There was another Hercules in Paris, who with his teeth lifted and held a heavy cask of water on which was seated a man and varying weights, according to the size of his audience, at the same time keeping his hands occupied with other weights. Figure 185 represents a well-known modern exhibitionist lifting with his teeth a cask on which are seated four men. The celebrated Mlle. Gauthier, an actress of the Comedie-Francais, had marvelous power of her hands, bending coins, rolling up silver plate, and performing divers other feats. Major Barsaba had enormous powers of hand and fingers. He could roll a silver plate into the shape of a goblet. Being challenged by a Gascon, he seized the hand of his unsuspecting adversary in the ordinary manner of salutation and crushed all the bones of the fingers, thus rendering unnecessary any further trial of strength.

It is said that Marshal Saxe once visited a blacksmith ostensibly to have his horse shod, and seeing no shoe ready he took a bar of iron, and with his hands fashioned it into a horseshoe. There are j.a.panese dentists who extract teeth with their wonderfully developed fingers.

There are stories of a man living in the village of Cantal who received the sobriquet of "La Coupia" (The Brutal). He would exercise his function as a butcher by strangling with his fingers the calves and sheep, instead of killing them in the ordinary manner. It is said that one day, by placing his hands on the shoulders of the strong man of a local fair, he made him faint by the pressure exerted by his fingers.

Manual strangulation is a well-known crime and is quite popular in some countries. The Thugs of India sometimes murdered their victims in this way. Often such force is exerted by the murderer's fingers as to completely fracture the cricoid cartilage.

In viewing the feats of strength of the exhibitionist we must bear in consideration the numerous frauds perpetrated. A man of extraordinary strength sometimes finds peculiar stone, so stratified that he is able to break it with the force he can exert by a blow from the hand alone, although a man of ordinary strength would try in vain. In most of these instances, if one were to take a piece of the exhibitionist's stone, he would find that a slight tap of the hammer would break it. Again, there are many instances in which the stone has been found already separated and fixed quite firmly together, placing it out of the power of an ordinary man to break, but which the exhibitionist finds within his ability. This has been the solution of the feats of many of the individuals who invite persons to send them marked stones to use at their performances. By skilfully arranging stout twine on the hands, it is surprising how easily it is broken, and there are many devices and tricks to deceive the public, all of which are more or less used by "strong men."

The recent officially recorded feats of strength that stand unequaled in the last decade are as follows:--

Weight-lifting.--Hands alone 1571 1/4 pounds, done by C. G. Jefferson, an amateur, at Clinton, Ma.s.s December 10, 1890; with harness, 3239 pounds, by W B. Curtis, at New York December 20 1868; Louis Cyr, at Berthierville, Can., October 1, 1888, pushed up 3536 pounds of pig-iron with his back, arms, and legs.

Dumb-bells.--H. Pennock, in New York, 1870, put up a 10-pound dumb-bell 8431 times in four hours thirty-four minutes; by using both hands to raise it to the shoulder, and then using one hand alone, R. A. Pennell, in New York, January 31, 1874, managed to put up a bell weighing 201 pounds 5 ounces; and Eugene Sandow, at London, February 11, 1891, surpa.s.sed this feat with a 250-pound bell.

Throwing 16-pound hammer.--J. S. Mitch.e.l.l, at Travers Island, N. Y., October 8, 1892, made a record-throw of 145 feet 3/4 inch.

Putting 16-pound Shot.--George R. Gray, at Chicago, September 16, 1893, made the record of 47 feet.

Throwing 50-pound Weight.--J. S. Mitch.e.l.l, at New York, September 22, 1894, made the distance record of 35 feet 10 inches; and at Chicago, September 16, 1893, made the height record of 15 feet 4 1/2 inches.

