ON THE CRYPTIC AND THE ELLIPTIC

Surely the art of reporting speeches is in a strange state of degeneration. We should not object, perhaps, to the reporter's making the speeches much shorter than they are; but we do object to his making all the speeches much worse than they are. And the method which he employs is one which is dangerously unjust. When a statesman or philosopher makes an important speech, there are several courses which the reporter might take without being unreasonable. Perhaps the most reasonable course of all would be not to report the speech at all. Let the world live and love, marry and give in marriage, without that particular speech, as they did (in some desperate way) in the days when there were no newspapers. A second course would be to report a small part of it; but to get that right. A third course, far better if you can do it, is to understand the main purpose and argument of the speech, and report that in clear and logical language of your own. In short, the three possible methods are, first, to leave the man's speech alone; second, to report what he says or some complete part of what he says; and third, to report what he means. But the present way of reporting speeches (mainly created, I think, by the sc.r.a.ppy methods of the _Daily Mail_) is something utterly different from both these ways, and quite senseless and misleading.

The present method is this: the reporter sits listening to a tide of words which he does not try to understand, and does not, generally speaking, even try to take down; he waits until something occurs in the speech which for some reason sounds funny, or memorable, or very exaggerated, or, perhaps, merely concrete; then he writes it down and waits for the next one. If the orator says that the Premier is like a porpoise in the sea under some special circ.u.mstances, the reporter gets in the porpoise even if he leaves out the Premier. If the orator begins by saying that Mr. Chamberlain is rather like a violoncello, the reporter does not even wait to hear why he is like a violoncello. He has got hold of something material, and so he is quite happy. The strong words all are put in; the chain of thought is left out. If the orator uses the word "donkey," down goes the word "donkey." If the orator uses the word "d.a.m.nable," down goes the word "d.a.m.nable." They follow each other so abruptly in the report that it is often hard to discover the fascinating fact as to what was d.a.m.nable or who was being compared with a donkey. And the whole line of argument in which these things occurred is entirely lost. I have before me a newspaper report of a speech by Mr.

Bernard Shaw, of which one complete and separate paragraph runs like this--

"Capital meant spare money over and above one's needs. Their country was not really their country at all except in patriotic songs."

I am well enough acquainted with the whole map of Mr. Bernard Shaw's philosophy to know that those two statements might have been related to each other in a hundred ways. But I think that if they were read by an ordinary intelligent man, who happened not to know Mr. Shaw's views, he would form no impression at all except that Mr. Shaw was a lunatic of more than usually abrupt conversation and disconnected mind. The other two methods would certainly have done Mr. Shaw more justice: the reporter should either have taken down verbatim what the speaker really said about Capital, or have given an outline of the way in which this idea was connected with the idea about patriotic songs.

But we have not the advantage of knowing what Mr. Shaw really did say, so we had better ill.u.s.trate the different methods from something that we do know. Most of us, I suppose, know Mark Antony's Funeral Speech in "Julius Caesar." Now Mark Antony would have no reason to complain if he were not reported at all; if the _Daily Pilum_ or the _Morning Fasces_, or whatever it was, confined itself to saying, "Mr. Mark Antony also spoke," or "Mr. Mark Antony, having addressed the audience, the meeting broke up in some confusion." The next honest method, worthy of a n.o.ble Roman reporter, would be that since he could not report the whole of the speech, he should report some of the speech. He might say--"Mr. Mark Antony, in the course of his speech, said--

'When that the poor have cried Caesar hath wept: Ambition should be made of sterner stuff.'"

