, and then neglect the whole in their concentration on the parts. All psychological investigation incurs this risk of dealing with abstractions. "Psychology, in fact, proceeds like all the other sciences by a.n.a.lysis. It resolves the self which has been given to it at first in a simple intuition, into sensations, feelings, ideas, etc., which it studies separately. It subst.i.tutes then for the self a series of elements which form the facts of psychology. But are these elements really parts? That is the whole question, and it is because it has been evaded that the problem of human personality has so often been stated in insoluble terms." [Footnote: Introduction to Metaphysics, p. 21.] "Personality cannot be composed of psychical states even if there be added to them a kind of thread for the purpose of joining the states together." [Footnote: Introduction to Metaphysics, p. 25.] We shall never make the soul fit into a category or succeed in applying concepts to our inner life. The life of the soul is wider than the brain and wider than all intellectual constructions or moulds we may attempt to form. It is a creative force capable of producing novelty in the world: it creates actions and can, in addition, create itself.

Philosophy shows us "the life of the body just where it really is, on the road that leads to the life of the spirit"; our powers of sense impression and of intelligence are both instruments in the service of the will. With a little will one can do much if one places the will in the right direction. For this force of will which is the essence of the soul or personality has these exceptional characteristics, that its intensity depends on its direction, and that its quality may become the creator of quant.i.ty. [Footnote: See the lectures La Nature de l'Ame.]

The brain and the body in general are instruments of the soul. The brain orients the mind toward action, it is the point of attachment between the spirit and its material environment. It is like the point of a knife to the blade--it enables it to penetrate into the realm of action or, to give another of Bergson's metaphors, it is like the prow of the ship, enabling the soul to penetrate the billows of reality. Yet, for all that, it limits and confines the life of the spirit; it narrows vision as do the blinkers which we put on horses. We must, however, abandon the notion of any rigid and determined parallelism between soul and body and accustom ourselves to the fact that the life of the mind is wider than the limits of cerebral activity. And further, there is this to consider--"The more we become accustomed to this idea of a consciousness which overflows the organ we call the brain, then the more natural and probable we find the hypothesis that the soul survives the body. For were the mental exactly modelled on the cerebral, we might have to admit that consciousness must share the fate of the body and die with it." [Footnote: New York Times, Sept. 27, 1914.] "But the destiny of consciousness is not bound up with the destiny of cerebral matter."

[Footnote: Creative Evolution, p. 285 (Fr. p. 293).] "Although the data is not yet sufficient to warrant more than an affirmation of high probability," [Footnote: Louis Levine's interview with Bergson, New York Times, Feb. 22, 1914. Quoted by Miller, Bergson and Religion, p. 268.]

yet it leaves the way open for a belief in a future life and creates a presumption in favour of a faith in immortality. "Humanity," as Bergson remarks, "may, in its evolution, overcome the most formidable of its obstacles, perhaps even death." [Footnote: Creative Evolution, p. 286 (Fr. p. 294). In Life and Consciousness he says we may admit that in man at any rate "Consciousness pursues its path beyond this earthly life"

Cf. also conclusion to La Conscience el la Vie in L'Energie spirituelle, p. 29, and to L'Ame et le Corps, in the same vol., p. 63.]

The great error of the spiritual philosophers has been the idea that by isolating the spiritual life from all the rest, by suspending it in s.p.a.ce, as high as possible above the earth, they were placing it beyond attack; as if they were not, thereby, simply exposing it to be taken as an effect of mirage! Certainly they are right to believe in the absolute reality of the person and in his independence of matter: but science is there which shows the inter-dependence of conscious life and cerebral activity. When a strong instinct a.s.sures the probability of personal survival, they are right not to close their ears to its voice; but if there exist "souls" capable of an independent life, whence do they come?

When, how, and why do they enter into this body which we see arise quite naturally from a mixed cell derived from the bodies of its two parents?