The cla.s.s of people commonly known as contortionists by the laxity of their muscles and ligaments are able to dislocate or preternaturally bend their joints. In entertainments of an arena type and even in what are now called "variety performances" are to be seen individuals of this cla.s.s. These persons can completely straddle two chairs, and do what they call "the split;" they can place their foot about their neck while maintaining the upright position; they can bend almost double at the waist in such a manner that the back of the head will touch the calves, while the legs are perpendicular with the ground; they can bring the popliteal region over their shoulders and in this position walk on their hands; they can put themselves in a narrow barrel; eat with a fork attached to a heel while standing on their hands, and perform divers other remarkable and almost incredible feats. Their performances are genuine, and they are real physiologic curiosities.

Plate 6 represents two well-known contortionists in their favorite feats.

Wentworth, the oldest living contortionist, is about seventy years of age, but seems to have lost none of his earlier sinuosity. His chief feat is to stow himself away in a box 23 X 29 X 16 inches. When inside, six dozen wooden bottles of the same size and shape as those which ordinarily contain English soda water are carefully stowed away, packed in with him, and the lid slammed down. He bestows upon this act the curious and suggestive name of "Packanatomicalization."

Another cla.s.s of individuals are those who can either partially or completely dislocate the major articulations of the body. Many persons exhibit this capacity in their fingers. Persons vulgarly called "double jointed" are quite common.

Charles Warren, an American contortionist, has been examined by several medical men of prominence and descriptions of him have appeared from time to time in prominent medical journals. When he was but a child he was constantly tumbling down, due to the heads of the femurs slipping from the acetabula, but reduction was always easy. When eight years old he joined a company of acrobats and strolling performers, and was called by the euphonious t.i.tle of "the Yankee dish-rag." His muscular system was well-developed, and, like Sandow, he could make muscles act in concert or separately.

He could throw into energetic single action the biceps, the supinator longus, the radial extensors, the platysma myoides, and many other muscles. When he "strings," as he called it, the sartorius, that ribbon muscle shows itself as a tight cord, extending from the front of the iliac spine to the inner side of the knee. Another trick was to leave flaccid that part of the serratus magnus which is attached to the inferior angle of the scapula whilst he roused energetic contraction in the rhomboids. He could displace his muscles so that the lower angles of the scapulae projected and presented the appearance historically attributed to luxation of the scapula.

Warren was well informed on surgical landmarks and had evidently been a close student of Sir Astley Cooper's cla.s.sical ill.u.s.trations of dislocations. He was able so to contract his abdominal muscles that the aorta could be distinctly felt with the fingers. In this feat nearly all the abdominal contents were crowded beneath the diaphragm. On the other hand, he could produce a phantom abdominal tumor by driving the coils of the intestine within a peculiar grasp of the rectus and oblique muscles. The "growth" was rounded, dull on percussion, and looked as if an exploratory incision or puncture would be advisable for diagnosis.

By extraordinary muscular power and extreme laxity of his ligaments, he simulated all the dislocations about the hip joint. Sometimes he produced actual dislocation, but usually he said he could so distort his muscles as to imitate in the closest degree the dislocations. He could imitate the various forms of talipes, in such a way as to deceive an expert. He dislocated nearly every joint in the body with great facility. It was said that he could contract at will both pillars of the fauces. He could contract his chest to 34 inches and expand it to 41 inches.

Warren weighed 150 pounds, was a total abstainer, and was the father of two children, both of whom could readily dislocate their hips.

In France in 1886 there was shown a man who was called "l'homme protee," or protean man. He had an exceptional power over his muscles.

Even those muscles ordinarily involuntary he could exercise at will. He could produce such rigidity of stature that a blow by a hammer on his body fell as though on a block of stone. By his power over his abdominal muscles he could give himself different shapes, from the portly alderman to the lean and haggard student, and he was even accredited with a.s.suming the shape of a "living skeleton." Quatref.a.ges, the celebrated French scientist, examined him, and said that he could shut off the blood from the right side and then from the left side of the body, which feat he ascribed to unilateral muscular action.

