His friend had never appeared. I sent the boy off, with his proper instructions, on Sam's back--wrote an encouraging letter to Mr. Frank to keep him quiet--then slipped into the inn by the back way a little before half-past ten. The head chambermaid gave me a signal when the landing was clear. I got into his room without a soul but her seeing me, and locked the door immediately.

The case was, to a certain extent, simplified now. Either Mr. Davager had ridden out with the letter about him, or he had left it in some safe hiding-place in his room. I suspected it to be in his room, for a reason that will a little astonish you--his trunk, his dressing-case, and all the drawers and cupboards, were left open. I knew my customer, and I thought this extraordinary carelessness on his part rather suspicious.

Mr. Davager had taken one of the best bedrooms at the Gatliffe Arms.

Floor carpeted all over, walls beautifully papered, four-poster, and general furniture first-rate. I searched, to begin with, on the usual plan, examining everything in every possible way, and taking more than an hour about it. No discovery. Then I pulled out a carpenter's rule which I had brought with me. Was there anything in the room which--either in inches, feet, or yards--answered to "5 along" and "4 across"? Nothing. I put the rule back in my pocket--measurement was no good, evidently. Was there anything in the room that would count up to 5 one way and 4 another, seeing that nothing would measure up to it? I had got obstinately persuaded by this time that the letter must be in the room--princ.i.p.ally because of the trouble I had had in looking after it. And persuading myself of that, I took it into my head next, just as obstinately, that "5 along" and "4 across" must be the right clew to find the letter by--princ.i.p.ally because I hadn't left myself, after all my searching and thinking, even so much as the ghost of another guide to go by. "Five along"--where could I count five along the room, in any part of it?

Not on the paper. The pattern there was pillars of trellis-work and flowers, inclosing a plain green ground--only four pillars along the wall and only two across. The furniture? There were not five chairs or five separate pieces of any furniture in the room altogether. The fringes that hung from the cornice of the bed? Plenty of them, at any rate! Up I jumped on the counterpane, with my pen-knife in my hand.

Every way that "5 along" and "4 across" could be reckoned on those unlucky fringes I reckoned on them--probed with my penknife--scratched with my nails--crunched with my fingers. No use; not a sign of a letter; and the time was getting on--oh, Lord! how the time did get on in Mr.

Davager's room that morning.

I jumped down from the bed, so desperate at my ill luck that I hardly cared whether anybody heard me or not. Quite a little cloud of dust rose at my feet as they thumped on the carpet.

"Hullo!" thought I, "my friend the head chambermaid takes it easy here.

Nice state for a carpet to be in, in one of the best bedrooms at the Gatliffe Arms." Carpet! I had been jumping up on the bed, and staring up at the walls, but I had never so much as given a glance down at the carpet. Think of me pretending to be a lawyer, and not knowing how to look low enough!

The carpet! It had been a stout article in its time, had evidently began in a drawing-room; then descended to a coffee-room; then gone upstairs altogether to a bedroom. The ground was brown, and the pattern was bunches of leaves and roses speckled over the ground at regular distances. I reckoned up the bunches. Ten along the room--eight across it. When I had stepped out five one way and four the other, and was down on my knees on the center bunch, as true as I sit on this chair I could hear my own heart beating so loud that it quite frightened me.

I looked narrowly all over the bunch, and I felt all over it with the ends of my fingers, and nothing came of that. Then I sc.r.a.ped it over slowly and gently with my nails. My second finger-nail stuck a little at one place. I parted the pile of the carpet over that place, and saw a thin slit which had been hidden by the pile being smoothed over it--a slit about half an inch long, with a little end of brown thread, exactly the color of the carpet ground, sticking out about a quarter of an inch from the middle of it. Just as I laid hold of the thread gently, I heard a footstep outside the door.

It was only the head chambermaid. "Haven't you done yet?" she whispers.

"Give me two minutes," says I, "and don't let anybody come near the door--whatever you do, don't let anybody startle me again by coming near the door."

I took a little pull at the thread, and heard something rustle. I took a longer pull, and out came a piece of paper, rolled up tight like those candle-lighters that the ladies make. I unrolled it--and, by George!

there was the letter!

The original letter! I knew it by the color of the ink. The letter that was worth five hundred pounds to me! It was all that I could do to keep myself at first from throwing my hat into the air, and hurrahing like mad. I had to take a chair and sit quiet in it for a minute or two, before I could cool myself down to my proper business level. I knew that I was safely down again when I found myself pondering how to let Mr.