[Footnote: Creative Evolution, p. 283 (Fr. p. 291).] At the close of the Lectures on La Nature de l'Ame, Bergson suggests, by referring to an allegory of Plotinus, in regard to the origin of souls, that in the beginning there was a general interpenetration of souls which was equivalent to the very principle of life, and that the history of the evolution of life on this planet shows this principle striving until man's consciousness has been developed, and thus personalities have been able to const.i.tute themselves. "Souls are being created which, in a sense, pre-existed. They are nothing else but the little rills into which the great river of life divides itself, flowing through the great body of humanity." [Footnote: Creative Evolution, p. 284 (Fr. p. 292).]

CHAPTER VI

TIME--TRUE AND FALSE

Our ordinary conception of Time false because it is spatial and h.o.m.ogeneous--Real Time (la duree) not spatial or h.o.m.ogeneous--Flow of consciousness a qualitative multiplicity--The real self and the external self. La duree and the life of the self--No repet.i.tion--Personality and the acc.u.mulation of experience-Change and la duree as vital elements in the universe.

For any proper understanding of Bergson's thought, it is necessary to grasp his views regarding Time, for they are fundamental factors in his philosophy and serve to distinguish it specially from that of previous thinkers. It is interesting to note however, in pa.s.sing, that Dr. Ward, in his Realm of Ends, claims to have antic.i.p.ated Bergson's view of Concrete Time. In discussing the relation of such Time to the conception of G.o.d, he says, "I think I may fairly claim to have antic.i.p.ated him (Bergson) to some extent. In 1886 I had written a long paragraph on this topic." [Footnote: See The Realm of Ends' foot-note on pp. 306-7. Ward is referring to his famous article in the Encyclopaedia Britannica, eleventh edition, Psychology, p. 577 (now revised and issued in book form as Psychological Principles).] Be this as it may, no philosopher has made so much of this view of Time as Bergson. One might say it is the corner-stone of his philosophy, for practically the whole of it is built upon his conception of Time. His first large work, Essai sur les donnees immediates de la conscience, or, to give it its better t.i.tle, in English, Time and Free Will, appeared in 1889.

Our ordinary conception of Time, that which comes to us from the physical sciences, is, Bergson maintains, a false one. It is false because so far from being temporal in character, it is spatial. We look upon s.p.a.ce as a h.o.m.ogeneous medium without boundaries; yet we look on Time too, as just such another medium, h.o.m.ogeneous and unlimited. Now here is an obvious difficulty, for since h.o.m.ogeneity consists in being without qualities, it is difficult to see how one h.o.m.ogeneity can be distinguished from another. This difficulty is usually avoided by the a.s.sertion that h.o.m.ogeneity takes two forms, one in which its contents co-exist, and another in which they follow one another. s.p.a.ce, then, we say, is that h.o.m.ogeneous medium in which we are aware of side-by-sideness, Time--that h.o.m.ogeneous medium in which we are aware of an element of succession. But this surely we are not ent.i.tled to maintain, for we are then distinguishing two supposed h.o.m.ogeneities by a.s.serting a difference of quality in them. To do so is to take away h.o.m.ogeneity. We must think again and seek a way out of this difficulty.

Let us admit s.p.a.ce to be a h.o.m.ogeneous medium without bounds. Then every h.o.m.ogeneous medium without bounds must be s.p.a.ce. What, then, becomes of Time?--for on this showing, Time becomes s.p.a.ce. Yes, says Bergson, that is so, for our common view of Time is a false one, being really a hybrid conception, a spurious concept due to the illicit introduction of the idea of s.p.a.ce, and to our application of the notion of s.p.a.ce, which is applicable to physical objects, to states of consciousness, to which it is really inapplicable. Objects occupying s.p.a.ce are marked out as external to one another, but this cannot be said of conscious states.

Yet, in our ordinary speech and conventional view of things, we think of conscious states as separated from one another and as spread out like "things," in a fict.i.tious, h.o.m.ogeneous medium to which we give the name Time. Bergson says, "At any rate, we cannot finally admit two forms of the h.o.m.ogeneous, Time and s.p.a.ce, without first seeking whether one of them cannot be reduced to the other. Now, externality is the distinguishing mark of things which occupy s.p.a.ce, while states of consciousness are not essentially external to one another and become so only by being spread out in Time regarded as a h.o.m.ogeneous medium. If, then, one of these two supposed forms of the h.o.m.ogeneous, viz., Time and s.p.a.ce, is derived from the other, we can surmise a priori that the idea of s.p.a.ce is the fundamental datum. Time, conceived under the form of an unbounded and h.o.m.ogeneous medium, is nothing but the ghost of s.p.a.ce, haunting the reflective consciousness." [Footnote: Time and Free Will, p. 98 (Fr. p. 75).] Bergson remarks that Kant's great mistake was to take Time as a h.o.m.ogeneous medium. [Footnote: Time and Free Will, p. 232 (Fr. p. 178).]