In 1893 there appeared in Washington, giving exhibitions at the colleges there and at the Emergency Hospital, a man named Fitzgerald, claiming to reside in Harrisburg, Pa., who made his living by exhibiting at medical colleges over the country. He simulated all the dislocations, claiming that they were complete, using manual force to produce and reduce them. He exhibited a thorough knowledge of the pathology of dislocations and of the anatomy of the articulations. He produced the different forms of talipes, as well as all the major hip-dislocations. When interrogated as to the cause of his enormous saphenous veins, which stood out like huge twisted cords under the skin and were a.s.sociated with venous varicosity on the leg, he said he presumed they were caused by his constantly compressing the saphenous vein at the hip in giving his exhibitions, which in some large cities were repeated several times a day.

Endurance of Pain.--The question of the endurance of pain is, necessarily, one of comparison. There is little doubt that in the lower cla.s.ses the sensation of pain is felt in a much less degree than in those of a highly intellectual and nervous temperament. If we eliminate the element of fear, which always predominates in the lower cla.s.ses, the result of general hospital observation will show this distinction. There are many circ.u.mstances which have a marked influence on pain. Patriotism, enthusiasm, and general excitement, together with pride and natural obstinacy, prove the power of the mind over the body.

The tortures endured by prisoners of war, religious martyrs and victims, exemplify the power of a strong will excited by deep emotion over the sensation of pain. The flagellants, persons who expiated their sins by voluntarily flaying themselves to the point of exhaustion, are modern examples of persons who in religious enthusiasm inflict pain on themselves. In the ancient times in India the frenzied zealots struggled for positions from which they could throw themselves under the car of the Juggernaut, and their intense emotions turned the pains of their wounds into a pleasure. According to the reports of her Majesty's surgeons, there are at the present time in India native Brahmins who hang themselves on sharp hooks placed in the flesh between the scapulae, and remain in this position without the least visible show of pain. In a similar manner they pierce the lips and cheeks with long pins and bore the tongue with a hot iron. From a reliable source the authors have an account of a man in Northern India who as a means of self-inflicted penance held his arm aloft for the greater part of each day, bending the fingers tightly on the palms. After a considerable time the nails had grown or been forced through the palms of the hands, making their exit on the dorsal surfaces. There are many savage rites and ceremonies calling for the severe infliction of pain on the partic.i.p.ants which have been described from time to time by travelers. The Aztecs willingly sacrificed even their lives in the worship of their Sun-G.o.d.

By means of singing and dancing the Aissaoui, in the Algerian town of Constantine, throw themselves into an ecstatic state in which their bodies seem to be insensible even to severe wounds. h.e.l.lwald says they run sharp-pointed irons into their heads, eyes, necks, and b.r.e.a.s.t.s without apparent pain or injury to themselves. Some observers claim they are rendered insensible to pain by self-induced hypnotism.

An account by Carpenter of the Algerian Aissaoui contained the following lucid description of the performances of these people:--

"The center of the court was given up to the Aissaoui. These were 12 hollow-checked men, some old and some young, who sat cross-legged in an irregular semicircle on the floor. Six of them had immense flat drums or tambours, which they presently began to beat noisily. In front of them a charcoal fire burned in a brazier, and into it one of them from time to time threw bits of some sort of incense, which gradually filled the place with a thin smoke and a mildly pungent odor.

