It must have been playing on a loop since the son of a bitch killed Dale. I turn it off and stand up, sighing.

There's a sticky note on the monitor that says USB and it jumps out at me for some reason.

Wait, Dale sent me a USB key at the drop box. What the hell did I do with it?

I run back down to the car and rummage through the trunk, opening boxes until I find it, then charge back upstairs and shove it in his computer.

A window pops up and a bunch of green-on-black code flies by; it's running one of Dale's programs, custom shit that he doesn't design a graphical interface for.

Then a video pops up. It's him.

"Quentin, listen to me. I knew you'd come back here. I figured Santiago would come after me first. I didn't tell him where you were, or at least I hope I didn't. If you're seeing this I'm dead and, obviously, I recorded this message first. There's some things I need you to do.

"First, this place needs to blow. I already have a program running uploading all of my files and information. You'll be able to access it through one of my custom terminals, like the one at the safe house. By the time this video stops it should be done, but I gave you a safety window to get gone. After we're done here I want you to type some commands into the computer for me and throw some switches in the next room. Write this shit down."

Hurriedly I scrawl down the info as he reads it off.

"Once that's done you'll have fifteen minutes to clear the building before the implosion charges I planted blow the whole place. The other safe houses and caches will be intact. I'm passing it all on to you. Cache four is not far from here, it's in the city. A list should start printing any second."

Nearby a printer chugs to life.

"You want to go to four. I know Santiago is going to make this a bitch on you. I left you a couple of presents. Godspeed, Quent. Kill the son of a bitch for me."

I turn to his rotting body.

"I will. I'll make what he did to you look like Christmas."

Time to go get my girls back.

Rose This can't be happening.

There's a man in a mask in my living room and someone is pointing a gun at my daughter. This can't be happening. I'm sitting on my couch shaking like a leaf in between my two girls, as this person sits in the side chair, crosses his leg over the other, and leans back.

"We shall be leaving soon. Before we go I would ensure it is made clear that all three of you must cooperate, or there will be unfortunate consequences."

"What?" Karen blurts out.

"Do what I tell you or I'll make you suffer."

I grab Karen's hand as she starts to shake even harder.

"If you're looking for Quentin, he's not here."

The masked man sighs, puffing out the face of his mask a little.

"My dear, I am not so amateurish as to move against you unless he has already been found. I have been watching him since he arrived. Did he tell you why he is hunted?"

"Yes."

The masked man nods slowly and rubs the fingers of his upraised hands together.

"You sound less disturbed than I had expected. A rare woman you must be. Did he tell them?"

I give Karen a nervous glance.

"I thought not. Always a sentimental one, my Quentin. I should have dealt with his weakness with greater strength, but alas I myself am human, despite all the rumors to the contrary. I had a soft spot for Quentin once."

Karen squeezes my hand.

I can't think of a way out of this. If I even move too fast, an unseen gunman will put a bullet in my chest and this creature will be free to do whatever he wants to my girls.

As if he isn't already, Rose.

Where are you, Quentin?

"He will come for you," the masked man says. "Gripped by some delusion, he will come and, thinking himself the hero, try to 'save' you. He was also so concerned with 'innocent' life. I tried to teach him the truth: no one is innocent. Evidently he didn't listen."

"He doesn't care about us." I squeeze Karen's hand harder. "Or me. He had his fun and dumped me. He won't come back."

"That is unfortunate for you, since I have already sent him an ultimatum in a place he is sure to find. I made a promise, and Santiago de la Rosa is a man of his word."

He lifts his hand and peels back his coat sleeve to check his watch.

"Time is at hand. Now, we are leaving. I will give you simple instructions. You will walk outside and get in the vehicle. If you make any attempt to run, raise the alarm, or draw attention to yourself, you will be shot in the head. Is this clear to you?"

I nod.

"Good. Front door, to the car in the driveway. Go."

