An Outcast - Part 20
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Part 20

inquires the detective, and a voice, feeble and hollow, responds: "Lodgers!"

The damp, greasy walls; the broken ceilings; the sooty fireplace, with its shattered bricks; the decayed wainscoating--its dark, forlorn aspect, all bespeak it the fit abode of rats. And yet Mr. Krone thinks it comfortable enough (the authorities think Mr. Krone the best judge) for the accommodation of thirteen remnants of human misery, all of whom are here huddled together on the wet, broken floor, borrowing warmth of one another. The detective's light falls curiously upon the dread picture, which he stands contemplating. A pale, sickly girl, of some eleven summers, her hair falling wildly over her wan features, lays upon some rags near the fireplace, clinging to an inebriated mother. Here a father, heart-sick and prostrate with disease, seeks to keep warm his three ragged children, nestling about him. An homeless outcast, necessity forces him to send them out to prey upon the community by day, and to seek in this wretched hovel a shelter at night. Yonder the rags are thrown back, a moving ma.s.s is disclosed, and there protrudes a disfigured face, made ghostly by the shadow of the detective's lantern.

At the detective's feet a prostrate girl, insensible of gin, is seized with convulsions, clutches with wasted hands at the few rags about her poor, flabby body, then with fingers grasping, and teeth firmly set, her whole frame writhes in agony. Your missionary never whispered a kind, encouraging word in her ear; his hand never pressed that blanched bone with which she now saddens your heart! Different might it have been with her had some gentle-tongued Brother Spyke sought her out, bore patiently with her waywardness, s.n.a.t.c.hed her from this life of shame, and placed her high in an atmosphere of light and love.

It is here, gentle shepherds, the benighted stand most in need of your labors. Seek not to evangelize the Mahomedan world until you have worked a reform here; and when you have done it, a monument in heaven will be your reward.

"Mr. Toddleworth is not here," says the detective, withdrawing into the pa.s.sage, then ascending a broken and steep stairs that lead into the third story. Nine shivering forms crouched in one dismal room; four squabbish women, and three besotted men in another; and in a third, nine ragged boys and two small girls--such are the scenes of squalid misery presented here. In a little front room, Mr. Tom Downey, his wife, and eight children, lay together upon the floor, half covered with rags. Mr.

Downey startles at the appearance of the detective, rises nervously from his pallet, and after the pause of a moment, says: "Indeed, yer welcome, Mr. Fitzgerald. Indeed, I have not--an' G.o.d knows it's the truth I tell--seen Mr. Toddleworth the week;" he replies, in answer to a question from the detective.

"You took a drop with him this afternoon?" continues the detective, observing his nervousness.

"G.o.d knows it's a mistake, Mr. Fitzgerald." Mr. Downey changes the subject, by saying the foreigners in the garret are a great nuisance, and disturb him of his rest at night.

A small, crooked stair leads into "Organ-grinders' Roost," in the garret. To "Organ-grinders' Roost" the detective ascends. If, reader, you have ever pictured in your mind the cave of despair, peopled by beings human only in shape, you may form a faint idea of the wretchedness presented in "Organ-grinders' Roost," at the top of the house of the Nine Nations. Seven stalworth men shoot out from among a ma.s.s of rags on the floor, and with dark, wandering eyes, and ma.s.sive, uncombed beards, commence in their native Italian a series of interrogatories, not one of which the detective can understand. They would inquire for whom he seeks at this strange hour. He (the detective) stands unmoved, as with savage gesture--he has discovered his star--they tell him they are famishing of hunger. A pretty black-eyed girl, to whose pale, but beautifully oval face an expression of sorrow lends a touching softness, lays on the bare floor, beside a mother of patriarchal aspect. Now she is seized with a sharp cough that brings blood at every paroxysm. As if forgetting herself, she lays her hand gently upon the cheek of her mother, anxious to comfort her. Ah! the hard hand of poverty has been upon her through life, and stubbornly refuses to relax its grip, even in her old age. An organ forms here and there a division between the sleepers; two grave-visaged monkeys sit chattering in the fireplace, then crouch down on the few charred sticks.

A picture of the crucifix is seen conspicuous over the dingy fireplace, while from the slanting roof hang several leathern girdles. Oh, what a struggle for life is their's! Mothers, fathers, daughters, and little children, thus promiscuously grouped, and coming up in neglect and shame. There an old man, whom remorseless death is just calling into eternity, with dull, gla.s.sy eyes, white, flowing beard, bald head, sunken mouth, begrimed and deeply-wrinkled face, rises, spectre-like, from his pallet. Now he draws from his breast a small crucifix, and commences muttering to it in a guttural voice. "Peace, peace, good old man--the holy father will come soon--the holy virgin will come soon: he will receive the good spirit to his bosom," says a black-eyed daughter, patting him gently upon the head, then looking in his face solicitously, as he turns his eyes upward, and for a few moments seems invoking the mercy of the Allwise. "Yes, father," she resumes, lightening up the mat of straw upon which he lays, "the world has been unkind to you, but you are pa.s.sing from it to a better--you will be at peace soon."

