*Police,' Carmen Pharoah showed him her ident.i.ty.

*Yes?'

*About your brother . . . your late brother, James Post.'

*Yes?'

*My boss, Mr Hennessey, asked me to call and see you.'

*Mr Hennessey?' Short Nigel Post looked up at the statuesque Carmen Pharoah. *He's the gentleman . . .'

*Yes, he was with you when you identified James Post.'

*Yes, nice man,' he glanced across the road and noticed curtains begin to twitch. *You'd better come in, keep the nosies guessing.'

Carmen Pharoah read Nigel Post's house, neat, clean, cramped. All seemed appropriate to her for a man of Nigel Post's age and social standing. She accepted his invitation to sit. *There has been a number of developments in respect of Mr James Post's murder.'

*Oh?' Nigel Post sank into an armchair opposite Carmen Pharoah.

*Yes. I am not at liberty to disclose anything, I'm afraid, not yet.'

*I understand, miss.'

Carmen Pharoah thought Nigel Post seemed lost. *This can't be easy for you?'

*Well, first it was my wife, now it's my brother, both taken before their time. My wife was knocked down and killed by a drunken driver and now James. You can't help just sitting here and thinking about them when they were alive . . . what we did together . . . the conversations we had . . .'

*Yes, I do understand. Really I do.'

*You've lost someone?'

*Yes . . . yes, I have,' Carmen Pharoah remained stone-faced, *but can we keep this relevant, it's about James.'

*Yes. Sorry.'

A fly appeared as if from nowhere and began to buzz noisily against the window pane. Nigel Post rose from his chair, opened a window and the fly found its escape route.

*Most men I know would have swatted it,' Carmen Pharoah commented.

Nigel Post resumed his seat. *I prefer to feed the birds and spiders. So, how can I help you?'

*James took photographs.'

*Yes, he did.'

*We have found some but the indications are that there are many, many more. So the question is, do you know any place that your brother might have placed any photographs or photographic negatives for safe keeping?'

*Old technology,' Nigel Post commented, *so few folk talk about photographs and negatives, it's all digital cameras with lots of pixels . . . whatever a pixel is. But James did use a conventional camera so he dealt with negatives and prints.'

*Do you know where he might have kept them, somewhere other than his house on the Tang Hall Estate?'

*His "drum" he used to call it. There's only one place I can think of.'

*Oh?'

*His bank.'

*His bank?' Carmen Pharoah paused and then said, *You mean within a safety deposit box?'

*Yes. It's a long shot but it's the only place I can think of.'

*They've paid off before. Do you know which branch of which bank?'

*Yes, I think I do. He wrote me a cheque once and I framed it,' he smiled and stood.

*You framed a cheque?'

*Yes, I'll explain when I come back down.' Nigel Post left the room and was heard by Carmen Pharoah to go upstairs and then return a few moments later. As he re-entered the room he handed Carmen Pharoah a small photograph frame in which was a cheque made payable to Nigel Post for fifteen pounds and dated some ten years earlier.

*It was only fifteen pounds I lost, and when he gave this cheque to me in repayment of a loan I sensed that it was probably the only thing I was going to have to remember him by. So rather than cash it, I framed it. Anyway, he did once mention a safety deposit box he had at that branch.'

Carmen Pharoah took her notepad and ballpoint from her handbag and copied down the bank's name and address and the number of James Post's account therein.

Dr D'Acre carefully removed the plastic bag from the mouth of the deceased and equally carefully began to unfold it. She found it stiff and brittle with age, but eventually she removed a credit card, which had expired some three years previously and the name on the card was one R. E. Malpa.s.s. She handed it to George Hennessey who took it in his latex gloved hands and read the name with some satisfaction.

*The net closes.' He smiled as he placed the card in a self-sealing cellophane sachet. *The net closes.'

*That is your suspect, I take it?'

*One of them . . . it is a husband and wife duo.'

*You'll be arresting them?'

