This beautiful estate in Montgomery Co., Pa., lies in a lovely part of the country. The house, on a gentle eminence, almost a natural terrace, overlooks, towards the west, the rapid waters of Perkiomen Creek, which just below empties into the Schuylkill river, across which to the south is the historic ground of Valley Forge. The property has remained in the Wetherill family nearly ever since Audubon sold it to Samuel Wetherill in 1813. The present owner[20]

delights to treasure every trace of the bird lover, and not only makes no changes in anything that he can in the least degree a.s.sociate with him, but has added many photographs and engravings of Audubon which adorn his walls.

The house, of the usual type of those days, with a hall pa.s.sing through the centre and rooms on either side, was built of rubble-stone by Roland Evans in 1762, and in 1774 was sold to Admiral Audubon, who in the year following built an addition, also of rubble-stone. This addition is lower than the main house, which consists of two full stories and an attic with dormer windows, where, it is said, Audubon kept his collections. The same Franklin stove is in the parlor which stood there giving out its warmth and cheer when the young man came in from the hunting and skating expeditions on which he loved to dwell.

The dense woods which once covered the ground are largely cut down, but sufficient forest growth remains to give the needed shade and beauty; the hemlocks in particular are noticeable, so large and of such perfect form.

Going down a foot-path to Perkiomen Creek, a few steps lead to the old mill which gave the place its name. Built of stone and shaded by cottonwood trees, the stream rushing past as in days long gone, the mill-wheel still revolves, though little work is done there now.

When I saw Mill Grove[21] the spring flowers were abundant; the soft, pale blossom of the May-apple (_Podophyllum peltatum_) held its head above the blue of many violets, the fingers of the potentilla with their yellow stars crept in and out among the tangled gra.s.s and early undergrowth; the trilliums, both red and white, were in profusion; in the shade the wood anemones, with their sh.e.l.l pink cups grew everywhere, while in damp spots by the brook yet remained a few adder's-tongues, and under the hemlocks in the clefts of the rocks the delicate foliage of the Dutchmen's breeches (_Dicentra cucullaria_) with a few late blossoms; all these and many more which I do not now recall, Audubon has pictured with the birds found in the same regions, as his imperishable tribute to the home he loved--Mill-Grove Farm on the Perkiomen Creek.

Fatland Ford, to the south of Mill Grove, is a far larger and grander mansion than that of the modest Quaker Evans; as one approaches, the white columns of the imposing entrance are seen for some distance before entering the avenue which leads to the front of the mansion.

Like Mill Grove it stands on a natural terrace, and has an extensive outlook over the Schuylkill and Valley Forge. This house was built by James Vaux in 1760. He was a member of the Society of Friends and an Englishman, but in sympathy with the colonists. One end of Sullivan's Bridge was not far from the house; the spot where it once stood is now marked by the remains of a red-sandstone monument.[22] Washington spent a night in the mansion house with Mr. Vaux, and left only twelve hours in advance of the arrival of Howe, who lodged there the following night.[23] The old walled garden still remains, and the stable with accommodation for many horses. A little withdrawn from all these and on the edge of a wood are "the graves of a household," not neglected, as is so often the case, but preserved and cared for by those who own Fatland Farm[24] as well as Mill Grove.

Dear as Mill Grove was to Audubon, he left it with his young bride the day following their wedding, which took place at Fatland Ford on April 8, 1808, and departed for Louisville, Ky., where he and Rozier, his partner, had previously done some business. Though they had both lost money they liked the place, which reason seemed quite sufficient to decide them to return and lose more money, as they promptly did. They remained at Louisville till 1810, when they moved to Henderson, where Rozier did what business was done, and Audubon drew, fished, hunted, and rambled in the woods to his heart's content, but his purse's depletion. He describes this life in the episode "Fishing in the Ohio," and in these rushing times such an Arcadian existence seems impossible. Small wonder that his wife's relatives, with their English thrift, lost patience with him, could not believe he was aught but idle, because he did not work their way. I doubt not many would think, as they did, that he wasted his days, when in truth he was laying up stores of knowledge which later in life brought him a rich harvest.

Waiting times are always long, longest to those who do not understand the silent inner growth which goes on and on, yet makes no outward sign for months and even years, as in the case of Audubon.

