Audrey had made a faint protest against Wyndham's realistic presentation of Flaxman Reed. In doing so she was not guided by any insight into the character of that divine, or by any sympathy with his aims. Indeed she could not have understood him if she had tried. Her thoughts had never travelled along that avenue of time down which Wyndham had tracked his pathetic figure to the thirteenth century. She merely wanted to avoid a slavish acquiescence in Wyndham's view, to guard a characteristic intellectual att.i.tude. Intellect has its responsibilities, and she was anxious to show herself impartial. In all this Flaxman Reed counted for nothing. It was intolerable to her that Wyndham should have cla.s.sed her even for a moment with those weak emotional creatures who submitted to his influence. Why, he might just as well have said that she was influenced by Ted Haviland; the fact being that no engaged woman ever preserved her independence more completely than she had done. Had devotion to Ted interfered with her appreciation of Wyndham? Then she reflected that Wyndham did not know about her engagement any more than other people.

So when Mr. Flaxman Reed called, as he did on Monday afternoon, Audrey met him with a mind secure against any malignant charm. His most innocent remarks excited her suspicion.

"I'm glad you've found your way to St. Teresa's. We don't often get such a strong contingent from the other side." By "the other side" Mr. Reed meant Middles.e.x, but to Audrey the phrase was insidiously controversial.

She determined to take her stand once and for all.

"I'm afraid my heterodoxy is incorrigible. So I should say is Mr.

Langley Wyndham's."

The vicar raised his eyebrows in mild surprise. "I don't know why _he_ came--unless it was for old acquaintance' sake."

"Ah! you knew him, didn't you? Do tell me about him. He's public property, you know."

"I daresay, but I have no right to discuss him. We hardly ever meet now; if we did we shouldn't agree. We are enigmas to each other."

"Yes," she said meditatively, and with a faint reproduction of Wyndham's manner, "I should say you would be. He belongs so essentially to the present, don't you think?"

Flaxman Reed flushed painfully. "And I to the past--is that what you mean?"

"Yes, I think I do."

"You may be right. I suppose he is very modern--a decadent who would rather die with his day than live an hour behind it--who can't see that the future may have more kindred with the past than with the present.

Mind you, I'm not talking of him, but of his school."

"Then you read him? Of course--everybody reads him."

"I've not much time for any reading that lies outside my work. But I read his first book when it came out. Is it from him you get what you call your heterodoxy?"

"No. You have to think these things out for yourself."

Audrey was led into making this statement simply by the desire to please. That eternally feminine instinct told her that at the moment she would be most interesting to Flaxman Reed in the character of a forlorn sceptic. His face sharpened with a sudden distrust.

"What, have _you_ got the malady of the century--the disease of thought?

Surely this is something new?"

"It is. One can't go on for ever in the old grooves. One must think."

"Yes; that curse is laid upon us for our sins."

Audrey smiled a bitter smile, as much as to say that she must have committed some awful crime to be so tormented with intellect as she was.

"I suppose," he continued guilelessly, "every earnest mind must go through this sooner or later."

"Yes, but I've come out on what you call the other side. I can't go back, can I?"

"No; but you can go round."

Audrey shook her head sadly, feeling all the time how nice it was to be taken seriously.

"Why not? Why not compromise? What is life but compromise? What else is my own position as an Anglican priest? I daresay you know that my heart is not altogether with the Church I serve?" He checked himself; he had not meant to strike this personal note. And how could he explain the yearning of his heart for the great heart of the Mother-church? This would have been possible last year at Oxford, but not now. "I tell you this because I feel that it might perhaps help you."

"No; I know what you will say next. You will tell me to stop thinking because it hurts me."

"I won't. You will go on thinking in spite of me. But your intellect will be feeding on itself. You will get no farther. Thought can never be satisfied with thought."

Flaxman Reed was only a simple pure-minded priest, but Wyndham himself could not have chosen words more subtly calculated to establish the "influence." To have two such champions battling for possession of her soul was exciting enough in all conscience, but she was inexpressibly flattered by that dramatic conception of herself as a restless intellect struggling with the storms of doubt. It would be hard to say how Flaxman Reed came to believe in any real pa.s.sion of thought behind Audrey's spiritual coquetry. His ministration to a living illusion was almost as touching as his devotion to a dead ideal. But Audrey herself was too completely the thrall of the illusion to feel compunction.

There was no voice to warn him that his enthusiasm was the prey of the eternal vanity. He leaned back in his meditative hieratic att.i.tude, his elbows resting on the arm of his chair, his thin hands joined at the finger-tips, wondering what he should say to help her. After all, Audrey had stated her case a little vaguely--there was a reticence as to details. These, however, he easily supplied from his own experience, supposing hers to have been more or less like it. He said he wished he had known of this before, that he had spoken sooner, wincing perceptibly as Audrey pointed out the inexpediency of discussing eternal things on so temporal an occasion as her dinner-party. He did not mean that. His time now was short; he had a stupid parish meeting at five o'clock. He went rapidly over the ground, past immemorial stumbling-stones of thought, refuting current theories, suggesting lines of reading; in his excitement he even recommended some slight study of Patristics. There was nothing like getting to the sources--Polycarp and Irenaeus were important; or he could lend her Lightfoot. But he did not want to overwhelm her with dogmas--mere matter for the intellect--he would prefer her to accept some truths provisionally and see how they worked out. After all, the working out was everything. He wanted her to see that it was a question of will. In the crisis of his own life he had helped himself most by helping others--practically, he meant--seeing after his poor people, and so on. Didn't she think it might be the same with her?

Audrey looked grave. It was good to be taken seriously, but this was going a little too far.