*Now we can. With this credit card they can be at least linked to this murder, but it is still less than we need to prove guilt . . . but it's a significant step in the right direction.'

*See what else I can let you have.' Dr D'Acre turned her attention to the body on the dissecting table, which was still clothed in the remnants of the garments he had worn when murdered. *I think this post-mortem is going to be inconclusive, even before I start, unless there is a significant injury such as a skull fracture. I don't think I am going to be able to determine the cause of death . . . but a note of his clothing . . . odd shoes. I mean a different shoe on each foot, an old duffel coat, still discernible as such only one toggle out of the original three remains and look,' she gently pulled away a thin thread which appeared to have been wound round the waist of the deceased, *this is the remnants of twine. So who wears odd shoes and ties his coat together with string?'

*A down-and-out.'

*Yes,' Dr D'Acre replied with a solemn tone, *yet another person to be given a name and buried. I can determine stature and age at death to see if he matches any missing person reports. The credit card would put his burial at in excess of three years earlier than his remains were found . . . though there, I encroach on your territory.'

*Oh, please, as before, encroach all you like,' Hennessey replied, having retreated to the wall of the pathology laboratory as protocol dictated.

*Right, let's get the remains of the clothing off shall we, Eric?'

Eric Filey reverentially stepped forward and a.s.sisted Dr D'Acre with the slow removal and cutting away of the clothing, many pieces of which crumbled to the touch.

*Summer burial,' Dr D'Acre said calmly.

*Summer?' Hennessey repeated questioningly.

*I would think so, just a shirt and a vest under the duffel coat. A down-and-out would know where to obtain woollens, Salvation Army . . . inst.i.tutions like that.'

*Yes . . . good point.'

*Easier to bury as well,' Dr D'Acre added. *Easier to dig a shallow grave in summer time, the soil would be frozen in winter.'

*Indeed.'

*The trousers now, Eric,' Dr D'Acre announced. *We'll cut them away, I think.'

Filey turned and took a large pair of scissors from the tray of instruments and then slowly and methodically began to cut the trousers from the bottoms to the waist, and, as he did so, Dr D'Acre probed gingerly into the pockets.

*Different socks also,' Dr D'Acre pointed to the feet of the deceased, *one dark one and one white one. He really was a down-and-out. h.e.l.lo . . .'

*You've seen something?' Hennessey took an involuntary pace forward.

*Probably . . . probably,' Dr D'Acre peeled the right-hand sock away from the partially decomposed remains of the lower leg. *This sock seems to be . . . yes . . . something has been pushed down here.' She carefully extracted a plastic coin bag, Hennessey noted, of the type used in banks to contain a determined amount of the same type of coin. Dr D'Acre handed it to him and taking it from her he saw that it contained a piece of paper neatly folded up.

*I'll get this off to the forensic science lab at Wetherby. This will make interesting reading,' Hennessey murmured as he gingerly unfolded the sheet of paper. *Well, well, it is a utility bill. Part of one. The part you keep . . . sent to one R.E. Malpa.s.s of Hutton Cranswick . . . and dated three years ago. Somebody is leaving us presents, indeed.'

*Indeed.' Dr D'Acre began a careful examination of the body. *It looks like murder,' she said. *The stomach has been punctured.'

*That's of significance,' Hennessey growled.

*Yes, someone didn't want the stomach gases to bloat and then burst the stomach. Usually it is done when a corpse is immersed in water to prevent it rising. A bloated corpse will rise and will even bring heavy weights to the surface with it, but if burying in a shallow grave it's a good idea . . . from the felon's point of view that is, it's a good idea to puncture the stomach to allow the gases to seep out because the stomach will expand and push away unconsolidated soil and then explode with such force that it could expose the grave. Someone did not want this old boy found, but who would want to go to such lengths to hide the body of a tramp?'

*Someone who enjoyed murdering as an end in itself,' Hennessey replied calmly. *Someone who didn't want to be stopped until he had satisfied the need to take life.'