Henderson was then a tiny place, and gains being small if any, Rozier and Audubon, in December, 1810, started for St. Genevieve, spent their winter in camp, and reached their destination when the ice broke up.

On April 11, 1811, they dissolved partnership, and wrote each as they felt, Audubon saying: "Rozier cared only for money and liked St.

Genevieve;" Rozier writing: "Audubon had no taste for commerce, and was continually in the forest."

Once more, however, he went to St. Genevieve to try to get money Rozier owed him, and returned to Henderson on foot, still unpaid, in February or March of 1812. He had gone with a party of Osage Indians, but his journey back was made alone. He writes in his journal, simply with date of April, 1812:--

"Bidding Rozier good-bye, I whistled to my dog, crossed the Mississippi and went off alone and on foot, bent on reaching Shawanee Town as soon as possible; but little had I foreseen the task before me, for soon as I had left the river lands and reached the prairies, I found them covered with water, like large lakes; still nothing would have made me retrace my steps, and the thoughts of my Lucy and my boy made me care little what my journey might be. Unfortunately I had no shoes, and my moccasins constantly slipping made the wading extremely irksome; notwithstanding, I walked forty-five miles and swam the Muddy River. I only saw two cabins that day, but I had great pleasure in viewing herds of Deer crossing the prairie, like myself ankle deep in water. Their beautiful movements, their tails spread to the breeze, were perceivable for many miles. A mound covered with trees through which a light shone, gave me an appet.i.te, and I made for it. I was welcomed kindly by the woman of the house, and while the lads inspected my fine double-barrelled gun, the daughters bustled about, ground coffee, fried venison, boiled some eggs, and made me feel at once at home.

"Such hospitality is from the heart, and when the squatter came in, his welcome was not less genuine than that of his family. Night fell; I slept soundly on some bearskins, but long before day was ready to march. My hostess was on the alert; after some breakfast she gave me a small loaf and some venison in a clean rag, and as no money would be received, I gave the lads a flask of gunpowder, a valuable article in those days to a squatter.

"My way lay through woods, and many small crossroads now puzzled me, but I walked on, and must have travelled another forty-five miles. I met a party of Osage Indians encamped, and asked in French to stay with them. They understood me, and before long I had my supper of boiled bear's-fat and pecan-nuts, of which I ate heartily, then lay down with my feet to the fire, and slept so soundly that when I awoke my astonishment was great to find all the Indians had gone hunting, and only left two dogs to keep the camp free from wolves.

"I walked off gayly, my dog full of life, but met no one till four o'clock when I pa.s.sed the first salt well, and thirty minutes more brought me to Shawanee Town. As I entered the inn I was welcomed by several whom I knew, who had come to purchase salt. I felt no fatigue, ate heartily, slept soundly without being rocked, and having come forty miles had only forty-seven more to walk to reach my home.

Early next morning I pursued my way; the ferry boat took me from Illinois to Kentucky, and as night came I found myself with my wife beside me, my child on my knee."

The time from now till 1819 was the most disastrous period of Audubon's life, as regarded his finances. With his brother-in-law, Thomas W. Bakewell, he engaged in various ventures in which, whatever others did, he lost money at every turn. The financial affairs of Kentucky were, it is true, not on a very sound basis, but Audubon frankly acknowledges the fault in many cases was his own. Thomas W.

Bakewell was often in New Orleans, where they had a mercantile establishment, and Audubon spent not only days, but weeks and months, at his favorite pursuits. On his journeys to Philadelphia to procure goods he wandered miles in all directions from the main route; when in Henderson he worked, at times, very hard in the mill, for, indeed, he never did anything except intensely; but the cry of the wild geese overhead, the sound of the chattering squirrel, the song of the thrush, the flash of the humming-bird with its jewelled throat, were each and all enough to take him from work he hated as he never hated anything else.

When first in Henderson he bought land, and evidently had some idea of remaining there permanently; for, "on March 16, 1816, he and Mr.

