"Photography is not an art in the sense in which I understand the term.

It is a process."

"And a much less troublesome and more perfect process than that," said Trefusis, pointing to the etching. "The artists are sticking to the old barbarous, difficult, and imperfect processes of etching and portrait painting merely to keep up the value of their monopoly of the required skill. They have left the new, more complexly organized, and more perfect, yet simple and beautiful method of photography in the hands of tradesmen, sneering at it publicly and resorting to its aid surrept.i.tiously. The result is that the tradesmen are becoming better artists than they, and naturally so; for where, as in photography, the drawing counts for nothing, the thought and judgment count for everything; whereas in the etching and daubing processes, where great manual skill is needed to produce anything that the eye can endure, the execution counts for more than the thought, and if a fellow only fit to carry bricks up a ladder or the like has ambition and perseverance enough to train his hand and push into the van, you cannot afford to put him back into his proper place, because thoroughly trained hands are so scarce. Consider the proof of this that you have in literature. Our books are manually the work of printers and papermakers; you may cut an author's hand off and he is as good an author as before. What is the result? There is more imagination in any number of a penny journal than in half-a-dozen of the Royal Academy rooms in the season. No author can live by his work and be as empty-headed as an average successful painter. Again, consider our implements of music--our pianofortes, for example. n.o.body but an acrobat will voluntarily spend years at such a difficult mechanical puzzle as the keyboard, and so we have to take our impressions of Beethoven's sonatas from acrobats who vie with each other in the rapidity of their prestos, or the staying power of their left wrists. Thoughtful men will not spend their lives acquiring sleight-of-hand. Invent a piano which will respond as delicately to the turning of a handle as our present ones do to the pressure of the fingers, and the acrobats will be driven back to their carpets and trapezes, because the sole faculty necessary to the executant musician will be the musical faculty, and no other will enable him to obtain a hearing."

The company were somewhat overcome by this unexpected lecture. Sir Charles, feeling that such views bore adversely on him, and were somehow iconoclastic and low-lived, was about to make a peevish retort, when Erskine forestalled him by asking Trefusis what idea he had formed of the future of the arts. He replied promptly. "Photography perfected in its recently discovered power of reproducing color as well as form!

Historical pictures replaced by photographs of tableaux vivants formed and arranged by trained actors and artists, and used chiefly for the instruction of children. Nine-tenths of painting as we understand it at present extinguished by the compet.i.tion of these photographs, and the remaining tenth only holding its own against them by dint of extraordinary excellence! Our mistuned and unplayable organs and pianofortes replaced by harmonious instruments, as manageable as barrel organs! Works of fiction superseded by interesting company and conversation, and made obsolete by the human mind outgrowing the childishness that delights in the tales told by grownup children such as novelists and their like! An end to the silly confusion, under the one name of Art, of the tomfoolery and make-believe of our play-hours with the higher methods of teaching men to know themselves! Every artist an amateur, and a consequent return to the healthy old disposition to look on every man who makes art a means of money-getting as a vagabond not to be entertained as an equal by honest men!"

"In which case artists will starve, and there will be no more art."

"Sir," said Trefusis, excited by the word, "I, as a Socialist, can tell you that starvation is now impossible, except where, as in England, masterless men are forcibly prevented from producing the food they need. And you, as an artist, can tell me that at present great artists invariably do starve, except when they are kept alive by charity, private fortune, or some drudgery which hinders them in the pursuit of their vocation."

"Oh!" said Erskine. "Then Socialists have some little sympathy with artists after all."

"I fear," said Trefusis, repressing himself and speaking quietly again, "that when a Socialist hears of a hundred pounds paid for a drawing which Andrea del Sarto was glad to sell for tenpence, his heart is not wrung with pity for the artist's imaginary loss as that of a modern capitalist is. Yet that is the only way nowadays of enlisting sympathy for the old masters. Frightful disability, to be out of the reach of the dearest market when you want to sell your drawings! But," he added, giving himself a shake, and turning round gaily, "I did not come here to talk shop. So--pending the deluge--let us enjoy ourselves after our manner."

"No," said Jane. "Please go on about Art. It's such a relief to hear anyone talking sensibly about it. I hate etching. It makes your eyes sore--at least the acid gets into Sir Charles's, and the difference between the first and second states is nothing but imagination, except that the last state is worse than the--here's luncheon!"