In that case one good, solid argument of Mark Antony would be correctly reported. The third and far higher course for the Roman reporter would be to give a philosophical statement of the purport of the speech. As thus--"Mr. Mark Antony, in the course of a powerful speech, conceded the high motives of the Republican leaders, and disclaimed any intention of raising the people against them; he thought, however, that many instances could be quoted against the theory of Caesar's ambition, and he concluded by reading, at the request of the audience, the will of Caesar, which proved that he had the most benevolent designs towards the Roman people." That is (I admit) not quite so fine as Shakspere, but it is a statement of the man's political position. But if a _Daily Mail_ reporter were sent to take down Antony's oration, he would simply wait for any expressions that struck him as odd and put them down one after another without any logical connection at all. It would turn out something like this: "Mr. Mark Antony wished for his audience's ears. He had thrice offered Caesar a crown. Caesar was like a deer. If he were Brutus he would put a wound in every tongue. The stones of Rome would mutiny. See what a rent the envious Casca paid. Brutus was Caesar's angel. The right honourable gentleman concluded by saying that he and the audience had all fallen down." That is the report of a political speech in a modern, progressive, or American manner, and I wonder whether the Romans would have put up with it.

The reports of the debates in the Houses of Parliament are constantly growing smaller and smaller in our newspapers. Perhaps this is partly because the speeches are growing duller and duller. I think in some degree the two things act and re-act on each other. For fear of the newspapers politicians are dull, and at last they are too dull even for the newspapers. The speeches in our time are more careful and elaborate, because they are meant to be read, and not to be heard. And exactly because they are more careful and elaborate, they are not so likely to be worthy of a careful and elaborate report. They are not interesting enough. So the moral cowardice of modern politicians has, after all, some punishment attached to it by the silent anger of heaven. Precisely because our political speeches are meant to be reported, they are not worth reporting. Precisely because they are carefully designed to be read, n.o.body reads them.

Thus we may concede that politicians have done something towards degrading journalism. It was not entirely done by us, the journalists.

But most of it was. It was mostly the fruit of our first and most natural sin--the habit of regarding ourselves as conjurers rather than priests, for the definition is that a conjurer is apart from his audience, while a priest is a part of his. The conjurer despises his congregation; if the priest despises any one, it must be himself. The curse of all journalism, but especially of that yellow journalism which is the shame of our profession, is that we think ourselves cleverer than the people for whom we write, whereas, in fact, we are generally even stupider. But this insolence has its Nemesis; and that Nemesis is well ill.u.s.trated in this matter of reporting.

For the journalist, having grown accustomed to talking down to the public, commonly talks too low at last, and becomes merely barbaric and unintelligible. By his very efforts to be obvious he becomes obscure.

This just punishment may specially be noticed in the case of those staggering and staring headlines which American journalism introduced and which some English journalism imitates. I once saw a headline in a London paper which ran simply thus: "Dobbin's Little Mary." This was intended to be familiar and popular, and therefore, presumably, lucid.

But it was some time before I realised, after reading about half the printed matter underneath, that it had something to do with the proper feeding of horses. At first sight, I took it, as the historical leader of the future will certainly take it, as containing some allusion to the little daughter who so monopolised the affections of the Major at the end of "Vanity Fair." The Americans carry to an even wilder extreme this darkness by excess of light. You may find a column in an American paper headed "Poet Brown Off Orange-flowers," or "Senator Robinson Shoehorns Hats Now," and it may be quite a long time before the full meaning breaks upon you: it has not broken upon me yet.

And something of this intellectual vengeance pursues also those who adopt the modern method of reporting speeches. They also become mystical, simply by trying to be vulgar. They also are condemned to be always trying to write like George R. Sims, and succeeding, in spite of themselves, in writing like Maeterlinck. That combination of words which I have quoted from an alleged speech of Mr. Bernard Shaw's was written down by the reporter with the idea that he was being particularly plain and democratic. But, as a matter of fact, if there is any connection between the two sentences, it must be something as dark as the deepest roots of Browning, or something as invisible as the most airy filaments of Meredith. To be simple and to be democratic are two very honourable and austere achievements; and it is not given to all the sn.o.bs and self-seekers to achieve them. High above even Maeterlinck or Meredith stand those, like Homer and Milton, whom no one can misunderstand. And Homer and Milton are not only better poets than Browning (great as he was), but they would also have been very much better journalists than the young men on the _Daily Mail_.

