An Outcast - Part 9
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Part 9

Mr. Absalom McArthur lives on the unfashionable side of this street, in a one-story wooden building, with a cottage roof, covered with thick, black moss, and having two great bow windows, and a very lean door, painted black, in front. It is a rummy old house to look at, for the great bow windows are always ornamented with old hats, which Mr.

McArthur makes supply the place of gla.s.s; and the house itself, notwithstanding it keeps up the dignity of a circular window over the door, reminds one of that valiant and very notorious characteristic of the State, for it has, during the last twenty or more years, threatened (but never done it) to tumble upon the unfashionable pavement, just in like manner as the State has threatened (but never done it!) to tumble itself out of our unfashionable Union. We are a great people, you see; but having the impediment of the Union in the way of displaying our might, always stand ready to do what we never intended to do. We speak in that same good-natured sense and metaphor used by our politicians, (who are become very distinguished in the refined arts of fighting and whiskey-drinking,) when they call for a rope to put about the neck of every man not sufficiently stupid to acknowledge himself a secessionist.

We imagine ourselves the gigantic and sublime theatre of chivalry, as we have a right to do; we raise up heroes of war and statesmanship, compared with whom your Napoleons, Mirabeaus, and Marats--yes, even your much-abused Roman orators and Athenian philosophers, sink into mere insignificance. Nor are we bad imitators of that art displayed by the Roman soldiers, when they entered the Forum and drenched it with Senatorial blood! Pardon this digression, reader.

Of a summer morning you will see McArthur, the old Provincialist, as he is called, arranging in his great bow windows an innumerable variety of antique relics, none but a Mrs. Toodles could conceive a want for--such as broken pots, dog-irons, fenders, saws, toasters, stew-pans, old muskets, boxing-gloves and foils, and sundry other odds and ends too numerous to mention. At evening he sits in his door, a clever picture of a by-gone age, on a venerable old sofa, supported on legs tapering into feet of lion's paws, and carved in mahogany, all tacked over with bra.s.s-headed nails. Here the old man sits, and sits, and sits, reading the "Heroes of the Revolution," (the only book he ever reads,) and seemingly ready at all times to serve the "good wishes" of his customers, who he will tell you are of the very first families, and very distinguished! He holds distinguished peoples in high esteem; and several distinguished persons have no very bad opinion of him, but a much better one of his very interesting daughter, whose acquaintance (though not a lady, in the Southern acceptation of the term) they would not object to making--provided!

His little shop is lumbered with boxes and barrels, all containing relics of a by-gone age--such as broken swords, pistols of curious make, revolutionary hand-saws, planes, cuira.s.ses, broken spurs, blunderbusses, bowie, scalping, and hunting-knives; all of which he declares our great men have a use for. Hung on a little post, and over a pair of rather suspicious-looking buckskin breeches, is a rusty helmet, which he sincerely believes was worn by a knight of the days of William the Conqueror. A little counter to the left staggers under a pile of musty old books and mustier papers, all containing valuable matter relating to the old Continentals, who, as he has it, were all Carolinians. (Dispute this, and he will go right into a pa.s.sion.) Resting like good-natured policemen against this weary old counter are two sympathetic old coffins, several second-hand crutches, and a quant.i.ty of much-neglected wooden legs. These Mr. McArthur says are in great demand with our first families. No one, except Mr. Soloman Snivel, knows better what the chivalry stand in need of to prop up its declining dignity. His dirty little shelves, too, are stuffed with those cheap uniforms the State so grudgingly voted its unwilling volunteers during the Revolution.[1]

Tucked in here and there, at sixes and sevens, are the scarlet and blue of several suits of cast-off theatrical wardrobe he got of Abbott, and now loans for a small trifle to Madame Flamingo and the St. Cecilia Society--the first, when she gives her very seductive _balmasques_; the second, when distinguished foreigners with t.i.tles honor its costume b.a.l.l.s. As for Revolutionary c.o.c.ked hats, epaulettes, plumes, and holsters, he has enough to supply and send off, feeling as proud as peac.o.c.ks, every General and Colonel in the State--and their name, as you ought to know, reader, is legion.

[Footnote 1: See Senator Sumner's speech in Congress on Plantation manners.]

