And now Anne discovered Gregory Dexter; and he was not the person she had selected. Mr. Dexter was a tall, broad-shouldered man, with an appearance of persistent vigor in his bearing, and a look of determination in his strong, squarely cut jaw and chin. His face was rather short, with good features and clear gray eyes, which met the gazer calmly; and there was about him that air of self-reliance which does not irritate in a large strong man, any more than imperiousness in a beautiful woman.

The person with brown eyes proved to be Mr. Heathcote. He seemed indolent, and contributed but few words to the general treasury of conversation.

Mr. Blum was present also; but on this occasion he wore the peculiarly new, shining, patent-leather boots dear to the hearts of his countrymen on festal occasions, and Miss Teller's anxieties were quiescent. Helen liked artists; she said that their ways were a "proud a.s.sertion that a ray of beauty outvalued all the mere utilities of the world."

"Are bad boots rays of beauty?" inquired Miss Margaretta.

"Yes. That is, a man whose soul is uplifted by art may not always remember his boots; to himself, no doubt, his feet seem winged."

"Very far from winged are Blum's feet," responded Miss Margaretta, shaking her head gravely. "Very, very far."

Late in the evening, when almost all the guests had departed, Helen seemed seized with a sudden determination to bring Anne into prominence. Mr. Dexter still lingered, and the artist. Also Ward Heathcote.

"Anne, will you sing now? First with me, then alone?" she said, going to the piano.

A bright flush rose in Anne's face; the prominent blue eyes of the German artist were fixed upon her; Gregory Dexter had turned toward her with his usual prompt attention. Even the indolent Heathcote looked up as Helen spoke. But having once decided to do a thing, Anne knew no way save to do it; having accepted Helen's generous kindness, she must now do what Helen asked in return. She rose in silence, and crossed the brightly lighted room on her way to the piano. Few women walk well; by well, is meant naturally. Helen was graceful; she had the lithe shape and long step which give a peculiar swaying grace, like that of elm branches. Yet Helen's walk belonged to the drawing-room, or at best the city pavement; one could not imagine her on a country road. Anne's gait was different. As she crossed the room alone, it drew upon her for the first time the full attention of the three gentlemen who were present.

Blum stared gravely. Dexter's eyes moved up to her face, as if he saw it now with new interest. Heathcote leaned back on the sofa with an amused expression, glancing from Anne to Helen, as if saying, "I understand."

Anne wore one of Helen's gifts, a soft silk of pale gray, in deference to her mourning garb; the dress was high over the shoulders, but cut down squarely in front and behind, according to a fashion of the day.

The sleeves came to the elbow only; the long skirt was severely plain.

They had taken off their gloves, and the girl's beautiful arms were conspicuous, as well as her round, full, white throat.

The American Venus is thin.

American girls are slight; they have visible collar-bones and elbows.

When they pa.s.s into the fullness of womanhood (if they pa.s.s at all), it is suddenly, leaving no time for the beautiful pure virginal outlines which made Anne Douglas an exception to her kind. Anne's walk was entirely natural, her poise natural; yet so perfect were her proportions that even Tante, artificial and French as she was, refrained from the suggestions and directions as to step and bearing which encircled the other pupils like an atmosphere.

The young girl's hair had been arranged by Helen's maid, under Helen's own direction, in a plain Greek knot, leaving the shape of the head, and the small ear, exposed; and as she stood by the piano, waiting, she looked (as Helen had intended her to look) like some young creature from an earlier world, startled and shy, yet too proud to run away.

They sang together; and in singing Anne recovered her self-possession.