As it is, however, this misrepresentation of speeches is only a part of a vast journalistic misrepresentation of all life as it is. Journalism is popular, but it is popular mainly as fiction. Life is one world, and life seen in the newspapers another; the public enjoys both, but it is more or less conscious of the difference. People do not believe, for instance, that the debates in the House of Commons are as dramatic as they appear in the daily papers. If they did they would go, not to the daily paper, but to the House of Commons. The galleries would be crowded every night as they were in the French Revolution; for instead of seeing a printed story for a penny they would be seeing an acted drama for nothing. But the, people know in their hearts that journalism is a conventional art like any other, that it selects, heightens, and falsifies. Only its Nemesis is the same as that of other arts: if it loses all care for truth it loses all form likewise. The modern who paints too cleverly produces a picture of a cow which might be the earthquake at San Francisco. And the journalist who reports a speech too cleverly makes it mean nothing at all.

THE WORSHIP OF THE WEALTHY

There has crept, I notice, into our literature and journalism a new way of flattering the wealthy and the great. In more straightforward times flattery itself was more straight-forward; falsehood itself was more true. A poor man wishing to please a rich man simply said that he was the wisest, bravest, tallest, strongest, most benevolent and most beautiful of mankind; and as even the rich man probably knew that he wasn't that, the thing did the less harm. When courtiers sang the praises of a King they attributed to him things that were entirely improbable, as that he resembled the sun at noonday, that they had to shade their eyes when he entered the room, that his people could not breathe without him, or that he had with his single sword conquered Europe, Asia, Africa, and America. The safety of this method was its artificiality; between the King and his public image there was really no relation. But the moderns have invented a much subtler and more poisonous kind of eulogy. The modern method is to take the prince or rich man, to give a credible picture of his type of personality, as that he is business-like, or a sportsman, or fond of art, or convivial, or reserved; and then enormously exaggerate the value and importance of these natural qualities. Those who praise Mr. Carnegie do not say that he is as wise as Solomon and as brave as Mars; I wish they did. It would be the next most honest thing to giving their real reason for praising him, which is simply that he has money. The journalists who write about Mr. Pierpont Morgan do not say that he is as beautiful as Apollo; I wish they did. What they do is to take the rich man's superficial life and manner, clothes, hobbies, love of cats, dislike of doctors, or what not; and then with the a.s.sistance of this realism make the man out to be a prophet and a saviour of his kind, whereas he is merely a private and stupid man who happens to like cats or to dislike doctors. The old flatterer took for granted that the King was an ordinary man, and set to work to make him out extraordinary. The newer and cleverer flatterer takes for granted that he is extraordinary, and that therefore even ordinary things about him will be of interest.

I have noticed one very amusing way in which this is done. I notice the method applied to about six of the wealthiest men in England in a book of interviews published by an able and well-known journalist. The flatterer contrives to combine strict truth of fact with a vast atmosphere of awe and mystery by the simple operation of dealing almost entirely in negatives. Suppose you are writing a sympathetic study of Mr. Pierpont Morgan. Perhaps there is not much to say about what he does think, or like, or admire; but you can suggest whole vistas of his taste and philosophy by talking a great deal about what he does not think, or like, or admire. You say of him--"But little attracted to the most recent schools of German philosophy, he stands almost as resolutely aloof from the tendencies of transcendental Pantheism as from the narrower ecstasies of Neo-Catholicism." Or suppose I am called upon to praise the charwoman who has just come into my house, and who certainly deserves it much more. I say--"It would be a mistake to cla.s.s Mrs. Higgs among the followers of Loisy; her position is in many ways different; nor is she wholly to be identified with the concrete Hebraism of Harnack." It is a splendid method, as it gives the flatterer an opportunity of talking about something else besides the subject of the flattery, and it gives the subject of the flattery a rich, if somewhat bewildered, mental glow, as of one who has somehow gone through agonies of philosophical choice of which he was previously unaware. It is a splendid method; but I wish it were applied sometimes to charwomen rather than only to millionaires.

