"Walked."

She had been fighting back a need to go to the bathroom. It seemed that if she went to the bathroom she would destroy some of the strength of her case. But she had to. She freed herself. She said, "Wait a minute, I'm going to the john."

When she came out Patrick had the electric kettle going, was measuring out instant coffee. He looked decent and bewildered.

"I'm not really awake," he said. "Now. Sit down. First of all, are you premenstrual?"

"No." But she realized with dismay that she was, and that he might be able to figure it out, because they had been worried last month.

"Well, if you're not premenstrual, and nothing's happened to upset you, then what is all this about?"

"I don't want to get married," she said, backing away from the cruelty of I don't want to marry you.

"When did you come to this decision?"

"Long ago. This morning."

They were talking in whispers. Rose looked at the clock. It was a little after seven.

"When do the others get up?"

"About eight."

"Is there milk for the coffee?" She went to the refrigerator.

"Quiet with the door," said Patrick, too late.

"I'm sorry," she said, in her strange silly voice.

"We went for a walk last night and everything was fine. You come this morning and tell me you don't want to get married. Why don't you want to get married?"

"I just don't. I don't want to be married."

"What else do you want to do?"

"I don't know."

Patrick kept staring at her sternly, drinking his coffee. He who used to plead with her do you love me, do you really, did not bring the subject up now.

"Well, I know."

"What?"

"I know who's been talking to you."

"Nobody has been talking to me."

"Oh, no. Well, I bet Dr. Henshawe has."

"No."

"Some people don't have a very high opinion of her. They think she has an influence on girls. She doesn't like the girls who live with her to have boyfriends. Does she? You even told me that. She doesn't like them to be normal."

"That's not it."

"What did she say to you, Rose?"

"She didn't say anything." Rose began to cry.

"Are you sure?"

"Oh, Patrick, listen, please, I can't marry you, please, I don't know why, I can't, please, I'm sorry, believe me, I can't," Rose babbled at him, weeping, and Patrick saying, "Shh! You'll wake them up!" lifted or dragged her out of the kitchen chair and took her to his room, where she sat on the bed. He shut the door. She held her arms across her stomach, and rocked back and forth.

"What is it, Rose? What's the matter? Are you sick?"

"It's just so hard to tell you!"

"Tell me what?"

"What I just did tell you!"

"I mean have you found out you have to or something?"

"No!"

"Is there something in your family you haven't told me about? Insanity?" said Patrick encouragingly.

"No!" Rose rocked and wept.

"So what is it?"

"I don't love you!" she said. "I don't love you. I don't love you." She fell on the bed and put her head in the pillow. "I'm so sorry. I'm so sorry. I can't help it."

After a moment or two Patrick said, "Well. If you don't love me you don't love me. I'm not forcing you to." His voice sounded strained and spiteful, against the reasonableness of what he was saying. "I just wonder," he said, "if you know what you do want. I don't think you do. I don't think you have any idea what you want. You're just in a state."

"I don't have to know what I want to know what I don't want!" Rose said, turning over. This released her. "I never loved you."

"Shh. You'll wake them. We have to stop."

"I never loved you. I never wanted to. It was a mistake."

"All right. All right. You made your point."

"Why am I supposed to love you? Why do you act as if there was something wrong with me if I didn't? You despise me. You despise my family and my background and you think you are doing me a great favor"

"I fell in love with you," Patrick said. "I don't despise you. Oh, Rose. I worship you."

"You're a sissy," Rose said. "You're a prude." She jumped off the bed with great pleasure as she said this. She felt full of energy. More was coming. Terrible things were coming.

"You don't even know how to make love right. I always wanted to get out of this from the very first. I felt sorry for you. You won't look where you're going, you're always knocking things over, just because you can't be bothered, you can't be bothered noticing anything, you're wrapped up in yourself, and you're always bragging, it's so stupid, you don't even know how to brag right, if you really want to impress people you'll never do it, the way you do it all they do is laugh at you!"