Davager know that he had been done by the innocent country attorney, after all.

It was not long before a nice little irritating plan occurred to me.

I tore a blank leaf out of my pocketbook, wrote on it with my pencil, "Change for a five-hundred-pound note," folded up the paper, tied the thread to it, poked it back into the hiding-place, smoothed over the pile of the carpet, and then bolted off to Mr. Frank. He in his turn bolted off to show the letter to the young lady, who first certified to its genuineness, then dropped it into the fire, and then took the initiative for the first time since her marriage engagement, by flinging her arms round his neck, kissing him with all her might, and going into hysterics in his arms. So at least Mr. Frank told me, but that's not evidence. It is evidence, however, that I saw them married with my own eyes on the Wednesday; and that while they went off in a carriage-and-four to spend the honeymoon, I went off on my own legs to open a credit at the Town and County Bank with a five-hundred-pound note in my pocket.

As to Mr. Davager, I can tell you nothing more about him, except what is derived from hearsay evidence, which is always unsatisfactory evidence, even in a lawyer's mouth.

My inestimable boy, Tom, although twice kicked off by Sam the pony, never lost hold of the bridle, and kept his man in sight from first to last. He had nothing particular to report except that on the way out to the Abbey Mr. Davager had stopped at the public-house, had spoken a word or two to his friend of the night before, and had handed him what looked like a bit of paper. This was no doubt a clew to the thread that held the letter, to be used in case of accidents. In every other respect Mr.

D. had ridden out and ridden in like an ordinary sightseer. Tom reported him to me as having dismounted at the hotel about two. At half-past I locked my office door, nailed a card under the knocker with "not at home till to-morrow" written on it, and retired to a friend's house a mile or so out of the town for the rest of the day.

Mr. Davager, I have been since given to understand, left the Gatliffe Arms that same night with his best clothes on his back, and with all the valuable contents of his dressing-case in his pockets. I am not in a condition to state whether he ever went through the form of asking for his bill or not; but I can positively testify that he never paid it, and that the effects left in his bedroom did not pay it either. When I add to these fragments of evidence that he and I have never met (luckily for me, you will say) since I jockeyed him out of his banknote, I have about fulfilled my implied contract as maker of a statement with you, sir, as hearer of a statement. Observe the expression, will you? I said it was a Statement before I began; and I say it's a Statement now I've done. I defy you to prove it's a Story! How are you getting on with my portrait?

I like you very well, Mr. Artist; but if you have been taking advantage of my talking to shirk your work, as sure as you're alive I'll split upon you to the Town Council!

I attended a great many times at my queer sitter's house before his likeness was completed. To the last he was dissatisfied with the progress I made. Fortunately for me, the Town Council approved of the portrait when it was done. Mr. Boxsious, however, objected to them as being much too easy to please. He did not dispute the fidelity of the likeness, but he a.s.serted that I had not covered the canvas with half paint enough for my money. To this day (for he is still alive), he describes me to all inquiring friends as "The Painter-Man who jockeyed the Town Council."

PROLOGUE TO THE THIRD STORY.

It was a sad day for me when Mr. Lanfray, of Rockleigh Place, discovering that his youngest daughter's health required a warm climate, removed from his English establishment to the South of France.

Roving from place to place, as I am obliged to do, though I make many acquaintances, I keep but few friends. The nature of my calling is, I am quite aware, mainly answerable for this. People cannot be blamed for forgetting a man who, on leaving their houses, never can tell them for certain when he is likely to be in their neighborhood again.

Mr. Lanfray was one of the few exceptional persons who always remembered me. I have proofs of his friendly interest in my welfare in the shape of letters which I treasure with grateful care. The last of these is an invitation to his house in the South of France. There is little chance at present of my being able to profit by his kindness; but I like to read his invitation from time to time, for it makes me fancy, in my happier moments, that I may one day really be able to accept it.

My introduction to this gentleman, in my capacity of portrait-painter, did not promise much for me in a professional point of view. I was invited to Rockleigh--or to "The Place," as it was more frequently called among the people of the county--to take a likeness in water-colors, on a small scale, of the French governess who lived with Mr. Lanfray's daughters. My first idea on hearing of this was, that the governess was about to leave her situation, and that her pupils wished to have a memorial of her in the shape of a portrait. Subsequent inquiry, however, informed me that I was in error. It was the eldest of Mr. Lanfray's daughters, who was on the point of leaving the house to accompany her husband to India; and it was for her that the portrait had been ordered as a home remembrance of her best and dearest friend.

