Alex Delaware: Evidence - Part 2
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Part 2

When ask to come up for a second viewing, he said, "Sure." Then: "How come?"

"We could use your help, Doyle."

The guard's limp turned the three-story climb into a plodding ordeal.

Milo let him stand there for a while, getting an eyeful of the bodies. Sweat beaded Bryczinski's hairline. His back curved in an unhealthy way. Forty but he looked fifty, with wispy sandy hair gone mostly gray and a narrow face sunken in all the wrong places. Five seven, one thirty soaking wet. Small, cheap flashlight hanging from a belt drawn to the last hole. No one was serious about keeping this site secure.

"Anyway," he said.

"You're sure you don't know them."

Bryczinski's eyes narrowed. "Why would I?"

"Now that you can see their faces, I mean."

"I see 'em but I sure don't know 'em." Backing away toward the wall. Just before he made contact, Milo took hold of his arm.

Bryczinski tensed. "Hey."

"Sorry, Doyle. We need to print everything. I'm sure you know the drill."

"Oh, yeah. Sure."

Milo said, "This kind of situation, I have to ask all kinds of questions. You're up here more than anyone. Meaning if anyone comes by, messes the place up, you'd be in the best position to know."

"I'm here but I ain't up here much." The guard stamped his foot lightly. Plywood thrummed. "Once I check up here, I don't come back."

"Don't like the view."

"I'm working, got no time for views."

"So no one ever messes around up here."

"Like who?"

"Anyone," said Milo.

"Like some homeless guy? You're thinking it was one of those idiots, they surprised him, he went nuts?"

"Anything's possible, Doyle."

"Well, that hasn't happened for a long time," said Bryczinski, chancing another look at the bodies. "A homeless, I mean."

"You've had problems with squatters?"

"Nah, not really. About a year ago-maybe longer, year and a half, I come in one morning and find dirt. Not up here, on the second floor."

"Someone tracked in soil."

"Person dirt. You know what I mean."

"Someone used the place for a toilet?"

"Right in the middle of floor two, foot of the stairs. Gross. Also there was food wrappers-Taco Bell, wax cups, greasy paper. Beans and sauce stains on the floor. Someone was eating Mexican, then c.r.a.pping all over."

"What a mess," said Milo.

"I called the company, they said clean it up. With what? There's no water, one broken hose bib out back but no pressure. I said screw that. Why bother, anyway? What's to stop the idiot from coming back the next day and doing the same thing?"

"Did he?"

"Nope. But a little later, maybe a month later, some Mexicans came in and ate again. Thank G.o.d they didn't dump."

"How do you know they were Mexicans?"

"Taco Bell wrappers. And too much for one person."

"All kinds of people eat at Taco Bell."

"Yeah, well," said Bryczinski, "all kinds of people don't leave behind Mexican money. Idiot coins, pesos, whatever. I checked them out, not worth a thing so I gave them to my niece, she's four."

"Any other intruders?"

"Nah, that's it."

"No evidence anyone ever came up here to fool around?"

"Nope. That second time, I figured some illegal working on one of the other rich-idiot houses around here had nowhere to go so he slept here. Big surprise to me is why more idiots don't break in. I showed you that chain. Do you want to know about animals?"

"What kind of animals?"

"Critters," said Bryczinski, savoring the word. "I find animal dirt all the time. Rats, mice. Coyotes, I know it's coyotes because their dirt is these little shriveled things, look like dry Vienna sausage. I seen plenty of coyote dirt back when I lived in Fallbrook."

"Avocado country," said Milo.

"Huh?"

"Don't they grow avocados in Fallbrook?"

"My dad was in the navy, we lived in an apartment."

"Ah ... any visitors during the day, Doyle?"

"Never. Place is dead." Bryczinski flinched. "So to speak."

"Don't get bothered by this but like I said I need to ask routine questions of everyone a.s.sociated with a homicide."

The guard's eyes narrowed. "What?"

"What were you doing last night?"

"You're saying I'm in some kind of suspicion because I found them?"

"Not at all, Doyle. I need to be thorough."

