Didn't want to. Couldn't. But he ought to have been able to handle the money.

He's got financial qualifications, and I practically gave him free rein.

But everyone has their good and bad sides, their faults and shortcomings, he thinks.

Not everyone has enough of the predator in them, enough of the merciless power that seems to be needed in this world. Father tried to get me to appreciate the responsibility that comes with privilege, how we have to assume a position of leadership in society. But in some ways he belonged to a bygone age. Certainly, I led the work out at Skogs, I was respected in the finer society of the region, but a leader? No. I tried to get Fredrik and Katarina at least to appreciate the value of privilege, not to take it for granted. I don't know that I succeeded.

Bettina, can you tell me what I can do to make Katarina happy? And don't try that same old tune again. We had different opinions about that, as you know.

Be quiet, Bettina.

Be quiet.

Let me put it like this: Was the bloodline diluted with you, Bettina?

He has sometimes wondered this when looking at Fredrik, and Katarina too, occasionally.

The green Barbour jacket sits tightly across Axel Fgelsjo's stomach, but he's had it for twenty-five years and doesn't want to buy another one just because the kilos stick a bit more easily than they used to.

Things must run their course, he thinks as he stands in the hall.

We Fgelsjos have lived more or less the same way for almost five hundred years. We set the tone for the area, for this city.

Sometimes he thinks that people around here are imitating the life he and his family have always had. The first water closet in ostergotland was at Skogs, his grandfather wore the first three-piece suit. They have always shown the way, and the business and political communities understood this, even if that's all history now.

There was no invitation to the county dinner this year.

In all the years that the county governors held dinners for the most prominent people in the county, there has always been a Fgelsjo among the guests. But not this year.

He saw the picture taken at Linkoping Castle in the ostgota Correspondent. Count Douglas was there. The historian Dick Harrison. The director of Saab's aviation division. The head of information at Volvo. A parliamentary under-secretary with roots in the city. The editor-in-chief of the Correspondent. The Chair of the National Sports Association. Baron Adelstl.

But no one from the Fgelsjo dynasty.

He pulls on his thick black rubber boots.

I'm coming now, Bettina.

The calfskin gloves. What leather!

Axel thinks that things will probably sort themselves out anyway. Hears Bettina's voice: 'Protect the boy.'

I did protect Fredrik. I did what was necessary, even if, in theory, the bank could have been held responsible.

The memory of Bettina's face fades.

Maybe I should have let things go to hell with the boy, Axel thinks, as he presses the cold button of the lift to go downstairs and out into the lonely dawn.

5.

No other engine sounds like that of the Range Rover: elegant yet powerful. And the vehicle responds nicely when Jerry Petersson presses the accelerator. Maybe that was how the horses of former centuries responded when long-dead counts pressed their spurs to the flanks of their sweating steeds.

No horses here now.

No counts.

But he can always get a few horses if he meets a woman who likes them, they have a tendency to like horses, women. Something of a cliche, but this cliche was also a reality, like so many others.

Jerry Petersson sees banks of fog drifting in across the fields, coming to rest beside the pine forest over to the east. The dog is sitting beside him in the passenger seat, letting its perfectly balanced body move in time with the vehicle's suspension, its eyes searching the landscape for something living to chase after, stand over, help to bring down. Jerry Petersson runs a hand through its coarse, damp fur. It smells, the dog, but it's a smell that suits the countryside, with its raw, penetrating authenticity. A beagle, a male, that he has named Howie after Howard Hughes, the Hollywood madman of the thirties who is said to have founded the modern aviation industry, and who, according to legend, ended up a recluse in a castle outside Las Vegas, dependent on blood transfusions.

Jerry once read a biography of him and thought: if I ever buy a dog, I'm going to name him after an even bigger madman than me.

The dog's nostrils contract, open again, and its big black pupils seem to want to devour the land around Skogs.

The estate is never more beautiful than in the morning, when the approaching day seems to soften the earth and rocks. Rain is falling against the windscreen and roof and he stops the car at the side of the road, watching some birds hopping about on the oyster-shell coloured soil, pecking for worms in the rotting vegetation and the pools that are growing larger with each passing day. The leaves are lying in drifts here, and he thinks they look like a ragged cover in a beautiful, forgotten sketch for an oil painting. And under the cover life goes on. Grubs pupating. Beetles fighting each other. Mice swimming in streams of rain towards goals so distant that they can't even dream they exist.

The dog is starting to get anxious, whimpering, wanting to get out, but Jerry soothes it.

'There now, calm down, you can get out soon.'

A landscape.

Can that be a person's fate?

Sometimes, when Jerry drives around the estate, he imagines he can see all the characters that have come and gone in his life. They drift around the trees, the rocks and buildings.

It was inevitable that he would end up here.

Wasn't it?

Snow falling one New Year's Eve, falling so thickly it makes this morning's fog look as transparent as newly polished glass.

He grew up not far from here.

In a rented flat in Berga with his parents.

Jerry looks at himself in the rear-view mirror. Starts the engine and drives on.

He drives around two bends before stopping the car again. The dog is even more restless now, and Jerry opens the door, letting the dog out first before getting out himself. The dog races off across the open field, presumably chasing the scent of a deer or elk, or a hare or fox.

He looks out over the field for a while before stepping down onto the soft ground. He trudges about, watching the dog running back and forth along the line of the forest, leaping into a deep ditch before reappearing only to vanish into a pile of leaves where the faded ochre-colours compete for attention with others that seem to be powdered matt bronze or dull gold.

Apart from the dog, Petersson is completely alone out in the field, yet he still feels quite at ease here, in a place where everything can die yet also be born, a breaking point in people's lives, a sequence of possibilities.