The stranger might, indeed, be deceived into the belief that Absalom McArthur's curiosity shop was capable of furnishing accoutrements for that n.o.ble little army, (standing army we call it!) on which the State prides itself not a little, and spends no end of money. For ourselves, (if the reader but permit us,) we have long admired this little Spartan force, saying all the good things of it our prosy brain could invent, and in the kindest manner recommending its uniform good character as a model for our very respectable society to fashion after. Indeed, we have, in the very best nature of a modern historian, endeavored to enlighten the barbarian world outside of South Carolina as to the terrible consequences which might accrue to the Union did this n.o.ble little army a.s.sume any other than a standing character. Now that General Jackson is out of the way, and our plebeian friends over the Savannah, whom we hold in high esteem, (the Georgians,) kindly consent to let us go our own road out of the Union, nothing can be more grateful than to find our wise politicians sincerely believing that when this standing army, of which other States know so little, shall have become allied with those mighty men of Beaufort, dire consequences to this young but very respectable Federal compact will be the result. Having discharged the duties of a historian, for the benefit of those benighted beings unfortunate enough to live out of our small but highly-civilized State, we must return to McArthur.

He is a little old-maidish about his age, which for the last twenty years has not got a day more than fifty-four. Being as sensitive of his veracity as the State is of its dignity, we would not, either by implication or otherwise, lay an impeachment at his door, but rather charge the discrepancy to that sin (a treacherous memory) the legal gentry find so convenient for their purposes when they knock down their own positions. McArthur stood five feet eight exactly, when young, but age has made him lean of person, and somewhat bent. His face is long and corrugated; his expression of countenance singularly serious. A nose, neither aquiline nor Grecian, but large enough, and long enough, and red enough at the end, to make both; a sharp and curiously-projecting chin, that threatens a meeting, at no very distant day, with his nasal organ; two small, watchful blue eyes deep-set under narrow arches, fringed with long gray lashes; a deeply-furrowed, but straight and contracted forehead, and a s.h.a.ggy red wig, poised upon the crown of his head, and, reader, if you except the constant working of a heavy, drooping lower lip, and the diagonal sight with which his eyes are favored, you have his most prominent features. Fashion he holds in utter contempt, nor has he the very best opinion in the world of our fashionable tailors, who are grown so rich that they hold mortgages on the very best plantations in the State, and offer themselves candidates for the Governorship.

Indeed, Mr. McArthur says, one of these knights of the goose, not long since, had the pertinacity to imagine himself a great General. And to show his tenacious adherence to the examples set by the State, he dresses exactly as his grandfather's great-grandfather used to, in a blue coat, with small bra.s.s b.u.t.tons, a narrow crimpy collar, and tails long enough and sharp enough for a clipper-ship's run. The periods when he provided himself with new suits are so far apart that they formed special episodes in his history; nevertheless there is always an air of neatness about him, and he will spend much time arranging a dingy ruffled shirt, a pair of gray trowsers, a black velvet waistcoat, cut in the Elizabethan style, and a high, square shirt collar, into which his head has the appearance of being jammed. This collar he ties with a much-valued red and yellow Spittlefields, the ends of which flow over his ruffle. Although the old man would not bring much at the man-shambles, we set a great deal of store by him, and would not exchange him for anything in the world but a regiment or two of heroic secessionists. Indeed we are fully aware that nothing like him exists beyond the highly perfumed atmosphere of our State. And to many other curious accomplishments the old man adds that of telling fortunes. The negroes seriously believe he has a private arrangement with the devil, of whom he gets his wisdom, and the secret of propitiating the G.o.ds.

Two days have pa.s.sed since the _emeute_ at the house of the old hostess.

McArthur has promised the young missionary a place for Tom Swiggs, when he gets out of prison (but no one but his mother seems to have a right to let him out), and the tall figure of Mister Snivel is seen entering the little curiosity shop. "I say!--my old hero, has she been here yet?"

inquires Mr. Snivel, the accommodation man. "Nay, good friend," returns the old man, rising from his sofa, and returning the salutation, "she has not yet darkened the door." The old man draws the steel-bowed spectacles from his face, and watches with a patriarchal air any change that comes over the accommodation man's countenance. "Now, good friend, if I did but know the plot," pursues the old man.