Having a.s.serted the falsity of the view of Time ordinarily held, Bergson proceeds to make clear to us his view of what Real Time is--an undertaking by no means easy for him, endeavouring to lay before us the subtleties of this problem, nor for us who endeavour to interpret his language and grasp his meaning. We are indeed here face to face with what is one of the most difficult sections of his philosophy. An initial difficulty meets us in giving a definite name to the Time which Bergson regards as so real, as opposed to the spatial falsity, masquerading as Time, whose true colours he has revealed. In the original French text Bergson employs the term duree to convey his meaning. But for the translation of this into English there is no term which will suffice and which will adequately convey to the reader, without further exposition, the wealth of meaning intended to be conveyed. "Duration" is usually employed by translators as the nearest approach possible in English. The inadequacy of language is never more keenly felt than in dealing with fundamental problems of thought. Its chief mischief is its all-too-frequent ambiguity. In the following remarks the original French term la duree will be used in preference to the English word "Duration."

The distinction between the false Time and true Time may be regarded as a distinction between mathematical Time and living Time, or between abstract and concrete Time. This living, concrete Time is that true Time of which Bergson endeavours to give us a conception as la duree. He has criticized the abstract mathematical Time, his attack having been made to open up the way for a treatment of what he really considers Time to be. Now, from the arguments previously mentioned, it follows that Time, Real Time, which is radically different from s.p.a.ce, cannot be any h.o.m.ogeneous medium. It is heterogeneous in character. We are aware of it in relation to ourselves, for it has reference not to the existence of a multiplicity of material objects in s.p.a.ce, but to a multiplicity of a quite different nature, entirely non-spatial, viz., that of conscious states. Being non-spatial, such a multiplicity cannot be composed of elements which are external to one another as are the objects existing in s.p.a.ce. States of consciousness are not in any way external to one another. Indeed, they interpenetrate to such a degree that even the use of the word "state" is apt to be misleading. As we saw in the chapter on The Reality of Change, there can be strictly no states of consciousness, for consciousness is not static but dynamic. Language and conventional figures of speech, of which the word "state" itself is a good example, serve to cut up consciousness artificially, but, in reality, it is, as William James termed it, "a stream" and herein lies the essence of Bergson's duree--the Real as opposed to the False Time. "Pure Duration"

(la duree pure), he says, "is the form which the succession of our conscious states a.s.sumes when our Ego lets itself live, when it refrains from separating its present state from its former states. For this purpose, it need not be entirely absorbed in the pa.s.sing sensation or idea, for then, on the contrary, it would no longer 'endure.' Nor need it forget its former states; it is enough that in recalling these states, it does not set them alongside its actual state as one point alongside another, but forms both the past and the present states into an organic whole, as happens when we recall the notes of a tune, melting, so to speak, into one another. Might it not be said that even if these notes succeed one another, yet, we perceive them in one another, and that their totality may be compared to a living being whose parts, although distinct, permeate one another just because they are so closely connected?" [Footnote: Time and Free Will, p. 100 (Fr. p. 76).]

Such a duration is Real Time. Unfortunately, we, obsessed by the idea of s.p.a.ce, introduce it unwittingly and set our states of consciousness side by side in such a way as to perceive them alongside one another; in a word, we project them into s.p.a.ce and we express duree in terms of extensity and succession thus takes the form of a continuous line or a chain--the parts of which touch without interpenetrating one another.