"For a long time--it seemed a long time--this went on with nothing to break the silence but the rhythmical beat of the drums. Gradually, however, this had become quicker, and now grew wild and almost deafening, and the men began a monotonous chant which soon was increased to shouting. Suddenly one of the men threw himself with a howl to the ground, when he was seized by another, who stripped him of part of his garments and led him in front of the fire. Here, while the pounding of the drums and the shouts of the men became more and more frantic, he stood swaying his body backward and forward, almost touching the ground in his fearful contortions, and wagging his head until it seemed as if he must dislocate it from his shoulders. All at once he drew from the fire a red-hot bar of iron, and with a yell of horror, which sent a shiver down one's back, held it up before his eyes. More violently than ever he swayed his body and wagged his head, until he had worked himself up to a climax of excitement, when he pa.s.sed the glowing iron several times over the palm of each hand and then licked it repeatedly with his tongue. He next took a burning coal from the fire, and, placing it between his teeth, fanned it by his breath into a white heat. He ended his part of the performance by treading on red-hot coals scattered on the floor after which he resumed his place with the rest. Then the next performer with a yell as before, suddenly sprang to his feet and began again the same frantic contortions, in the midst of which he s.n.a.t.c.hed from the fire an iron rod with a ball on one end, and after winding one of his eyelids around it until the eyeball was completely exposed, he thrust its point in behind the eye, which was forced far out on his cheek. It was held there for a moment when it was withdrawn, the eye released, and then rubbed vigorously a few times with the balled end of the rod.

"The drums all the time had been beaten l.u.s.tily, and the men had kept up their chant, which still went unceasingly on. Again a man sprang to his feet and went through the same horrid motions. This time the performer took from the fire a sharp nail and, with a piece of the sandy limestone common to this region, proceeded with a series of blood-curdling howls to hammer it down into the top of his head, where it presently stuck upright, while he tottered dizzily around until it was pulled out with apparent effort and with a hollow snap by one of the other men.

"The performance had now fairly begun, and, with short intervals and always in the same manner, the frenzied contortions first, another ate up a gla.s.s lamp-chimney, which he first broke in pieces in his hands and then crunched loudly with his teeth. He then produced from a tin box a live scorpion, which ran across the floor with tail erect, and was then allowed to attach itself to the back of his hand and his face, and was finally taken into his mouth, where it hung suspended from the inside of his cheek and was finally chewed and swallowed. A sword was next produced, and after the usual preliminaries it was drawn by the same man who had just given the scorpion such unusual opportunities several times back and forth across his throat and neck, apparently deeply imbedded in the flesh. Not content with this, he bared his body at his waist, and while one man held the sword, edge upward, by the hilt and another by the point, about which a turban had been wrapped, he first stood upon it with his bare feet and then balanced himself across it on his naked stomach, while still another of the performers stood upon his back, whither he had sprung without any attempt to mollify the violence of the action. With more yells and genuflections, another now drew from the fire several iron skewers, some of which he thrust into the inner side of his cheeks and others into his throat at the larynx, where they were left for a while to hang.

"The last of the actors in this singular entertainment was a stout man with a careworn face, who apparently regarded his share as a melancholy duty which he was bound to perform, and the last part of it, I have no doubt, was particularly painful. He first took a handful of hay, and, having bared the whole upper part of his body, lighted the wisp at the brazier and then pa.s.sed the blazing ma.s.s across his chest and body and over his arms and face. This was but a preliminary, and presently he began to sway backward and forward until one grew dazed with watching him. The drums grew noisier and noisier and the chant louder and wilder. The man himself had become maudlin, his tongue hung from his mouth, and now and then he e.j.a.c.u.l.a.t.ed a sound like the inarticulate cry of an animal. He could only totter to the fire, out of which he s.n.a.t.c.hed the balled instrument already described, which he thereupon thrust with a vicious stab into the pit of his stomach, where it was left to hang. A moment after he pulled it out again, and, picking up the piece of stone used before, he drove it with a series of resounding blows into a new place, where it hung, drawing the skin downward with its weight, until a companion pulled it out and the man fell in a heap on the floor."

To-day it is only through the intervention of the United States troops that some of the barbarous ceremonies of the North American Indians are suppressed. The episode of the "Ghost-dance" is fresh in every mind.

Instances of self-mutilation, although ill.u.s.trating this subject, will be discussed at length in Chapter XIV.

Malingerers often endure without flinching the most arduous tests.

Supraorbital pressure is generally of little avail, and pinching, p.r.i.c.king, and even incision are useless with these hospital impostors.

