Third, Jerome Falsoner's heir and only near relative was his niece, Sara Falsoner, who, by some vagary of chance, was marrying Hubert Landow at the very hour that f.a.n.n.y Kidd was finding her employer's dead body. Niece and uncle had seldom seen one another. The niece - for police suspicion settled on her for a short s.p.a.ce - was definitely proved to have been at home, in her apartment in Carey Street, from six o'clock the evening of the murder until eight-thirty the next morning. Her husband, her fiance then, had been there with her from six until eleven that evening. Prior to her marriage, the girl had been employed as stenographer by the same trust company that employed Ralph Millar.

Fourth, Jerome Falsoner, who had not the most even of dispositions, had quarreled with an Icelander named Einer Jok.u.msson in a gambling-house two days before he was murdered. Jok.u.msson had threatened him. Jok.u.msson - a short, heavily built man, dark-haired, dark-eyed - had vanished from his hotel, leaving his bags there, the day the body was found, and had not been seen since.

The last of these clippings carefully read, Alec Rush rocked back in his chair and made a thoughtful monster's face at the.ceiling. Presently he leaned forward again to look into -the telephone directory, and to call the number of Ralph Millar's trust company. But when he got his number he changed his mind.

"Never mind," he said into the instrument, and called a number that was Goodbody's. Minnie, when she came to the telephone, told him that Polly Vanness had been identified as one Polly Bangs, arrested in Milwaukee two years ago for shoplifting, and given a two-year sentence. Minnie also said that Polly Bangs had been released on bail early that morning.

Alec Rush pushed back the telephone and looked through his clippings again until he found the address of Madeline Boudin, the woman who had visited Falsoner so soon before his death. It was a Madison Avenue number. Thither his coupe carried the detective.

No, Miss Boudin did not live there. Yes, she had lived there, but had moved four months ago. Perhaps Mrs. Blender, on the third floor, would know where she lived now. Mrs. Blender did not know. She knew Miss Boudin had moved to an apartment-house in Garrison Avenue, but did not think she was living there now. At the Garrison Avenue house: Miss Boudin had moved away a month and a half ago - somewhere in Mount Royal Avenue, perhaps. The number was not known.

The coupe carried its ugly owner to Mount Royal Avenue, to the apartment building he had seen first Hubert Landow and then Scuttle Zeipp visit the previous day. At the manager's office he made inquiries about a Walter Boyden, who was thought to live there. Walter Boyden was not known to the manager. There was a Miss Boudin in 604, but her name was B-o-u-d-i-n, and she lived alone.

Alec Rush left the building and got in his car again. He screwed up his savage red eyes, nodded his head in a satis- fied way, and with one finger described a small circle in the air. Then he returned to his office.

Calling the trust company's number again, he gave Ralph Millar's name, and presently was speaking to the a.s.sistant cashier.

"This is Rush. Can you come up to the office right away?"

"What's that? Certainly. But how - how - ? Yes, I'll be up in a minute."

None of the surprise that had been in Millar's telephone voice was apparent when he reached the detective's office. He asked no questions concerning the detective's knowledge of his ident.i.ty. In brown today, he was as neatly inconspicuous as he had been yesterday in gray.

"Come in," the ugly man welcomed him. "Sit down. I've got to have some more facts, Mr. Millar."

Millar's thin mouth tightened and his brows drew together with obstinate reticence.

"I thought we settled that point, Rush. I told you -"

Alec Rush frowned at his client with jovial, though frightful exasperation.

"I know what you told me," he interrupted. "But that was then and this is now. The thing's coming unwound on rne, and I can see just enough to get myself tangled up if I don't watch Harvey. I found your mysterious man, talked to him. He was following Mrs. Landow, right enough. According to the way he tells it, he's been hired to kill her."

Millar leaped from his chair to lean over the yellow desk, his face close to the detective's.

"My G.o.d, Rush, what are you saying? To kill her?"

"Now, now! Take it easy. He's not going to kill her. I don't think he ever meant to. But he claims he was hired to do it."

"You've arrested him? You've found the man who hired him?"

The detective squinted up his bloodshot eyes and studied the younger man's pa.s.sionate face.

"As a matter of fact," he croaked calmly when he had finished his examination, "I haven't done either of those things. She's in no danger just now. Maybe the lad was stringing me, maybe he wasn't, but either way he wouldn't have spilled it to me if he meant to do anything. And when it comes right down to it, Mr. Millar, do you want him arrested?"

"Yes! That is - " Millar stepped back from the desk, sagged limply down on the chair again, and put shaking hands over his face. "My G.o.d, Rush, I don't know!" he gasped.

"Exactly," said Alec Rush. "Now here it is. Mrs. Landow was Jerome Falsoner's niece and heir. She worked for your trust company. She married Landow the morning her uncle was found dead. Yesterday Landow visited the building where Madeline Boudin lives. She was the last person known to have been in Falsoner's rooms before he was killed. But her alibi seems to be as air-tight as the Landows'. The man who claims he was hired to kill Mrs. Landow also visited Madeline Boudin's building yesterday. I saw him go in. I saw him meet another woman. A shoplifter, the second one. In her rooms I found a photograph of Hubert Landow. Your dark man claims he was hired twice to kill Mrs. Landow - by two women neither knowing the other had hired him. He won't tell me who they are, but he doesn't have to."

