Now, there was no doubt about it, to those who did not know him very well, Dumas was "un grand diable de vaniteux;" and the worthy doctor sat pondering his cook's remarks until he himself felt inclined to think that Dumas had a clever chef in the background, upon whose victories he plumed himself. Meanwhile Dumas had been out of town for more than a month, but a day or so after his return he made his appearance at the Cafe de Paris, and, as a matter of course, inquired after the result of Sophie's efforts. The doctor was reticent at first, not caring to acknowledge Sophie's failure. He had, however, made the matter public, alleging, at the same time, Sophie's suspicions as to Dumas' hidden collaborateur, and one of the company was ill advised enough to let the cat out of the bag. During the many years of my acquaintance with Dumas, I have never seen him in such a rage as then. But he toned down in a very few minutes. "Il n'y a qu'une reponse a une accusation pareille,"

he said in a grandiloquent tone, which, however, had the most comical effect, seeing how trifling the matter was in reality--"il n'y qu'une reponse; vous viendrez diner avec moi demain, vous choissirez un delegue qui viendra a partir de trois heures me voir preparer mon diner." I was the youngest, the choice fell upon me. That is how my lifelong friendship with Dumas began. At three o'clock next day I was at the Chaussee d'Antin, and was taken by the servant into the kitchen, where the great novelist stood surrounded by his utensils, some of silver, and all of them glistening like silver. With the exception of a soupe aux choux, at which, by his own confession, he had been at work since the morning, all the ingredients for the dinner were in their natural state--of course, washed and peeled, but nothing more. He was a.s.sisted by his own cook and a kitchen-maid, but he himself, with his sleeves rolled up to the elbows, a large ap.r.o.n round his waist, and bare chest, conducted the operations. I do not think I have ever seen anything more entertaining, though in the course of these notes I shall have to mention frequent vagaries on the part of great men. I came to the conclusion that when writers insisted upon the culinary challenges of Careme, Duglere, and Casimir they were not indulging in mere metaphor.

At half-past six the guests began to arrive; at a quarter to seven Dumas retired to his dressing-room; at seven punctually the servant announced that "monsieur etait servi." The dinner consisted of the aforenamed soupe aux choux, the carp that had led to the invitation, a ragout de mouton a la Hongroise, roti de faisans, and a salade j.a.ponaise. The sweets and ices had been sent by the patissier. I never dined like that before or after, not even a week later, when Dr. Veron and Sophie made the _amende honorable_ in the Rue Taitbout.

I have spent many delightful evenings with all these men; I do not remember having spent a more delightful one than on the latter occasion.

Every one was in the best of humours; the dinner was very fine; albeit that, course for course, it did not come up to Dumas'; and, moreover, during the week that had elapsed between the two entertainments, one of Dr. Veron's successors at the opera, Leon Pillet, had been served with the most ludicrous citation that was ever entered on the rolls of any tribunal. For nearly nineteen years before that period there had been several attempts to mount Weber's "Freyschutz," all of which had come to nought. There had been an adaptation by Castil-Blaze, under the t.i.tle of "Robin des Bois," and several others; but until '41, Weber's work, even in a mutilated state, was not known to the French opera-goer. At that time, however, M. emilien Paccini made a very good translation; Hector Berlioz was commissioned to write the recitatives, for it must be remembered that Weber's opera contains dialogue, and that dialogue is not admissible in grand opera. Berlioz acquitted himself with a taste and reverence for the composer's original scheme that did great credit to both; he sought his themes in Weber's work itself, notably in the "Invitation a la Valse;" but notwithstanding all this, the "Freyschutz"

was miserably amputated in the performance lest it should "play" longer than midnight, though a ballet was added rather than deprive the public of its so-called due. Neither Paccini nor Berlioz had set foot in the opera-house since their objections to such a course had been overruled, and they made it known to the world at large that no blame attached to them; nevertheless, this quasi "Freyschutz" met with a certain amount of success. M. Pillet was rubbing his hands with glee at his own cleverness, until a Nemesis came in the shape of a visitor from the Fatherland, who took the conceit out of the director with one fell blow, and, what was worse still, with a perfectly legal one.