Patrick sat on the bed and looked up at her, his face open to whatever she would say. She wanted to beat and beat him, to say worse and worse, uglier and crueller, things. She took a breath, drew in air, to stop the things she felt rising in her from getting out.

"I don't want to see you, ever!" she said viciously. But at the door she turned and said in a normal and regretful voice, "Goodbye."

PATRICK WROTE HER a note: I don't understand what happened the other day and I want to talk to you about it. But I think we should wait for two weeks and not see or talk to each other and find out how we feel at the end of that time.

Rose had forgotten all about giving him back his ring. When she came out of his apartment building that morning she was still wearing it. She couldn't go back, and it seemed too valuable to send through the mail. She continued to wear it, mostly because she did not want to have to tell Dr. Henshawe what had happened. She was relieved to get Patrick's note. She thought that she could give him back the ring then.

She thought about what Patrick had said about Dr. Henshawe. No doubt there was some truth in that, else why should she be so reluctant to tell Dr. Henshawe she had broken her engagement, so unwilling to face her sensible approval, her restrained, relieved congratulations?

She told Dr. Henshawe that she was not seeing Patrick while she studied for her exams. Rose could see that even that pleased her.

She told no one that her situation had changed. It was not just Dr. Henshawe she didn't want knowing. She didn't like giving up being envied; the experience was so new to her.

She tried to think what to do next. She could not stay on at Dr. Henshawe's. It seemed clear that if she escaped from Patrick, she must escape from Dr. Henshawe too. And she did not want to stay on at the college, with people knowing about her broken engagement, with the girls who now congratulated her saying they had known all along it was a fluke, her getting Patrick. She would have to get a job.

The Head Librarian had offered her a job for the summer but that was perhaps at Dr. Henshawe's suggestion. Once she moved out, the offer might not hold. She knew that instead of studying for her exams she ought to be downtown, applying for work as a filing clerk at the insurance offices, applying at Bell Telephone, at the department stores. The idea frightened her. She kept on studying. That was the one thing she really knew how to do. She was a scholarship student after all.

On Saturday afternoon, when she was working at the library, she saw Patrick. She did not see him by accident. She went down to the bottom floor, trying not to make noise on the spiralling metal staircase. There was a place in the stacks where she could stand, almost in darkness, and see into his carrel. She did that. She couldn't see his face. She saw his long pink neck and the old plaid shirt he wore on Saturdays. His long neck. His bony shoulders. She was no longer irritated by him, no longer frightened by him; she was free. She could look at him as she would look at anybody. She could appreciate him. He had behaved well. He had not tried to rouse her pity, he had not bullied her, he had not molested her with pitiful telephone calls and letters. He had not come and sat on Dr. Henshawe's doorstep. He was an honorable person, and he would never know how she acknowledged that, how she was grateful for it. The things she had said to him made her ashamed now. And they were not even true. Not all of them. He did know how to make love. She was so moved, made so gentle and wistful, by the sight of him, that she wanted to give him something, some surprising bounty, she wished to undo his unhappiness.

Then she had a compelling picture of herself. She was running softly into Patrick's carrel, she was throwing her arms around him from behind, she was giving everything back to him. Would he take it from her, would he still want it? She saw them laughing and crying, explaining, forgiving. I love you. I do love you, it's all right, I was terrible, I didn't mean it, I was just crazy, I love you, it's all right. This was a violent temptation for her; it was barely resistible. She had an impulse to hurl herself. Whether it was off a cliff or into a warm bed of welcoming grass and flowers, she really could not tell.

It was not resistible, after all. She did it.