I stand up, holding the girls' hands. I have to drag Karen to her feet before she starts moving, practically clinging to me. I slowly walk to the front door, turn the knob, and step out. The sunlight stings my eyes.

The street is utterly deserted. There's barely any sound other than the soft rumble of the big SUV sitting in my driveway. A tall, thin man in sunglasses is holding the back door open. Deep breath, and I gently push the girls in first then climb in after them and sit in the middle of the bench seat between them.

The door closes, and the other side opens. The man in the mask steps inside and sits in the seat in front of us, facing us, like a limo. He reaches into his coat, draws out a pistol with a long, fat tube on the barrel and rests it on his leg then reaches back and raps on the glass partition with his knuckles. I can't see the driver.

Think, Rose. There's a way out of this, an angle you're not seeing.

"Where are we going?"

The masked man looks up, or at least his head lifts.

"Yes, I should have known you'd ask questions. It doesn't matter. I'm taking you to a place of certain importance to recent events. Did Quentin tell you why he was forced to come here?"

"Yes."

I glance at the girls and tighten my grip on their hands. They don't need to hear that story.

"I would take you to the target's house, but our dear Quentin burned it down. I will instead take you to one of his working facilities. That will, I think, be more appropriate."

"Working facilities?"

"Patience, my sweet, thorny Rose. You shall see. In fact you shall become quite acquainted with it."

Oh God.

I pull my girls close and stare at the floor, trying not to draw his attention. He holds the gun in a loose grip, his finger resting near the trigger. It's pointed at the door now but he could have it pointed at me, or worse, one of my daughters, with a flick of his wrist.

I could try getting it away from him. I'm not tied down.

"I know what you are thinking," he says in a bored voice. "It is a terrible idea. There are three of you. I can lose one before we reach the grand finale."

I settle back into the seat.

"How do you know he'll get your message?"

"I know where he'll go when he's put to flight. I know his ground. The rabbit will run into my snare, and he will put his head in the noose of his own volition. It was valiant to try and lie to me on his behalf but I have known Quentin Mulqueen since he was twelve years old. You cannot think you know his heart better than I. He loses his head for women. You are not the first."

I feel a little sting there. Then I remind myself he wasn't my first either. It doesn't matter now. All that matters is that we get out of this and get away from this lunatic.

This guy is nuts.

After maybe an hour in the car we turn off. I don't recognize this place. It's somewhere outside of Philadelphia, I think, in an industrial area. We drive through a chemical plant or an oil refinery, something like that. Lots of tanks and pipes, except there's nothing going on, no activity. I know it's Sunday but places like that don't usually shut down. It takes a long time for them to start up.

Toward the back of the complex there's a big warehouse. Parked outside are busses, tucked together in rows. Other cars, signs of life. I stare anxiously through the windows as we park and more men in suits emerge from the building.

They have guns.

The driver pulls the door open and Santiago motions with his pistol. I step out first and pull the girls close to me. Santiago steps out behind me and tucks his tie into his jacket to stop it blowing in the breeze. Sweat beads on his mask, soaking through the fabric. He takes a moment to dab it off with a handkerchief before shoving me around the car as I pull the girls along.

"Get them inside," Santiago commands. "I don't want them touched yet. Take them to the office."

Three men nod, one of them shaking when Santiago looks at him. They're afraid of this man, I realize. No, they're terrified.

Karen and Kelly cling to my side when we walk inside. It's boiling hot in the warehouse, and it smells. It takes me a moment to understand what I'm seeing.

Pens. There are pens. They're made of chain link on posts driven into the floor, ten-foot fences open to their air and topped with concertina wire. Each has six bunk beds in it, and each pen is crowded with ten or more women and girls, packed so tightly together they can do nothing but lie on the beds in puddles of sweat or huddle close to each other, trying to cool themselves on the bare concrete floor. No showers, no privacy, just buckets.

Oh my God.

"Repulsive, isn't it?" Santiago says loudly.

The armed men glance at him but quickly look away.