Besides these particulars, I discovered that the governess, though still called "mademoiselle," was an old lady; that Mr. Lanfray had been introduced to her many years since in France, after the death of his wife; that she was absolute mistress in the house; and that her three pupils had always looked up to her as a second mother, from the time when their father first placed them under her charge.

These sc.r.a.ps of information made me rather anxious to see Mademoiselle Clairfait, the governess.

On the day appointed for my attendance at the comfortable country house of Rockleigh, I was detained on the road, and did not arrive at my destination until late in the evening. The welcome accorded to me by Mr. Lanfray gave an earnest of the unvarying kindness that I was to experience at his hands in after-life. I was received at once on equal terms, as if I had been a friend of the family, and was presented the same evening to my host's daughters. They were not merely three elegant and attractive young women, but--what means much more than that--three admirable subjects for pictures, the bride particularly. Her young husband did not strike me much at first sight; he seemed rather shy and silent. After I had been introduced to him, I looked round for Mademoiselle Clairfait, but she was not present; and I was soon afterward informed by Mr. Lanfray that she always spent the latter part of the evening in her own room.

At the breakfast-table the next morning, I again looked for my sitter, and once more in vain. "Mamma, as we call her," said one of the ladies, "is dressing expressly for her picture, Mr. Kerby. I hope you are not above painting silk, lace, and jewelry. The dear old lady, who is perfection in everything else, is perfection also in dress, and is bent on being painted in all her splendor."

This explanation prepared me for something extraordinary; but I found that my antic.i.p.ations had fallen far below the reality when Mademoiselle Clairfait at last made her appearance, and announced that she was ready to sit for her portrait.

Never before or since have I seen such perfect dressing and such active old age in combination. "Mademoiselle" was short and thin; her face was perfectly white all over, the skin being puckered up in an infinite variety of the smallest possible wrinkles. Her bright black eyes were perfect marvels of youthfulness and vivacity. They sparkled, and beamed, and ogled, and moved about over everybody and everything at such a rate, that the plain gray hair above them looked unnaturally venerable, and the wrinkles below an artful piece of masquerade to represent old age.

As for her dress, I remember few harder pieces of work than the painting of it. She wore a silver-gray silk gown that seemed always flashing out into some new light whenever she moved. It was as stiff as a board, and rustled like the wind. Her head, neck, and bosom were enveloped in clouds of the airiest-looking lace I ever saw, disposed about each part of her with the most exquisite grace and propriety, and glistening at all sorts of unexpected places with little fairy-like toys in gold and precious stones. On her right wrist she wore three small bracelets, with the hair of her three pupils worked into them; and on her left, one large bracelet with a miniature let in over the clasp. She had a dark crimson and gold scarf thrown coquettishly over her shoulders, and held a lovely little feather-fan in her hand. When she first presented herself before me in this costume, with a brisk courtesy and a bright smile, filling the room with perfume, and gracefully flirting the feather-fan, I lost all confidence in my powers as a portrait-painter immediately. The brightest colors in my box looked dowdy and dim, and I myself felt like an unwashed, unbrushed, unpresentable sloven.

"Tell me, my angels," said mademoiselle, apostrophizing her pupils in the prettiest foreign English, "am I the cream of all creams this morning? Do I carry my sixty years resplendently? Will the savages in India, when my own love exhibits my picture among them, say, 'Ah! smart!

smart! this was a great dandy?' And the gentleman, the skillful artist, whom it is even more an honor than a happiness to meet, does he approve of me for a model? Does he find me pretty and paintable from top to toe?" Here she dropped me another brisk courtesy, placed herself in a languishing position in the sitter's chair, and asked us all if she looked like a shepherdess in Dresden china.

The young ladies burst out laughing, and mademoiselle, as gay as any of them and a great deal shriller, joined in the merriment. Never before had I contended with any sitter half as restless as that wonderful old lady. No sooner had I begun than she jumped out of the chair, and exclaiming, "_Grand Dieu!_ I have forgotten to embrace my angels this morning," ran up to her pupils, raised herself on tiptoe before them in quick succession, put the two first fingers of each hand under their ears, kissed them lightly on both cheeks, and was back again in the chair before an English governess could have said, "Good-morning, my dears, I hope you all slept well last night."