[Footnote: Time and Free Will, p. 100 (Fr. p. 76).] Thus is brought to birth that mongrel form, that hybrid conception of False Time criticized above. Real Time, la duree, is not, however, susceptible like False Time to measurement, for it is, strictly speaking, not quant.i.tative in character, but is rather a qualitative multiplicity. "Real Duration (la duree reele) is just what has always been called Time, but it is Time perceived as indivisible." [Footnote: La Perception du Changement, p.

26. Cf. the whole of the Second Lecture.] Certainly pure consciousness does not perceive Time as a sum of units of duration, for, left to itself, it has no means and even no reason to measure Time, but a feeling which lasted only half the number of days, for example, would no longer be the same feeling for it. It is true that when we give this feeling a certain name, when we treat it as a thing, we believe that we can diminish its duration by half, for example, and also halve the duration of all the rest of our history. It seems that it would still be the same life only on a reduced scale. But we forget that states of consciousness are processes and not things; that they are alive and therefore constantly changing, and that, in consequence, it is impossible to cut off a moment from them without making them poorer by the loss of some impression and thus altering their quality. [Footnote: Time and Free Will, p. 196 (Fr. p. 150).] La duree appears as a "wholly qualitative multiplicity, an absolute heterogeneity of elements which pa.s.s over into one another." [Footnote: Time and Free Will, p. 229 (Fr.

p. 176).] Such a time cannot be measured by clocks or dials but only by conscious beings, for "it is the very stuff of which life and consciousness are made." Intellect does not grasp Real Time--we can only have an intuition of it. "We do not think Real Time--but we live it because life transcends intellect."

In order to bring out the distinctly qualitative character of such a conception of Time, Bergson says, "When we hear a series of blows of a hammer, the sounds form an indivisible melody in so far as they are pure sensations, and here again give rise to a dynamic progress; but, knowing that the same objective cause is at work, we cut up this progress into phases which we then regard as identical; and this multiplicity of elements no longer being conceivable except by being set out in s.p.a.ce--since they have now become identical--we are, necessarily, led to the idea of a h.o.m.ogeneous Time, the symbolical image of la duree."

[Footnote: Time and Free Will, p. 125 (Fr. pp. 94-95).] "Whilst I am writing these lines," he continues, "the hour strikes on a neighbouring clock, but my inattentive ear does not perceive it until several strokes have made themselves heard. Hence, I have not counted them and yet I only have to turn my attention backwards, to count up the four strokes which have already sounded, and add them to those which I hear. If, then, I question myself carefully on what has just taken place, I perceive that the first four sounds had struck my ear and even affected my consciousness, but that the sensations produced by each one of them, instead of being set side by side, had melted into one another in such a way as to give the whole a peculiar quality, to make a kind of musical phrase out of it. In order, then, to estimate retrospectively, the number of strokes sounded, I tried to reconstruct this phrase in thought; my imagination made one stroke, then two, then three, and as long as it did not reach the exact number, four, my feeling, when consulted, was qualitatively different. It had thus ascertained, in its own way, the succession of four strokes, but quite otherwise than by a process of addition and without bringing in the image of a juxtaposition of distinct terms. In a word, the number of strokes was perceived as a quality and not as a quant.i.ty; it is thus that la duree is presented to immediate consciousness and it retains this form so long as it does not give place to a symbolical representation, derived from extensity."

[Footnote: Time and Free Will, pp. 127-8 (Fr. pp. 96-97).] In these words Bergson endeavours to drive home his contention that la duree is essentially qualitative. He is well aware of the results of "the breach between quality and quant.i.ty," between true duration and pure extensity.

He sees its implications in regard to vital problems of the self, of causality and of freedom. Its specific bearing on the problems of freedom and causality we shall discuss in the following chapter. As regards the self, Bergson recognizes that we have much to gain by keeping up the illusion through which we make our conscious states share in the reciprocal externality of outer things, because this distinctness and solidification enables us to give them fixed names in spite of their instability, and distinct names in spite of their interpenetration.

Above all it enables us to objectify them, to throw them out into the current of social life. But just for this very reason we are in danger of living our lives superficially and of covering up our real self.

