'Until he can see with us that his Order of Merit is utter kid,'

said Madame d'Auffray; and as she had spoken more or less neatly, satisfaction was left residing in the ear of the a.s.sembly, and the glove was permitted to be swept away on a fresh tide of dialogue.

The admirable candour of Renee in publicly alluding to M. d'Henriel's foolishness restored a peep of his holiday to Beauchamp. Madame d'Auffray took note of the effect it produced, and quite excused her sister-in-law for intending to produce is; but that speaking out the half-truth that we may put on the mask of the whole, is no new trick; and believing as she did that Renee was in danger with the handsome Count Henri, the practice of such a kind of honesty on her part appeared alarming.

Still it is imprudent to press for confidences when our friend's heart is manifestly trifling with sincerity. Who knows but that some foregone reckless act or word may have superinduced the healthy shame which cannot speak, which must disguise itself, and is honesty in that form, but roughly troubled would resolve to rank dishonesty? So thought the patient lady, wiser in that than in her perceptions.

Renee made a boast of not persuading her guest to stay, avowing that she would not willingly have him go. Praising him equably, she listened to praise of him with animation. She was dumb and statue-like when Count Henri's name was mentioned. Did not this betray liking for one, subjection to the other? Indeed, there was an Asiatic splendour of animal beauty about M. d'Henriel that would be serpent with most women, Madame d'Auffray conceived; why not with the deserted Renee, who adored beauty of shape and colour, and was compa.s.sionate toward a rashness of character that her own unnatural solitariness and quick spirit made her emulous of?

Meanwhile Beauchamp's day of adieu succeeded that of his holiday, and no adieu was uttered. The hours at Tourdestelle had a singular turn for slipping. Interlinked and all as one they swam by, brought evening, brought morning, never varied. They might have varied with such a division as when flame lights up the night or a tempest shades the day, had Renee chosen; she had that power over him. She had no wish to use it; perhaps she apprehended what it would cause her to forfeit. She wished him to respect her; felt that she was under the shadow of the glove, slight though it was while it was nothing but a tale of a lady and a glove; and her desire, like his, was that they should meet daily and dream on, without a variation. He noticed how seldom she led him beyond the grounds of the chateau. They were to make excursions when her brother came, she said. Roland de Croisnel's colonel, Coin de Grandchamp, happened to be engaged in a duel, which great business detained Roland. It supplied Beauchamp with an excuse for staying, that he was angry with himself for being pleased to have; so he attacked the practice of duelling, and next the shrug, wherewith M. Livret and M.

d'Orbec sought at first to defend the foul custom, or apologize for it, or plead for it philosophically, or altogether cast it off their shoulders; for the literal interpretation of the shrug in argument is beyond human capacity; it is the point of speech beyond our treasury of language. He attacked the shrug, as he thought, very temperately; but in controlling his native vehemence he grew, perforce of repression, and of incompetency to deliver himself copiously in French, sarcastic. In fine, his contrast of the pretence of their n.o.ble country to head civilization, and its encouragement of a custom so barbarous, offended M. d'Orbec and irritated M. Livret.

The latter delivered a brief essay on Gallic blood; the former maintained that Frenchmen were the best judges of their own ways and deeds. Politeness reigned, but politeness is compelled to throw off cloak and jacket when it steps into the arena to meet the encounter of a bull. Beauchamp drew on their word 'solidaire' to a.s.sist him in declaring that no civilized nation could be thus independent. Imagining himself in the France of brave ideas, he contrived to strike out sparks of Legitimist ire around him, and found himself breathing the atmosphere of the most primitive nursery of Toryism. Again he encountered the shrug, and he would have it a verbal matter. M. d'Orbec gravely recited the programme of the country party in France. M. Livret carried the war across Channel. You English have retired from active life, like the exhausted author, to turn critic--the critic that sneers: unless we copy you abjectly we are execrable. And what is that sneer? Materially it is an acrid saliva, withering where it drops; in the way of fellowship it is a corpse-emanation. As to wit, the sneer is the cloak of clumsiness; it is the Pharisee's incense, the hypocrite's pity, the post of exaltation of the fat citizen, etc.; but, said M. Livret, the people using it should have a care that they keep powerful: they make no friends. He terminated with this warning to a nation not devoid of superior merit. M. d'Orbec said less, and was less consoled by his outburst.

In the opinion of Mr. Vivian Ducie, present at the discussion, Beauchamp provoked the lash; for, in the first place, a beautiful woman's apparent favourite should be particularly discreet in all that he says: and next, he should have known that the Gallic shrug over matters political is volcanic--it is the heaving of the mountain, and, like the proverbial Russ, leaps up Tartarly at a scratch. Our newspapers also had been flea-biting M. Livret and his countrymen of late; and, to conclude, over in old England you may fly out against what you will, and there is little beyond a motherly smile, a nurse's rebuke, or a fool's rudeness to answer you. In quick-blooded France you have whip for whip, sneer, sarcasm, claw, fang, tussle, in a trice; and if you choose to comport yourself according to your insular notion of freedom, you are bound to march out to the measured ground at an invitation. To begin by saying that your principles are opposed to it, naturally excites a malicious propensity to try your temper.