There is another way of flattering important people which has become very common, I notice, among writers in the newspapers and elsewhere. It consists in applying to them the phrases "simple," or "quiet," or "modest," without any sort of meaning or relation to the person to whom they are applied. To be simple is the best thing in the world; to be modest is the next best thing. I am not so sure about being quiet. I am rather inclined to think that really modest people make a great deal of noise. It is quite self-evident that really simple people make a great deal of noise. But simplicity and modesty, at least, are very rare and royal human virtues, not to be lightly talked about. Few human beings, and at rare intervals, have really risen into being modest; not one man in ten or in twenty has by long wars become simple, as an actual old soldier does by long wars become simple. These virtues are not things to fling about as mere flattery; many prophets and righteous men have desired to see these things and have not seen them. But in the description of the births, lives, and deaths of very luxurious men they are used incessantly and quite without thought. If a journalist has to describe a great politician or financier (the things are substantially the same) entering a room or walking down a thoroughfare, he always says, "Mr. Midas was quietly dressed in a black frock coat, a white waistcoat, and light grey trousers, with a plain green tie and simple flower in his b.u.t.ton-hole." As if any one would expect him to have a crimson frock coat or spangled trousers. As if any one would expect him to have a burning Catherine wheel in his b.u.t.ton-hole.

But this process, which is absurd enough when applied to the ordinary and external lives of worldly people, becomes perfectly intolerable when it is applied, as it always is applied, to the one episode which is serious even in the lives of politicians. I mean their death. When we have been sufficiently bored with the account of the simple costume of the millionaire, which is generally about as complicated as any that he could a.s.sume without being simply thought mad; when we have been told about the modest home of the millionaire, a home which is generally much too immodest to be called a home at all; when we have followed him through all these unmeaning eulogies, we are always asked last of all to admire his quiet funeral. I do not know what else people think a funeral should be except quiet. Yet again and again, over the grave of every one of those sad rich men, for whom one should surely feel, first and last, a speechless pity--over the grave of Beit, over the grave of Whiteley--this sickening nonsense about modesty and simplicity has been poured out. I well remember that when Beit was buried, the papers said that the mourning-coaches contained everybody of importance, that the floral tributes were sumptuous, splendid, intoxicating; but, for all that, it was a simple and quiet funeral. What, in the name of Acheron, did they expect it to be? Did they think there would be human sacrifice--the immolation of Oriental slaves upon the tomb? Did they think that long rows of Oriental dancing-girls would sway hither and thither in an ecstasy of lament? Did they look for the funeral games of Patroclus? I fear they had no such splendid and pagan meaning. I fear they were only using the words "quiet" and "modest" as words to fill up a page--a mere piece of the automatic hypocrisy which does become too common among those who have to write rapidly and often. The word "modest" will soon become like the word "honourable," which is said to be employed by the j.a.panese before any word that occurs in a polite sentence, as "Put honourable umbrella in honourable umbrella-stand;" or "condescend to clean honourable boots." We shall read in the future that the modest King went out in his modest crown, clad from head to foot in modest gold and attended with his ten thousand modest earls, their swords modestly drawn. No! if we have to pay for splendour let us praise it as splendour, not as simplicity. When next I meet a rich man I intend to walk up to him in the street and address him with Oriental hyperbole.

He will probably run away.

SCIENCE AND RELIGION

In these days we are accused of attacking science because we want it to be scientific. Surely there is not any undue disrespect to our doctor in saying that he is our doctor, not our priest, or our wife, or ourself.

It is not the business of the doctor to say that we must go to a watering-place; it is his affair to say that certain results of health will follow if we do go to a watering-place. After that, obviously, it is for us to judge. Physical science is like simple addition: it is either infallible or it is false. To mix science up with philosophy is only to produce a philosophy that has lost all its ideal value and a science that has lost all its practical value. I want my private physician to tell me whether this or that food will kill me. It is for my private philosopher to tell me whether I ought to be killed. I apologise for stating all these truisms. But the truth is, that I have just been reading a thick pamphlet written by a ma.s.s of highly intelligent men who seem never to have heard of any of these truisms in their lives.