"All men are pigs, do you know this? All women, too. This is what people are: they eat and they shit and they make more little people to eat and shit. Strip away the veneer of civilization and this is what you are left with: the strong holding dominance over the weak. You have been told enough already by Quentin, no doubt, to understand that these women are here to be processed and sold."

"Where do they come from?"

"Many places. Some are homeless, others are runaways. Others answer classified ads looking for models, or offering acting work. Some are here to settle gambling debts or because they needed something they could not afford, and turned to the wrong people. Men are lucky. They are only tortured and killed. Women have something that is always in demand and thus at the end of the day, their bodies are always collateral."

"This is disgusting."

"I agree completely."

"You could do something about it."

The three men with guns look back at me.

Santiago laughs softly under his mask. "I could. These three I could dispatch before they knew I even meant to kill them, but why should I do this thing? What would I gain by it? It is not by my hand that these unfortunates will be sold, not for me to determine if their masters are pleasant or cruel. Santiago de la Rosa is already the master of death. He has no cares for life. Let them rot. Everyone is rotting anyway."

"You talk too much," one of the thugs grunts.

"Begging your pardon," Santiago says, his voice deadly calm. "What did you say?"

"You talk too much, and her, too." He looks at me. "Shut the bitch up."

Santiago sighs. I can barely hear it, muffled through his mask.

Then he whips his whole body in a spin, moving so fast he almost blurs. Something metal flashes in his hand and the guard's throat opens in a red spray, fanning the wall with blood. I grab the girls and cover their eyes, but it's too late. The big man falls to the floor in a boneless heap, lying at the foot of metal stairs leading up to a box office overlooking the warehouse floor.

Santiago doesn't even have a speck of blood on him.

"You two would do well to remember who you are speaking to. Santiago de la Rosa is not a common tough to be ordered about by such as you. Count yourselves blessed if you are alive tomorrow and remember always that it is because Santiago de la Rosa permitted it. Now, up to the office."

Karen makes a whimpering sound as she has to step over the dead man. I pick up Kelly and carry her, trying to hide it all from her eyes. She squeezes me tight, shaking as she tries not to sob.

The climb up is hard, carrying her. The stairs are narrow and close together and the whole thing is steep, reaching a good twenty feet up in the air.

Some kind of manufacturing used to be done here. This was a control room and foreman's booth. Santiago gestures for me to sit down in one of three chairs. Karen sits and I lower Kelly to the chair next to mine and hold their hands.

Santiago sits down opposite us, holding his gun in his hands. He looks at the thugs.

"You two, go slop your pigs. Inform your masters I am ready and will be in touch when the quarry arrives. Now get out."

They leave, pulling the door shut behind them.

"Forgive me the unpleasantness. Santiago de la Rosa is not slighted by some jumped-up thug. I have a reputation to uphold."

He sighs. "Now I have an important question I must ask you, before the festivities begin. Which of your daughters do you love the most?"

Quentin Dale might have left me enough hardware to overthrow the Chilean government, but even if I arm up as a one-man army I can't take it with me. I could drive straight to the fourth weapons cache he told me to find, or head for the rendezvous with the crazy bitch who tried to strangle me last week.

I know Santiago. He's a man of his word, if I go to the rendezvous, I'll be safe enough until they take me wherever it is they plan to torture and kill Rose. I'll never get the details out of that Lily maniac; last week you could have tortured me to death before I'd give up Santiago. It's just not done.

Things are different now. I'm going to kill him myself.

The question is, how? He's got me. I'll be going to an unknown location with no weapons while my enemy holds three valuable hostages. He's a man of his word, alright. He won't hurt me or them until he has us all together, so he can watch us unwind one strand at a time. That's what he does. He feeds on misery.

I let them go and the monster got them. I choke the wheel harder. Stupid, stupid, stupid. I never should have talked to Rose. Whatever good I deluded myself into thinking I brought into their lives, it wasn't worth this. God. They'll die hating me.