Truly the place where they dwelt shall know them no more, but "while the melody of the mocking-bird is heard in the cypress forests of Louisiana, and the squirrel leaps from its leafy curtain like a thing of beauty, the name of Audubon will live in the hearts of coming generations."

FOOTNOTES:

[1] "My name is John James Laforest Audubon. The name Laforest I never sign except when writing to my wife, and she is the only being, since my father's death, who calls me by it." (Letter of Audubon to Mrs.

Rathbone, 1827.) All Mrs. Audubon's letters to her husband address him as Laforest.

[2] This ma.n.u.script was found in an old book which had been in a barn on Staten Island for years.

[3] Reprinted from Scribner's Magazine, March, 1893, p. 267. A few errors in names and dates are now corrected.

[4] Isle a Vache, eight miles south of Aux Cayes.

[5] This vessel was the "Annelle."

[6] The family still own this portrait, of which Victor G. Audubon writes: "This portrait is probably the _first_ one taken of that great and good man, and although the drawing is hard, the coloring and costume are correct, I have no doubt. It was copied by Greenhow, the sculptor, when he was preparing to model his 'Washington' for the Capitol, and he considered it as a valuable addition to the material already obtained. This portrait was painted by an artist named Polk, but who or what he was, I know not."

[7] There still remain those who recall how Audubon would walk up and down, snapping his fingers, a habit he had when excited, when relating how he had seen his aunt tied to a wagon and dragged through the streets of Nantes in the time of Carrier.

[8] This brother left three daughters; only one married, and her descendants, if any, cannot be traced.

[9] "The Polly," Captain Sammis commander.

[10] May 26, 1806.

[11] Great Blue Heron.

[12] This visit pa.s.sed into history in the published works of each of the great ornithologists, who were never friends. See "Behind the Veil," by Dr. Coues in Bulletin of Nuttall Ornithological Club, Oct., 1880, p. 200.

[13] Episode "Breaking of the Ice."

[14] 1819.

[15] Stephen Harriman Long, Corps of Engineers, U.S. Army, who was then on his way to explore the region of the upper Mississippi and Minnesota Rivers.

[16] t.i.tian R. Peale, afterward naturalist of the U.S. Exploring Expedition, under Commodore Wilkes. Later in life he was for many years an examiner in the Patent Office at Washington, and died at a very advanced age. He was a member of the eminent Peale family of artists, one of whom established Peale's Museum in Philadelphia.--E.

C.

[17] The distinguished naturalist of that name.--E. C.

[18] Jacques Louis David (1748-1825), court painter to Louis XVI. and afterwards to Napoleon I.

[19] In 1836, Audubon wrote to Dr. John Bachman: "Some of my early drawings of European birds are still in our possession, but many have been given away, and the greatest number were destroyed, not by the rats that gnawed my collection of the "Birds of America," but by the great fire in New York, as these drawings were considered my wife's special property and seldom out of her sight. Would that the others had been under her especial care also! Yet, after all, who can say that it was not a material advantage, both to myself and to the world, that the Norway rats destroyed those drawings?"

[20] Mr. W. H. Wetherill, of Philadelphia.

[21] April 28, 1893.

[22] "I have often seen the red-sandstone monument placed to mark the terminal of the Sullivan Bridge on our side of the river, but the curiosity hunters have so marred it that only 'livans' and part of the date remain." (Extract from letter of Mr. W. H. Wetherill, Aug. 12, 1893.)

[23] This statement is from the "Pennsylvania Magazine of History and Biography," vol. xiv., No. 2, page 218, July, 1890.

[24] "Under the will of Col. Jno. Macomb Wetherill, late owner of Fatland Farm, 40 feet square were deeded out of the farm, and placed in trust, and $1000 trusteed to keep the grove and lot in order. A granite curb and heavy iron rail surround this plot; Col. Wetherill was buried there and his remains lie with those of your ancestors."

(Extract from letter of W. H. Wetherill, May 10, 1897.)

[25] From "History of Henderson County, Kentucky," by E. L. Starling, page 794.

[26] Of these many sketches few can be traced, and none purchased.

[27] Mrs. Audubon afterwards received four hundred dollars, of the twelve hundred dollars due; the remainder was never paid.

[28] See Episode: "A Tough Walk for a Youth."

[29] The before-mentioned journal, 1822-24.

[30] (With slight alterations) from "Bird Life," by F. M. Chapman, 1897, p. 13.

[31] Prince of Musignano, and subsequently a distinguished ornithologist. In March, 1824, Bonaparte was just publishing his "Observations on the Nomenclature of Wilson's Ornithology," which ran through the "Journal of the Academy of Natural Sciences," of Philadelphia, from April 5, 1824, to Aug. 25, 1825, in five parts.

This was preliminary to Bonaparte's "American Ornithology," which appeared in four quarto vols., 1825-33, to his "Synopsis," of 1828, and to his "Comparative List," of 1838.--E. C.

[32] Probably the Academy of Natural Sciences.

[33] Ord had edited the posthumous vols. viii. and ix. of "Wilson's Ornithology," which appeared in 1814; and in 1824 was engaged upon that edition of Wilson which was published in 3 vols. 8vo, in 1828-29, with a folio atlas of 76 plates. This is probably enough to account for his att.i.tude toward Audubon.--E. C.