Bakewell took a ninety-five years' lease of a part of the river front between First and Second Sts., intending to erect a grist and saw mill, which mill was completed in 1817, and yet stands, though now incorporated in the factory of Mr. David Clark. The weather-boarding whip-sawed out of yellow poplar is still intact on three sides, the joists are of unhewn logs, and the foundation walls of pieces of flat broken rock are four and a half feet thick. For those days it was built on a large scale, and did the sawing for the entire country."[25]

It has been said that the inside walls had many drawings of birds on them, but this, while quite likely, has never been proved; what was proved conclusively is that, from his woodcutters, whose labors were performed on a tract of forest land of about 1200 acres, which Audubon purchased from the government, to those who were his partners, by far the greater number had the advantage of him. The New Orleans venture has a similar record; money left him by his father was lost by the failure of the merchant who held it until Audubon could prove his right to it, and finally he left Henderson absolutely penniless. He writes: "Without a dollar in the world, bereft of all revenues beyond my own personal talents and acquirements, I left my dear log house, my delightful garden and orchards with that heaviest of burdens, a heavy heart, and turned my face toward Louisville. This was the saddest of all my journeys,--the only time in my life when the Wild Turkeys that so often crossed my path, and the thousands of lesser birds that enlivened the woods and the prairies, all looked like enemies, and I turned my eyes from them, as if I could have wished that they had never existed."

From Louisville Audubon went almost at once to Shippingport, where he was kindly received by his friends Nicholas Berthoud, who was also his brother-in-law, and the Tarascon family. Here he was joined by his wife and two sons, Victor Gifford and John Woodhouse, and again I quote from Audubon's own words: "As we were straitened to the very utmost, I undertook to draw portraits at the low price of five dollars per head, in black chalk. I drew a few gratis, and succeeded so well that ere many days had elapsed I had an abundance of work; and being industrious both by nature and habit I produced a great number of those black-chalk sketches."[26] This carried him on for some months, but the curse, or blessing, of the "wandering foot" was his, and as soon as money matters were a little ahead, off he went again to the forests. It was during these years, that is from 1811 to 1819, that many months were pa.s.sed hunting with the Indians, the Osage tribe being the one whose language Audubon spoke. Late in life he wrote: "Of all the Indian tribes I know, the Osage are by far the superior." With them he delighted to track the birds and quadrupeds as only an Indian or one of like gifts, can; from them he learned much woodcraft; with them he strengthened his already iron const.i.tution; and in fearlessness, endurance, patience, and marvellously keen vision, no Indian surpa.s.sed him.

He had a wonderful gift of making and retaining friends, and even in these days of poverty and depression he never seemed too poor to help others; and certainly from others he received much kindness, which he never ceased to remember and acknowledge. Through one of these friends--I believe a member of the Tarascon family--he was offered a position in the Museum at Cincinnati. Without delay, or any written agreement, Audubon and his family were again (1818) in new surroundings, and the work being congenial, he entered heartily into it with Mr. Robert Best. The promised salary was large, but being never paid Audubon began drawing cla.s.ses to support his modest household. In Cincinnati he first met Mr. Daniel Mallory (whose second daughter afterwards married Victor G. Audubon) and Captain Samuel c.u.mmings. This latter gentleman had many tastes similar to Audubon's, and later went with him to New Orleans.

[Ill.u.s.tration: John J. Audubon FROM THE MINIATURE BY F. CRUIKSHANK, PUBLISHED BY ROBERT HAVELL, January 12, 1835.]

The life at Cincinnati was one of strict economy. Mrs. Audubon was a woman of great ability and many resources, and with one less gifted her unpractical husband would have fared far worse than he did. To quote again: "Our living here [Cincinnati] is extremely moderate; the markets are well supplied and cheap, beef only two and a half cents a pound, and I am able to provide a good deal myself; Partridges are frequently in the streets, and I can shoot Wild Turkeys within a mile or so; Squirrels and Woodc.o.c.k are very abundant in the season, and fish always easily caught."

Even with these advantages, Audubon, receiving no money[27] from Dr.