WHEN ROSE AFTERWARD reviewed and talked about this moment in her life for she went through a period, like most people nowadays, of talking freely about her most private decisions, to friends and lovers and party acquaintances whom she might never see again, while they did the same she said that comradely compassion had overcome her, she was not proof against the sight of a bare bent neck. Then she went further into it, and said greed, greed. She said she had run to him and clung to him and overcome his suspicions and kissed and cried and reinstated herself simply because she did not know how to do with out his love and his promise to look after her; she was frightened of the world and she had not been able to think up any other plan for herself. When she was seeing life in economic terms, or was with people who did, she said that only middle-class people had choices anyway, that if she had had the price of a train ticket to Toronto her life would have been different.

Nonsense, she might say later, never mind that, it was really vanity, it was vanity pure and simple, to resurrect him, to bring him back his happiness. To see if she could do that. She could not resist such a test of power. She explained then that she had paid for it. She said that she and Patrick had been married ten years, and that during that time the scenes of the first breakup and reconciliation had been periodically repeated, with her saying again all the things she had said the first time, and the things she had held back, and many other things which occurred to her. She hopes she did not tell people (but thinks she did) that she used to beat her head against the bedpost, that she smashed a gravy boat through a dining-room window; that she was so frightened, so sickened by what she had done that she lay in bed, shivering, and begged and begged for his forgiveness. Which he granted. Sometimes she flew at him; sometimes he beat her. The next morning they would get up early and make a special breakfast; they would sit eating bacon and eggs and drinking filtered coffee, worn out, bewildered, treating each other with shamefaced kindness.

What do you think triggers the reaction? they would say.

Do you think we ought to take a holiday? A holiday together? Holidays alone?

A waste, a sham, those efforts, as it turned out. But they worked for the moment. Calmed down, they would say that most people probably went through the same things like this, in a marriage, and indeed they seemed to know mostly people who did. They could not separate until enough damage had been done, until nearly mortal damage had been done, to keep them apart. And until Rose could get a job and make her own money, so perhaps there was a very ordinary reason after all.

What she never said to anybody, never confided, was that she sometimes thought it had not been pity or greed or cowardice or vanity but something quite different, like a vision of happiness. In view of everything else she had told she could hardly tell that. It seems very odd; she can't justify it. She doesn't mean that they had perfectly ordinary, bearable times in their marriage, long busy stretches of wallpapering and vacationing and meals and shopping and worrying about a child's illness, but that sometimes, without reason or warning, happiness, the possibility of happiness, would surprise them. Then it was as if they were in different though identical-seeming skins, as if there existed a radiantly kind and innocent Rose and Patrick, hardly ever visible, in the shadow of their usual selves. Perhaps it was that Patrick she saw when she was free of him, invisible to him, looking into his carrel. Perhaps it was. She should have left him there.

SHE KNEW THAT was how she had seen him; she knows it, because it happened again. She was in Toronto Airport, in the middle of the night. This was about nine years after she and Patrick were divorced. She had become fairly well known by this time, her face was familiar to many people in this country. She did a television program on which she interviewed politicians, actors, writers, personalities, and many ordinary people who were angry about something the government or the police or a union had done to them. Sometimes she talked to people who had seen strange sights, UFOs, or sea monsters, or who had unusual accomplishments or collections, or kept up some obsolete custom.

She was alone. No one was meeting her. She had just come in on a delayed flight from Yellowknife. She was tired and bedraggled. She saw Patrick standing with his back to her, at a coffee bar. He wore a raincoat. He was heavier than he had been, but she knew him at once. And she had the same feeling that this was a person she was bound to, that by a certain magical yet possible trick, they could find and trust each other, and that to begin this all that she had to do was go up and touch him on the shoulder, surprise him with his happiness.

She did not do this, of course, but she did stop. She was standing still when he turned around, heading for one of the little plastic tables and curved seats grouped in front of the coffee bar. All his skinniness and academic shabbiness, his look of prim authoritarianism, was gone. He had smoothed out, filled out, into such a modish and agreeable, responsible, slightly complacent-looking man. His birthmark had faded. She thought how haggard and dreary she must look, in her rumpled trenchcoat, her long, graying hair fallen forward around her face, old mascara smudged under her eyes.