[34] "Defence of Audubon," by John Bachman. "Bucks Co. Intelligencer,"

1835, and other papers.

[35] Almost the only other enemy Audubon appears to have ever had in public print was Charles Waterton, who vehemently a.s.sailed him in "Loudon's Magazine of Natural History," vi. 1833, pp. 215-218, and vii., 1834, pp. 66-74. Audubon was warmly defended by his son Victor in the same magazine, vi. 1833, p. 369, and at greater length by "R.

B.," _ibid._, pp. 369-372. Dr. Coues characterizes Waterton's attack as "flippant and supercilious animadversion," in "Birds of the Colorado Valley," 1878, p. 622.

The present is hardly the occasion to bring up the countless reviews and notices of Audubon's published life-work; but a few references I have at hand may be given. One of the earliest, if not the first, appeared in the "Edinburgh Journal of Science," vi. p. 184 (1827). In 1828, Audubon himself published "An Account of the Method of Drawing Birds," etc., in the same Journal, viii., pp. 48-54. The "Report of a Committee appointed by the Lyceum of Natural History of New York to examine the splendid work of Mr. Audubon," etc., appeared in "Silliman's Journal," xvi., 1829, pp. 353, 354. His friend William Swainson published some highly commendatory and justly appreciative articles on the same subject in "Loudon's Magazine," i., 1829, pp.

43-52, and in the "Edinburgh New Philosophical Journal," x., 1831, pp.

317-332, under the pseudonym "Ornithophilus." Another anonymous review, highly laudatory, appeared in the same Journal, xviii., 1834, pp. 131-144. Dr. John Bachman defended the truthfulness of Audubon's drawings in the "Journal of the Boston Society of Natural History," i.

1834, pp. 15-31. One of the most extended notices appeared anonymously in the "North American Review," July, 1835, pp. 194-231; and another signed "B," in "Loudon's Magazine," viii., 1835, PP. 184-190. In Germany, "Isis von Oken" contained others, x.x.x., 1837, pp. 922-928, x.x.xv., 1842, pp. 157, 158; and x.x.xvii., 1844, pp. 713-718. "Silliman's Journal" again reviewed the work in xlii., 1842, pp. 130-136.--E. C.

[36] That is the species now known as Wilson's Snipe, _Gallinago delicata_.

[37] Dr. Richard Harlan is the author of the well-known "Fauna Americana," 8vo, Philadelphia, 1825, and of many scientific papers.

Audubon dedicated to him the Black Warrior, _Falco harlani_, a large, dark hawk of the genus _Buteo_, shot at St. Francisville, La., Nov.

18, 1829.

[38] Charles Alexandre Le Sueur, 1778-1846, distinguished French naturalist. Best biography in Youman's "Pioneers of Science in America," 8vo, N.Y., 1896, pp. 128-139, with portrait. The same volume contains a biographical sketch of Audubon, pp. 152-166, with portrait after the oil painting by George P. A. Healy, belonging to the Boston Society of Natural History.--E. C.

[39] Of the great folios, parts i.-v., containing plates 1-25, were originally published at successive dates (not ascertained) in 1827; parts vi.-x., plates 26-50, appeared in the course of 1828,--all in London. The whole work was completed in 1838; it is supposed to have been issued in 87 parts of 5 plates each, making the actual total of 435 plates, giving 1065 figures of birds. On the completion of the series, the plates were to be bound in 4 vols. Vol. i., pll. 1-100, 1827-30; vol. ii., pll. 101-200, 1831-34; vol. iii., pll. 201-300, 1834-35; vol. iv., pll. 301-435, 1835-38 (completed June 30). These folios had no text except the t.i.tle-leaf of each volume. The original price was two guineas a part; a complete copy is now worth $1,500 to $2,000, according to condition of binding, etc., and is scarce at any price. The text to the plates appeared under the different t.i.tle of "Ornithological Biography," in 5 large 8vo volumes, Edinburgh, 1831-39; vol. i., 1831; vol. ii., 1834; vol. iii., 1835; vol. iv., 1838; vol. v., 1839. In 1840-44, the work reappeared in octavo, text and plates together, under the original t.i.tle of "Birds of America;"

the text somewhat modified by the omission of the "Delineations of American Scenery and Manners," the addition of some new matter acquired after 1839, and change in the names of many species to agree with the nomenclature of Audubon's Synopsis of 1839; the plates reduced by the camera lucida, rearranged and renumbered, making 500 in all. The two original works, thus put together and modified, became the first octavo edition called "Birds of America," issued in 100 parts, to be bound in 7 volumes, 1840-44. There have been various subsequent issues, partial or complete, upon which I cannot here enlarge. For full bibliographical data see Dr. Coues' "Birds of the Colorado Valley," Appendix, 1878, pp. 612, 618, 625, 629, 644, 661, 666, 669 and 686.--E. C.

[40] Referring to Mr. Robert Havell, of No. 77 Oxford St., London. His name will be recalled in connection with _Sterna havellii_, the Tern which Audubon shot at New Orleans in 1820, and dedicated to his engraver in "Orn. Biogr." v., 1839, p. 122, "B. Amer.," 8vo, vii., 1844, p. 103, pl. 434. It is the winter plumage of the bird Nuttall called _S. forsteri_ in his "Manual," ii., 1834, p. 274. See Coues, "Proceedings of the Philadelphia Academy of Science," 1862, p.

543.--E. C.