It is reported that in the City Hospital of St. Louis a negro submitted to the ammonia-test, inhaling this vapor for several hours without showing any signs of sensibility, and made his escape the moment his guard was absent. A contemporary journal says:--

"The obstinacy of resolute impostors seems, indeed, capable of emulating the torture-proof perseverance of religious enthusiasts and such martyrs of patriotism as Mueius Scaevola or Grand Master Ruediger of the Teutonic Knights, who refused to reveal the hiding place of his companion even when his captors belabored him with red-hot irons.

"One Basil Rohatzek, suspected of fraudulent enlistment (bounty-jumping, as our volunteers called it), pretended to have been thrown by his horse and to have been permanently disabled by a paralysis of the lower extremities. He dragged himself along in a pitiful manner, and his knees looked somewhat bruised, but he was known to have boasted his ability to procure his discharge somehow or other.

One of his tent mates had also seen him fling himself violently and repeatedly on his knees (to procure those questionable bruises), and on the whole there seemed little doubt that the fellow was shamming. All the surgeons who had examined him concurred in that view, and the case was finally referred to his commanding officer, General Colloredo. The impostor was carried to a field hospital in a little Bohemian border town and watched for a couple of weeks, during which he had been twice seen moving his feet in his sleep. Still, the witnesses were not prepared to swear that those changes of position might not have been effected by a movement of the whole body. The suspect stuck to his a.s.sertion, and Colloredo, in a fit of irritation, finally summoned a surgeon, who actually placed the feet of the professed paralytic in "aqua fortis," but even this rigorous method availed the cruel surgeon nothing, and he was compelled to advise dismissal from the service.

"The martyrdom of Rohatzek, however, was a mere trifle compared with the ordeal by which the tribunal of Paris tried in vain to extort a confession of the would-be regicide, Damiens. Robert Damiens, a native of Arras, had been exiled as an habitual criminal, and returning in disguise made an attempt upon the life of Louis XV, January 5, 1757.

His dagger pierced the mantle of the King, but merely grazed his neck.

Damiens, who had stumbled, was instantly seized and dragged to prison, where a convocation of expert torturers exhausted their ingenuity in the attempt to extort a confession implicating the Jesuits, a conspiracy of Huguenots, etc. But Damiens refused to speak. He could have pleaded his inability to name accomplices who did not exist, but he stuck to his resolution of absolute silence. They singed off his skin by shreds, they wrenched out his teeth and finger-joints, they dragged him about at the end of a rope hitched to a team of stout horses, they sprinkled him from head to foot with acids and seething oil, but Damiens never uttered a sound till his dying groan announced the conclusion of the tragedy."

The apparent indifference to the pain of a major operation is sometimes marvelous, and there are many interesting instances on record. When at the battle of Dresden in 1813 Moreau, seated beside the Emperor Alexander, had both limbs shattered by a French cannon-ball, he did not utter a groan, but asked for a cigar and smoked leisurely while a surgeon amputated one of his members. In a short time his medical attendants expressed the danger and questionability of saving his other limb, and consulted him. In the calmest way the heroic General instructed them to amputate it, again remaining unmoved throughout the operation.

Crompton records a case in which during an amputation of the leg not a sound escaped from the patient's lips, and in three weeks, when it was found necessary to amputate the other leg, the patient endured the operation without an anesthetic, making no show of pain, and only remarking that he thought the saw did not cut well. Crompton quotes another case, in which the patient held a candle with one hand while the operator amputated his other arm at the shoulder-joint. Several instances of self-performed major operations are mentioned in Chapter XIV.

Supersensitiveness to Pain.--Quite opposite to the foregoing instances are those cases in which such influences as expectation, naturally inherited nervousness, and genuine supersensitiveness make the slightest pain almost unendurable. In many of these instances the state of the mind and occasionally the time of day have a marked influence.

