"Oh, good," I said.

"She does present something of an obstacle," Susan said.

"You feel that if I were to press my pulsating maleness upon you," I said, "she might react?"

"Pulsating maleness?"

"Throbbing masculinity?" I said.

"My G.o.d," Susan said. "And yes, I think she'd bark and snuffle and paw at us and probably try to become part of the festivities."

"And if we put her in another room?"

"She'll yowl," Susan said.

"We could pretend it's you," I said.

"We could run cold water on your pulsating maleness," Susan said.

"She's pretty used to the car," I said. "I could take her out and put her in it."

"Yes," Susan said. "That would work, I think."

"I could even give her a ride around the block so she'd think she actually was going someplace."

"Even better," Susan said.

"While I'm gone you could take off those pajamas," I said.

"I bought these pajamas for you."

"When I complained about the sweatpants?"

"Yes. They even had the word 'enticing' on the package," Susan said.

" 'Better than sweatpants' doesn't look as good on a label," I said.

I put on my pants and shoes and took Pearl on her short leash downstairs to the driveway. I let her jump into the backseat and drove once around the block and back into the driveway.

"I'll be back soon," I said.

And she fell for it.

11.

It wasn't quite a play Paul had written, nor exactly a dance that he'd ch.o.r.eographed, nor precisely an evening of cabaret, though it had all those elements. It was called "Poins." And it integrated Shakespearean characters, songs from 1950s musicals, and ch.o.r.eography which referenced both eras. I had always liked watching the kid perform, but over the years some of the things he'd performed in had made me tired. But that had been other people's stuff. Doing his own stuff, Paul was touching, smart, and funny. If I weren't so hard-bitten, I'd have been thrilled. When the play was over, Paul and Daryl came back to Susan's place to meet Pearl.

"My G.o.d," Paul said when Pearl got off the couch, came over carefully, and sniffed him with considerable reserve. "She's really beautiful."

Susan said, "Pearl, say h.e.l.lo to your brother, Paul."

Daryl looked a little cautious, and when Pearl sniffed her I could see her tense. This did not bode well.

"I have sandwiches," Susan said. "Let me set the table while you have a drink."

"We can eat at the counter," Paul said.

"No, no," Susan said. "It will only take me a minute."

Paul smiled at me. "Why did I say that?"

"Because you're a slow learner," I said. "You knew what the answer would be."

"Good china," Paul said. "And many gla.s.ses and two spoons each and linen napkins in napkin rings."

"Should I help?" Daryl said.

She was still alert to any false moves Pearl might make.

"No," Paul said.

Paul drank a couple beers in what appeared to be one continuous swallow. His performance had been exhaustingly physical, and even when it wasn't, it always took him some time to come down. I knew he'd be quiet for awhile.

"Does your aunt still live in Boston?" I said.

"She retired," Daryl said. "Someplace up in Maine."

"Have you seen her since you've been here?"

"No. We weren't really close after my mother died."

"So you went back to La Jolla."

"Yes."

"And lived with your father?"

"Yes."

"When did you start performing?" She shrugged. "My mom used to take me to the children's program at the La Jolla Playhouse," she said. "Both my parents were very supportive. My mom and dad never missed anything I was in."

"Your father still in La Jolla?" I said.

"Yes," Daryl said. "I had an unusually wonderful childhood, before. " she made a little rolling gesture with her right hand. "We were a really close-knit family. We did everything together."

"Siblings?" I said.

"No. Just Mom, and Dad, and me."

"Where in Maine does your aunt live?"

"I don't know, a funny name. I think it's the place where that ex-president lives."

"George Bush?"

"Yes."

"Kennebunkport," I said.

"That sounds right."

Paul was watching me.

"What's your aunt's name?" I said.

"I think it's Sybil Pritchard now," Daryl said. "Why?"

"I thought maybe I'd talk with her," I said.

"I'd rather you didn't."

Paul was frowning a little.

"Okay," I said.

"And your father's name is Gordon," I said. "Like yours."

"Yes."

Susan came in wearing a small, clean ap.r.o.n that said BORN TO COOK across the front.

Paul looked at the ap.r.o.n and smiled. "That would be irony," Paul said, "right?"

"It would," Susan said. "Supper's ready."

There was a very big platter of finger sandwiches and composed salad plates with asparagus, cherry tomatoes, and artichoke hearts.

"My G.o.d, Susan," Daryl said. "You put this all together while we were having a drink?"

Susan smiled modestly.

"What kind of sandwiches are they?" Daryl said. She seemed a little uneasy about Pearl's nose resting on the edge of the table near her.

"Oh," Susan said, "a lovely a.s.sortment."

Paul looked at me and made a little sound that might have been a laugh, smothered.

"Are you laughing?" Daryl said. "I need to know what they are. There's a lot of stuff I can't eat."

"I'm not laughing at you," Paul said.

Susan said, "He's laughing at me, Daryl. I have never actually made a sandwich, I believe, in my entire life."

"So where'd you get these."

"I have a caterer friend who has a key," Susan said. "I called her on my cell phone."

It was in fact a lovely a.s.sortment: tuna, smoked salmon, egg salad, cheese, turkey, cuc.u.mber with Boursin, and corned beef. Daryl carefully examined the contents of each one before she selected from the platter. She ate two sandwiches, both turkey, and ate the cherry tomatoes from her salad.

We talked about the play. We complimented both of them. We had no further conversations about Daryl's aunt, whom she'd rather I not talk to, nor Daryl's childhood, which had been idyllic.

12.

Hawk and I were in Codman Square in a coffee shop eating grilled English m.u.f.fins. A tall, thin, hard-faced black guy with a gray Afro, wearing a white dress shirt b.u.t.toned to the neck, walked in and came to our table. Several people in the coffee shop looked at him covertly.

"Hawk," he said.

"Sawyer," Hawk said.

The black man sat down next to Hawk.

"The blue-eyed devil is Spenser," Hawk said. "Sawyer McCann, the last hippie."

We nodded at each other. Sawyer made no attempt to shake hands.

"You notice how out of place you look here," McCann said.

I was the only white person in the room. "I do," I said.

"That is how it feels for us, much of the time."

"I thought of that," I said.

"So how's it make you feel?" McCann said.

"Like clinging to Hawk, but I'm too proud."