We are generally content with what is but a shadow of the real self, projected into s.p.a.ce. Consciousness, goaded on by an insatiable desire to separate, subst.i.tutes the symbol for the reality or perceives the reality only through the symbol. As the self thus refracted and thereby broken in pieces, is much better adapted to the requirements of social life in general, and of language in particular, consciousness prefers it and gradually loses sight of the fundamental self which is a qualitative multiplicity of conscious states flowing, interpenetrating, melting into one another, and forming an organic whole, a living unity or personality. It is through a consideration of la duree and what it implies that Bergson is led on to the distinction of two selves in each of us.

Towards the close of his essay on Time and Free Will, he points out that there are finally two different selves, a fundamental self and a social self. We reach the former by deep introspection which leads us to grasp our inner states as living things, constantly becoming, never amenable to measure, which permeate one another and of which the succession in la duree has nothing in common with side-by-sideness. But the moments at which we thus grasp ourselves are rare; the greater part of our time we live outside ourselves, hardly perceiving anything of ourselves but our own ghost--a colourless shadow which is but the social representation of the real and largely concealed Ego. Hence our life unfolds in s.p.a.ce rather than in time. We live for the external world rather than for ourselves, we speak rather than think, we are "acted" rather than "act"

ourselves. To act freely, however, is to recover possession of one's real self and to get back into la duree reele. [Footnote: Time and Free Will, p. 232 (Fr. p. 178).]

Real Time, then, is a living reality, not discrete, not spatial in character--an utter contrast to that fict.i.tious Time with which so many thinkers have busied themselves, setting up "as concrete reality the distinct moments of a Time which they have reduced to powder, while the unity which enables us to call the grains 'powder' they hold to be much more artificial. Others place themselves in the eternal. But as their eternity remains, notwithstanding, abstract since it is empty, being the eternity of a concept which by hypothesis excludes from itself the opposing concept, one does not see how this eternity would permit of an indefinite number of moments co-existing in it, an eternity of death, since it is nothing else than the movement emptied of the mobility which made its life." [Footnote: An Introduction to Metaphysics, pp. 51-54.]

The true view of Time, as la duree, would make us see it as a duration which expands, contracts, and intensifies itself more and more; at the limit would be eternity, no longer conceptual eternity, which is an eternity of death, but an eternity of life and change--a living, and therefore still moving, eternity in which our own particular duree would be included as the vibrations are in light, [Footnote: Speaking in Matter and Memory on the Tension of la duree, Bergson calls attention to the "trillions of vibrations" which give rise to our sensation of red light, p. 272 (Fr. p. 229) Cf. La Conscience et la Vie in L'Energie spirituelle, p. 16.] an eternity which would be the concentration of all duree. Altering the old cla.s.sical phrase sub specie aeternitatis, to suit his special view of Time, Bergson urges us to strive to perceive all things sub specie durationis. [Footnote: La Perception du Changement, p. 36.]

Finally, Bergson reminds us that if our existence were composed of separate states, with an impa.s.sive Ego to unite them, for us there would be no duration, for an Ego which does not change, does not endure. La duree, however, is the foundation of our being and is, as we feel, the very substance of the world in which we live. a.s.sociating his view of Real Time with the reality of change, he points out that nothing is more resistant or more substantial than la duree, for our duree is not merely one instant replacing another--if it were there would never be anything but the present, no prolonging of the past into the actual, no growth of personality, and no evolution of the universe. La duree is the continuous progress of the past which gnaws into the future and which swells as it advances, leaving on all things its bite, or the mark of its tooth. This being so, consciousness cannot go through the same state twice; history does never really repeat itself. Our personality is being built up each instant with its acc.u.mulated experience; it shoots, grows, and ripens without ceasing. We are reminded of George Eliot's lines:

"Our past still travels with us from afar And what we have been makes us what we are."

For our consciousness this is what we mean by the term "exist." "For a conscious being, to exist is to change, to change is to mature, and to go on creating oneself endlessly." [Footnote: Creative Evolution, p.