Didn't she think she could "do something? Other ladies----"

Flaxman Reed was doing well, very well indeed, but he had spoiled it all by that hopelessly inartistic touch. Any man of the world could have told him that to mention "other ladies" to Audrey--to take her out of the circle of supreme intelligences in which he had placed her ten minutes ago, and to confuse her with the rank and file of parochial underlings and hangers-on--was death to the "influence." It was an insult to her glorious womanhood. Some people might even have objected that such cra.s.s ignorance of the world he renounced detracted from the merit of the renunciation. Her voice was very cold and distant as she answered him. "What do you suppose I could do? If you mean slumming, I've never been down a slum in my life." No, he didn't mean slumming exactly. To tell the truth, he could not fancy Audrey mingling with the brutal side of life. He would have shrunk from giving her work that he committed without a pang to his deaconesses and sisters.

"Do you mean mothers' meetings then, and that sort of thing? I _couldn't_."

No, he didn't mean mothers' meetings either. But he thought she might like to come sometimes to their social evenings.

"Social evenings"--that was worse than all. He had plunged in his nervousness to the lowermost bathos. Audrey saw that he looked puzzled and disheartened. She crossed over to her writing-desk, wrote out a cheque for five pounds, and gave it to him with the prettiest action in the world. "I want you to take that for your poor people. I wish I could help in some other way, but I can't. I am so sorry." The apology was sweetness itself, but she had the air of having settled her account with humanity--and him. He thanked her gravely and took his leave, reminding her that whenever she needed his help, it would still be there. She remained musing some time after he had gone.

He little guessed how nearly he had won the victory. Perhaps he would have scorned any advantage gained by an appeal to her s.e.x, though he had conceded much to it--more than he well knew.

CHAPTER XIII

August was a miserable month for Katherine in the hot attic, hard at work on her own pictures, and too often finishing the various orders for black and white which Knowles had after all managed to put in Ted's way.

She could have stood the hard work if she had not been more than ever worried on Ted's account. With her feminine instinct sharpened by affection, she foresaw trouble at hand--complications which it would never have entered into the boy's head to consider. For reasons of her own Audrey was still keeping her engagement a secret. She was less regular, too, in making appointments, fixing days for Ted to go over and see her; and more often than not he missed her if he happened to call at Chelsea Gardens of his own accord. At the same time she came to Devon Street as often as, or oftener than, ever, and there her manner to Ted had all its old charm, with something added; it was more deeply, more seriously affectionate than before. And yet it was just in these tender pa.s.sages that Katherine detected the change of key. That tenderness was not remorse, as she might have supposed. It had nothing to do with the past, being purely an emotion of the pa.s.sing moment. Audrey was playing a new part. Her mind was swayed by a fresh current of ideas; it had suffered the invasion of a foreign personality. The evidence for this was purely psychological, but it all pointed one way. A sudden display of new interests, a startling phrase, a word hitherto unknown in Audrey's vocabulary, her way of handling a book, the alternate excitement and preoccupation of her manner, they were all unmistakable.

Katherine had noticed the same signs in the days of Audrey's first absorption in Ted. She had caught his tricks, his idioms, his way of thinking. She had even begun to see, like Ted, the humour of things, and to make reckless speeches, not quite like Ted, that shocked cousin Bella's sense of propriety. Katherine had smiled at her innocent plagiarism, and wondered at the transforming power of love. And now--Audrey was actually undergoing another metempsychosis. Under whose influence? Here again Katherine's instinct was correct. It was Wyndham's presence that in three weeks had brought about the change. Yes; in that impressive affection, in the pleading tremor of her voice, in her smiles and caresses, Audrey was acting a part before one invisible spectator.

She played as if Wyndham were standing by and looking on. Her love for Ted had been a reality; therefore it served as a standard to measure all emotions by--it made this new pa.s.sion of the imagination a thing of flesh and blood. No wonder that she would not announce her engagement.

At the best of times her fluent nature shrank from everything that was fixed and irrevocable--above all from the act of will that trammelled her wandering fancy, the finality that limited her outlook upon life.

And now it was impossible. The three weeks in which she had known Wyndham had shown her that, compared with that complex character, that finished intellect, Ted was indeed little better than a baby. Not that she could have done without Ted--far from it. As yet Wyndham was still the unknown, shadowy, far-off, and unapproachable. The touch of Ted's hand seemed to make him living, to bring him nearer to her. Ted still stood between her and the void where there is no more revelation, no hope, no love--and Hardy would be in London in another week.

Katherine had not guessed all the truth, any more than Audrey had herself; but she had guessed enough to make her extremely anxious.

Audrey was not the wife she could have wished for Ted: she disapproved of his marriage with her as a certain hindrance to his career; but, above all, she dreaded for him the agony of disappointment which must follow if Audrey gave him up. She had no very clear idea of what it would mean to him; but judging his nature by what she had seen of it, she feared some shock either to his moral system or to his artistic powers. She longed to speak to him about it; but Ted and she were not accustomed to handling their emotions, and of late they had avoided all personal questions not susceptible of humorous treatment. After this persistent choosing of the shallows, she shrank from a sudden plunge into the depths. She felt strongly, and with her strong feeling was a bar to utterance.

At last an incident occurred which laid the subject open to frivolous discussion.

Katherine was painting one afternoon, and Ted was leaning out of the window, which looked south-west to Chelsea, his thoughts travelling in a bee-line towards the little brown house. Suddenly he drew his head in with an exclamation.

"Uncle James, by Jove! He'll be upon us in another minute. I'm off!" And he made a rush for his bedroom.

Katherine had only time to wipe the paint from her brush, to throw a tablecloth over the Apollo and a mackintosh over the divine shoulders of the Venus--Mr. Pigott was a purist in art, and Katherine respected his prejudices--when her uncle arrived, panting and inarticulate.

"Well, uncle, this is a surprise! How are you?"