"The plot you are not to know! I gave you her history yesterday--that is, as far as I know it. You must make up the rest. You know how to tell fortunes, old boy. I need not instruct you. Mind you flatter her beauty, though--extend on the kindness of the Judge, and be sure you get it in that it was me who betrayed her at the St. Cecelia. All right old boy, eh?" and shaking McArthur by the hand warmly, he takes his departure, bowing himself into the street. The old man says he will be all ready when she comes.

Scarcely has the accommodation man pa.s.sed out of sight when a sallow-faced stripling makes his appearance, and with that characteristic effrontery for borrowing and never returning, of the property-man of a country theatre, "desires" to know if Mr. McArthur will lend him a skull.

"A skull!" e.j.a.c.u.l.a.t.es the old man, his bony fingers wandering to his melancholy lip--"a skull!" and he fusses studiously round the little cell-like place, looking distrustfully at the property-man, and then turning an anxious eye towards his piles of rubbish, as if fearing some plot is on foot to remove them to the infernal regions.

"You see," interrupts Mr. Property, "we play Hamlet to-night--expect a crammed house--and our star, being scrupulous of his reputation, as all small stars are, won't go on for the scene of the grave-digger, without two skulls--he swears he won't! He raised the very roof of the theatre this morning, because his name wasn't in bigger type on the bill. And if we don't give him two skulls and plenty of bones to-night, he swears--and such swearing as it is!--he'll forfeit the manager, have the house closed, and come out with a card to the public in the morning. We are in a fix, you see! The janitor only has one, and he lent us that as if he didn't want to."

Mr. McArthur says he sees, and with an air of regained wisdom stops suddenly, and takes from a shelf a dingy old board, on which is a dingier paper, bearing curious inscriptions, no one but the old man himself would have supposed to be a schedule of stock in trade. Such it is, nevertheless. He rubs his spectacles, places them methodically upon his face, wipes and wipes the old board with his elbow. "It's here if it's anywhere!" says the old man, with a sigh. "It comes into my head that among the rest of my valuables I've Yorick's skull."

"The very skull we want!" interrupts Property. And the old man quickens the working of his lower jaw, and continues to rub at the board until he has brought out the written mystery. "My ancestors were great people,"

he mumbles to himself, "great people!" He runs the crusty forefinger of his right hand up and down the board, adding, "and my customers are all of the first families, which is some consolation in one's poverty. Ah! I have it here!" he exclaims, with childlike exultation, frisking his fingers over the board. "One Yorick's skull--a time-worn, tenantless, and valuable relic, in which graveyard worms have banqueted more than once. Yes, young man, presented to my ancestors by the elder Stuarts, and on that account worth seven skulls, or more." "One Yorick's skull,"

is written on the paper, upon which the old man presses firmly his finger. Then turning to an old box standing in the little fireplace behind the counter, saying, "it's in here--as my name's Absalom McArthur, it is," he opens the lid, and draws forth several old military coats (they have seen revolutionary days! he says, exultingly), numerous scales of bra.s.s, such as are worn on British soldiers' hats, a ponderous chapeau and epaulets, worn, he insists, by Lord Nelson at the renowned battle of Trafalgar. He has not opened, he adds, this box for more than twelve long years. Next he drags forth a military cloak of great weight and dimensions. "Ah!" he exclaims, with nervous joy, "here's the identical cloak worn by Lord Cornwallis--how my ancestors used to prize it." And as he unrolls its great folds there falls upon the floor, to his great surprise, an old buff-colored silk dress, tied firmly with a narrow, green ribbon. "Maria! Maria! Maria!" shouts the old man, as if suddenly seized with a spasm. And his little gray eyes flash with excitement, as he says--"if here hasn't come to light at last, poor Mag Munday's dress. G.o.d forgive the poor wretch, she's dead and gone, no doubt." In response to the name of "Maria" there protrudes from a little door that opens into a pa.s.sage leading to a back-room, the delicate figure of a female, with a face of great paleness, overcast by a thoughtful expression. She has a finely-developed head, intelligent blue eyes, light auburn hair, and features more interesting than regular.

Indeed, there is more to admire in the peculiar modesty of her demeanor than in the regularity of her features, as we shall show. "My daughter!"

says the old man, as she nervously advances, her pale hand extended.