Drake, president of the Museum, decided on going to New Orleans. He had now a great number of drawings and the idea of publishing these had suggested itself both to him and his wife. To perfect his collection he planned going through many of the Southern States, then pushing farther west, and thence returning to Cincinnati. On Oct. 12, 1820, he left Cincinnati with Captain Samuel c.u.mmings for New Orleans, but with a long pause at Natchez, did not reach that city before mid-winter, where he remained with varying success until the summer of 1821, when he took a position as tutor in the family of Mrs. Charles Percy of Bayou Sara. Here, in the beloved Louisiana whose praises he never wearied of singing, whose magnolia woods were more to him than palaces, whose swamps were storehouses of treasures, he stayed till autumn, when, all fear of yellow fever being over, he sent for his wife and sons. Many new drawings had been made in this year of separation from them, and these were by far the greater part of the furniture in the little house in Dauphine St., to which he took his family on their arrival in December, 1821.

The former life of drawing portraits, giving lessons, painting birds, and wandering through the country, began again, though there was less of this last, Audubon realizing that he _must_ make money. He had had to use strong persuasions to induce Mrs. Audubon to join him in New Orleans. She had relatives in Cincinnati, as well as many friends, and several pupils brought her a small income. Who, recalling her early married life, can wonder that she hesitated before leaving this home for the vicissitudes of an unknown city? She and her husband were devotedly attached to each other, but she thought more of the uncertainty for her sons than for herself. They were now boys of twelve and nine years old, and their mother, whose own education was far beyond the average, realized how unwise a thing for them the constant change was. Audubon was most anxious also that his "Kentucky lads," as he often called them, should be given every advantage, but he had the rare quality of being able to work equally well in any surroundings, in doors or out, and he failed to understand why others could not, just as he failed to see why his wife should ever doubt the desirability of going anywhere, at any time, under any conditions. He thus writes to her in a letter, dated New Orleans, May 3, 1821: "Thou art not, it seems, as daring as I am about leaving one place to go to another, without the means. I am sorry for that. I never will fear want as long as I am well; and if G.o.d will grant me health with the little talents I have received from Nature, I would dare go to England or anywhere, without one cent, one single letter of introduction to any one."

This, as we know, was no empty boast, but the principle on which Audubon proceeded numberless times in his life. His own courage, or persuasions, brought his wife, as has been said, to join him in the Crescent City, and here as elsewhere that n.o.ble woman proved her courage and endurance fully equal to his, although perhaps in another line.

Under the date of January 1, 1822, Audubon writes: "Two months and five days have elapsed before I could venture to dispose of one hundred and twenty-five cents to pay for this book, that probably, like all other things in the world, is ashamed to find me so poor." On March 5th of the same year: "During January my time was princ.i.p.ally spent in giving lessons in painting and drawing, to supply my family and pay for the schooling of Victor and Johnny at a Mr. Branards', where they received notions of geography, arithmetic, grammar, and writing, for six dollars per month each. Every moment I had to spare I drew birds for my ornithology, in which my Lucy and myself alone have faith. February was spent in drawing birds strenuously, and I thought I had improved much by applying coats of water-color under the pastels, thereby preventing the appearance of the paper, that in some instances marred my best productions. I discovered also many imperfections in my earlier drawings, and formed the resolution to redraw the whole of them; consequently I hired two French hunters, who swept off every dollar that I could raise for specimens. I have few acquaintances; my wife and sons are more congenial to me than all others in the world, and we have no desire to force ourselves into a society where every day I receive fewer bows."

This winter (1821-1822) in New Orleans, proved to Audubon that his wife's judgment was correct; it was not the place for them to make either a permanent income or home. True, they had been able to live with extreme simplicity, and to send the boys to school; they had had their own pleasures, as the worn, brown volume, the journal of 1822-24, with its faded entries, bears witness. There are accounts of walks and of musical evenings when they were joined by one or two friends of like tastes and talents. Both played well, she on the piano, and he on a variety of instruments, princ.i.p.ally the violin, flute, and flageolet. For over two months a fifth inmate was added to the home circle in Mr. Matabon, a former friend, whom Audubon found one morning in the market, in a state of great poverty. He at once took him to his house and kept him as a guest, till, like Micawber, "something turned up" for him to do. When this gentleman left, this entry is made: "Mr. Matabon's departure is regretted by us all, and we shall sorely miss his beautiful music on the flute."

Summer approaching, when those who purchased pictures and took drawing-lessons were about to leave the city, Audubon accepted a position as tutor in the household of a Mr. Quaglas near Natchez. Mrs.