He made a face at her. It was a truly hateful, savagely warning, face; infantile, self-indulgent, yet calculated; it was a timed explosion of disgust and loathing. It was hard to believe. But she saw it.

Sometimes when Rose was talking to someone in front of the tele vision cameras she would sense the desire in them to make a face. She would sense it in all sorts of people, in skillful politicians and witty liberal bishops and honored humanitarians, in housewives who had witnessed natural disasters and in workmen who had performed heroic rescues or been cheated out of disability pensions. They were longing to sabotage themselves, to make a face or say a dirty word. Was this the face they all wanted to make? To show somebody, to show everybody? They wouldn't do it, though; they wouldn't get the chance. Special circumstances were required. A lurid unreal place, the middle of the night, a staggering unhinging weariness, the sudden, hallucinatory appearance of your true enemy.

She hurried away then, down the long varicolored corridor, shaking. She had seen Patrick; Patrick had seen her; he had made that face. But she was not really able to understand how she could be an enemy. How could anybody hate Rose so much, at the very moment when she was ready to come forward with her good will, her smiling confession of exhaustion, her air of diffident faith in civilized overtures?

Oh, Patrick could. Patrick could.

THE TURKEY SEASON.

To Joe Radford

WHEN I WAS FOURTEEN I got a job at the Turkey Barn for the Christmas season. I was still too young to get a job working in a store or as a part-time waitress; I was also too nervous.

I was a turkey gutter. The other people who worked at the Turkey Barn were Lily and Marjorie and Gladys, who were also gutters; Irene and Henry, who were pluckers; Herb Abbott, the foreman, who superintended the whole operation and filled in wherever he was needed. Morgan Elliott was the owner and boss. He and his son, Morgy, did the killing.

Morgy I knew from school. I thought him stupid and despicable and was uneasy about having to consider him in a new and possibly superior guise, as the boss's son. But his father treated him so roughly, yelling and swearing at him, that he seemed no more than the lowest of the workers. The other person related to the boss was Gladys. She was his sister, and in her case there did seem to be some privilege of position. She worked slowly and went home if she was not feeling well, and was not friendly to Lily and Marjorie, although she was, a little, to me. She had come back to live with Morgan and his family after working for many years in Toronto, in a bank. This was not the sort of job she was used to. Lily and Marjorie, talking about her when she wasn't there, said she had had a nervous breakdown. They said Morgan made her work in the Turkey Barn to pay for her keep. They also said, with no worry about the contradiction, that she had taken the job because she was after a man, and that the man was Herb Abbott.

All I could see when I closed my eyes, the first few nights after working there, was turkeys. I saw them hanging upside down, plucked and stiffened, pale and cold, with the heads and necks limp, the eyes and nostrils clotted with dark blood; the remaining bits of feathers those dark and bloody too seemed to form a crown. I saw them not with aversion but with a sense of endless work to be done.

Herb Abbott showed me what to do. You put the turkey down on the table and cut its head off with a cleaver. Then you took the loose skin around the neck and stripped it back to reveal the crop, nestled in the cleft between the gullet and the windpipe.

"Feel the gravel," said Herb encouragingly. He made me close my fingers around the crop. Then he showed me how to work my hand down behind it to cut it out, and the gullet and windpipe as well. He used shears to cut the vertebrae.

"Scrunch, scrunch," he said soothingly. "Now, put your hand in."

I did. It was deathly cold in there, in the turkey's dark insides.

"Watch out for bone splinters."

Working cautiously in the dark, I had to pull the connecting tissues loose.

"Ups-a-daisy." Herb turned the bird over and flexed each leg. "Knees up, Mother Brown. Now." He took a heavy knife and placed it directly on the knee knuckle joints and cut off the shank.

"Have a look at the worms."

Pearly-white strings, pulled out of the shank, were creeping about on their own.

"That's just the tendons shrinking. Now comes the nice part!"

He slit the bird at its bottom end, letting out a rotten smell.

"Are you educated?"