8 (Fr. p. 8).] Real Time has, then, a very vital meaning for us as conscious beings, indeed for all that lives, for the organism which lives is a thing that "endures." "Wherever anything lives," says Bergson, "there is a register in which Time is being inscribed. This, it will be said, is only a metaphor. It is of the very essence of mechanism in fact, to consider as metaphorical every expression which attributes to Time an effective action and a reality of its own. In vain does immediate experience show us that the very basis of our conscious existence is Memory--that is to say, the prolongation of the past into the present, or in a word, duree, acting and irreversible." [Footnote: Creative Evolution, p. 17 (Fr. pp. 17-18).] Time is falsely a.s.sumed to have just as much reality for a living being as for an hour-gla.s.s. But if Time does nothing, it is nothing. It is, however, in Bergson's view, vital to the whole of the universe. He expressly denies that la duree is merely subjective; the universe "endures" as a whole. In Time and Free Will it did not seem to matter whether we regarded our inner life as having duree or as actually being duree. In the first instance, if we have duree it is then only an aspect of reality, but if our personality itself is duree, then Time is reality itself. He develops this last point of view more explicitly in his later works, and la duree is identified not only with the reality of change, but with memory and with spirit. [Footnote: La Perception du Changement, Lecture 2.] In it he finds the substance of a universe whose reality is change. "G.o.d," said Plato, "being unable to make the world eternal, gave it Time--a moving image of reality." Bergson himself quotes this remark of Plato, and seems to have a vision like that of Rosetti's "Blessed Damozel," who ...... "saw Time like a pulse shake fierce Through all the worlds."

The more we study Time, the more we may grasp this vision ourselves, and then we shall comprehend that la duree implies invention, the creation of new forms, the continual elaboration of the absolutely new--in short, an evolution which is creative.

CHAPTER VII

FREEDOM OF THE WILL

Spirit of man revolts from physical and psychological determinism--Former examined and rejected--The latter more subtle--Vice of "a.s.sociationism"--Psychology without a self. Condemnation of psychological determinism--Room for freedom--The self in action--Astronomical forecasts--Foreseeableness of any human action impossible--Human wills centres of indetermination--Not all our acts free--True freedom, self-determination.

Before pa.s.sing on to an examination of Bergson's treatment of Evolution, we must consider his discussion of the problem of Freedom of the Will.

Few problems which have occupied the attention of philosophers have been more discussed or have given rise to more controversy than that of Freedom. This is, of course, natural as the question at issue is one of very great importance, not merely as speculative, but also in the realm of action. We ask ourselves: "Are we really free?" Can we will either of two or more possibilities which are put before us, or, on the other hand, is everything fixed, predestined in such a way that an all-knowing consciousness could foretell from our past what course our future action would take?

The study of the physical sciences has led to a general acceptance of a principle of causality which is of such a kind that there seems no place in the universe for human freedom. Further, there is a type of psychology which gives rise to the belief that even mental occurrences are as determined as those of the physical world, thus leaving no room for autonomy of the Will. But even when presented with the arguments which make up the case for physical or psychological determinism, the spirit of man revolts from it, refuses to accept it as final, and believes that, in some way or other, the case for Freedom may be maintained. It is at this point that Bergson offers us some help in the solution of the problem, by his Essai sur les donnees immediates de la conscience, better described by its English t.i.tle Time and Free Will.

The arguments for physical determinism are based on the view that Freedom is incompatible with the fundamental properties of matter, and in particular, with the principle of the conservation of energy. This principle "has been a.s.sumed to admit of no exception; there is not an atom either in the nervous system or in the whole of the universe whose position is not determined by the sum of the mechanical actions which the other atoms exert upon it. And the mathematician who knew the position of the molecules or atoms of a human organism at a given moment, as well as the position and motion of all the atoms in the universe, capable of influencing it, could calculate with unfailing certainty the past, present, and future actions of the person to whom this organism belonged, just as one predicts an astronomical phenomenon." [Footnote: Time and Free Will, p. 144 (Fr. p. 110).] Now, it follows that if we admit the universal applicability of such a theory as that of the conservation of energy, we are maintaining that the whole universe is capable of explanation on purely mechanical principles, inherent in the units of which the universe is composed. Hence, the relative position of all units at a given moment, whatever be their nature, strictly determines what their position will be in the succeeding moments, and this mechanistic succession goes on like a Juggernaut car with crushing unrelentlessness, giving rise to a rigid fatalism: