"But it did not make any difference, did it?" said the Franciscan. "Even if he had gone to America, it would not have made any difference."

AT TRIESTE SHE had boarded a steamer, to travel down the Dalmatian Coast. She was with her friends Mr. and Mrs. Cozzens, whom she had met in Italy, and their friend Dr. Lamb, who had joined them from England. They put in at the little port of Bar, which the Italians call Antivari, and stayed the night at the European Hotel. After dinner they walked on the terrace, but Mrs. Cozzens was afraid of a chill, so they went indoors and played cards. There was rain in the night. She woke up and listened to the rain and was full of disappointment, which gave rise to a loathing for these middle-aged people, particularly for Dr. Lamb, whom she believed the Cozzenses had summoned from England to meet her. They probably thought she was rich. A transatlantic heiress whose accent they could almost forgive. These people ate too much and then they had to take pills. And they worried about being in strange places what had they come for? In the morning she would have to get back on the boat with them or they would make a fuss. She would never take the road over the mountains to Cetinge, Montenegro's capital city they had been told that it was not wise. She would never see the bell tower where the heads of Turks used to hang, or the plane tree under which the Poet-Prince held audience with the people. She could not get back to sleep, so she decided to go downstairs with the first light, and, even if it was still raining, to go a little way up the road behind the town, just to see the ruins that she knew were there, among the olive trees, and the Austrian fortress on its rock and the dark face of Mount Lovchen.

The weather obliged her, and so did the man at the hotel desk, producing almost at once a tattered but cheerful guide and his underfed horse. They set out she on the horse, the man walking ahead. The road was steep and twisting and full of boulders, the sun increasingly hot and the intervening shade cold and black. She became hungry and thought she must turn back soon. She would have breakfast with her companions, who got up late.

No doubt there was some sort of search for her, after the guide's body was found. The authorities must have been notified whoever the authorities were. The boat must have sailed on time, her friends must have gone with it. The hotel had not taken their passports. Nobody back in Canada would think of investigating. She was not writing regularly to anyone, she had had a falling-out with her brother, her parents were dead. You won't come home till all your inheritance is spent, her brother had said, and then who will look after you?

When she was being carried through the pine forest, she awoke and found herself suspended, lulled in spite of the pain and perhaps because of the raki into a disbelieving surrender. She fastened her eyes on the bundle that was hanging from the saddle of the man ahead of her and knocking against the horse's back. It was something about the size of a cabbage, wrapped in a stiff and rusty-looking cloth.

I HEARD THIS STORY in the old St. Joseph's Hospital in Victoria from Charlotte, who was the sort of friend I had in my early days there. My friendships then seemed both intimate and uncertain. I never knew why people told me things, or what they meant me to believe.

I had come to the hospital with flowers and chocolates. Charlotte lifted her head, with its clipped and feathery white hair, toward the roses. "Bah!" she said. "They have no smell! Not to me, anyway. They are beautiful, of course.

"You must eat the chocolates yourself," she said. "Everything tastes like tar to me. I don't know how I know what tar tastes like, but this is what I think."

She was feverish. Her hand, when I held it, felt hot and puffy. Her hair had all been cut off, and this made her look as if she had actually lost flesh around her face and neck. The part of her under the hospital covers seemed as extensive and lumpy as ever.

"But you must not think I am ungrateful," she said. "Sit down. Bring that chair from over there she doesn't need it."

There were two other women in the room. One was just a thatch of yellow-gray hair on the pillow, and the other was tied into a chair, wriggling and grunting.

"This is a terrible place," said Charlotte. "But we must just try our best to put up with it. I am so glad to see you. That one over there yells all night long," she said, nodding toward the window bed. "We must thank Christ she's asleep now. I don't get a wink of sleep, but I have been putting the time to very good use. What do you think I've been doing? I've been making up a story, for a movie! I have it all in my head and I want you to hear it. You will be able to judge if it will make a good movie. I think it will. I would like Jennifer Jones to act in it. I don't know, though. She does not seem to have the same spirit anymore. She married that mogul.

"Listen," she said. "(Oh, could you haul that pillow up more, behind my head?) It takes place in Albania, in northern Albania, which is called Maltsia e madhe, in the nineteen-twenties, when things were very primitive. It is about a young woman travelling alone. Lottar is her name in the story."

I sat and listened. Charlotte would lean forward, even rock a little on her hard bed, stressing some point for me. Her puffy hands flew up and down, her blue eyes widened commandingly, and then from time to time she sank back onto the pillows, and she shut her eyes to get the story in focus again. Ah, yes, she said. Yes, yes. And she continued.

"Yes, yes," she said at last. "I know how it goes on, but that is enough for now. You will have to come back. Tomorrow. Will you come back?"

I said, yes, tomorrow, and she appeared to have fallen asleep without hearing me.

THE KULA WAS a great, rough stone house with a stable below and the living quarters above. A veranda ran all the way around, and there would always be an old woman sitting there, with a bobbin contraption that flew like a bird from one hand to the other and left a trail of shiny black braid, mile after mile of black braid, which was the adornment of all the men's trousers. Other women worked at the looms or sewed together the leather sandals. Nobody sat there knitting, because nobody would think to sit down to knit. Knitting was what they did while they trotted back and forth to the spring with their water barrels strapped to their backs, or took the path to the fields or to the beech wood, where they collected the fallen branches. They knitted stockings black and white, red and white, with zigzag patterns like lightning strokes. Women's hands must never be idle. Before dawn they pounded the bread dough in its blackened wooden trough, shaped it into loaves on the backs of shovels, and baked it on the hearth. (It was corn bread, unleavened and eaten hot, which would swell up like a puffball in your stomach.) Then they had to sweep out the kula and dump the dirty ferns and pile up armloads of fresh ferns for the next night's sleep. This was often one of Lottar's jobs, since she was so unskilled at everything else. Little girls stirred the yogurt so that lumps would not form as it soured. Older girls might butcher a kid and sew up its stomach, which they had stuffed with wild garlic and sage and apples. Or they would go together, girls and women, all ages, to wash the men's white head scarves in the cold little river nearby, whose waters were clear as glass. They tended the tobacco crop and hung the ripe leaves to dry in the darkened shed. They hoed the corn and cucumbers, milked the ewes.

The women looked stern but they were not so, really. They were only preoccupied, and proud of themselves, and eager for competition. Who could carry the heaviest load of wood, knit the fastest, hoe the most rows of cornstalks? Tima, who had looked after Lottar when she was sick, was the most spectacular worker of all. She would run up the slope to the kula with a load of wood bound to her back that looked ten times as big as herself. She would leap from rock to rock in the river and pound the scarves as if they were the bodies of enemies. "Oh, Tima, Tima!" the other women cried out in ironic admiration, and "Oh, Lottar, Lottar!" in nearly the same tones, when Lottar, at the other end of a scale of usefulness, let the clothes drift away downstream. Sometimes they whacked Lottar with a stick, as they would a donkey, but this had more exasperation in it than cruelty. Sometimes the young ones would say, "Talk your talk!" and for their entertainment she would speak English. They wrinkled up their faces and spat, at such peculiar sounds. She tried to teach them words hand, nose, and so on. But these seemed to them jokes, and they would repeat them to each other and fall about laughing.

Women were with women and men were with men, except at times in the night (women teased about such times were full of shame and denial, and sometimes there would be a slapping) and at meals, when the women served the men their food. What the men did all day was none of the women's business. Men made their ammunition, and gave a lot of care to their guns, which were in some cases very beautiful, decorated with engraved silver. They also dynamited rocks to clear the road, and were responsible for the horses. Wherever they were, there was a lot of laughing, and sometimes singing and firing off of blanks. While they were at home they seemed to be on holiday, and then some of them would have to ride off on an expedition of punishment, or to attend a council called to put an end to some particular bout of killing. None of the women believed it would work they laughed and said that it would only mean twenty more shot. When a young man was going off on his first killing, the women made a great fuss over his clothes and his haircut, to encourage him. If he didn't succeed, no woman would marry him a woman of any worth would be ashamed to marry a man who had not killed and everyone was anxious to have new brides in the house, to help with the work.

One night, when Lottar served one man his food a guest; there were always guests invited for meals around the low table, the sofra she noticed what small hands he had, and hairless wrists. Yet he was not young, he was not a boy. A wrinkled, leathery face, without a mustache. She listened for his voice in the talk, and it seemed to her hoarse but womanish. But he smoked, he ate with the men, he carried a gun.

"Is that a man?" Lottar said to the woman serving with her. The woman shook her head, not willing to speak where the men might hear them. But the young girls who overheard the question were not so careful. "Is that a man? Is that a man?" they mimicked Lottar. "Oh, Lottar, you are so stupid! Don't you know when you see a Virgin?"

So she did not ask them anything else. But the next time she saw the Franciscan, she ran after him to ask him her question. What is a Virgin? She had to run after him, because he did not stop and talk to her now as he had when she was sick in the little hut. She was always working when he came to the kula, and he could not spend much time with the women anyway he sat with the men. She ran after him when she saw him leaving, striding down the path among the sumac trees, heading for the bare wooden church and the lean-to church house, where he lived.

He said it was a woman, but a woman who had become like a man. She did not want to marry, and she took an oath in front of witnesses that she never would, and then she put on men's clothes and had her own gun, and her horse if she could afford one, and she lived as she liked. Usually she was poor, she had no woman to work for her. But nobody troubled her, and she could eat at the sofra with the men.

Lottar no longer spoke to the priest about going to Skodra. She understood now that it must be a long way away. Sometimes she asked if he had heard anything, if anybody was looking for her, and he would say, sternly, no one. When she thought of how she had been during those first weeks giving orders, speaking English without embarrassment, sure that her special case merited attention she was ashamed at how little she had understood. And the longer she stayed at the kula, the better she spoke the language and became accustomed to the work, the stranger was the thought of leaving. Someday she must go, but how could it be now? How could she leave in the middle of the tobacco-picking or the sumac harvest, or during the preparations for the feast of the Translation of St. Nicholas?

In the tobacco fields they took off their jerkins and blouses and worked half naked in the sun, hidden between the rows of tall plants. The tobacco juice was black and sticky, like molasses, and it ran down their arms and was smeared over their breasts. At dusk they went down to the river and scrubbed themselves clean. They splashed in the cold water, girls and big, broad women together. They tried to push each other off balance, and Lottar heard her name cried then, in warning and triumph, without contempt, like any other name: "Lottar, watch out! Lottar!"

They told her things. They told her that children died here because of the Striga. Even grown-up people shrivel and die sometimes, when the Striga has put her spell on them. The Striga looks like a normal woman, so you do not know who she is. She sucks blood. To catch her, you must lay a cross on the threshold of the church on Easter Sunday when everybody is inside. Then the woman who is the Striga cannot come out. Or you can follow the woman you suspect, and you may see her vomit up the blood. If you can manage to scrape up some of this blood on a silver coin, and carry that coin with you, no Striga can touch you, ever.

Hair cut at the time of the full moon will turn white.

If you have pains in your limbs, cut some hair from your head and your armpits and burn it then the pains will go away.

The oras are the devils that come out at night and flash false lights to bewilder travellers. You must crouch down and cover your head, else they will lead you over a cliff. Also they will catch the horses and ride them to death.

THE TOBACCO HAD been harvested, the sheep brought down from the slopes, animals and humans shut up in the kula through the weeks of snow and cold rain, and one day, in the early warmth of the spring sun, the women brought Lottar to a chair on the veranda. There, with great ceremony and delight, they shaved off the hair above her forehead. Then they combed some black, bubbling dye through the hair that remained. The dye was greasy the hair became so stiff that they could shape it into wings and buns as firm as blood puddings. Everybody thronged about, criticizing and admiring. They put flour on her face and dressed her up in clothes they had pulled out of one of the great carved chests. What for, she asked, as she found herself disappearing into a white blouse with gold embroidery, a red bodice with fringed epaulets, a sash of striped silk a yard wide and a dozen yards long, a black-and-red wool skirt, with chain after chain of false gold being thrown over her hair and around her neck. For beauty, they said. And they said when they had finished, "See! She is beautiful!" Those who said it seemed triumphant, challenging others who must have doubted that the transformation could be made. They squeezed the muscles in her arms, which she had got from hoeing and wood-carrying, and patted her broad, floured forehead. Then they shrieked, because they had forgotten a very important thing the black paint that joins the eyebrows in a single line over the nose.