Dr D'Acre glanced at him. *The name on the card?'

*Yes,' Hennessey nodded, *the name on the card.'

*But how would a tramp obtain the credit card of the person who was going to murder him? How would a tramp even know the significance of a credit card?'

Hennessey shrugged. *I don't know. Perhaps . . . perhaps . . . Malpa.s.s was taunting us. That is unlikely though, or perhaps a third person was leaving us a present, or perhaps a third person was maliciously implicating Malpa.s.s who is completely innocent. Perhaps, perhaps, perhaps . . .'

*No dental care to speak of, but that is in keeping with one of his lifestyle. No evident fractures, the skull appears to be uninjured, the skeleton is intact. Unless he died of natural causes, he was suffocated or strangled, and no evidence of same will have remained after being in the ground for in excess of ten years. As I said, an inconclusive post-mortem.'

*But helpful,' Hennessey held up the two sachets he held. *It's going to be very helpful.'

The office was small, smaller than Carmen Pharoah expected it to be. It was neatly kept and clean, with no softenings that she could detect in her initial visual sweep of the room, no framed photographs or plants in pots, it was all very functional and to the point. The man behind the desk was well-built, and easily six feet tall, and thus seemed to make the room look even smaller,.

*Yes, I am aware of the safety deposit box, a yellow one, quite an unusual colour, and also quite the largest such box that can be obtained in the high street, strangely light as well, I have always thought.'

*Light?' Carmen Pharoah asked as a double-decker bus whirred past the building.

*In terms of weight,' the bank manager, *Edward Edwards' by the nameplate on his desk, replied, *very large and very light. So whatever is in there, it's not the family jewels or gold ingots. I am sorry to hear about the death of the customer; Mr Post, did you say? But I am afraid I can't release the safety deposit box in question without authorization from his next-of-kin or a court order compelling me to do so.'

Carmen Pharoah smiled. She put her hand into her large leather handbag and extracted a manila envelope. *I antic.i.p.ated you,' she spoke triumphantly, *signed by a judge in chambers less than an hour ago.'

It was Monday, 14.35 hours.

Tuesday, 16.50 hours Hennessey, Yellich, Ventnor, Webster and Pharoah pa.s.sed the photographs between them in a solemn silence. It was little wonder, as Carmen had said, that the large yellow safety deposit box was so light, it contained nothing but photographic negatives; hundreds of them, and most of the victims of Ronald and Sylvia Malpa.s.s, clearly taken discreetly by James Post, and one or two showing the Malpa.s.ses in circ.u.mstances which linked them to the murders.

*A very small camera without a flash attachment,' Webster murmured as he handed two of the photographs, which were still damp from the developing process, to Ventnor.

*Sorry?' Hennessey queried.

*Just a comment about the camera, sir,' Webster explained, *the only way he could have taken these photographs was with a very small camera, small enough to conceal from Ronald Malpa.s.s, and one which would not flash when the shutter was pressed. He must have kept the aperture at its widest.'

*Yes, he was determined to take them, the Malpa.s.ses, with him if they silenced him or if he was arrested. I bet it was Post who slid the credit card into the mouth of the tramp, and pushed the utility bill into the tramp's sock ensuring it was preserved in the plastic coin bag. He told Furlong Freda that he had "insurance". I bet you that was what he meant.'

Hennessey paused. *Still largely, if not wholly, circ.u.mstantial but this one,' he turned the photograph he was holding around and showed it to the team, *this one I like muchly. Shows Ronald Malpa.s.s emerging from the kitchen garden . . . broad daylight; it indicates that they left the women in the kitchen garden at Bromyards in the "quiet period" in the morning, thus avoiding telltale headlights going to and from Bromyards in the dead of night, and if seen would have taken to be legitimate callers to the house and the elderly Mr Housecarl. It seems to have been taken from a distance of a couple of hundred yards away so Malpa.s.s would not have heard the shutter click. He was taking out insurance all right.'