The visitor was no less a personage than Count Tyszkiewicz, one of the best musical critics of the time and the editor of the foremost musical publication in the world; namely, _Die Musikalische Zeitung_, of Leipzig. The count, having been attracted by the announcement of the opera on the bills, was naturally anxious to hear how French artists would acquit themselves of a work particularly German, and, having secured a stall, antic.i.p.ated an enjoyable evening. But alack and alas!

in a very little while his indignation at the liberties taken with the text and the score by the singers, musicians, and conductor got the upper hand, and he rushed off to the commissary of police on duty at the theatre to claim the execution of Weber's opera in its integrity, as promised on the bills, or the rest.i.tution of his money. Failing to get satisfaction either way, he required the commissary to draw up a verbatim report of his objections and his claim, determined to bring an action. Next morning, he sent a lithographed account of the transaction to all the papers, requesting its insertion, with which request not a single one complied. Finding himself baffled at every turn, he engaged lawyer and counsel and began proceedings.

It was at that stage of the affair that the dinner at Dr. Veron's took place. As a matter of course, the coming lawsuit gave rise to a great deal of chaff on the part of the guests, although the victim of this badinage and defendant in the suit was not there. It was his successor who took up the cudgels and predicted the plaintiff's discomfiture. "The counsel," said Roqueplan, "ought to be instructed to invite the president and a.s.sessors to come and hear the work before they deliver judgment: if they like it personally, they will not decide against Pillet; if they don't, they'll fall asleep and be ashamed to own it afterwards. But should they give a verdict for the plaintiff, Pillet ought to appeal on a question of incompetence; a person with the name of Tyszkiewicz has no right to plead in the interest of harmony."[7]

[Footnote 7: The latter plea was, in fact, advanced by Pillet's counsel in the first instance, on Roqueplan's advice, and perhaps influenced the court; for though it gave a verdict for the plaintiff, it was only for _seven francs_ (the price of the stall), and costs. The verdict was based upon the "consideration" that the defendant had not carried out altogether the promise set forth on the programme.]

Among such a company as that gathered round Dr. Veron's table, a single sentence frequently led to a host of recollections. Scarcely had Roqueplan's suggestion to invite the president and a.s.sessors of the court to the performance of the "Freyschutz" been broached than our host chimed in: "I can tell you a story where the expedient you recommend was really resorted to, though it did not emanate from half as clever a man as you, Roqueplan. In fact, it was only a pompier that hit upon it to get out of a terrible sc.r.a.pe. He was going to be brought before a court-martial for neglect of duty. It happened under the management of my immediate successor, Duponchel, at the fourth or fifth performance of Halevy's 'Guido et Genevra.' Some of the scenery caught fire, and, but for Duponchel's presence of mind, there would have been a panic and a horrible catastrophe. Nevertheless, the cause of the accident had to be ascertained, and it was found that the brigadier fireman posted at the spot where the mischief began had been asleep. He frankly admitted his fault, at the same time pleading extenuating circ.u.mstances. 'What do you mean?' asked the captain, charged with the report. 'Such a thing has never happened to me before, mon capitaine, but it is impossible for any one to keep his eyes open during that act. You need not take my word, but perhaps you will try the effect yourself.' The captain did try; the captain sat for two or three minutes after the rise of the curtain, then he was seen to leave his place hurriedly. The brigadier and his men were severely reprimanded, but they were not tried. Out of respect for Halevy the matter was kept a secret.

"I may add," said our host, "that the pompier is by no means a bad judge of things theatrical, seeing that he is rarely away from the stage for more than three or four nights at a time. I remember perfectly well that, during the rehearsals of 'Robert le Diable,' Meyerbeer often had a chat with them. Curiously enough he now and then made little alterations after these conversations. I am not insinuating that the great composer acted upon their suggestions, but I should not at all wonder if he had done so."