Then Helen asked her to sing without accompaniment a little island ballad which was one of her favorites, and leading her to the centre of the room, left her there alone. Poor Anne! But, moved by the one desire of pleasing Helen, she clasped her hands in simple child-like fashion, and began to sing, her eyes raised slightly so as to look above the faces of her audience. It was an old-fashioned ballad or chanson, in the patois of the voyageurs, with a refrain in a minor key, and it told of the vanishing of a certain pet.i.te Marie, and the sorrowing of her mother--a common-place theme long drawn out, the constantly recurring refrain, at first monotonous, becoming after a while sweet to the ear, like the wash of small waves on a smooth beach. But it was the ending upon which Helen relied for her effect. Suddenly the lament of the long-winded mother ended, the time changed, and a verse followed picturing the rapture of the lovers as they fled away in their sharp-bowed boat, wing and wing, over the blue lake. Anne sang this as though inspired; she forgot her audience, and sang as she had always sung it on the island for Rast and the children. Her voice floated through the house, she shaded her eyes with her hand, and leaned forward, gazing, as though she saw the boat across the water, and then she smiled, as, with a long soft note, the song ended.

But the instant it was over, her timidity came back with double force, and she hastily sought refuge beside Helen, her voice gone, in her eyes a dangerous nearness to tears.

There was now an outburst of compliments from Blum; but Helen kindly met and parried them. Mr. Dexter began a few well-chosen sentences of praise; but in the midst of his fluent adjectives, Anne glanced up so beseechingly that he caught the mist in her eyes, and instantly ceased.

Nor was this all; he opened a discussion with Miss Teller, dragging in Heathcote also (against the latter's will), and thus secured for Anne the time to recover herself. She felt this quick kindness, and was grateful. She decided that she liked him; and she wondered whether Helen liked him also.

The next morning the fairy-time was over; she went back to school.

CHAPTER X.

"There are three sorts of egoists: those who live themselves and let others live; those who live themselves and don't let others live; and those who neither live themselves nor let others live."

"With thoughts and feelings very simple but very strong."--TOURGUeNIEFF.

The winter pa.s.sed. The new pupil studied with diligence, and insisted upon learning the beginnings of piano-playing so thoroughly that the resigned little German master with ear-rings woke up and began to ask her whether she could not go through a course of ten years or so, and become "a real blayer, not like American blayers, who vant all to learn de same biece, and blay him mit de loud pedal down." Sometimes Helen bore her away to spend a Sunday; but there were no more New-Year's Days, or occasions for the gray silk. When together at Miss Teller's, the two sat over the dressing-room fire at night, talking with that delightful mixture of confidence and sudden little bits of hypocrisy in which women delight, and which undress seems to beget. The bits of hypocrisy, however, were all Helen's.

She had long ago gathered from Anne her whole simple history; she was familiar with the Agency, the fort, Miss Lois, Pere Michaux, Dr.

Gaston, Rast, t.i.ta, and the boys, even old Antoine and his dogs, Rene and Lebeau. Anne, glad to have a listener, had poured out a flood of details from her lonely homesick heart, going back as far as her own lost mother, and her young step-mother Angelique. But it was not until one of these later midnight talks that the girl had spoken of her own betrothal. Helen was much surprised--the only surprise she had shown. "I should never have dreamed it, Crystal!" she exclaimed. "Never!" (Crystal was her name for Anne.)

"Why not?"

"Because you are so--young."

"But it often happens at my age. The fort ladies were married at eighteen and nineteen, and my own dear mother was only twenty."

"You adore this Rast, I suppose?"

"Yes, I like him."

"Nonsense! You mean that you adore him."

"Perhaps I do," said Anne, smiling. "I have noticed that our use of words is different."

"And how long have you adored him?"

"All my life."

The little sentence came forth gravely and sincerely. Helen surveyed the speaker with a quizzical expression in her narrow brown eyes. "No one 'adores' all one's life," she answered. Then, as Anne did not take up the challenge, she paused, and, after surveying her companion in silence for a moment, added, "There is no time fixed as yet for this marriage?"

"No; Rast has his position to make first. And I myself should be better pleased to have four or five years to give to the children before we are married. I am anxious to educate the boys."

"Bon!" said Helen. "All will yet end well, Virginie. My compliments to Paul. It is a pretty island pastoral, this little romance of yours; you have my good wishes."