Audubon, who had for some time been teaching in the family of Mr.

Brand, removed to that gentleman's house with her sons; they, however, were almost immediately sent to school at Washington, nine miles from Natchez, Audubon's salary enabling him to do this, and in September he was joined by his wife.

While at Natchez, the long summer days permitted the drawing of birds as well as the teaching, which was conscientiously performed, and the hope of eventually publishing grew stronger. In the autumn of this year (1822), Audubon met a portrait painter named John Steen or Stein, from Washington, Pa., and thus writes, December, 1822: "He gave me the first lesson in painting in oils I ever took in my life; it was a copy of an Otter from one of my water-colors. Together we painted a full length portrait of Pere Antonio, which was sent to Havana."

January, 1823, brought fresh changes. Mrs. Audubon, with her son John, went to Mrs. Percy's plantation, Beechwoods, to teach not only Marguerite Percy, but also the daughters of the owners of the neighboring plantations, and Audubon, with Victor and Mr. Steen, started on a tour of the Southern States in a dearborn, intending to paint for their support. The journal says, March, 1823; "I regretted deeply leaving my Natchez friends, especially Charles Carre and Dr.

Provan. The many birds I had collected to take to France I made free; some of the doves had become so fond of me that I was obliged to chase them to the woods, fearing the wickedness of the boys, who would, no doubt, have with pleasure destroyed them." So it would seem boys then were much the same as now. Jackson and other places were visited, and finally New Orleans, whence Audubon started for Louisville with Victor, May 1. The whole of this summer (1823) was one of enjoyment in many ways to the naturalist. He felt his wife was in a delightful home (where she remained many years), beloved by those around her; Victor now was nearly fourteen, handsome, strong, and very companionable, old for his years, and as his father was always young for his, they were good comrades, and till both were attacked by yellow fever, the days pa.s.sed smoothly on. Nursed through this malady by the ever devoted wife and mother, who had come to them at once on hearing they were ill, some time was spent at the Beechwoods to recuperate, and on October 1, 1823, Audubon with Victor departed for Kentucky by boat. The water being low, their progress was greatly delayed; he became impatient and at Trinity left the boat with his son and two gentlemen, and walked to Louisville. This walk, of which we have a full published account[28] began on October 15, and on the 21st they reached Green River, when Victor becoming weary, the remaining distance was performed in a wagon. It was on this journey, which Audubon undertook fearing, so he says, that he should not have enough money to provide for himself and Victor in Louisville beyond a few weeks, that he relates this incident: "The squatter had a Black Wolf, perfectly gentle, and completely under the control of his master; I put my hand in my pocket and took out a hundred-dollar bill, which I offered for it, but it was refused. I respected the man for his attachment to the wolf, for I doubted if he had ever seen a hundred dollars before."

Louisville was speedily quitted for Shippingport, where Audubon engaged a room for Victor and himself, and painted all winter (1823-24) at birds, landscapes, portraits, and even signs.

Shippingport was then a small village with mills, and was largely owned by the Tarascons and Berthouds, the latter living in the mansion of the place, and possessed of a very beautiful garden. Steamers and boats for the river traffic were built here, and it was a stirring place for its size, situated on the Falls of the Ohio, about two miles from Louisville then, but now part of that city. With forests and river to solace his anxieties, another season was pa.s.sed by the man whose whole energies were now bent on placing his work before the best judges in Europe. This winter too, he lost one of his best and dearest friends, Madame Berthoud; how he felt this parting his own words best tell: "January 20, 1824. I arose this morning by that transparent light which is the effect of the moon before dawn, and saw Dr.

Middleton pa.s.sing at full gallop towards the white house; I followed--alas! my old friend was dead! What a void in the world for me! I was silent; many tears fell from my eyes, accustomed to sorrow.

It was impossible for me to work; my heart, restless, moved from point to point all round the compa.s.s of my life. Ah, Lucy! what have I felt to-day! how can I bear the loss of our truest friend? This has been a sad day, most truly; I have spent it thinking, thinking, learning, weighing my thoughts, and quite sick of life. I wished I had been as quiet as my venerable friend, as she lay for the last time in her room."