Alexandre Dumas, in whose honour, it will be remembered, the dinner was given, had an excellent memory, and some years afterwards profited by the experiment. I tell the story as it was given to us subsequently by his son. Only a few friends and Alexandre the younger were present at the first of the final rehearsals of "The Three Musketeers," at the Ambigu Comique. They were not dress rehearsals proper, because there were no costumes, and the scenery merely consisted of a cloth and some wings. Behind one of the latter they had noticed, during the first six tableaux, the shining helmet of a fireman who was listening very attentively. The author had noticed him too. About the middle of the seventh tableau the helmet suddenly vanished, and the father remarked upon it to his son. When the act was finished, Dumas went in search of the pompier, who did not know him. "What made you go away?" he asked him. "Because it did not amuse me half as much as the others," was the answer. "That was enough for my father," said the younger Dumas. "There and then he went to Beraud's room, took off his coat, waistcoat, and braces, unfastened the collar of his shirt--it was the only way he could work--and sent for the prompt copy of the seventh tableau, which he tore up and flung into the fire, to the consternation of Beraud. 'What are you doing?' he exclaimed. 'You see what I am doing; I am destroying the seventh tableau. It does not amuse the pompier. I know what it wants.'

And an hour and a half later, at the termination of the rehearsal, the actors were given a fresh seventh tableau to study."

I have come back by a roundabout way to the author of "Monte-Christo,"

because, tout chemin avec moi mene a Dumas; I repeat, he const.i.tutes one of the happiest of my recollections. After the lapse of many years, I willingly admit that I would have cheerfully foregone the acquaintance of all the other celebrities, perhaps David d'Angers excepted, for that of Dumas pere.

After the lapse of many years, the elder Dumas still represents to me all the good qualities of the French nation and few of their bad ones.

It was absolutely impossible to be dull in his society, but it must not be thought that these contagious animal spirits only showed themselves periodically or when in company. It was what the French have so aptly termed "la joie de vivre," albeit that they rarely a.s.sociate the phrase with any one not in the spring of life. With Dumas it was chronic until a very few months before his death. I remember calling upon him shortly after the dinner of which I spoke just now. He had taken up his quarters at Saint-Germain, and come to Paris only for a few days. "Is monsieur at home?" I said to the servant.

"He is in his study, monsieur," was the answer. "Monsieur can go in."

At that moment I heard a loud burst of laughter from the inner apartment, so I said, "I would sooner wait until monsieur's visitors are gone."

"Monsieur has no visitors; he is working," remarked the servant with a smile. "Monsieur Dumas often laughs like this at his work."

It was true enough, the novelist was alone, or rather in company with one of his characters, at whose sallies he was simply roaring.

Work, in fact, was a pleasure to him, like everything else he undertook.

One day he had been out shooting, between Villers-Cotterets and Compiegne, since six in the morning, and had killed twenty-nine birds.

"I am going to make up the score and a half, and then I'll have a sleep, for I feel tired," he said. When he had killed his thirtieth partridge he slowly walked back to the farm, where his son and friends found him about four hours later, toasting himself before the fire, his feet on the andirons, and twirling his thumbs.

"What are you sitting there for like that?" asked his son.

"Can't you see? I am resting."

"Did you get your sleep?"

"No, I didn't; it's impossible to sleep here. There is an infernal noise; what with the sheep, the cows, the pigs, and the rest, there is no chance of getting a wink."

"So you have been sitting here for the last four hours, twirling your thumbs?"

"No, I have been writing a piece in one act." The piece in question was "Romulus," which he gave to Regnier to have it read at the Comedie-Francaise, under a pseudonym, and as the work of a young unknown author. It was accepted without a dissentient vote.

It is a well-known fact, vouched for by the accounts of the Compagnie du Chemin de Fer de l'Ouest, that during the three years Dumas lived at Saint-Germain, the receipts increased by twenty thousand francs per annum. Of course, it has been objected that railways being then in their infancy the increment would have been just the same without Dumas'

presence in the royal residence, but, curiously enough, from the day he left, the pa.s.senger traffic fell to its previous state. Dumas had simply galvanized the sleepy old town into life, he had bought the theatre where the artists of the Comedie-Francaise, previous to supping with him, came to play "Mademoiselle de Belle-Isle" or the "Demoiselles de Saint-Cyr," for the benefit of the poor. On such occasions, there was not a room to be had at the hotels. After supper, there were twice a week fireworks on the Terrace, which could be seen from Paris and from Versailles, to the great astonishment of Louis-Philippe, who really attributed the change to the beneficence of his reign, although he failed to account for the continued dulness of the latter royal borough, where he himself resided, and whose picture-galleries he had restored and thrown open to the public, besides having the great fountains to play every first Sunday of the month.