"The priest is coming!" shouted one of the girls, who must have been placed as a lookout, and the woman who was painting the black line said, "Ha, he will not stop it!" But the others drew aside.

The Franciscan shot off a couple of blanks, as he always did to announce his arrival, and the men of the house fired off blanks also, to welcome him. But he did not stay with the men this time. He climbed at once to the veranda, calling, "Shame! Shame! Shame on you all! Shame!

"I know what you have dyed her hair for," he said to the women. "I know why you have put bride's clothes on her. All for a pig of a Muslim!

"You! You sitting there in your paint," he said to Lottar. "Don't you know what it is for? Don't you know they have sold you to a Muslim? He is coming from Vuthaj. He will be here by dark!"

"So what of it?" said one of the women boldly. "All they could get for her was three napoleons. She has to marry somebody."

The Franciscan told her to hold her tongue. "Is this what you want?" he said to Lottar. "To marry an infidel and go to live with him in Vuthaj?"

Lottar said no. She felt as if she could hardly move or open her mouth, under the weight of her greased hair and her finery. Under this weight she struggled as you do to rouse yourself to a danger, out of sleep. The idea of marrying the Muslim was still too distant to be the danger what she understood was that she would be separated from the priest, and would never be able to claim an explanation from him again.

"Did you know you were being married?" he asked her. "Is it something you want, to be married?"

No, she said. No. And the Franciscan clapped his hands. "Take off that gold trash!" he said. "Take those clothes off her! I am going to make her a Virgin!

"If you become a Virgin, it will be all right," he said to her. "The Muslim will not have to shoot anybody. But you must swear you will never go with a man. You must swear in front of witnesses. Per quri e per kruch. By the stone and by the Cross. Do you understand that? I am not going to let them marry you to a Muslim, but I do not want more shooting to start on this land."

It was one of the things the Franciscan tried so hard to prevent the selling of women to Muslim men. It put him into a frenzy, that their religion could be so easily set aside. They sold girls like Lottar, who would bring no price anywhere else, and widows who had borne only girls.

Slowly and sulkily the women removed all the rich clothes. They brought out men's trousers, worn and with no braid, and a shirt and head scarf. Lottar put them on. One woman with an ugly pair of shears chopped off most of what remained of Lottar's hair, which was difficult to cut because of the dressing.

"Tomorrow you would have been a bride," they said to her. Some of them seemed mournful, some contemptuous. "Now you will never have a son."

The little girls snatched up the hair that had been cut off and stuck it on their heads, arranging various knots and fringes.

Lottar swore her oath in front of twelve witnesses. They were, of course, all men, and looked as sullen as the women about the turn things had taken. She never saw the Muslim. The Franciscan berated the men and said that if this sort of thing did not stop he would close up the churchyard and make them bury their dead in unholy ground. Lottar sat at a distance from them all, in her unaccustomed clothes. It was strange and unpleasant to be idle. When the Franciscan had finished his harangue, he came over and stood looking down at her. He was breathing hard because of his rage, or the exertions of the lecture.

"Well, then," he said. "Well." He reached into some inner fold of his clothing and brought out a cigarette and gave it to her. It smelled of his skin.

A NURSE BROUGHT in Charlotte's supper, a light meal of soup and canned peaches. Charlotte took the cover off the soup, smelled it, and turned her head away. "Go away, don't look at this slop," she said. "Come back tomorrow you know it's not finished yet."

The nurse walked with me to the door, and once we were in the corridor she said, "It's always the ones with the least at home who turn the most critical. She's not the easiest in the world, but you can't help kind of admiring her. You're not related, are you?"

Oh, no, I said. No.