As I turn over the pages of this volume[29] from which only a few extracts have been taken, well do I understand the mental suffering of which it tells so constantly. Poverty for himself, Audubon did not mind, but for those he loved it was a great and bitter trial to him.

His keenly sensitive nature was wounded on every hand; no one but his wife, from whom he was now absent, had any faith in him or his genius.

He never became indifferent, as most of us do, to the coldness of those who had in earlier days sought him, not for what he _was_, but for what he _had_. Chivalrous, generous, and courteous to his heart's core, he could not believe others less so, till painful experiences taught him; then he was grieved, hurt, but never imbittered; and more marvellous yet, with his faith in his fellows as strong as ever, again and again he subjected himself to the same treatment. This was not stupidity, nor dulness of perception; it was that always, even to the end, Audubon kept the freshness of childhood; he was one of those who had "the secret of youth;" he was "old in years only, his heart was young. The earth was fair; plants still bloomed, and birds still sang for him."[30] It has been hard for me to keep from copying much from this journal, but I have felt it too sacred. Some would see in it the very heart of the man who wrote it, but to others--and the greater number--it would be, as I have decided to leave it, a sealed book.

Early in March, 1824, Audubon left Shippingport for Philadelphia, Victor remaining in the counting-house of Mr. Berthoud. He had some money, with which he decided to take lessons in painting either from Rembrandt Peale or Thomas Sully. He much preferred the latter both as artist and friend, and he remained in Philadelphia from April until August of the same year. This visit was marked by his introduction to Charles Lucien Bonaparte[31] and Edward Harris, both of whom became life-long friends, especially Mr. Harris, with whom he corresponded frequently when they were separated, and with whom he made many journeys, the most prolonged and important being that to the Yellowstone in 1843. To copy again: "April 10, 1824. I was introduced to the son of Lucien Bonaparte, nephew of Napoleon, a great ornithologist, I was told. He remained two hours, went out, and returned with two Italian gentlemen, and their comments made me very contented." That evening he was taken to the Philosophical Academy[32]

where the drawings were greatly admired, and their author says: "_I_ do not think much of them except when in the very act of drawing them." At this meeting Mr. George Ord met Audubon and objected strongly to the birds and plants being drawn together, "but spoke well of them otherwise." Mr. Ord was one of those (of the very few, I might say) who disliked the naturalist from first to last,[33] who was perhaps, his bitterest enemy. In later years Dr. John Bachman resented his conduct, and wrote a very trenchant reply[34] to one of Mr. Ord's published articles about Audubon; but there is no word of anger anywhere in the letters or journals, only of regret or pain.[35]

Of Mr. Harris we find this: "July 12, 1824. I drew for Mr. Fairman a small grouse to be put on a bank-note belonging to the State of New-Jersey; this procured me the acquaintance of a young man named Edward Harris of Moorestown, an ornithologist, who told me he had seen some English Snipes[36] within a few days, and that they bred in the marshes about him." And also: "July 19th. Young Harris, G.o.d bless him, looked at the drawings I had for sale, and said he would take them _all_, at my prices. I would have kissed him, but that it is not the custom in this icy city."

Other friends were made here, almost as valuable as Mr. Harris, though not as well _loved_, for these two were truly congenial souls, who never wearied of each other, and between whom there was never a shadow of difference. Thomas Sully, the artist, Dr. Richard Harlan,[37]

Reuben Haines, Le Sueur,[38] Dr. Mease, and many another honored name might be given.

In August Philadelphia was quitted, and another period of travel in search of birds was begun. Of this next year, 1825, no record whatever can be found besides the episodes of "Niagara" and "Meadville," and two detached pages of journal. Audubon went to New York, up the Hudson, along the Great Lakes, then to Pittsburg, and finally to Bayou Sara, where, having decided to go to England, he made up his mind to resume at once his cla.s.ses in drawing, music, and dancing, to make money for the European journey, for which he never ceased to acc.u.mulate pictures of his beloved birds. Reaching Bayou Sara in December, 1825, this work at once began by giving lessons in dancing to the young ladies under my grandmother's care; and Judge Randolph, a near neighbor, had his sons take lessons in fencing. In these branches Audubon was so successful that the residents of the village of Woodville, fifteen miles distant, engaged him for Friday and Sat.u.r.day of each week, and here he had over sixty pupils. From the account of this cla.s.s I take the following: "I marched to the hall with my violin under my arm, bowed to the company a.s.sembled, tuned my violin; played a cotillon, and began my lesson by placing the gentlemen in a line.