"Soon, soon, soon," mumbles the old man, in a whisper; and having carefully returned the crucifix to his bosom, grasps fervently the hand of the girl and kisses it, as her eyes swim in tears.

Such, to the shame of those who live in princely palaces, and revel in luxury, are but faintly-drawn pictures of what may be seen in the house of the Nine Nations.

The detective is about to give up the search, and turns to descend the stairs, when suddenly he discerns a pa.s.sage leading to the north end of the garret. Here, in a little closet-like room, on the right, the rats his only companions, lies the prostrate form of poor Toddleworth.

"Well, I persevered till I found you," says the detective, turning his light full upon the body. Another minute, and his features become as marble; he stands aghast, and his whole frame seems struggling under the effect of some violent shock. "What, what, what!" he shouts, in nervous accents, "Murder! murder! murder! some one has murdered him." Motionless the form lies, the shadow of the light revealing the ghastly spectacle.

The head lies in a pool of blood, the bedimmed eyes, having taken their last look, remain fixedly set on the black roof. "He has died of a blow--of a broken skull!" says the frightened official, feeling, and feeling, and pressing the arms and hands that are fast becoming rigid.

Life is gone out; a pauper's grave will soon close over what remains of this wretched outcast. The detective hastens down stairs, spreads the alarm over the neighborhood, and soon the House of the Nine Nations is the scene of great excitement.

CHAPTER XXIX.

IN WHICH MAY BE SEEN A FEW OF OUR COMMON EVILS.

Leaving for a time the scenes in the House of the Nine Nations, let us return to Charleston, that we may see how matters appertaining to this history are progressing. Mr. Snivel is a popular candidate for the Senate of South Carolina; and having shot his man down in the street, the question of his fighting abilities we regard as honorably settled.

Madame Montford, too, has by him been kept in a state of nervous anxiety, for he has not yet found time to search in the "Poor-house for the woman Munday." All our very first, and best-known families, have dropped Madame, who is become a wet sheet on the fashionable world. A select committee of the St. Cecilia has twice considered her expulsion, while numerous very respectable and equally active old ladies have been shaking their scandal-bags at her head. Sins have been laid at her door that would indeed damage a reputation with a fairer endors.e.m.e.nt than New York can give.

Our city at this moment is warmed into a singular state of excitement. A Georgia editor (we regard editors as belonging to a very windy cla.s.s of men), not having the mightiness of our chivalry before him, said the Union would have peace if South Carolina were shut up in a penitentiary.

And for this we have invited the indiscreet gentleman to step over the border, that we may hang him, being extremely fond of such common-place amus.e.m.e.nts. What the facetious fellow meant was, that our own State would enjoy peace and prosperity were our mob-politicians all in the penitentiary. And with this sensible opinion we heartily agree.

We regard our state of civilization as extremely enviable. To-day we made a lion of the notorious Hines, the forger. Hines, fashioning after our hapless chivalry, boasts that South Carolina is his State--his political mother. He has, nevertheless, graced with his presence no few penitentiaries. We feasted him in that same prison where we degrade and starve the honest poor; we knew him guilty of an heinous crime--yet we carried him jubilantly to the "halls of justice." And while distinguished lawyers tendered their services to the "clever villain,"

you might have witnessed in sorrow a mock trial, and heard a mob sanction with its acclamations his release.

Oh, truth and justice! how feeble is thy existence where the G.o.d slavery reigns. And while men are heard sounding the praises of this highwayman at the street corners, extolling men who have shot down their fellow-men in the streets, and calling those "Hon. gentlemen," who have in the most cowardly manner a.s.sa.s.sinated their opponents, let us turn to a different picture. Two genteely-dressed men are seen entering the old, jail. "I have twice promised them a happy surprise," says one, whose pale, studious features, wear an expression of gentleness. The face of the other is somewhat florid, but beaming with warmth of heart. They enter, having pa.s.sed up one of the long halls, a room looking into the prison-yard. Several weary-faced prisoners are seated round a deal table, playing cards; among them is the old sailor described in the early part of this history. "You don't know my friend, here?" says the young man of the studious face, addressing the prisoners, and pointing to his companion. The prisoners look inquiringly at the stranger, then shake their heads in response.

"No, you don't know me: you never knew me when I was a man," speaks the stranger, raising his hat, as a smile lights up his features. "You don't know Tom Swiggs, the miserable inebriate--"

A spontaneous shout of recognition, echoing and reechoing through the old halls, interrupts this declaration. One by one the imprisoned men grasp him by the hand, and shower upon him the warmest, the heartiest congratulations. A once fallen brother has risen to a knowledge of his own happiness. Hands that raised him from that mat of straw, when the mental man seemed lost, now welcome him restored, a purer being.

