Analytical Studies - Part 31
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Part 31

A woman whose life is of the head will strive to inspire her husband with indifference; the woman whose life is of the heart, with hatred; the pa.s.sionate woman, with disgust.

Lx.x.xIX.

A husband never loses anything by appearing to believe in the fidelity of his wife, by preserving an air of patience and by keeping silence.

Silence especially troubles a woman amazingly.

XC.

To show himself aware of the pa.s.sion of his wife is the mark of a fool; but to affect ignorance of all proves that a man has sense, and this is in fact the only att.i.tude to take. We are taught, moreover, that everybody in France is sensible.

XCI.

The rock most to be avoided is ridicule.--"At least, let us be affectionate in public," ought to be the maxim of a married establishment. For both the married couple to lose honor, esteem, consideration, respect and all that is worth living for in society, is to become a nonent.i.ty.

These axioms relate to the contest alone. As for the catastrophe, others will be needed for that.

We have called this crisis _Civil War_ for two reasons; never was a war more really intestine and at the same time so polite as this war.

But in what point and in what manner does this fatal war break out?

You do not believe that your wife will call out regiments and sound the trumpet, do you? She will, perhaps, have a commanding officer, but that is all. And this feeble army corps will be sufficient to destroy the peace of your establishment.

"You forbid me to see the people that I like!" is an exordium which has served for a manifesto in most homes. This phrase, with all the ideas that are concomitant, is oftenest employed by vain and artificial women.

The most usual manifesto is that which is proclaimed in the conjugal bed, the princ.i.p.al theatre of war. This subject will be treated in detail in the Meditation ent.i.tled: _Of Various Weapons_, in the paragraph, _Of Modesty in its Connection with Marriage_.

Certain women of a lymphatic temperament will pretend to have the spleen and will even feign death, if they can only gain thereby the benefit of a secret divorce.

But most of them owe their independence to the execution of a plan, whose effect upon the majority of husbands is unfailing and whose perfidies we will now reveal.

One of the greatest of human errors springs from the belief that our honor and our reputation are founded upon our actions, or result from the approbation which the general conscience bestows upon on conduct.

A man who lives in the world is born to be a slave to public opinion.

Now a private man in France has less opportunity of influencing the world than his wife, although he has ample occasion for ridiculing it.

Women possess to a marvelous degree the art of giving color by specious arguments to the recriminations in which they indulge. They never set up any defence, excepting when they are in the wrong, and in this proceeding they are pre-eminent, knowing how to oppose arguments by precedents, proofs by a.s.sertions, and thus they very often obtain victory in minor matters of detail. They see and know with admirable penetration, when one of them presents to another a weapon which she herself is forbidden to whet. It is thus that they sometimes lose a husband without intending it. They apply the match and long afterwards are terror-stricken at the conflagration.

As a general thing, all women league themselves against a married man who is accused of tyranny; for a secret tie unites them all, as it unites all priests of the same religion. They hate each other, yet shield each other. You can never gain over more than one of them; and yet this act of seduction would be a triumph for your wife.

You are, therefore, outlawed from the feminine kingdom. You see ironical smiles on every lip, you meet an epigram in every answer.

These clever creatures force their daggers and amuse themselves by sculpturing the handle before dealing you a graceful blow.

The treacherous art of reservation, the tricks of silence, the malice of suppositions, the pretended good nature of an inquiry, all these arts are employed against you. A man who undertakes to subjugate his wife is an example too dangerous to escape destruction from them, for will not his conduct call up against them the satire of every husband?

Moreover, all of them will attack you, either by bitter witticisms, or by serious arguments, or by the hackneyed maxims of gallantry. A swarm of celibates will support all their sallies and you will be a.s.sailed and persecuted as an original, a tyrant, a bad bed-fellow, an eccentric man, a man not to be trusted.

Your wife will defend you like the bear in the fable of La Fontaine; she will throw paving stones at your head to drive away the flies that alight on it. She will tell you in the evening all the things that have been said about you, and will ask an explanation of acts which you never committed, and of words which you never said. She professes to have justified you for faults of which you are innocent; she has boasted of a liberty which she does not possess, in order to clear you of the wrong which you have done in denying that liberty. The deafening rattle which your wife shakes will follow you everywhere with its obtrusive din. Your darling will stun you, will torture you, meanwhile arming herself by making you feel only the thorns of married life. She will greet you with a radiant smile in public, and will be sullen at home. She will be dull when you are merry, and will make you detest her merriment when you are moody. Your two faces will present a perpetual contrast.

Very few men have sufficient force of mind not to succ.u.mb to this preliminary comedy, which is always cleverly played, and resembles the _hourra_ raised by the Cossacks, as they advance to battle. Many husbands become irritated and fall into irreparable mistakes. Others abandon their wives. And, indeed, even those of superior intelligence do not know how to get hold of the enchanted ring, by which to dispel this feminine phantasmagoria.

