"How do you know that?"

"I don't know it; I feel it."

"Feeling is woman's knowledge."

"And what is man's?"

"Do women think he has any?"

"Some men have knowledge--dangerous men, like you."

"In what way am I dangerous?"

"If I tell you, you will be more so. I should be foolish to lead you to your weapons."

"You want no leading to yours."

It was, perhaps, almost an impertinence; but he felt she would not think it so, and in this he accurately appraised her taste, or lack of taste.

Delicacy, reverence, were not really what she wanted of any man. Nigel might pray to a pale Madonna; Isaacson dealt with a definitely blunted woman of the world. And in his intercourse with people, unless indeed he loved them, he generally spoke to their characters, did not hold converse with his own, like a man who talks to himself in an unlighted room.

She smiled.

"Few women do, if they have any."

"Is any woman without them?"

"Yes, one."

"Name her."

"The absolutely good woman."

For a moment he was silent, struck to silence by the fierceness of her cynicism, a fierceness which had leapt suddenly out of her as a drawn sword leaps from its sheath.

"I don't acknowledge that, Mrs. Chepstow," he said--and at this moment perhaps he was the man talking to himself in the dark, as Nigel often was.

"Of course not. No man would."

"Why not?"

"Men seldom name, even to themselves, the weapons by which they are conquered. But women know what those weapons are."

"The Madame Marneffes, but not the Baroness Hulots."

"A Baroness Hulot never counts."

"Is it really clever of you to generalize about men? Don't you differentiate among us at all?"

He spoke entirely without pique, of which he was quite unconscious.

"I do differentiate," she replied. "But only sometimes, not always.

There are broad facts which apply to men, however different they may be from one another. There are certain things which all men feel, and feel in much the same way."

"Nigel Armine and I, for instance?"

A sudden light--was it a light of malice?--flashed in her brilliant eyes.

"Yes, even Mr. Armine and you."

"I shall not ask you what they are."

"Perhaps the part of you which is woman has informed you."

Before she said "woman" she had paused. He felt that the word she had thought of, and had wished to use, was "Jewish." Her knowledge of him, while he disliked it because he disliked her, stirred up the part of him which was mental into an activity which he enjoyed. And the enjoyment, which she felt, increased her sense of her own value. Conversation ran easily between them. He discovered, what he had already half suspected, that, though not strictly intellectual--often another name for boring--she was far more than merely shrewd. But her mentality seemed to him hard as bronze. And as bronze reflects the light, her mentality seemed to reflect all the cold lights in her nature. But he forgot the stagnant town, the bald-headed man at the club window, the organ and "The Manola." Despite her generalizing on men, with its unexpressed avowal of her deep-seated belief in physical weapons, she had chosen aright in her armoury. His brain had to acknowledge it. There again was the link between them. When at last he got up to go, she said:

"I suppose you will soon be leaving London?"

"I expect to get away on the fifteenth. Are you staying on?"

"I dare say I shall. You wonder what I do here?"

"Yes."

"I am out a great deal on my balcony. When you came I was there."

She made a movement towards it.

"Would you like to see my view?"

"Thank you."

As he followed her through the window s.p.a.ce, he was suddenly very conscious of the physical charm that clung about her. All her movements were expressive, seemed very specially hers. They were like an integral part of a character--her character. They had almost the individuality of an expression in the eyes. And in her character, in her individuality, mingled with much he hated was there not something that charmed? He asked himself the question as he stood near her on the balcony. And now, escaped from her room, even at this height there came upon him again the hot sluggishness of London. The sun was shining brightly, the air was warm and still, the view was large and unimpeded; but he felt a strange, almost tropical dreariness that seemed to him more dreadful than any dreariness of winter.

"Do you spend much of your time here?" he said.

"A great deal. I sit here and read a book. You don't like it?"

She turned her bright eyes, with their dilated pupils, slowly away from his, and looked down over the river.

"I do. But there's a frightful dreariness in London on such a day as this. Surely you feel it?"

"No. I don't feel such things this summer."

In saying the words her voice had altered. There was a note of triumph in it. Or so Isaacson thought. And that warmth, as of hope, in her had surely strengthened, altering her whole appearance.

"One has one's inner resources," she added, quietly, but with a thrill in her voice.

She turned to him again. Her tall figure--she was taller than he by at least three inches--was beautiful in its commanding, yet not vulgar, self-possession. Her thin and narrow hands held the balcony railing rather tightly. Her long neck took a delicate curve when she turned her head towards him. And nothing that time had left of beauty to her escaped his eyes. He had eyes that were very just.