*Very leisurely att.i.tude,' Yellich added, *calmly walking about and separating from each other by that sort of distance. It clearly wasn't a hurried job, no dashing up to the house, locking the victim to the chain and dashing away again, they hung around . . . very cool . . . very collected.'

*Yes, nonetheless, unless we find something in the Malpa.s.s's house it is still going to be an uphill struggle to secure a safe conviction but these photographs and particularly this one,' he tapped the photograph showing Ronald Malpa.s.s walking out of the kitchen garden at Bromyards, *this one is enough to arrest them and have them remanded. Separate them; give them a taste of prison life. It depends on the quality of their marriage of course, but with luck, she might roll over on him when she sees this photograph. If she turns Queen's evidence, well, we'll see what we see. We'll get the warrants tomorrow morning and bring them in. There's no hurry, they are not going anywhere or about to murder someone else. They're washed up.'

It was Tuesday, 17.03 hours.

Wednesday 10.15 a 10.40 Hours Sylvia Malpa.s.s, tall, elegant, even in the blue and white tracksuit she always wore when doing housework, stood patiently in the back room of her house in Hutton Cranswick and felt a strange and unexpected sense of calm and contentment. She smiled gently as she looked out of the wide window to the rear of her home, to the large well-tended garden, where her husband was, at that moment, playing water from the hosepipe over the shrubs and the lawn, and doing so despite the recent rain and looming rain clouds. Yet, he always did that, always watered the garden before leaving the house for any length of time. That day, though, Sylvia Malpa.s.s thought that she observed a certain determination, and certain restlessness, about her husband's actions. It was, she thought, as if the garden was parched, and baked dry and hard, after a prolonged drought. She pondered whether or not she should interfere . . . normally she would not do so . . . his was the garden, hers was the house, seemed to have been the unwritten rule which had evolved in their home-building, but the excess of water drenching the garden did, on this occasion, eventually reach her. There was also, she told herself, other things which had to be addressed. With that thinking, with that argument in her mind, she turned and walked to the kitchen and exited the house by the rear door. She walked calmly up to her husband, approaching from his left and side so that he had sufficient notice of her arrival. It did never do, she had learned early on in their marriage, to take him by surprise. His reaction in such circ.u.mstances could be at best dangerous, at worst deadly. He turned at her approach and welcomed her with a warm, very warm, smile.

*You've been doing this for well over an hour, darling.' She spoke softly, yet managed to project a note of protest.

*Yes . . . I know . . .' he replied equally softly, *but it makes me feel better . . . and I always do this before we go away for a while . . . you know that.'

*Yes, darling . . . but . . . but . . .' she pressed the heel of her sports shoe into the lawn causing a deep indentation. *Look at that . . . what my heel has done . . . the garden is waterlogged . . . you are drowning the garden.'

*You can't drown a plant.' Malpa.s.s continued to spray the shrubbery. *They have a kind of shut off valve which activates when they have had sufficient to drink . . . but I want the garden to be well-watered . . . I don't like fretting about the garden when I am away, or we are on holiday. It spoils everything for me.'

*Yes, darling . . . but even so . . . enough is enough, and there's other things to be done.'

*Perhaps, but I still have the front garden to water.'

*The front . . .' She rested her hand on his forearm. *What will the neighbours think when they see you watering the garden in this sort of weather? It rained last night and just look at these rain clouds approaching.'

Ronald Malpa.s.s glanced to his right and saw mountainous grey clouds menacing in the east. *No hosepipe ban yet . . . so why shouldn't a fella care for his plants . . . and since when have I been worried about the opinion of the neighbours?'

*But,' she protested, *as I said . . . still things to do . . . we need to fill the car with petrol for one thing.'

*Oh . . . yes, all right . . .' He laid the hosepipe on the ground. *Confess I had forgotten that . . .'

*Well, we won't get far on an empty tank.' She smiled.

*Certainly won't.'

*I'll make us some coffee . . . we both need a break.'