Those who detest the harmless writer of this column are generally reduced (in their final ecstasy of anger) to calling him "brilliant;"

which has long ago in our journalism become a mere expression of contempt. But I am afraid that even this disdainful phrase does me too much honour. I am more and more convinced that I suffer, not from a shiny or showy impertinence, but from a simplicity that verges upon imbecility. I think more and more that I must be very dull, and that everybody else in the modern world must be very clever. I have just been reading this important compilation, sent to me in the name of a number of men for whom I have a high respect, and called "New Theology and Applied Religion." And it is literally true that I have read through whole columns of the things without knowing what the people were talking about. Either they must be talking about some black and b.e.s.t.i.a.l religion in which they were brought up, and of which I never even heard, or else they must be talking about some blazing and blinding vision of G.o.d which they have found, which I have never found, and which by its very splendour confuses their logic and confounds their speech. But the best instance I can quote of the thing is in connection with this matter of the business of physical science on the earth, of which I have just spoken. The following words are written over the signature of a man whose intelligence I respect, and I cannot make head or tail of them--

"When modern science declared that the cosmic process knew nothing of a historical event corresponding to a Fall, but told, on the contrary, the story of an incessant rise in the scale of being, it was quite plain that the Pauline scheme--I mean the argumentative processes of Paul's scheme of salvation--had lost its very foundation; for was not that foundation the total depravity of the human race inherited from their first parents?.... But now there was no Fall; there was no total depravity, or imminent danger of endless doom; and, the basis gone, the superstructure followed."

It is written with earnestness and in excellent English; it must mean something. But what can it mean? How could physical science prove that man is not depraved? You do not cut a man open to find his sins. You do not boil him until he gives forth the unmistakable green fumes of depravity. How could physical science find any traces of a moral fall?

What traces did the writer expect to find? Did he expect to find a fossil Eve with a fossil apple inside her? Did he suppose that the ages would have spared for him a complete skeleton of Adam attached to a slightly faded fig-leaf? The whole paragraph which I have quoted is simply a series of inconsequent sentences, all quite untrue in themselves and all quite irrelevant to each other. Science never said that there could have been no Fall. There might have been ten Falls, one on top of the other, and the thing would have been quite consistent with everything that we know from physical science. Humanity might have grown morally worse for millions of centuries, and the thing would in no way have contradicted the principle of Evolution. Men of science (not being raving lunatics) never said that there had been "an incessant rise in the scale of being;" for an incessant rise would mean a rise without any relapse or failure; and physical evolution is full of relapse and failure. There were certainly some physical Falls; there may have been any number of moral Falls. So that, as I have said, I am honestly bewildered as to the meaning of such pa.s.sages as this, in which the advanced person writes that because geologists know nothing about the Fall, therefore any doctrine of depravity is untrue. Because science has not found something which obviously it could not find, therefore something entirely different--the psychological sense of evil--is untrue. You might sum up this writer's argument abruptly, but accurately, in some way like this--"We have not dug up the bones of the Archangel Gabriel, who presumably had none, therefore little boys, left to themselves, will not be selfish." To me it is all wild and whirling; as if a man said--"The plumber can find nothing wrong with our piano; so I suppose that my wife does love me."

I am not going to enter here into the real doctrine of original sin, or into that probably false version of it which the New Theology writer calls the doctrine of depravity. But whatever else the worst doctrine of depravity may have been, it was a product of spiritual conviction; it had nothing to do with remote physical origins. Men thought mankind wicked because they felt wicked themselves. If a man feels wicked, I cannot see why he should suddenly feel good because somebody tells him that his ancestors once had tails. Man's primary purity and innocence may have dropped off with his tail, for all anybody knows. The only thing we all know about that primary purity and innocence is that we have not got it. Nothing can be, in the strictest sense of the word, more comic than to set so shadowy a thing as the conjectures made by the vaguer anthropologists about primitive man against so solid a thing as the human sense of sin. By its nature the evidence of Eden is something that one cannot find. By its nature the evidence of sin is something that one cannot help finding.