One day the king sent for M. de Montalivet, and told him that, though gratified at the revived prosperity of Saint-Germain, he would like to see a little more gaiety at Versailles.

"You really mean it, sire?" asked the minister.

"Not only do I mean it, but I confess to you that it would give me great pleasure."

"Well, sire, Alexandre Dumas has lately been sentenced to a fortnight's imprisonment for neglecting his duty in the National Guards: make an order for him to spend that fortnight in Versailles, and I guarantee your Majesty that Versailles will be lively enough."

Louis-Philippe did not act upon the suggestion. The only member of the d'Orleans' family who was truly sympathetic to Dumas was the king's eldest son, whose untimely death shortly afterwards affected the great novelist very much, albeit that he frankly acknowledged to regretting the man and not the future ruler; for while loudly professing his republican creed, he never pretended to overlook his indebtedness to Louis-Philippe, when Duc d'Orleans, for having befriended him; nay, I am inclined to think that Dumas' grat.i.tude was far greater than the case warranted. When, in 1847, the fancy took him to go into parliament, he naturally turned to the borough he had benefited so much by his stay there--Saint-Germain, and Saint-Germain denied him. They thought him too immoral. Dumas waited patiently for another opportunity, which did not come until the following year, when Louis-Philippe had abdicated.

Addressing a meeting of electors at Joigny, he was challenged by a M. de Bonneliere to reconcile his t.i.tle of republican with his t.i.tle of Marquis de la Pailleterie, and the fact of his having been a secretary to the Duc d'Orleans, although he had never occupied so important a position in the Duc d'Orleans' household. His reply was simply scathing, and I give it in full as the papers of the day reproduced it. "No doubt," he said, in an off-hand, bantering way, "I was formerly called the Marquis de la Pailleterie, which was my father's name, and of which I was very proud, being unable then to claim a glorious one of my own make. But at present, when I am somebody, I call myself Alexandre Dumas and nothing more; and everybody knows me, you among the rest--you, you absolute n.o.body, who have merely come to be able to boast to-morrow, after insulting me to-night, that you have known the great Dumas. If such was your ambition, you might have satisfied it without failing in the common courtesies of a gentleman."

When the applause which the reply provoked had subsided, Dumas went on: "There is also no doubt about my having been a secretary to the Duc d'Orleans, and that I have received all kinds of favours from his family. If you, citizen, are ignorant of the meaning of the term, 'the memory of the heart,' allow me at least to proclaim here in my loudest voice, that I am not, and that I entertain towards this royal family all the devotion an honourable man can feel."

It is, however, not my intention to sketch Alexandre Dumas as a politician, for which career I considered him singularly unfit; but the speech from which I extracted the foregoing contains a few lines which, more than thirty-five years after they were spoken, cannot fail to strike the reader with his marvellous foresight. "Geographically," he said, commenting upon the political state of Europe, "Prussia has the form of a serpent, and, like it, she seems to be asleep, and to gather her strength in order to swallow everything around her--Denmark, Holland, Belgium, and, when she shall have swallowed all that, you will find that Austria will be swallowed in its turn, and perhaps, alas, France also."

The last words, as may be imagined, provoked a storm of hisses; nevertheless, he kept his audience spellbound until midnight.

A parliamentary candidate, however eloquent, who flings his const.i.tuents into the river when they happen to annoy him, must have been a novelty even in those days, and that is what Dumas did to two brawlers after said meeting, just to show them that his "aristocratic grip" was worth their "plebeian one."

A few years later, at a dinner at Dumas', in the Rue d'Amsterdam, I met a Monsieur du Chaffault who had been an eye-witness of this, as well as of other scenes during that memorable day. Until the morning of that day, M. du Chaffault had never set eyes on the great novelist; in the evening, he was his friend for life. It only proves once more the irresistible fascination Dumas exercised over every one with whom he came in contact, because the beginning of that friendship cost M. du Chaffault six hundred francs, the expenses of that part of the electoral campaign. The story, as told by M. du Chaffault the following afternoon in the Cafe Riche to Dr. Veron, myself, and Joseph Mery, is too good to be missed. I give it as near as I can remember.

