Ballads Of Romance And Chivalry - Ballads of Romance and Chivalry Part 4
Library

Ballads of Romance and Chivalry Part 4

1791. _Joseph Ritson._ Pieces of Ancient Popular Poetry. London.

1794. _Joseph Ritson._ Scotish Song. 2 vols. London.

1795. Robin Hood. 2 vols. London.

1802-3. _Walter Scott._ Minstrelsy of the Scottish Border. 3 vols. Kelso and Edinburgh.

1806. _Robert Jamieson._ Popular Ballads and Songs from Tradition, Manuscripts, and Scarce Editions. 2 vols. Edinburgh.

1808. _John Finlay._ Scottish Historical and Romantic Ballads, chiefly ancient. 2 vols. Edinburgh.

1822. _Alexander Laing._ Scarce Ancient Ballads. Aberdeen.

1823. _Alexander Laing._ The Thistle of Scotland. Aberdeen.

1823. _Charles Kirkpatrick Sharpe._ A Ballad Book. Edinburgh.

1824. _James Maidment._ A North Countrie Garland. Edinburgh.

1826. _Robert Chambers._ The Popular Rhymes of Scotland. Edinburgh.

1827. _George Kinloch._ Ancient Scottish Ballads. London and Edinburgh.

1827. _William Motherwell._ Minstrelsy, Ancient and Modern. Glasgow.

1828. _Peter Buchan._ Ancient Ballads and Songs of the North of Scotland. 2 vols. Edinburgh.

1834. The Universal Songster. 3 vols. London.

1845. _Alexander Whitelaw._ The Book of Scottish Ballads. Glasgow, Edinburgh, and London.

1846. _James Henry Dixon._ Ancient Poems, Ballads, and Songs of the Peasantry of England. London.

1847. _John Matthew Gutch._ A Lytyll Geste of Robin Hode. 2 vols.

London.

1855-59. _William Chappell._ Popular Music of the Olden Time. 2 vols.

London.

1857. _Robert Bell._ Ancient Poems, Ballads, and Songs of the Peasantry of England. London.

1857-59. _Francis James Child._ English and Scottish Ballads. 8 vols.

2nd edition, 1864.

1864. _William Allingham._ The Ballad Book. London.

1867-68. _J. W. Hales_ and _F. J. Furnivall_. Bishop Percy's Folio Manuscript. 4 vols. London.

1882-98. _Francis James Child._ The English and Scottish Popular Ballads. 5 vols. Boston, New York, and London.

1895. _Andrew Lang._ Border Ballads. London: Lawrence and Bullen.

1897. _Andrew Lang._ A Collection of Ballads. London: Chapman and Hall's 'Diamond Library.'

1897. _Francis B. Gummere._ Old English Ballads. Boston, U.S.A. Athenaeum Press Series.

1902. _T. F. Henderson._ Minstrelsy of the Scottish Border, by Sir Walter Scott. New edition. 3 vols. London.

NOTE ON THE ILLUSTRATIONS

The illustrations on pp. 28, 75, and 118 are taken from Royal MS. 10. E.

iv. (of the fourteenth century) in the British Museum, where they occur on folios 34 _verso_, 215 _recto_, and 254 _recto_ respectively. The designs in the original form a decorated margin at the foot of each page, and are outlined in ink and roughly tinted in three or four colours. Much use is made of them in the illustrations to J. J.

Jusserand's _English Wayfaring Life in the Middle Ages_, where M. Jusserand rightly points out that this MS. 'has perhaps never been so thoroughly studied as it deserves.'

GLASGERION

Ther herde I pleyen on an harpe That souned bothe wel and sharpe, Orpheus ful craftely, And on his syde, faste by, Sat the harper Orion, And Eacides Chiron, And other harpers many oon, And the Bret[A] Glascurion.

--Chaucer, _Hous of Fame_, III.

+The Text+, from the Percy Folio, luckily is complete, saving an omission of two lines. A few obvious corrections have been introduced, and the Folio reading given in a footnote. Percy printed the ballad in the _Reliques_, with far fewer alterations than usual.

+The Story+ is also told in a milk-and-water Scotch version, _Glenkindie_, doubtless mishandled by Jamieson, who 'improved' it from two traditional sources. The admirable English ballad gives a striking picture of the horror of 'churles blood' proper to feudal days.

In the quotation above, Chaucer places Glascurion with Orpheus, Arion, and Chiron, four great harpers. It is not improbable that Glascurion and Glasgerion represent the Welsh bard Glas Keraint (Keraint the Blue Bard, the chief bard wearing a blue robe of office), said to have been an eminent poet, the son of Owain, Prince of Glamorgan.

The oath taken 'by oak and ash and thorn' (stanza 18) is a relic of very early times. An oath 'by corn' is in _Young Hunting_.

[Footnote A: From Skeat's edition: elsewhere quoted 'gret Glascurion.']

GLASGERION

1.

Glasgerion was a king's own son, And a harper he was good; He harped in the king's chamber, Where cup and candle stood, And so did he in the queen's chamber, Till ladies waxed wood.

2.

And then bespake the king's daughter, And these words thus said she: ... ... ...