"Poor woman! how she would mourn about this old dress; and say it contained something that might give her a chance in the world," she rather whispers than speaks, disclosing two rows of small white teeth.

She takes from the old man's hand the package, and disappears. The anxiety she evinces over the charge discloses the fact that there is something of deep interest connected with it.

Mr. McArthur was about to relate how he came by this seemingly worthless old package, when the property-man, becoming somewhat restless, and not holding in over high respect the old man's rubbish, as he called it in his thoughts, commences drawing forth, piece after piece of the old relics. The old man will not allow this. "There, young man!"

he says, touching him on the elbow, and resuming his labor. At length he draws forth the dust-tenanted skull, coated on the outer surface with greasy mould. "There!" he says, with an unrestrained exclamation of joy, holding up the wasting bone, "this was in its time poor Yorick's skull.

It was such a skull, when Yorick lived! Beneath this filthy remnant of past greatness (I always think of greatness when I turn to the past), this empty tenement, once the domain of wisdom, this poor bone, what thoughts did not come out?" And the old man shakes his head, mutters inarticulately, and weeps with the simplicity of a child.

"The Star'll have skulls and bones enough to make up for his want of talent now--I reckon," interposes the property-man. "But!--I say, mister, this skull couldn't a bin old Yorick's, you know--"

"Yorick's!--why not?" interrupts the old man.

"Because Yorick--Yorick was the King's jester, you see--no n.i.g.g.e.r; and no one would think of importing anything but a n.i.g.g.e.r's skull into Charleston--"

"Young man!--if this skull had consciousness; if this had a tongue it would rebuke thee;" the old man retorts hastily, "for my ancestors knew Yorick, and Yorick kept up an intimate acquaintance with the ancestors of the very first families in this State, who were not shoemakers and milliners, as hath been maliciously charged, but good and pious Huguenots." To the end that he may convince the unbelieving Thespian of the truth of his a.s.sertion, he commences to rub away the black coating with the sleeve of his coat, and there, to his infinite delight, is written, across the crown, in letters of red that stand out as bold as the State's chivalry--"Alas! poor Yorick." Tears of sympathy trickle down the old man's cheeks, his eyes sparkle with excitement, and with womanly accents he mutters: "the days of poetry and chivalry are gone.

It is but a s.p.a.ce of time since this good man's wit made Kings and Princes laugh with joy."

This skull, and a coral pin, which he said was presented to his ancestors by Lord Cornwallis, who they captured, now became his hobby; and he referred to it in all his conversation, and made them as much his idol as our politicians do secession. In this instance, he dare not entrust his newly-discovered jewel to the vulgar hands of Mr. Property, but pledged his honor--a ware the State deals largely in notwithstanding it has become exceedingly cheap--it would be forthcoming at the requisite time.

CHAPTER XII.

IN WHICH ARE MATTERS THE READER MAY HAVE ANTIc.i.p.aTED.

Mr. Soloman Snivel has effected a reconciliation between old Judge Sleepyhorn and the beautiful Anna Bonard, and he has flattered the weak-minded George Mullholland into a belief that the old Judge, as he styles him, is his very best friend. So matters go on swimmingly at the house of Madame Flamingo. Indeed Mr. Soloman can make himself extremely useful in any affair requiring the exercise of nice diplomatic skill--no matter whether it be of love or law. He gets people into debt, and out of debt; into bankruptcy and out of bankruptcy; into jail and out of jail; into society and out of society. He has officiated in almost every capacity but that of a s.e.xton. If you want money, Mr. Soloman can always arrange the little matter for you. If you have old negroes you want to get off your hands at a low figure, he has a customer. If you want to mortgage your negro property, a thing not uncommon with our very first families, Mr. Soloman is your man. Are you worth a fee, and want legal advice, he will give it exactly to your liking. Indeed, he will lie you into the most hopeless suit, and with equal pertinacity lie you out of the very best. Every judge is his friend and most intimate acquaintance.