Some statements I disagree with; others I do not understand. If a man says, "I think the human race would be better if it abstained totally from fermented liquor," I quite understand what he means, and how his view could be defended. If a man says, "I wish to abolish beer because I am a temperance man," his remark conveys no meaning to my mind. It is like saying, "I wish to abolish roads because I am a moderate walker."

If a man says, "I am not a Trinitarian," I understand. But if he says (as a lady once said to me), "I believe in the Holy Ghost in a spiritual sense," I go away dazed. In what other sense could one believe in the Holy Ghost? And I am sorry to say that this pamphlet of progressive religious views is full of baffling observations of that kind. What can people mean when they say that science has disturbed their view of sin?

What sort of view of sin can they have had before science disturbed it?

Did they think that it was something to eat? When people say that science has shaken their faith in immortality, what do they mean? Did they think that immortality was a gas?

Of course the real truth is that science has introduced no new principle into the matter at all. A man can be a Christian to the end of the world, for the simple reason that a man could have been an Atheist from the beginning of it. The materialism of things is on the face of things; it does not require any science to find it out. A man who has lived and loved falls down dead and the worms eat him. That is Materialism if you like. That is Atheism if you like. If mankind has believed in spite of that, it can believe in spite of anything. But why our human lot is made any more hopeless because we know the names of all the worms who eat him, or the names of all the parts of him that they eat, is to a thoughtful mind somewhat difficult to discover. My chief objection to these semi-scientific revolutionists is that they are not at all revolutionary. They are the party of plat.i.tude. They do not shake religion: rather religion seems to shake them. They can only answer the great paradox by repeating the truism.

THE METHUSELAHITE

I Saw in a newspaper paragraph the other day the following entertaining and deeply philosophical incident. A man was enlisting as a soldier at Portsmouth, and some form was put before him to be filled up, common, I suppose, to all such cases, in which was, among other things, an inquiry about what was his religion. With an equal and ceremonial gravity the man wrote down the word "Methuselahite." Whoever looks over such papers must, I should imagine, have seen some rum religions in his time; unless the Army is going to the dogs. But with all his specialist knowledge he could not "place" Methuselahism among what Bossuet called the variations of Protestantism. He felt a fervid curiosity about the tenets and tendencies of the sect; and he asked the soldier what it meant. The soldier replied that it was his religion "to live as long as he could."

Now, considered as an incident in the religious history of Europe, that answer of that soldier was worth more than a hundred cartloads of quarterly and monthly and weekly and daily papers discussing religious problems and religious books. Every day the daily paper reviews some new philosopher who has some new religion; and there is not in the whole two thousand words of the whole two columns one word as witty as or wise as that word "Methuselahite." The whole meaning of literature is simply to cut a long story short; that is why our modern books of philosophy are never literature. That soldier had in him the very soul of literature; he was one of the great phrase-makers of modern thought, like Victor Hugo or Disraeli. He found one word that defines the paganism of to-day.

Henceforward, when the modern philosophers come to me with their new religions (and there is always a kind of queue of them waiting all the way down the street) I shall antic.i.p.ate their circ.u.mlocutions and be able to cut them short with a single inspired word. One of them will begin, "The New Religion, which is based upon that Primordial Energy in Nature...." "Methuselahite," I shall say sharply; "good morning." "Human Life," another will say, "Human Life, the only ultimate sanct.i.ty, freed from creed and dogma...." "Methuselahite!" I shall yell. "Out you go!"

"My religion is the Religion of Joy," a third will explain (a bald old man with a cough and tinted gla.s.ses), "the Religion of Physical Pride and Rapture, and my...." "Methuselahite!" I shall cry again, and I shall slap him boisterously on the back, and he will fall down. Then a pale young poet with serpentine hair will come and say to me (as one did only the other day): "Moods and impressions are the only realities, and these are constantly and wholly changing. I could hardly therefore define my religion...." "I can," I should say, somewhat sternly. "Your religion is to live a long time; and if you stop here a moment longer you won't fulfil it."