Men noted for their sagacity and courage have been prostrated by fear of pain. Sir Robert Peel, a man of acknowledged superior physical and intellectual power, could not even bear the touch of Brodie's finger to his fractured clavicle. The authors know of an instance of a pugilist who had elicited admiration by his ability to stand punishment and his indomitable courage in his combats, but who fainted from the puncture of a small boil on his neck.

The relation of pain to shock has been noticed by many writers. Before the days of anesthesia, such cases as the following, reported by Sir Astley Cooper, seem to have been not unusual: A brewer's servant, a man of middle age and robust frame, suffered much agony for several days from a thecal abscess, occasioned by a splinter of wood beneath the thumb. A few seconds after the matter was discharged by an incision, the man raised himself by a convulsive effort from his bed and instantly expired.

It is a well-known fact that powerful nerve-irritation, such as produces shock, is painless, and this accounts for the fact that wounds received during battle are not painful.

Leyden of Berlin showed to his cla.s.s at the Charite Hospital a number of hysteric women with a morbid desire for operation without an anesthetic. Such persons do not seem to experience pain, and, on the contrary, appear to have genuine pleasure in pain. In ill.u.s.tration, Leyden showed a young lady who during a hysteric paroxysm had suffered a serious fracture of the jaw, injuring the facial artery, and necessitating quite an extensive operation. The facial and carotid arteries had to be ligated and part of the inferior maxilla removed, but the patient insisted upon having the operations performed without an anesthetic, and afterward informed the operator that she had experienced great pleasure throughout the whole procedure.

Pain as a Means of s.e.xual Enjoyment.--There is a form of s.e.xual perversion in which the pervert takes delight in being subjected to degrading, humiliating, and cruel acts on the part of his or her a.s.sociate. It was named masochism from Sacher-Masoch, an Austrian novelist, whose works describe this form of perversion. The victims are said to experience peculiar pleasure at the sight of a rival who has obtained the favor of their mistress, and will even receive blows and lashes from the rival with a voluptuous mixture of pain and pleasure. Masochism corresponds to the pa.s.sivism of Stefanowski, and is the opposite of sadism, in which the pleasure is derived from inflicting pain on the object of affection. Krafft-Ebing cites several instances of masochism.

Although the enjoyment and frenzy of flagellation are well known, its pleasures are not derived from the pain but by the undoubted stimulation offered to the s.e.xual centers by the castigation. The delight of the heroines of flagellation, Maria Magdalena of Pazzi and Elizabeth of Genton, in being whipped on the naked loins, and thus calling up sensual and lascivious fancies, clearly shows the significance of flagellation as a s.e.xual excitant. It is said that when Elizabeth of Genton was being whipped she believed herself united with her ideal and would cry out in the loudest tones of the joys of love.

There is undoubtedly a sympathetic communication between the ramifying nerves of the skin of the loins and the lower portion of the spinal cord which contains the s.e.xual centers. Recently, in cases of dysmenorrhea, amenorrhea dysmenorrhagia, and like s.e.xual disorders, ma.s.sage or gentle flagellation of the parts contiguous with the genitalia and pelvic viscera has been recommended. Taxil is the authority for the statement that just before the s.e.xual act rakes sometimes have themselves flagellated or p.r.i.c.ked until the blood flows in order to stimulate their diminished s.e.xual power. Rhodiginus, Bartholinus, and other older physicians mention individuals in whom severe castigation was a prerequisite of copulation. As a ritual custom flagellation is preserved to the present day by some sects.

Before leaving the subject of flagellation it should be stated that among the serious after-results of this practice as a disciplinary means, fatal emphysema, severe hemorrhage, and shock have been noticed.

There are many cases of death from corporal punishment by flogging.

Ballingal records the death of a soldier from flogging; Davidson has reported a similar case, and there is a death from the same cause cited in the Edinburgh Medical and Surgical Journal for 1846.

Idiosyncrasy is a peculiarity of const.i.tution whereby an individual is affected by external agents in a different manner from others. Begin defines idiosyncrasy as the predominance of an organ, of a viscus, or a system of organs. This definition does not entirely grasp the subject.