I began again. Up jumped mademoiselle for the second time, and tripped across the room to a cheval-gla.s.s. "No!" I heard her say to herself, "I have not discomposed my head in kissing my angels. I may come back and pose for my picture."

Back she came. I worked from her for five minutes at the most. "Stop!"

cries mademoiselle, jumping up for the third time; "I must see how this skillful artist is getting on. _Grand Dieu!_ why he has done nothing!"

For the fourth time I began, and for the fourth time the old lady started out of her chair. "Now I must repose myself," said mademoiselle, walking lightly from end to end of the room, and humming a French air, by way of taking a rest.

I was at my wit's end, and the young ladies saw it. They all surrounded my unmanageable sitter, and appealed to her compa.s.sion for me.

"Certainly!" said mademoiselle, expressing astonishment by flinging up both her hands with all the fingers spread out in the air. "But why apostrophize me thus? I am here, I am ready, I am at the service of this skillful artist. Why apostrophize me?"

A fortunate chance question of mine steadied her for some time. I inquired if I was expected to draw the whole of my sitter's figure as well as her face. Mademoiselle replied by a comic scream of indignation.

If I was the brave and gifted man for whom she took me, I ought to be ready to perish rather than leave out an inch of her anywhere. Dress was her pa.s.sion, and it would be an outrage on her sentiments if I did not do full justice to everything she had on--to her robe, to her lace, to her scarf, to her fan, to her rings, her jewels, and, above all, to her bracelets. I groaned in spirit at the task before me, but made my best bow of acquiescence. Mademoiselle was not to be satisfied by a mere bow; she desired the pleasure of specially directing my attention, if I would be so amiable as to get up and approach her, to one of her bracelets in particular--the bracelet with the miniature, on her left wrist. It had been the gift of the dearest friend she ever had, and the miniature represented that friend's beloved and beautiful face. Could I make a tiny, tiny copy of that likeness in my drawing! Would I only be so obliging as to approach for one little moment, and see if such a thing were possible?

I obeyed unwillingly enough, expecting, from mademoiselle's expression, to see a commonplace portrait of some unfortunate admirer whom she had treated with unmerited severity in the days of her youth. To my astonishment, I found that the miniature, which was very beautifully painted, represented a woman's face--a young woman with kind, sad eyes, pale, delicate cheeks, light hair, and such a pure, tender, lovely expressions that I thought of Raphael's Madonnas the moment I looked at her portrait.

The old lady observed the impression which the miniature produced on me, and nodded her head in silence. "What a beautiful, innocent, pure face!"

I said.

Mademoiselle Clairfait gently brushed a particle of dust from the miniature with her handkerchief, and kissed it. "I have three angels still left," she said, looking at her pupils. "They console me for the fourth, who has gone to heaven."

She patted the face on the miniature gently with her little, withered, white fingers, as if it had been a living thing. _"Sister Rose!"_ she sighed to herself; then, looking up again at me, said, "I should like it put into my portrait, sir, because I have always worn it since I was a young woman, for 'Sister Rose's' sake."

The sudden change in her manner, from the extreme of flighty gayety to the extreme of quiet sadness, would have looked theatrical in a woman of any other nation. It seemed, however, perfectly natural and appropriate in her. I went back to my drawing, rather perplexed. Who was "Sister Rose"? Not one of the Lanfray family, apparently. The composure of the young ladies when the name was mentioned showed plainly enough that the original of the miniature had been no relation of theirs.

I tried to stifle my curiosity on the subject of Sister Rose, by giving myself entirely to my work. For a full half-hour, Mademoiselle Clairfait sat quietly before me, with her hands crossed on her lap, and her eyes fixed on the bracelet. This happy alteration enabled me to do something toward completing the outline of her face and figure. I might even, under fortunate circ.u.mstances, have vanquished the preliminary difficulties of my task at one effort; but the fates were against me that day. While I was still working rapidly and to my satisfaction, a servant knocked at the door to announce luncheon, and mademoiselle lightly roused herself from her serious reflection and her quiet position in a moment.

"Ah me!" she said, turning the miniature round on her wrist till it was out of sight. "What animals we are, after all! The spiritual part of us is at the mercy of the stomach. My heart is absorbed by tender thoughts, yet I am not the less ready for luncheon! Come, my children and fellow-mortals. _Allons cultiver notre jardin!"_