A new philosophy generally means in practice the praise of some old vice. We have had the sophist who defends cruelty, and calls it masculinity. We have had the sophist who defends profligacy, and calls it the liberty of the emotions. We have had the sophist who defends idleness, and calls it art. It will almost certainly happen--it can almost certainly be prophesied--that in this saturnalia of sophistry there will at some time or other arise a sophist who desires to idealise cowardice. And when we are once in this unhealthy world of mere wild words, what a vast deal there would be to say for cowardice! "Is not life a lovely thing and worth saving?" the soldier would say as he ran away. "Should I not prolong the exquisite miracle of consciousness?" the householder would say as he hid under the table. "As long as there are roses and lilies on the earth shall I not remain here?" would come the voice of the citizen from under the bed. It would be quite as easy to defend the coward as a kind of poet and mystic as it has been, in many recent books, to defend the emotionalist as a kind of poet and mystic, or the tyrant as a kind of poet and mystic. When that last grand sophistry and morbidity is preached in a book or on a platform, you may depend upon it there will be a great stir in its favour, that is, a great stir among the little people who live among books and platforms.

There will be a new great Religion, the Religion of Methuselahism: with pomps and priests and altars. Its devout crusaders will vow themselves in thousands with a great vow to live long. But there is one comfort: they won't.

For, indeed, the weakness of this worship of mere natural life (which is a common enough creed to-day) is that it ignores the paradox of courage and fails in its own aim. As a matter of fact, no men would be killed quicker than the Methuselahites. The paradox of courage is that a man must be a little careless of his life even in order to keep it. And in the very case I have quoted we may see an example of how little the theory of Methuselahism really inspires our best life. For there is one riddle in that case which cannot easily be cleared up. If it was the man's religion to live as long as he could, why on earth was he enlisting as a soldier?

SPIRITUALISM.

I Have received a letter from a gentleman who is very indignant at what he considers my flippancy in disregarding or degrading Spiritualism. I thought I was defending Spiritualism; but I am rather used to being accused of mocking the thing that I set out to justify. My fate in most controversies is rather pathetic. It is an almost invariable rule that the man with whom I don't agree thinks I am making a fool of myself, and the man with whom I do agree thinks I am making a fool of him. There seems to be some sort of idea that you are not treating a subject properly if you eulogise it with fantastic terms or defend it by grotesque examples. Yet a truth is equally solemn whatever figure or example its exponent adopts. It is an equally awful truth that four and four make eight, whether you reckon the thing out in eight onions or eight angels, or eight bricks or eight bishops, or eight minor poets or eight pigs. Similarly, if it be true that G.o.d made all things, that grave fact can be a.s.serted by pointing at a star or by waving an umbrella. But the case is stronger than this. There is a distinct philosophical advantage in using grotesque terms in a serious discussion.

I think seriously, on the whole, that the more serious is the discussion the more grotesque should be the terms. For this, as I say, there is an evident reason. For a subject is really solemn and important in so far as it applies to the whole cosmos, or to some great spheres and cycles of experience at least. So far as a thing is universal it is serious.

And so far as a thing is universal it is full of comic things. If you take a small thing, it may be entirely serious: Napoleon, for instance, was a small thing, and he was serious: the same applies to microbes. If you isolate a thing, you may get the pure essence of gravity. But if you take a large thing (such as the Solar System) it _must_ be comic, at least in parts. The germs are serious, because they kill you. But the stars are funny, because they give birth to life, and life gives birth to fun. If you have, let us say, a theory about man, and if you can only prove it by talking about Plato and George Washington, your theory may be a quite frivolous thing. But if you can prove it by talking about the butler or the postman, then it is serious, because it is universal. So far from it being irreverent to use silly metaphors on serious questions, it is one's duty to use silly metaphors on serious questions.