Oh! patience support me! how I labored before I could promote the first appearance of elegance or ease of motion; in doing this I first broke my bow, and then my violin; I then took the ladies and made them take steps, as I sang in time to accompany their movements."

These lessons continued three months, and were in every sense a success, Audubon realizing about $2000 from his winter's work. With this, and the greater part of the savings of his wife, which she had h.o.a.rded to forward this journey, so long the goal of their hopes, another farewell was taken, the many valued drawings packed up, and on April 26, 1826, the vessel with the naturalist and his precious freight left New Orleans for England.

The journals from this date, until May 1, 1829, are kept with the usual regularity, and fortunately have escaped the destruction which has befallen earlier volumes. They tell of one of the most interesting periods of Audubon's life, and are given beyond,--not entire, yet so fully that I pa.s.s on at once to the last date they contain, which marks Audubon's return to America, May 5, 1829.

His time abroad had seen the publication of the "Birds of America"[39]

successfully begun, had procured him subscribers enough to warrant his continuing the vast undertaking, and had given him many friends.

His object now was to make drawings of birds which he had not yet figured for the completion of his work, and then to take his wife, and possibly his sons with him to England. During these years Mrs. Audubon was latterly alone, as John had taken a position with Victor and was in Louisville. Victor, meantime, had worked steadily and faithfully, and had earned for himself a position and a salary far beyond that of most young men of his age. Both parents relied on him to an extent that is proof in itself of his unusual ability; these words in a letter from his father, dated London, Dec. 23, 1828, "Victor's letters to me are highly interesting, full of candor, sentiment, and sound judgment, and I am very proud of him," are certainly testimony worth having. As the years went on both sons a.s.sisted their father in every way, and to an extent that the world has never recognized.

Great as was Audubon's wish to proceed without delay to Louisiana, he felt it due to his subscribers to get to work at once, and wrote to his wife under date of New York, May 10, 1829: "I have landed here from on board the packet ship Columbia after an agreeable pa.s.sage of thirty-five days from Portsmouth. I have come to America to remain as long as consistent with the safety of the continuation of my publication in London without my personal presence. According to future circ.u.mstances I shall return to England on the 1st of October next, or, if possible, not until April, 1830. I wish to employ and devote every moment of my sojourn in America to drawing such birds and plants as I think necessary to enable me to give my publication throughout the degree of perfection that I am told exists in that portion already published. I have left my business going on quite well; my engraver[40] has in his hands all the drawings wanted to complete this present year, and those necessary to form the first number of next year. I have finished the two first years of publication, the two most difficult years to be encountered." To Victor he writes from Camden, N.J., July 10, 1829: "I shall this year have issued ten numbers, each containing five plates, making in all fifty.[41] I cannot publish more than five numbers annually, because it would make too heavy an expense to my subscribers, and indeed require more workmen than I could find in London. The work when finished will contain eighty numbers,[42] therefore I have seventy to issue, which will take fourteen years more. It is a long time to look forward to, but it cannot be helped. I think I am doing well; I have now one hundred and forty-four subscribers."

All this summer and early fall, until October 10th, Audubon spent in the neighborhood of New Jersey and Pennsylvania, working as few can work, four hours continuing to be his allowance for sleep. Six weeks in September and October were spent in the Great Pine Swamp, or Forest,[43] as he called it, his permanent lodgings being at Camden, N.J. Here he writes, October 11, 1829: "I am at work and have done much, but I wish I had eight pairs of hands, and another body to shoot the specimens; still I am delighted at what I have acc.u.mulated in drawings this season. Forty-two drawings in four months, eleven large, eleven middle size, and twenty-two small, comprising ninety-five birds, from Eagles downwards, with plants, nests, flowers, and sixty different kinds of eggs. I live alone, see scarcely any one, besides those belonging to the house where I lodge. I rise long before day and work till nightfall, when I take a walk, and to bed.