The island pastoral was simple indeed compared with the net-work of fancies and manuvres disclosed by Helen. Her life seemed to be a drama.

Her personages were masked under fict.i.tious names; the Poet, the Haunted Man, the Knight-errant, the Chanting Tenor, and the Bishop, all figured in her recitals, to which Anne listened with intense interest.

Helen was a brilliant story-teller. She could give the salient points of a conversation, and these only. She colored everything, of course, according to her own fancy; but one could forgive her that for her skillful avoidance of dull details, whose stupid repet.i.tion, simply because they are true, is a habit with which many good people are afflicted.

The narrations, of course, were of love and lovers: it is always so in the midnight talks of women over the dying fire. Even the most secluded country girl will on such occasions unroll a list as long as Leporello's. The listener may know it is fict.i.tious, and the narrator may know that she knows it. But there seems to be a fascination in the telling and the hearing all the same.

Helen amused herself greatly over the deep interest Anne took in her stories; to do her justice, they were generally true, the conversations only being more dramatic than the reality had been. This was not Helen's fault; she performed her own part brilliantly, and even went over, on occasion, and helped on the other side. But the American man is not distinguished for conversational skill. This comes, not from dullness or lack of appreciation, but rather from overappreciation. Without the rock-like slow self-confidence of the Englishman, the Frenchman's never-failing wish to please, or the idealizing powers of the German, the American, with a quicker apprehension, does not appear so well in conversation as any one of these compeers. He takes in an idea so quickly that elaborate comment seems to him hardly worth while; and thus he only has a word or two where an Englishman has several well-intentioned sentences, a Frenchman an epigram, and a German a whole cloud of philosophical quotations and comments. But it is, more than all else, the enormous strength which ridicule as an influence possesses in America that makes him what he is; he shrinks from the slightest appearance of "fine talking," lest the ever-present harpies of mirth should swoop down and feed upon his vitals.

Helen's friends, therefore, might not always have recognized themselves in her sparkling narratives, as far as their words were concerned; but it is only justice to them to add that she was never obliged to embellish their actions. She related to Anne apart, during their music lessons, the latest events in a whisper, while Belzini gave two minutes to cream candy and rest; the stories became the fairy tales of the school-girl's quiet life. Through all, she found her interest more and more attracted by "the Bishop," who seemed, however, to be anything but an ecclesiastical personage.

Miss Vanhorn had been filled with profound astonishment and annoyance by Helen's note. She knew Helen, and she knew Miss Teller: what could they want of Anne? After due delay, she came in her carriage to find out.

Tante, comprehending her motive, sent Anne up stairs to attire herself in the second dress given by Helen--a plain black costume, simply but becomingly made, and employed the delay in talking to her visitor mellifluously on every conceivable subject save the desired one. She treated her to a dissertation on intaglii, to an argument or two on architecture, and was fervently asking her opinion of certain recently exhibited relics said to be by Benvenuto Cellini, when the door opened and Anne appeared.

The young girl greeted her grandaunt with the same mixture of timidity and hope which she had shown at their first interview. But Miss Vanhorn's face stiffened into rigidity as she surveyed her.

"She is impressed at last," thought the old Frenchwoman, folding her hands contentedly and leaning back in her chair, at rest (temporarily) from her labors.

But if impressed, Miss Vanhorn had no intention of betraying her impression for the amus.e.m.e.nt of her ancient enemy; she told Anne curtly to put on her bonnet, that she had come to take her for a drive. Once safely in the carriage, she extracted from her niece, who willingly answered, every detail of her acquaintance with Helen, and the holiday visit, bestowing with her own eyes, meanwhile, a close scrutiny upon the black dress, with whose texture and simplicity even her angry annoyance could find no fault.

"She wants to get something out of you, of course," she said, abruptly, when the story was told; "Helen Lorrington is a thoroughly selfish woman. I know her well. She introduced you, I suppose, as Miss Vanhorn's niece?"