"When she came in it was amazing. We were taking her things off and somebody said, oh, what lovely bracelets, and right away she wanted to sell them! Her husband is something else. Do you know him? They are really quite the characters."

Charlotte's husband, Gjurdhi, had come to my bookstore by himself one cold morning less than a week earlier. He was pulling a wagon full of books, which he had wrapped up in a blanket. He had tried to sell me some books once before, in their apartment, and I thought perhaps these were the same ones. I had been confused then, but now that I was on my own ground I was able to be more forceful. I said no, I did not handle secondhand books, I was not interested. Gjurdhi nodded brusquely, as if I had not needed to tell him this and it was of no importance to our conversation. He continued to pick up the books one by one, urging me to run my hands over the bindings, insisting that I note the beauty of the illustrations and be impressed by the dates of publication. I had to repeat my refusal over and over again, and I heard myself begin to attach some apologies to it, quite against my own will. He chose to understand each rejection as applying to an individual book and would simply fetch out another, saying vehemently, "This too! This is very beautiful. You will notice. And it is very old. Look what a beautiful old book!"

They were travel books, some of them, from the turn of the century. Not so very old, and not so beautiful, either, with their dim, grainy photographs. A Trek Through the Black Peaks. High Albania. Secret Lands of Southern Europe.

"You will have to go to the Antiquarian Bookstore," I said. "The one on Fort Street. It isn't far to take them."

He made a sound of disgust, maybe indicating that he knew well enough where it was, or that he had already made an unsuccessful trip there, or that most of these books had come from there, one way or another, in the first place.

"How is Charlotte?" I said warmly. I had not seen her for a while, although she used to visit the store quite often. She would bring me little presents coffee beans coated with chocolate to give me energy; a bar of pure glycerine soap to counteract the drying effects, on the skin, of having to handle so much paper. A paperweight embedded with samples of rocks found in British Columbia, a pencil that lit up in the dark (so that I could see to write up bills if the lights should go out). She drank coffee with me, talked, and strolled about the store, discreetly occupied, when I was busy. Through the dark, blustery days of fall she wore the velvet cloak that I had first seen her in, and kept the rain off with an oversized, ancient black umbrella. She called it her tent. If she saw that I had become too involved with a customer, she would tap me on the shoulder and say, "I'll just silently steal away with my tent now. We'll talk another day."

Once, a customer said to me bluntly, "Who is that woman? I've seen her around town with her husband. I guess he's her husband. I thought they were peddlers."

Could Charlotte have heard that, I wondered. Could she have detected a coolness in the attitude of my new clerk? (Charlotte was certainly cool to her.) There might have been just too many times when I was busy. I did not actually think that the visits had stopped. I preferred to think that an interval had grown longer, for a reason that might have nothing to do with me. I was busy and tired, anyway, as Christmas loomed. The number of books I was selling was a pleasant surprise.

"I don't want to be any kind of character assassin," the clerk had said to me. "But I think you should know that that woman and her husband have been banned from a lot of stores in town. They're suspected of lifting things. I don't know. He wears that rubber coat with the big sleeves and she's got her cloak. I do know for sure that they used to go around at Christmastime and snip off holly that was growing in people's gardens. Then they took it round and tried to sell it in apartment buildings."

On that cold morning, after I had refused all the books in his wagon, I asked Gjurdhi again how Charlotte was. He said that she was sick. He spoke sullenly, as if it were none of my business.

"Take her a book," I said. I picked out a Penguin light verse. "Take her this tell her I hope she enjoys it. Tell her I hope she'll be better very soon. Perhaps I can get around to see her."

He put the book into his bundle in the wagon. I thought that he would probably try to sell it immediately.

"Not at home," he said. "In the hospital."

I had noticed, each time he bent over the wagon, a large, wooden crucifix that swung down outside his coat and had to be tucked back inside. Now this happened again, and I said, thoughtlessly, in my confusion and contrition, "Isn't that beautiful! What beautiful dark wood! It looks medieval."

He pulled it over his head, saying, "Very old. Very beautiful. Oak wood. Yes."

He pushed it into my hand, and as soon as I realized what was happening I pushed it back.