They went downstairs then. Trefusis sat between Agatha and Lady Brandon, to whom he addressed all his conversation. They chatted without much interruption from the business of the table; for Jane, despite her amplitude, had a small appet.i.te, and was fearful of growing fat; whilst Trefusis was systematically abstemious. Sir Charles was unusually silent. He was afraid to talk about art, lest he should be contradicted by Trefusis, who, he already felt, cared less and perhaps knew more about it than he. Having previously commented to Agatha on the beauty of the ripening spring, and inquired whether her journey had fatigued her, he had said as much as he could think of at a first meeting. For her part, she was intent on Trefusis, who, though he must know, she thought, that they were all hostile to him except Jane, seemed as confident now as when he had befooled her long ago. That thought set her teeth on edge. She did not doubt the sincerity of her antipathy to him even when she detected herself in the act of protesting inwardly that she was not glad to meet him again, and that she would not speak to him. Gertrude, meanwhile, was giving short answers to Erskine and listening to Trefusis. She had gathered from the domestic squabbles of the last few days that Lady Brandon, against her husband's will, had invited a notorious demagogue, the rich son of a successful cotton-spinner, to visit the Beeches. She had made up her mind to snub any such man. But on recognizing the long-forgotten Smilash, she had been astonished, and had not known what to do. So, to avoid doing anything improper, she had stood stilly silent and done nothing, as the custom of English ladies in such cases is. Subsequently, his unconscious self-a.s.sertion had wrought with her as with the others, and her intention of snubbing him had faded into the limbo of projects abandoned without trial. Erskine alone was free from the influence of the intruder. He wished himself elsewhere; but beside Gertrude the presence or absence of any other person troubled him very little.

"How are the Janseniuses?" said Trefusis, suddenly turning to Agatha.

"They are quite well, thank you," she said in measured tones.

"I met John Jansenius in the city lately. You know Jansenius?" he added parenthetically to Sir Charles. "Cotman's bank--the last Cotman died out of the firm before we were born. The Chairman of the Transcanadian Railway Company."

"I know the name. I am seldom in the city."

"Naturally," a.s.sented Trefusis; "for who would sadden himself by pushing his way through a crowd of such slaves, if he could help it? I mean slaves of Mammon, of course. To run the gauntlet of their faces in Cornhill is enough to discourage a thoughtful man for hours. Well, Jansenius, being high in the court of Mammon, is looking out for a good post in the household for his son. Jansenius, by-the-bye is Miss Wylie's guardian and the father of my late wife."

Agatha felt inclined to deny this; but, as it was true, she had to forbear. Resolved to show that the relations between her family and Trefusis were not cordial ones, she asked deliberately, "Did Mr.

Jansenius speak to you?"

Gertrude looked up, as if she thought this scarcely ladylike.

"Yes," said Trefusis. "We are the best friends in the world--as good as possible, at any rate. He wanted me to subscribe to a fund for relieving the poor at the east end of London by a.s.sisting them to emigrate."

"I presume you subscribed liberally," said Erskine. "It was an opportunity of doing some practical good."

"I did not," said Trefusis, grinning at the sarcasm. "This Transcanadian Railway Company, having got a great deal of spare land from the Canadian government for nothing, thought it would be a good idea to settle British workmen on it and screw rent out of them. Plenty of British workmen, supplanted in their employment by machinery, or cheap foreign labor, or one thing or another, were quite willing to go; but as they couldn't afford to pay their pa.s.sages to Canada, the Company appealed to the benevolent to pay for them by subscription, as the change would improve their miserable condition. I did not see why I should pay to provide a rich company with tenant farmers, and I told Jansenius so.

He remarked that when money and not talk was required, the workmen of England soon found out who were their real friends."

"I know nothing about these questions," said Sir Charles, with an air of conclusiveness; "but I see no objection to emigration." "The fact is," said Trefusis, "the idea of emigration is a dangerous one for us.

Familiarize the workman with it, and some day he may come to see what a capital thing it would be to pack off me, and you, with the peerage, and the whole tribe of unprofitable proprietors such as we are, to St.

Helena; making us a handsome present of the island by way of indemnity!

We are such a restless, unhappy lot, that I doubt whether it would not prove a good thing for us too. The workmen would lose nothing but the contemplation of our elegant persons, exquisite manners, and refined tastes. They might provide against that loss by picking out a few of us to keep for ornament's sake. No nation with a sense of beauty would banish Lady Brandon, or Miss Lindsay, or Miss Wylie."

"Such nonsense!" said Jane.

