(Reported by Schindler. Beethoven had been reading the score of "Il Barbiere di Siviglia.")

133. "The Bohemians are born musicians. The Italians ought to take them as models. What have they to show for their famous conservatories?

Behold! their idol, Rossini! If Dame Fortune had not given him a pretty talent and amiable melodies by the bushel, what he learned at school would have brought him nothing but potatoes for his big belly."

(In a conversation-book at Haslinger's music shop, where Beethoven frequently visited.)

136. "Goethe has killed Klopstock for me. You wonder? Now you laugh?

Ah, because I have read Klopstock. I carried him about with me for years when I walked. What besides? Well, I didn't always understand him. He skips about so; and he always begins so far away, above or below; always Maestoso! D-flat major! Isn't, it so? But he's great, nevertheless, and uplifts the soul. When I couldn't understand him I sort of guessed at him."

(To Rochlitz, in 1822.)

135. "As for me I prefer to set Homer, Klopstock, Schiller, to music; if it is difficult to do, these immortal poets at least deserve it."

(To the directorate of the "Gesellschaft der Musikfreunde" of Vienna, January, 1824, in negotiations for an oratorio, "The Victory of the Cross" [which he had been commissioned to write by the Handel and Haydn Society of Boston. H. E. K.].)

136. "Goethe and Schiller are my favorite poets, as also Ossian and Homer, the latter of whom, unfortunately, I can read only in translation."

(August 8, 1809, to Breitkopf and Hartel.)

137. "Who can sufficiently thank a great poet,--the most valuable jewel of a nation!"

(February 10, 1811, to Bettina von Arnim. The reference was to Goethe.)

138. "When you write to Goethe about me search out all the words which can express my deepest reverence and admiration. I am myself about to write to him about 'Egmont' for which I have composed the music, purely out of love for his poems which make me happy."

(February 10, 1811, to Bettina von Arnim.)

139. "I would have gone to death, yes, ten times to death for Goethe.

Then, when I was in the height of my enthusiasm, I thought out my 'Egmont' music. Goethe,--he lives and wants us all to live with him. It is for that reason that he can be composed. n.o.body is so easily composed as he. But I do not like to compose songs."

(To Rochlitz, in 1822, when Beethoven recalled Goethe's amiability in Teplitz.)

140. "Goethe is too fond of the atmosphere of the court; fonder than becomes a poet. There is little room for sport over the absurdities of the virtuosi, when poets, who ought to be looked upon as the foremost teachers of the nation, can forget everything else in the enjoyment of court glitter."

(Franzensbrunn, August 9, 1812, to Gottfried Hartel of Leipzig.)

141. "When two persons like Goethe and I meet these grand folk must be made to see what our sort consider great."

(August 15, 1812, in a description of how haughtily he, and how humbly Goethe, had behaved in the presence of the Imperial court.)

142. "Since that summer in Carlsbad I read Goethe every day,--when I read at all."

(Remarked to Rochlitz.)

143. "Goethe ought not to write more; he will meet the fate of the singers. Nevertheless he will remain the foremost poet of Germany."

(Conversationbook, 1818.)

144. "Can you lend me the 'Theory of Colors' for a few weeks? It is an important work. His last things are insipid."

(Conversation-book, 1820.)

145. "After all the fellow writes for money only."

(Reported by Schindler as having been said by Beethoven when, on his death-bed, he angrily threw a book of Walter Scott's aside.)

146. "He, too, then, is nothing better than an ordinary man! Now he will trample on all human rights only to humor his ambition; he will place himself above all others,--become a tyrant!"

(With these words, as testified to by Ries, an eye-witness, Beethoven tore the t.i.tle-page from the score of his "Eroica" symphony (which bore a dedication to Bonaparte) when the news reached him that Napoleon had declared himself emperor.)

147. "I believe that so long as the Austrian has his brown beer and sausage he will not revolt."

(To Simrock, publisher, in Bonn, August 2, 1794.)

148. "Why do you sell nothing but music? Why did you not long ago follow my well-meant advice? Do get wise, and find your raison. Instead of a hundred-weight of paper order genuine unwatered Regensburger, float this much-liked article of trade down the Danube, serve it in measures, half-measures and seidels at cheap prices, throw in at intervals sausages, rolls, radishes, b.u.t.ter and cheese, invite the hungry and thirsty with letters an ell long on a sign: 'Musical Beer House,' and you will have so many guests at all hours of the day that one will hold the door open for the other and your office will never be empty."