"Wonderful wood," I said. As he put it away I felt rescued, though full of irritable remorse.

"Oh, I hope Charlotte is not very sick!" I said.

He smiled disdainfully, tapping himself on the chest perhaps to show me the source of Charlotte's trouble, perhaps only to feel for himself the skin that was newly bared there.

Then he took himself, the crucifix, the books, and the wagon out of my store. I felt that insults had been offered, humiliations suffered, on both sides.

UP PAST THE tobacco field was a beech wood, where Lottar had often gone to get sticks for the fire. Beyond that was a grassy slope a high meadow and at the top of the meadow, about half an hour's climb from the kula, was a small stone shelter, a primitive place with no window, a low doorway and no door, a corner hearth without a chimney. Sheep took cover there; the floor was littered with their droppings.

That was where she went to live after she became a Virgin. The incident of the Muslim bridegroom had taken place in the spring, just about a year after she first came to Maltsia e madhe, and it was time for the sheep to be driven to their higher pastures. Lottar was to keep count of the flock and see that they did not fall into ravines or wander too far away. And she was to milk the ewes every evening. She was expected to shoot wolves, if any came near. But none did; no one alive now at the kula had ever seen a wolf. The only wild animals Lottar saw were a red fox, once, by the stream, and the rabbits, which were plentiful and unwary. She learned to shoot and skin and cook them, cleaning them out as she had seen the butcher girls do at the kula and stewing the meatier parts in her pot over the fire, with some bulbs of wild garlic.

She did not want to sleep inside the shelter, so she fixed up a roof of branches outside, against the wall, this roof an extension of the roof of the building. She had her heap of ferns underneath, and a felt rug she had been given, to spread on the ferns when she slept. She no longer took any notice of the bugs. There were some spikes pushed into the wall between the dry stones. She did not know why they were there, but they served her well for hanging up the milk pails and the few pots she had been provided with. She brought her water from the stream, in which she washed her own head scarf, and herself sometimes, more for relief from the heat than out of concern about her dirtiness.

Everything was changed. She no longer saw the women. She lost her habits of constant work. The little girls came up in the evenings to get the milk. This far away from the kula and their mothers, they became quite wild. They climbed up on the roof, often smashing through the arrangement of branches which Lottar had contrived. They jumped into the ferns and sometimes snatched an armful of them to bind into a crude ball, which they threw at one another until it fell apart. They enjoyed themselves so much that Lottar had to chase them away at dusk, reminding them of how frightened they got in the beech wood after dark. She believed that they ran all the way through it and spilled half the milk on their way.

Now and then they brought her corn flour, which she mixed with water and baked on her shovel by the fire. Once they had a treat, a sheep's head she wondered if they had stolen it for her to boil in her pot.She was allowed to keep some of the milk, and instead of drinking it fresh she usually let it go sour, and stirred it to make yogurt to dip her bread in. That was how she preferred it now.

The men often came up through the wood shortly after the little girls had run through it on their way down. It seemed that this was a custom of theirs, in the summer. They liked to sit on the banks of the stream and fire off blanks and drink raki and sing, or sometimes just smoke and talk. They were not making this expedition to see how she was getting on. But since they were coming anyway, they brought her presents of coffee and tobacco and were full of competing advice on how to fix up the roof of her shelter so it wouldn't fall down, how to keep her fire going all night, how to use her gun.

Her gun was an old Italian Martini, which had been given to her when she left the kula. Some of the men said that gun was unlucky, since it had belonged to a boy who had been killed before he himself had even shot anybody. Others said that Martinis in general were unlucky, hardly any use at all.

Mausers were what you needed, for accuracy and repeating power.

But Mauser bullets were too small to do enough damage. There were men walking around full of Mauser holes you could hear them whistle as they passed by.

Nothing can really compare with a heavy flintlock that has a good packing of powder, a bullet, and nails.