Two-thirds of such women are enabled to win their independence by this single manoeuvre, which is no more than a review of their forces. In this case the war is soon ended.

But a strong man who courageously keeps cool throughout this first a.s.sault will find much amus.e.m.e.nt in laying bare to his wife, in a light and bantering way, the secret feelings which make her thus behave, in following her step by step through the labyrinth which she treads, and telling her in answer to her every remark, that she is false to herself, while he preserves throughout a tone of pleasantry and never becomes excited.

Meanwhile war is declared, and if her husband has not been dazzled by these first fireworks, a woman has yet many other resources for securing her triumph; and these it is the purpose of the following Meditations to discover.

MEDITATION XXIV.

PRINCIPLES OF STRATEGY.

The Archduke Charles published a very fine treatise on military under the t.i.tle _Principles of Strategy in Relation to the Campaigns of 1796_. These principles seem somewhat to resemble poetic canons prepared for poems already published. In these days we are become very much more energetic, we invent rules to suit works and works to suit rules. But of what use were ancient principles of military art in presence of the impetuous genius of Napoleon? If, to-day, however, we reduce to a system the lessons taught by this great captain whose new tactics have destroyed the ancient ones, what future guarantee do we possess that another Napoleon will not yet be born? Books on military art meet, with few exceptions, the fate of ancient works on Chemistry and Physics. Everything is subject to change, either constant or periodic.

This, in a few words, is the history of our work.

So long as we have been dealing with a woman who is inert or lapped in slumber, nothing has been easier than to weave the meshes with which we have bound her; but the moment she wakes up and begins to struggle, all is confusion and complication. If a husband would make an effort to recall the principles of the system which we have just described in order to involve his wife in the nets which our second part has set for her, he would resemble Wurmser, Mack and Beaulieu arranging their halts and their marches while Napoleon nimbly turns their flank, and makes use of their own tactics to destroy them.

This is just what your wife will do.

How is it possible to get at the truth when each of you conceals it under the same lie, each setting the same trap for the other? And whose will be the victory when each of you is caught in a similar snare?

"My dear, I have to go out; I have to pay a visit to Madame So and So.

I have ordered the carriage. Would you like to come with me? Come, be good, and go with your wife."

You say to yourself:

"She would be nicely caught if I consented! She asks me only to be refused."

Then you reply to her:

"Just at the moment I have some business with Monsieur Blank, for he has to give a report in a business matter which deeply concerns us both, and I must absolutely see him. Then I must go to the Minister of Finance. So your arrangement will suit us both."

"Very well, dearest, go and dress yourself, while Celine finishes dressing me; but don't keep me waiting."

"I am ready now, love," you cry out, at the end of ten minutes, as you stand shaved and dressed.

But all is changed. A letter has arrived; madame is not well; her dress fits badly; the dressmaker has come; if it is not the dressmaker it is your mother. Ninety-nine out of a hundred husbands will leave the house satisfied, believing that their wives are well guarded, when, as a matter of fact, the wives have gotten rid of them.

A lawful wife who from her husband cannot escape, who is not distressed by pecuniary anxiety, and who in order to give employment to a vacant mind, examines night and day the changing tableaux of each day's experience, soon discovers the mistake she has made in falling into a trap or allowing herself to be surprised by a catastrophe; she will then endeavor to turn all these weapons against you.

There is a man in society, the sight of whom is strangely annoying to your wife; she can tolerate neither his tone, his manners nor his way of regarding things. Everything connected with him is revolting to her; she is persecuted by him, he is odious to her; she hopes that no one will tell him this. It seems almost as if she were attempting to oppose you; for this man is one for whom you have the highest esteem.

You like his disposition because he flatters you; and thus your wife presumes that your esteem for him results from flattered vanity. When you give a ball, an evening party or a concert, there is almost a discussion on this subject, and madame picks a quarrel with you, because you are compelling her to see people who are not agreeable to her.

"At least, sir, I shall never have to reproach myself with omitting to warn you. That man will yet cause you trouble. You should put some confidence in women when they pa.s.s sentence on the character of a man.

And permit me to tell you that this baron, for whom you have such a predilection, is a very dangerous person, and you are doing very wrong to bring him to your house. And this is the way you behave; you absolutely force me to see one whom I cannot tolerate, and if I ask you to invite Monsieur A-----, you refuse to do so, because you think that I like to have him with me! I admit that he talks well, that he is kind and amiable; but you are more to me than he can ever be."

These rude outlines of feminine tactics, which are emphasized by insincere gestures, by looks of feigned ingenuousness, by artful intonations of the voice and even by the snare of cunning silence, are characteristic to some degree of their whole conduct.

There are few husbands who in such circ.u.mstances as these do not form the idea of setting a mouse-trap; they welcome as their guests both Monsieur A----- and the imaginary baron who represents the person whom their wives abhor, and they do so in the hope of discovering a lover in the celibate who is apparently beloved.