A further cause, unknown to Mr. Ducie, of M. Livret's irritation was, that Beauchamp had vexed him on a subject peculiarly dear to him. The celebrated Chateau Dianet was about to be visited by the guests at Tourdestelle. In common with some French philosophers and English matrons, he cherished a sentimental sad enthusiasm for royal concubines; and when dilating upon one among them, the ruins of whose family's castle stood in the neighbourhood-Agrees, who was really a kindly soul, though not virtuous--M. Livret had been traversed by Beauchamp with questions as to the condition of the people, the peasantry, that were sweated in taxes to support these lovely frailties. They came oddly from a man in the fire of youth, and a little old gentleman somewhat seduced by the melting image of his theme might well blink at him to ask, of what flesh are you, then? His historic harem was insulted. Personally too, the fair creature picturesquely soiled, intrepid in her amorousness, and ultimately absolved by repentance (a shuddering narrative of her sins under showers of salt drops), cried to him to champion her. Excited by the supposed cold critical mind in Beauchamp, M. Livret painted and painted this lady, tricked her in casuistical niceties, scenes of pomp and boudoir pathos, with many shifting sidelights and a risky word or two, until Renee cried out, 'Spare us the esprit Gaulois, M. Livret!' There was much to make him angry with this Englishman.

'The esprit Gaulois is the sparkle of crystal common sense, madame, and may we never abandon it for a Puritanism that hides its face to conceal its filthiness, like a stagnant pond,' replied M. Livret, flashing.

'It seems, then, that there are two ways of being objectionable,' said Renee.

'Ah! Madame la Marquise, your wit is French,' he breathed low; 'keep your heart so!'

Both M. Livret and M. d'Orbec had forgotten that when Count Henri d'Henriel was received at Tourdestelle, the arrival of the Englishman was pleasantly antic.i.p.ated by them as an eclipse of the handsome boy; but a foreign interloper is quickly dispossessed of all means of pleasing save that one of taking his departure; and they now talked of Count Henri's disgrace and banishment in a very warm spirit of sympathy, not at all seeing why it should be made to depend upon the movements of this M. Beauchamp, as it appeared to be. Madame d'Auffray heard some of their dialogue, and hurried with a mouth full of comedy to Renee, who did not reproach them for silly beings, as would be done elsewhere.

On the contrary, she appreciated a scene of such absolute comedy, recognizing it instantly as a situation plucked out of human nature.

She compared them to republicans that regretted the sovereign they had deposed for a pretender to start up and govern them.

'Who hurries them round to the legitimate king again!' said Madame d'Auffray.

Renee cast her chin up. 'How, my dear?'

'Your husband.'

'What of him?'

'He is returning.'

'What brings him?'

'You should ask who, my Renee! I was sure he would not hear of M.

Beauchamp's being here, without an effort to return and do the honours of the chateau.'

Renee looked hard at her, saying, 'How thoughtful of you! You must have made use of the telegraph wires to inform him that M. Beauchamp was with us.'

'More; I made use of them to inform him that M. Beauchamp was expected.'

'And that was enough to bring him! He pays M. Beauchamp a wonderful compliment.'

'Such as he would pay to no other man, my Renee. Virtually it is the highest of compliments to you. I say that to M. Beauchamp's credit; for Raoul has met him, and, whatever his personal feeling may be, must know your friend is a man of honour.'

'My friend is... yes, I have no reason to think otherwise,' Renee replied. Her husband's persistent and exclusive jealousy of Beauchamp was the singular point in the character of one who appeared to have no sentiment of the kind as regarded men that were much less than men of honour. 'So, then, my sister Agnes,' she said, 'you suggested the invitation of M. Beauchamp for the purpose of spurring my husband to return! Apparently he and I are surrounded by plotters.'

'Am I so very guilty?' said Madame d'Auffray.

'If that mad boy, half idiot, half panther, were by chance to insult M.

Beauchamp, you would feel so.'

'You have taken precautions to prevent their meeting; and besides, M.

Beauchamp does not fight.'

Renee flushed crimson.

Madame d'Auffray added, 'I do not say that he is other than a perfectly brave and chivalrous gentleman.'