When they weren't talking about guns, the men spoke of recent killings, and told jokes. One of them told a joke about a wizard. There was a wizard held in prison by a Pasha. The Pasha brought him out to do tricks in front of guests. Bring a bowl of water, said the wizard. Now, this water is the sea. And what port shall I show you on the sea? Show a port on the island of Malta, they said. And there it was. Houses and churches and a steamer ready to sail. Now would you like to see me step on board that steamer? And the Pasha laughed. Go ahead! So the wizard put his foot in the bowl of water and stepped on board the steamer and went to America! What do you think of that!

"There are no wizards, anyway," said the Franciscan, who had climbed up with the men on this evening, as he often did. "If you had said a saint, you might have made some sense." He spoke severely, but Lottar thought he was happy, as they all were, as she too was permitted to be, in their presence and in his, though he paid no attention to her. The strong tobacco that they gave her to smoke made her dizzy and she had to lie down on the grass.

THE TIME CAME when Lottar had to think about moving inside her house. The mornings were cold, the ferns were soaked with dew, and the grape leaves were turning yellow. She took the shovel and cleaned the sheep droppings off the floor, in preparation for making up her bed inside. She began to stuff grass and leaves and mud into the chinks between the stones.

When the men came they asked her what she was doing that for. For the winter, she said, and they laughed.

"Nobody can stay here in the winter," they said. They showed her how deep the snow was, putting hands against their breastbones. Besides, all the sheep would have been taken down.

"There will be no work for you and what will you eat?" they said. "Do you think the women will let you have bread and yogurt for nothing?"

"How can I go back to the kula?" Lottar said. "I am a Virgin, where would I sleep? What kind of work would I do?"

"That is right," they said kindly, speaking to her and then to each other. "When a Virgin belongs to the kula she gets a bit of land, usually, where she can live on her own. But this one doesn't really belong to the kula, she has no father to give her anything. What will she do?"

Shortly after this and in the middle of the day, when visitors never came the Franciscan climbed the meadow, all alone.

"I don't trust them," he said. "I think they will try again to sell you to a Muslim. Even though you have been sworn. They will try to make some money out of you. If they could find you a Christian, it might not be so bad, but I am sure it will be an infidel."

They sat on the grass and drank coffee. The Franciscan said, "Do you have any belongings to take with you? No. Soon we will start."

"Who will milk the ewes?" said Lottar. Some of the ewes were already working their way down the slope; they would stand and wait for her.

"Leave them," said the Franciscan.

In this way she left not only the sheep but her shelter, the meadow, the wild grape and the sumac and mountain ash and juniper bushes and scrub oak she had looked at all summer, the rabbit pelt she had used as a pillow and the pan she had boiled her coffee in, the heap of wood she had gathered only that morning, the stones around her fire each one of them known to her by its particular shape and color. She understood that she was leaving, because the Franciscan was so stern, but she did not understand it in a way that would make her look around, to see everything for the last time. That was not necessary, anyway. She would never forget any of it.

As they entered the beech wood the Franciscan said, "Now we must be very quiet. I am going to take another path, which does not go so near the kula. If we hear anybody on the path, we will hide."

Hours, then, of silent walking, between the beech trees with their smooth elephant bark, and the black-limbed oaks and the dry pines. Up and down, crossing the ridges, choosing paths that Lottar had not known existed. The Franciscan never hesitated and never spoke of a rest. When they came out of the trees at last, Lottar was very surprised to see that there was still so much light in the sky.

The Franciscan pulled a loaf of bread and a knife from some pocket in his garment, and they ate as they walked.

They came to a dry riverbed, paved with stones that were not flat and easily walkable but a torrent, a still torrent of stones between fields of corn and tobacco. They could hear dogs barking, and sometimes people's voices. The corn and tobacco plants, still unharvested, were higher than their heads, and they walked along the dry river in this shelter, while the daylight entirely faded. When they could not walk anymore and the darkness would conceal them, they sat down on the white stones of the riverbed.

"Where are you taking me?" Lottar finally asked. At the start she had thought they must be going in the direction of the church and the priest's house, but now she saw that this could not be so. They had come much too far.

"I am taking you to the Bishop's house," said the Franciscan. "He will know what to do with you."

"Why not to your house?" said Lottar. "I could be a servant in your house."