Bryczinski swiped his brow with a uniform sleeve. "Whatever. Last night, I was sleeping. I get up at four, Mom wakes me up, I hit the hay by nine."

"You're Mom's sole caretaker."

"Idiot cat sure can't do much."

Milo laughed.

The guard said, "Glad someone thinks it's funny."

Milo watched him hobble down the stairs, wincing. "And the diagnosis is...?"

I said, "No shortage of pent-up anger, but probably not enough physical strength and smarts to pull it off."

"Even with a gun?"

"You find any kind of link between him and either one of your victims, I'll change my mind."

"He claims to have only a flashlight but he could've packed. I'll have uniforms check the entire property for discarded weapons. Bryczinski's prints are on file because of the security job. Maybe they'll show up where they shouldn't be. Like on the floor, right where they're laying."

Another glance at the bodies. "Cute couple. Tough luck for Ken and Barbie."

I said, "Played with like dolls. Then discarded."

He re-read Desmond Backer's business card. "Up for Venice? We'll take your gondola."

CHAPTER.

4.

Gemein, Holman, and Cohen weren't advertising.

Skimpy oxidized-iron address numerals were placed low on the building's facade, barely a foot above the sidewalk. Under that: GHC: CONCEPTS.

This was the south end of Main Street, where calculated edgy nudges random do-your-thing and parking's a challenge. Milo said, "Use that pay lot, on me."

He flashed his shield to the attendant, had to sh.e.l.l out seven bucks anyway. The walk back took us past boutiques featuring the kind of clothes you never see anyone wearing. Sunny weekday morning in Venice, only a scatter of pedestrians, but a piercing parlor was doing brisk business. Back in his acting days, the governor had bought up chunks of Main Street, acc.u.mulating rental income that helped finance his new hobby.

Maybe he owned the architectural firm's avant-garde charmer.

A pair of isosceles triangles jousted with each other in precarious tilt, the larger one pumpkin-orange stucco, the other bluish green aluminum. A black shroud of solar panel capped the roof. A cement trough running along the base was crowded with horsetails, plant-tops lopped with neurosurgical care.

The triangles overlapped just enough to provide walk-s.p.a.ce for the non-obese. Milo's been working on his weight. At a relatively svelte two thirty or so, there was no need to turn sideways, but he did so anyway. Body-memory runs long.

Inside was a courtyard roofed by corrugated metal, bordered by an inch-deep, rectangular pond. Too shallow for fish; maybe microorganisms frolicked.

The front door was an oxidized-iron slab. Milo's knock produced no sound.

No bell. He said, "Business is either real good or real bad."

Pounding harder evoked a sorry thud. He said, "This is gonna hurt," and poised a foot to kick. Before he made contact, the slab swung inward silently, catching him off balance.

A gorgeous woman with a shaved head watched him stabilize. "What is it?" All the warmth of a voice-simulator.

She was thirty-five or so, with some sort of Teutonic accent. Hemp disks the size of saucers dangled from exquisitely shaped ears. Nothing overtly medical about her hairlessness; lashes and brows were dark and luxuriant, the eyes below them a spectacular aqua. Her skull was smooth, round, and tan, stubbled white-blond, as if rubbed in salt. Like a minimal frame on a painting, the absence of coiffure emphasized everything else about her. So did a clinging, white tank top, ectodermal black tights, red spike-heeled boots.

Milo flashed the badge. "Police, ma'am."

She said, "And?"

"We'd like to speak to someone about Desmond Backer."

"Des is in trouble?"

"The worst kind of trouble, Ms...."

"Desmond did something illegal?"

"Desmond's dead."

"Dead," she said. "And you want to come in."

She marched back inside, left us to follow. Swinging her hips and stepping high.

The interior was one big s.p.a.ce, unfurnished but for a black desk and a rolling chair in a corner. White walls, high windows, carpeting that matched the bald beauty's hemp earrings. Skylights in odd places, some of them partially blackened by the solar panel. Others bore the streaks and splotches of moisture damage.

The bald woman sat behind the desk, laid her palms flat. Charcoal-gray manicure, some kind of mesh effect on the nails. "I have no chairs for you."

"We're fine standing, ma'am."

"Something criminal happened to Des."