"I was about twenty-four then, with nothing particular to do, and a moderate private income. They were painting and whitewashing my place, a few miles away from Sens, and I had taken up my quarters in the princ.i.p.al hotel in the town. The first elections under the second republic were being held. There was a good deal of excitement everywhere, and I liked it, though not taking the slightest interest in politics. This was in May, 1848; and about six, one morning while I was still in bed, the door of my room was suddenly opened without knocking, and what seemed to me a big black monster stood before me. There was a pistol lying by the side of me, and I was reaching towards it, when he spoke. 'Don't alarm yourself,' he said; 'I am Alexandre Dumas. They told me you were a good fellow, and I have come to ask you a service.'

"I had never seen Dumas in the flesh, only a portrait of him, but I recognized him immediately. 'You have often afforded me a great deal of amus.e.m.e.nt, but I confess you frightened me,' I said. 'What, in Heaven's name, do you want at this unholy hour?'

"'I have slept here,' was the answer. 'I landed here at midnight, and am starting for Joigny by-and-by, to attend a political meeting. I am putting up as a member for your department.'

"I jumped out of bed at once, Dumas handed me my trousers, and, when I got as far as my boots, he says, 'Oh, while I think of it, I have come to ask you for a pair of boots; in stepping into the carriage, one of mine has come to utter grief, and there is no shop open.'

"As you may see for yourselves, I am by no means a giant, and Dumas is one. I pointed this out to him, but he did not even answer me. He had caught sight of three or four pair of boots under the dressing-table, and, in the twinkling of an eye, chose the best pair and pulled them on, leaving me his old ones, absolutely worn out, but which I have preserved in my library at home. I always show them to my visitors as the thousand and first volume of Alexandre Dumas.[8]

[Footnote 8: Alexandre Dumas had a marvellously small foot.--EDITOR.]

"By the time he got the boots on we were friends, as if we had known one another for years; as for Dumas, he was 'theeing' and 'thouing' me as if we had been at school together.

"'You are going to Joigny?' I said; 'I know a good many people there.'

"'All the better, for I am going to take you along with me.'

"Having to go no further than Joigny, and being taken thither in the conveyance of my newly-made friend, I did not think it necessary to provide myself with an extra supply of funds, the more that I had between five and six hundred francs in my pocket. In a short time we were on our road, and the first stage of three hours seemed to me as many minutes. Whenever we pa.s.sed a country seat, out came a lot of anecdotes and legends connected with its owners, interlarded with quaint fancies and epigrams. At that first change of horses Dumas' secretary paid. At the second, Villevailles, Dumas says, 'Have you got twenty francs change?' Without a moment's hesitation, I took out my purse, paid the money, and put down in my pocket-book, 'Alexandre Dumas, twenty francs.' I might have saved myself the trouble, as I found out in a very short time, for the moment he got out at Joigny, he rushed off in a hurry without troubling about anything. The postilion turned to me for his money, and I paid, and put down once more, 'Alexandre Dumas, thirty francs.'

"The first meeting was fixed for four, at the theatre. They applied to me for the hire of the building, for the gas. I went on paying, but I no longer put down the items, saying to myself, 'When my six hundred francs are gone, my little excursion will be at an end, and I'll go back to Sens.' The little excursion did not extend to more than one day, seeing that I had to settle the dinner bill at the Duc de Bourgogne, Dumas having invited every one he met on his way. I am only sorry for one thing, that I did not have ten thousand francs in my pocket that morning in order to prolong my excursion for a week or so. But next morning my purse was empty, and 'our defeat was certain.' I had already identified myself with Dumas' aspirations, so I returned to Sens by myself, but overjoyed at having seen and spoken to this man of genius, who is richer than all the millionnaires in the world put together, seeing that he never troubles himself about paying, and has therefore no need to worry about money. Three months afterwards, the printer at Joigny drew upon me for a hundred francs for electioneering bills, which, of course, I could not have ordered, but which draft I settled as joyfully as I had settled the rest. I have preserved the draft with the boots; they are mementoes of my first two days' friendship with my dear friend."

At the first blush, all this sounds very much as if we were dealing with a mere Harold Skimpole, but no man was more unlike d.i.c.kens' creation than Alexandre Dumas. M. du Chaffault described him rightly when he said that he did not worry about money, not even his own. "My biographer,"