"Ah, Spunyarn," says Tom, greeting the old sailor with childlike fondness, as the tears are seen gushing into the eyes, and coursing down the browned face of the old mariner, "I owe you a debt I fear I never can pay. I have thought of you in my absence, and had hoped on my return to see you released. I am sorry you are not--"

"Well, as to that," interrupts the old sailor, his face resuming its wonted calm, "I can't--you know I can't, Tom,--sail without a clearance.

I sometimes think I'm never going to get one. Two years, as you know, I've been here, now backing and then filling, in and out, just as it suits that chap with the face like a s.n.a.t.c.h-block. They call him a justice. 'Pon my soul, Tom, I begin to think justice for us poor folks is got aground. Well, give us your hand agin' (he seizes Tom by the hand); its all well wi' you, anyhows.'

"Yes, thank G.o.d," says Tom, returning his friendly shake, "I have conquered the enemy, and my thanks for it are due to those who reached my heart with kind words, and gave me a brother's hand. I was not dead to my own degradation; but imprisonment left me no hope. The sting of disappointment may pain your feelings; hope deferred may torture you here in a prison; the persecutions of enemies may madden your very soul; but when a mother turns coldly from you--No, I will not say it, for I love her still--" he hesitates, as the old sailor says, with touching simplicity, he never knew what it was to have a mother or father. Having spread before the old man and his companions sundry refreshments he had ordered brought in, and received in return their thanks, he inquires of Spunyarn how it happened that he got into prison, and how it is that he remains here a fixture.

"I'll tell you, Tom," says the old sailor, commencing his story. "We'd just come ash.o.r.e--had a rough pa.s.sage--and, says I to myself, here's lay up ash.o.r.e awhile. So I gets a crimp, who takes me to a crib. 'It's all right here--you'll have snug quarters, Jack,' says he, introducing me to the chap who kept it. I gives him twenty dollars on stack, and gets up my chest and hammock, thinking it was all fair and square. Then I meets an old shipmate, who I took in tow, he being hard ash.o.r.e for cash. 'Let us top the meetin' with a gla.s.s,' says I. 'Agreed,' says Bill, and I calls her on, the very best. 'Ten cents a gla.s.s,' says the fellow behind the counter, giving us stuff that burnt as it went. 'Mister,' says I, 'do ye want to poison a sailor?' 'If you no like him,' says he, 'go get better somewhere else.' I told him to give me back the twenty, and me dunnage.

"'You don't get him--clear out of mine 'ouse,' says he.

"'Under the peak,' says I, fetching him a but under the lug that beached him among his beer-barrels. He picked himself up, and began talking about a magistrate. And knowing what sort of navigation a fellow'd have in the hands of that sort of land-craft, I began to think about laying my course for another port. 'Hold on here,' says a big-sided land-lubber, seizing me by the fore-sheets. 'Cast off there,' says I, 'or I'll put ye on yer beam-ends.'

"'I'm a constable,' says he, pulling out a pair of irons he said must go on my hands."

"I hope he did not put them on," interrupts the young theologian, for it is he who accompanies Tom.

"Avast! I'll come to that. He said he'd only charge me five dollars for going to jail without 'em, so rather than have me calling damaged, I giv him it. It was only a trifle. 'Now, Jack,' says the fellow, as we went along, in a friendly sort of way, 'just let us pop in and see the justice. I think a ten 'll get ye a clearance.' 'No objection to that,'

says I, and in we went, and there sat the justice, face as long and sharp as a marlinspike, in a dirty old hole, that looked like our forecastle. 'Bad affair this, Jack,' says he, looking up over his spectacles. 'You must be locked up for a year and a day, Jack.'

"'You'll give a sailor a hearin', won't ye?' says I. 'As to that,--well, I don't know, Jack; you musn't break the laws of South Carolina when you get ash.o.r.e. You seem like a desirable sailor, and can no doubt get a ship and good wages--this is a bad affair. However, as I'm not inclined to be hard, if you are disposed to pay twenty dollars, you can go.' 'Law and justice,' says I, shaking my fist at him--'do ye take this salt-water citizen for a fool?'

"'Take him away, Mr. Stubble--lock him up!--lock him up!' says the justice, and here I am, locked up, hard up, hoping. I'd been tied up about three weeks when the justice looked in one day, and after inquiring for me, and saying, 'good morning, Jack,' and seeming a little by the head: 'about this affair of yourn, Jack,' says he, 'now, if you'll mind your eye when you get out--my trouble's worth ten dollars--and pay me, I'll discharge you, and charge the costs to the State.'

"'Charge the cost to the State!' says I. 'Do you take Spunyarn for a marine?' At this he hauled his wind, and stood out."