He is always rollicking, frisking, and insinuating himself into something, affects to be the most liberal sort of a companion, never refuses to drink when invited, but never invites any one unless he has a motive beyond friendship. Mr. Keepum, the wealthy lottery broker, who lives over the way, in Broad street, in the house with the mysterious signs, is his money-man. This Keepum, the man with the sharp visage and guilty countenance, has an excellent standing in society, having got it as the reward of killing two men. Neither of these deeds of heroism, however, were the result of a duel. Between these worthies there exists relations mutually profitable, if not the most honorable. And notwithstanding Mr. Soloman is forever sounding Mr. Keepum's generosity, the said Keepum has a singular faculty for holding with a firm grasp all he gets, the extent of his charities being a small mite now and then to Mr. Hadger, the very pious agent for the New York Presbyterian Tract Society. Mr. Hadger, who by trading in things called negroes, and such like wares, has become a man of great means, twice every year badgers the community in behalf of this society, and chuckles over what he gets of Keepum, as if a knave's money was a sure panacea for the cure of souls saved through the medium of those highly respectable tracts the society publishes to suit the tastes of the G.o.d slavery. Mr. Keepum, too, has a very high opinion of this excellent society, as he calls it, and never fails to boast of his contributions.

It is night. The serene and bright sky is hung with brighter stars. Our little fashionable world has got itself arrayed in its best satin--and is in a flutter. Carriages, with servants in sn.o.bby coats, beset the doors of the theatre. A flashing of silks, satins, brocades, tulle and jewelry, distinguished the throng pressing eagerly into the lobbies, and seeking with more confusion than grace seats in the dress circle.

The orchestra has played an overture, and the house presents a lively picture of bright-colored robes. Mr. Snivel's handsome figure is seen looming out of a private box in the left-hand proceniums, behind the curtain of which, and on the opposite side, a mysterious hand every now and then frisks, makes a small but prudent opening, and disappears.

Again it appears, with delicate and chastely-jeweled fingers. Cautiously the red curtain moves aside apace, and the dark languishing eyes of a female, scanning over the dress-circle, are revealed. She recognizes the venerable figure of Judge Sleepyhorn, who has made a companion of George Mullholland, and sits at his side in the parquette. Timidly she closes the curtain.

In the right-hand procenium box sits, resplendent of jewels and laces, and surrounded by her many admirers, the beautiful and very fashionable Madame Montford, a woman of singularly regular features, and more than ordinary charms. Opinion is somewhat divided on the early history of Madame Montford. Some have it one thing, some another. Society is sure to slander a woman of transcendent beauty and intellect. There is nothing in the world more natural, especially when those charms attract fashionable admirers. It is equally true, too, that if you would wipe out any little taint that may hang about the skirts of your character you must seek the panacea in a distant State, where, with the application of a little diplomacy you may become the much sought for wonder of a new atmosphere and new friends, as is the case with Madame Montford, who rebukes her New York neighbors of the Fifth Avenue (she has a princely mansion there), with the fact that in Charleston she is, whenever she visits it, the all-absorbing topic with fashionable society. For four successive winters Madame Montford has honored the elite of Charleston with her presence. The advent of her coming, too, has been duly heralded in the morning papers--to the infinite delight of the St. Cecilia Society, which never fails to distinguish her arrival with a ball. And this ball is sure to be preceded with no end of delicately-perfumed cards, and other missives, as full of compliments as it is capable of cramming them. There is, notwithstanding all these ovations in honor of her coming, a mystery hanging over her periodical visits, for the sharp-eyed persist that they have seen her disguised, and in suspicious places, making singular inquiries about a woman of the name of Mag Munday. And these suspicions have given rise to whisperings, and these whisperings have crept into the ears of several very old and highly-respectable "first families," which said families have suddenly dropped her acquaintance. But what is more noticeable in the features of Madame Montford, is the striking similarity between them and Anna Bonard's. Her most fervent admirers have noticed it; while strangers have not failed to discover it, and to comment upon it. And the girl who sits in the box with Mr. Snivel, so cautiously fortifying herself with the curtain, is none other than Anna. Mr. Snivel has brought her here as an atonement for past injuries.