'Oh!' cried Renee, 'do not say it, if ever you should imagine it. Bid Roland speak of him. He is changed, oppressed: I did him a terrible wrong ....' She checked herself. 'But the chief thing to do is to keep M. d'Henriel away from him. I suspect M. d'Orbec of a design to make them clash: and you, my dear, will explain why, to flatter me. Believe me, I thirst for flattery; I have had none since M. Beauchamp came: and you, so acute, must have seen the want of it in my face. But you, so skilful, Agnes, will manage these men. Do you know, Agnes, that the pride of a woman so incredibly clever as you have shown me you are should resent their intrigues and overthrow them. As for me, I thought I could command M. d'Henriel, and I find he has neither reason in him nor obedience. Singular to say, I knew him just as well a week back as I do now, and then I liked him for his qualities--or the absence of any. But how shall we avoid him on the road to Dianet? He is aware that we are going.'

'Take M. Beauchamp by boat,' said Madame d'Auffray.

'The river winds to within a five minutes' walk of Dianet; we could go by boat,' Renee said musingly. 'I thought of the boat. But does it not give the man a triumph that we should seem to try to elude him? What matter! Still, I do not like him to be the falcon, and Nevil Beauchamp the... little bird. So it is, because we began badly, Agnes!'

'Was it my fault?'

'Mine. Tell me: the legitimate king returns when?'

'In two days or three.'

'And his rebel subjects are to address him--how?'

Madame d'Auffray smote the point of a finger softly on her cheek.

'Will they be pardoned?' said Renee.

'It is for him to kneel, my dearest.'

'Legitimacy kneeling for forgiveness is a painful picture, Agnes.

Legitimacy jealous of a foreigner is an odd one. However, we are women, born to our lot. If we could rise en ma.s.se!--but we cannot. Embrace me.'

Madame d'Auffray embraced her, without an idea that she a.s.sisted in performing the farewell of their confidential intimacy.

When Renee trifled with Count Henri, it was playing with fire, and she knew it; and once or twice she bemoaned to Agnes d'Auffray her abandoned state, which condemned her, for the sake of the sensation of living, to have recourse to perilous pastimes; but she was revolted, as at a piece of treachery, that Agnes should have suggested the invitation of Nevil Beauchamp with the secret design of winning home her husband to protect her. This, for one reason, was because Beauchamp gave her no notion of danger; none, therefore, of requiring protection; and the presence of her husband could not but be hateful to him, an undeserved infliction.

To her it was intolerable that they should be brought into contact.

It seemed almost as hard that she should have to dismiss Beauchamp to preclude their meeting. She remembered, nevertheless, a certain desperation of mind, scarce imaginable in the retrospect, by which, trembling, fever-smitten, scorning herself, she had been reduced to hope for Nevil Beauchamp's coming as for a rescue. The night of the storm had roused her heart. Since then his perfect friendliness had lulled, his air of thoughtfulness had interested it; and the fancy that he, who neither reproached nor sentimentalized, was to be infinitely compa.s.sionated, stirred up remorse. She could not tell her friend Agnes of these feelings while her feelings were angered against her friend.

So she talked lightly of 'the legitimate king,' and they embraced: a situation of comedy quite as true as that presented by the humble admirers of the brilliant chatelaine.

Beauchamp had the pleasure of rowing Madame la Marquise to the short shaded walk separating the river from Chateau Dianet, whither M. d'Orbec went on horseback, and Madame d'Auffray and M. Livret were driven. The portrait of Diane of Dianet was praised for the beauty of the dame, a soft-fleshed acutely featured person, a fresh-of-the-toilette face, of the configuration of head of the cat, relieved by a delicately aquiline nose; and it could only be the cat of fairy metamorphosis which should stand for that ill.u.s.tration: brows and chin made an acceptable triangle, and eyes and mouth could be what she pleased for mice or monarchs.

M. Livret did not gainsay the impeachment of her by a great French historian, tender to women, to frailties in particular--yes, she was cold, perhaps grasping: but dwell upon her in her character of woman; conceive her existing, to estimate the charm of her graciousness. Name the two countries which alone have produced THE WOMAN, the ideal woman, the woman of art, whose beauty, grace, and wit offer her to our contemplation in an atmosphere above the ordinary conditions of the world: these two countries are France and Greece! None other give you the perfect woman, the woman who conquers time, as she conquers men, by virtue of the divinity in her blood; and she, as little as ill.u.s.trious heroes, is to be judged by the laws and standards of lesser creatures.

In fashioning her, nature and art have worked together: in her, poetry walks the earth. The question of good or bad is entirely to be put aside: it is a rustic's impertinence--a bourgeois' vulgarity. She is preeminent, voila tout. Has she grace and beauty? Then you are answered: such possessions are an a.s.surance that her influence in the aggregate must be for good. Thunder, destructive to insects, refreshes earth: so she. So sang the rhapsodist. Possibly a scholarly little French gentleman, going down the grey slopes of sixty to second childishness, recovers a second juvenility in these enthusiasms; though what it is that inspires our matrons to take up with them is unimaginable. M.

Livret's ardour was a contrast to the young Englishman's vacant gaze at Diane, and the symbols of her G.o.ddesship running along the walls, the bed, the cabinets, everywhere that the chaste device could find frontage and a corner.