"You have had a hearing before the Grand Jury, have you not?" inquires Tom, evincing a deep interest in the story of his old friend.

"Not I. This South Carolina justice is a hard old craft to sail in. The Grand Jury only looks in once every six months, and then looks out again, without inquiring who's here. And just before the time it comes round, I'm shuffled out, and just after it has left, I'm shuffled in again--fees charged to the State! That's it. So here I am, a fee-making machine, bobbing in and out of jail to suit the conveniences of Mister Justice. I don't say this with any ill will--I don't." Having concluded his story, the old sailor follows his visitors to the prison gate, takes an affectionate leave of Tom Swiggs, and returns to join his companions.

On the following day, Tom intercedes with Mr. Snivel, for it is he who thus harvests fees of the State by retaining the old sailor in prison, and procures his release. And here, in Mr. Snivel, you have an instrument of that debased magistracy which triumphs over the weak, that sits in ignorance and indolence, that invests the hypocritical designer with a power almost absolute, that keeps justice muzzled on her throne--the natural offspring of that demon-making inst.i.tution that scruples not to brunt the intellect of millions, while dragging a pall of sloth over the land.

CHAPTER x.x.x.

CONTAINING VARIOUS THINGS APPERTAINING TO THIS HISTORY.

Maria McArthur having, by her womanly sympathy, awakened the generous impulses of Tom Swiggs, he is resolved they shall have a new channel for their action. Her kindness touched his heart; her solicitude for his welfare gained his affections, and a recognition of that love she so long and silently cherished for him, is the natural result. The heart that does not move to woman's kindness, must indeed be hard. But there were other things which strengthened Tom's affections for Maria. The poverty of her aged father; the insults offered her by Keepum and Snivel; the manner in which they sought her ruin while hara.s.sing her father; the artlessness and lone condition of the pure-minded girl; and the almost holy affection evinced for the old man on whom she doted--all tended to bring him nearer and nearer to her, until he irresistibly found himself at her feet, pledging that faith lovers call eternal.

Maria is not of that species of being the world calls beautiful; but there is about her something pure, thoughtful, even n.o.ble; and this her lone condition heightens. Love does not always bow before beauty. The singularities of human nature are most strikingly blended in woman. She can overcome physical defects; she can cultivate attractions most appreciated by those who study her worth deepest. Have you not seen those whose charms at first-sight found no place in your thoughts, but as you were drawn nearer and nearer to them, so also did your esteem quicken, and that esteem, almost unconsciously, you found ripening into affection, until in turn you were seized with an ardent pa.s.sion? You have. And you have found yourself enamored of the very one against whom you had endeavored most to restrain your generous impulses. Like the fine lines upon a picture with a repulsive design, you trace them, and recur to them until your admiration is carried away captive. So it is with woman's charms. Tom Swiggs, then, the restored man, bows before the simple goodness of the daughter of the old Antiquary.

Mr. Trueman, the shipowner, gave Tom employment, and has proved a friend to him. Tom, in turn, has so far gained his confidence and respect that Mr. Trueman contemplates sending him to London, on board one of his ships. Nor has Tom forgotten to repay the old Antiquary, who gave him a shelter when he was homeless; this home is still under the roof of the old man, toward whose comfort he contributes weekly a portion of his earnings. If you could but look into that little back-parlor, you would see a picture of humble cheerfulness presented in the old man, his daughter, and Tom Swiggs, seated round the tea-table. Let us, however, turn and look into one of our gaudy saloons, that we may see how different a picture is presented there.

It is the night previous to an election for Mayor. Leaden clouds hang threatening over the city; the gas-light throws out its shadows at an early hour; and loud-talking men throng our street-corners and public resorts. Our politicians tell us that the destiny of the rich and the poor is to forever guard that inst.i.tution which employs all our pa.s.sions, and absorbs all our energies.

In a curtained box, at the St. Charles, sits Mr. Snivel and George Mullholland--the latter careworn and downcast of countenance. "Let us finish this champaign, my good fellow," says the politician, emptying his gla.s.s. "A man--I mean one who wants to get up in the world--must, like me, have two distinct natures. He must have a grave, moral nature--that is necessary to the affairs of State. And he must, to accommodate himself to the world (law and society, I mean), have a terribly loose nature--a perfect quicksand, into which he can drag everything that serves himself. You have seen how I can develop both these, eh?" The downcast man shakes his head, as the politician watches him with a steady gaze. "Take the advice of a friend, now, let the Judge alone--don't threaten again to shoot that girl. Threats are sometimes dragged in as testimony against a man (Mr. Snivel taps George admonishingly on the arm); and should anything of a serious nature befall her--the law is curious--why, what you have said might implicate you, though you were innocent."

"You," interrupts George, "have shot your man down in the street."