"You would hardly believe how much I have spent in sending workmen out of the country against my own view of the country's interest," continued Trefusis, addressing Erskine. "When I make a convert among the working cla.s.ses, the first thing he does is to make a speech somewhere declaring his new convictions. His employer immediately discharges him--'gives him the sack' is the technical phrase. The sack is the sword of the capitalist, and hunger keeps it sharp for him. His shield is the law, made for the purpose by his own cla.s.s. Thus equipped, he gives the worst of it to my poor convert, who comes ruined to me for a.s.sistance. As I cannot afford to pension him for life, I get rid of him by a.s.sisting him to emigrate. Sometimes he prospers and repays me; sometimes I hear no more of him; sometimes he comes back with his habits unsettled. One man whom I sent to America made his fortune, but he was not a social democrat; he was a clerk who had embezzled, and who applied to me for a.s.sistance under the impression that I considered it rather meritorious to rob the till of a capitalist."

"He was a practical Socialist, in fact," said Erskine.

"On the contrary, he was a somewhat too grasping Individualist. Howbeit, I enabled him to make good his defalcation--in the city they consider a defalcation made good when the money is replaced--and to go to New York.

I recommended him not to go there; but he knew better than I, for he made a fortune by speculating with money that existed only in the imagination of those with whom he dealt. He never repaid me; he is probably far too good a man of business to pay money that cannot be extracted from him by an appeal to the law or to his commercial credit.

Mr. Erskine," added Trefusis, lowering his voice, and turning to the poet, "you are wrong to take part with hucksters and money-hunters against your own nature, even though the attack upon them is led by a man who prefers photography to etching."

"But I a.s.sure you--You quite mistake me," said Erskine, taken aback.

"I--"

He stopped, looked to Sir Charles for support, and then said airily: "I don't doubt that you are quite right. I hate business and men of business; and as to social questions, I have only one article of belief, which is, that the sole refiner of human nature is fine art."

"Whereas I believe that the sole refiner of art is human nature. Art rises when men rise, and grovels when men grovel. What is your opinion?"

"I agree with you in many ways," replied Sir Charles nervously; for a lack of interest in his fellow-creatures, and an excess of interest in himself, had prevented him from obtaining that power of dealing with social questions which, he felt, a baronet ought to possess, and he was consequently afraid to differ from anyone who alluded to them with confidence. "If you take an interest in art, I believe I can show you a few things worth seeing."

"Thank you. In return I will some day show you a remarkable collection of photographs I possess; many of them taken by me. I venture to think they will teach you something."

"No doubt," said Sir Charles. "Shall we return to the gallery? I have a few treasures there that photography is not likely to surpa.s.s for some time yet."

"Let's go through the conservatory," said Jane. "Don't you like flowers, Mr. Smi--I never can remember your proper name."

"Extremely," said Trefusis.

They rose and went out into a long hothouse. Here Lady Brandon, finding Erskine at her side, and Sir Charles before her with Gertrude, looked round for Trefusis, with whom she intended to enjoy a trifling flirtation under cover of showing him the flowers. He was out of sight; but she heard his footsteps in the pa.s.sage on the opposite side of the greenhouse. Agatha was also invisible. Jane, not daring to rearrange their procession lest her design should become obvious, had to walk on with Erskine.

Agatha had turned unintentionally into the opposite alley to that which the others had chosen. When she saw what she had done, and found herself virtually alone with Trefusis, who had followed her, she blamed him for it, and was about to retrace her steps when he said coolly:

"Were you shocked when you heard of Henrietta's sudden death?"

Agatha struggled with herself for a moment, and then said in a suppressed voice: "How dare you speak to me?"

"Why not?" said he, astonished.

"I am not going to enter into a discussion with you. You know what I mean very well."

"You mean that you are offended with me; that is plain enough. But when I part with a young lady on good terms, and after a lapse of years, during which we neither meet nor correspond, she asks me how I dare speak to her, I am naturally startled."

"We did not part on good terms."

Trefusis stretched his eyebrows, as if to stretch his memory. "If not,"

he said, "I have forgotten it, on my honor. When did we part, and what happened? It cannot have been anything very serious, or I should remember it."

His forgetfulness wounded Agatha. "No doubt you are well accustomed to--" She checked herself, and made a successful s.n.a.t.c.h at her normal manner with gentlemen. "I scarcely remember what it was, now that I begin to think. Some trifle, I suppose. Do you like orchids?"

"They have nothing to do with our affairs at present. You are not in earnest about the orchids, and you are trying to run away from a mistake instead of clearing it up. That is a short-sighted policy, always."

Agatha grew alarmed, for she felt his old influence over her returning.

"I do not wish to speak of it," she said firmly.