He runs his hand through his bleached hair, thinking how well it suits his sharp nose and hard blue eyes. The wrinkles in his brow. Business wrinkles. Well-earned.

The forest over there.

Fir trees and pines, undergrowth. A lot of game this year. His tenant farmers are coming later today, they're going to try to get a young elk or a couple of deer. Something needs be killed.

The Fgelsjo family.

What wouldn't they give for the chance to hunt in these forests again?

He looks at his arms, at the bright yellow Prada raincoat, the raindrops drumming on his head and the yellow GORE-TEX fabric.

'Howie,' Petersson calls. 'Howie. Time to go now.'

Hard. Tough. An ice-cold machine. A man prepared to step over dead bodies.

That was how people talked about him in the business circles he moved in up in Stockholm. A shadow to most people. A rumour. A topic of conversation, something that was often the cause of admiration in a world where it was deemed desirable to be so successful that you could lie low instead of maintaining a high profile, instead of appearing on television talk shows to get more clients.

Jerry Petersson?

Brilliant, or so I've heard. A good lawyer. Didn't he get rich from that IT business, because he got out in time? Supposed to be a real cunt-magnet.

But also: Watch out for him.

Isn't he involved with Jochen Goldman? Don't they own some company together?

'Howie.'

But the dog doesn't come, doesn't want to come. And Jerry knows he can leave it be, let the dog find its own way home to the castle through the forest in its own good time. It always comes home after a few hours. But for some reason he wants to call the dog back to him now, come to some sort of arrangement before they part.

'Howie!'

And the dog must have heard the urgency in his voice, because it comes racing over the whole damn field, and is soon back with Jerry.

It leaps around his legs, and he crouches down beside it, feeling the damp soak through the fabric of his trousers, and he pats the dog's back hard in the way he knows it likes.

'So what do you to want to do, eh, boy? Run home on your own, or drive back with me? Your choice. Maybe run back on your own, you never know, I might drive off the road.'

The dog licks his face before turning and running back across the field and hiding under a pile of leaves, before disappearing through the dark, open doors of the forest.

Jerry Petersson gets back in the Range Rover, turns the key in the ignition, listens to the sound of the engine, then lets the vehicle nose its way along the road again, into the dense, fog-shrouded forest.

He hadn't locked the castle doors when he set off on his spontaneous morning drive around the estate after waking early and being unable to get back to sleep. Who was likely to come? Who would dare to come? A hint of excitement: I bet they'd like to come.

Fredrik Fgelsjo. Old man Axel.

Katarina.

She's stayed away.

The daughter of the house.

My house now.

He moved in their orbit a long time ago.

A crow flies in front of the windscreen, flapping its wings, one wing looks injured somehow, maybe broken.

The castle is large. He could do with a woman to share it with. I'll find one soon enough, he thinks. He's always thought, in his increasingly large homes, that he could do with a woman to share it with. But it was merely a mental exercise that he enjoyed playing, and whenever he really needed a woman it was easy enough for someone like him: go to a bar, or call one of the numbers, and love would arrive, home delivery. Or a randy housewife in the city for a conference. Whatever. Women to share the present moment, women without any connections either backwards or forwards in time, women as desire-fulfilling creatures. Nothing to be ashamed of. Just the way it is.

He'd heard a rumour that Skogs was for sale.

Sixty-five million kronor.

The Wrede estate agency in Stockholm was handling the sale. No adverts, just a rumour that a castle with a vast estate was for sale in the Linkoping area, and perhaps he might be interested?

Skogs.

Interested?

Sixty-five million stung. But not much. And he got more than the castle for his money. Seventy-five hectares of prime forest, and almost as much arable land. And the abandoned parish house that he could always pull down and replace with something else.

And now, here, on this beautiful black autumn morning, when the fog and the relentless rain and the feeling of lightness and of being at home fill his body, he knows it was money well spent, because what is money for if not to create feelings?

He wanted to meet Fgelsjo when the deal was concluded in the office on Karlavagen. Didn't exactly want to smirk at him, but rather give him a measured look, force the old man to realise how wrong he had been, and let him know that a new age had dawned.

But Axel never showed up at the meeting in Stockholm.

In his place he sent a young solicitor from Linkoping. A young brunette with plump cheeks and a pout. After the contract was signed he asked her to lunch at Prinsen. Then he fucked her upstairs in his office, pushing her against the window, pulling her skirt high up her stomach, tearing a hole in her black tights and pumping away, bored, as he watched the buses and taxis and people moving in a seemingly predetermined stream down Kungsgatan, and he imagined he could hear the sound of the great lawnmowers in Kungstradgrden.

The castle is supposed to be haunted.

The unquiet spirit of a Count Erik who is said to have beaten his son to death when the son turned out to be feeble-minded. And the Russian soldiers who were supposed to have been walled up in the moat.

Jerry has never seen any ghosts, has just heard the creaking and sighing of the stone walls at night, feeling the chill that has been stored up in the old building over the centuries.

Ghosts.

Spirits.

The castle and outbuildings were run-down so he's had everything renovated. This past year he's felt like a foreman on a building site.

Several times he's seen a black car on the estate and assumed it was one of the Fgelsjo family getting a kick of nostalgia. Why not? he reasons. Mind you, he doesn't know for sure that it is one of the family, it could be pretty much anyone, there are certainly people who'd like to visit.

He was profiled in the Correspondent when it became known that Skogs had a new owner. He gave an interview, mouthed humble platitudes about fulfilling the dream of a lifetime. But what good had that done?

The journalist, a Daniel Hogfeldt, went for the shady-business-dealings angle, and made out that he had forced the Fgelsjo family from their ancestral home of almost five hundred years.