Just as the curtain is about to rise, Mr. McArthur, true to his word, may be seen toddling to the stage door, his treasure carefully tied up in a handkerchief. He will deliver it to no one but the manager, and in spite of his other duties that functionary is compelled to receive it in person. This done, the old man, to the merriment of certain wags who delight to speculate on his childlike credulity, takes a seat in the parquette, wipes clean his venerable spectacles, and placing them methodically over his eyes, forms a unique picture in the foreground of the audience. McArthur, with the aid of his gla.s.ses, can recognize objects at a distance; and as the Hamlet of the night is decidedly Teutonic in his appearance and p.r.o.nunciation, he has no great relish for the Star, nor a hand of applause to bestow on his genius. Hamlet, he is sure, never articulated with a coa.r.s.e brogue. So turning from the stage, he amuses himself with minutely scanning the faces of the audience, and resolving in his mind that something will turn up in the grave-digger's scene, of which he is an enthusiastic admirer. It is, indeed, he thinks to himself, very doubtful, whether in this wide world the much-abused William Shakspeare hath a more ardent admirer of this curious but faithful ill.u.s.tration of his genius. Suddenly his attention seems riveted on the private box, in which sits the stately figure of Madame Montford, flanked in a half-circle by her perfumed and white-gloved admirers. "What!" exclaims the old man, in surprise, rubbing and replacing his gla.s.ses, "if I'm not deceived! Well--I can't be. If there isn't the very woman, a little altered, who has several times looked into my little place of an evening. Her questions were so curious that I couldn't make out what she really wanted (she never bought anything); but she always ended with inquiring about poor Mag Munday. People think because I have all sorts of things, that I must know about all sorts of things. I never could tell her much that satisfied her, for Mag, report had it, was carried off by the yellow fever, and n.o.body ever thought of her afterwards. And because I couldn't tell this woman any more, she would go away with tears in her eyes." Mr. McArthur whispers to a friend on his right, and touches him on the arm, "Pooh! pooh!" returns the man, with measured indifference, "that's the reigning belle of the season--Madame Montford, the buxom widow, who has been just turned forty for some years."

The play proceeds, and soon the old man's attention is drawn from the Widow Montford by the near approach to the scene of the grave-digger.

And as that delineator enters the grave, and commences his tune, the old man's anxiety increases.

A twitching and shrugging of the shoulders, discovers Mr. McArthur's feelings. The grave-digger, to the great delight of the Star, bespreads the stage with a multiplicity of bones. Then he follows them with a skull, the appearance of which causes Mr. McArthur to exclaim, "Ah!

that's my poor Yorick." He rises from his seat, and abstractedly stares at the Star, then at the audience. The audience gives out a spontaneous burst of applause, which the Teutonic Hamlet is inclined to regard as an indignity offered to superior talent. A short pause and his face brightens with a smile, the grave-digger shoulders his pick, and with the thumb of his right hand to his nasal organ, throws himself into a comical att.i.tude. The audience roar with delight; the Star, ignorant of the cause of what he esteems a continued insult, waves his plumes to the audience, and with an air of contempt walks off the stage.

CHAPTER XIII.

MRS. SWIGGS COMES TO THE RESCUE OF THE HOUSE OF THE FOREIGN MISSIONS.

"An excellent society--excellent, I a.s.sure you, Madame--"

"Truly, Mr. Hadger," interrupted Mrs. Swiggs, "your labors on behalf of this Tract Society will be rewarded in heaven--"

"Dear-a-me," Mr. Hadger returns, ere Mrs. Swiggs can finish her sentence, "don't mention such a thing. I a.s.sure you it is a labor of love."

"Their tracts are so carefully got up. If my poor old negro property could only read--(Mrs. Swiggs pauses.) I was going to say--if it wasn't for the law (again she pauses), we couldn't prejudice our cause by letting our negroes read them--"

"Excuse the interruption," Mr. Hadger says, "but it wouldn't, do, notwithstanding (no one can be more liberal than myself on the subject of enlightening our negro property!) the Tract Society exhibits such an unexceptionable regard to the requirements of our cherished inst.i.tution."

This conversation pa.s.ses between Mrs. Swiggs and Mr. Hadger, who, as he says with great urbanity of manner, just dropped in to announce joyous tidings. He has a letter from Sister Abijah Sloc.u.m, which came to hand this morning, enclosing one delicately enveloped for Sister Swiggs.

"The Lord is our guide," says Mrs. Swiggs, hastily reaching out her hand and receiving the letter. "Heaven will reward her for the interest she takes in the heathen world."