The hoa.r.s.e voice stopped and Alec Rush waited for Millar to speak. But Millar was for the time without a voice. His eyes were wide and despairingly empty. Alec Rush raised one big hand, folded it into a fist that was almost perfectly spherical, and thumped his desk softly.

"There it is, Mr. Millar," he rasped. "A pretty tangle. If you'll tell me what you know, we'll get it straightened out, never fear. If you don't - I'm out!"

Now Millar found words, however jumbled.

"You couldn't, Rush! You can't desert me -us -her!

It's not - You're not -" But Alec Rush shook his ugly pear-shaped head with slow emphasis.

"There's murder in this and the Lord knows what all. I've got no liking for a blindfolded game. How do I know what you're up to? You can tell me what you know - everything - or you can find yourself another detective.

That's flat."

Ralph Millar's fingers picked at each other, his teeth pulled at his lips, his hara.s.sed eyes pleaded with the detective.

"You can't, Rush," he begged. "She's still in danger. Even if you are right about that man not attacking her, she's not safe. The women who hired him can hire another. You've got to protect her, Rush."

"Yeah? Then you've got to talk."

"I've got to -? Yes, I'll talk, Rush. I'll tell you anything you ask. But there's really nothing - or almost nothing - I know beyond what you've already learned."

"She worked for your trust company?"

"Yes, in my department."

"Left there to be married?"

"Yes. That is - No, Rush, the truth is she was discharged. It was an outrage, but -"

"When was this?"

"It was the day before the - before she was married."

"Tell me about it."

"She had - I'll have to explain her situation to you first, Rush. She is an orphan. Her father, Ben Falsoner, had been wild in his youth - and perhaps not only in his youth - as I believe all the Falsoners have been. However, he had quarreled with his father - old Howard Falsoner - and the old man had cut him out of the will. But not altogether out. The old man hoped Ben would mend his ways, and he didn't mean to leave him with nothing in that event. Unfortunately he trusted it to his other son, Jerome.

"Old Howard Falsoner left a will whereby the income from his estate was to go to Jerome during Jerome's life. Jerome was to provide for his brother Ben as he saw fit. That is, he had an absolutely free hand. He could divide the income equally with his brother, or he could give him a pittance, or he could give him nothing, as Ben's conduct deserved. On Jerome's death the estate was to be divided equally among the old man's grandchildren.

"In theory, that was a fairly sensible arrangement, but not in practice - not in Jerome Falsoner's hands. You didn't know him? Well, he was the last man you'd ever trust with a thing of that sort. He exercised his power to the utmost. Ben Falsoner never got a cent from him. Three years ago Ben died, and so the girl, his only daughter, stepped into his position in relation to her grandfather's money. Her mother was already dead. Jerome Falsoner never paid her a cent.

"That was her situation when she came to the trust company two years ago. It wasn't a happy one. She had at least a touch of the Falsoner recklessness and extravagance. There she was: heiress to some two million dollars - for Jerome had never married and she was the only grandchild - but without any present income at all, except her salary, which was by no means a large one.

"She got in debt. I suppose she tried to economize at times, but there was always that two million dollars ahead to make scrimping doubly distasteful. Finally, the trust company officials heard of her indebtedness. A collector or two came to the office, in fact. Since she was employed in my department, I had the disagreeable duty of warning her. She promised to pay her debts and contract no more, and I suppose she did try, but she wasn't very successful. Our officials are old-fashioned, ultra-conservative. I did everything I could to save her, but it was no good. They simply would not have an employee who was heels over head in debt."

Millar paused a moment, looked miserably at the floor, and went on: "I had the disagreeable task of telling her her services were no longer needed. I tried to - It was awfully un- pleasant. That was the day before she married Landow. It -" he paused and, as if he could think of nothing else to say, repeated, "Yes, it was the day before she married I Landow," and fell to staring miserably at the floor again. 1 Alec Rush, who had sat as still through the recital of f this history as a carven monster on an old church, now leaned over his desk and put a husky question: "And who is this Hubert Landow? What is he?"

Ralph Millar shook his downcast head.

"I don't know him. I've seen him. I know nothing of him."

"Mrs. Landow ever speak of him? I mean when she was in the trust company?"

"It's likely, but I don't remember."

"So you didn't know what to make of it when you heard she'd married him?"

The younger man looked up with frightened brown eyes.

"What are you getting at, Rush? You don't think - Yes, ,as you say, I was surprised. What are you getting at?"

"The marriage license," the detective said, ignoring his client's repeated question, "was issued to Landow four days before the wedding-day, four days before Jerome Falsoner's body was found."

Millar chewed a finger nail and shook his head hopelessly.

"I don't know what you're getting at," he mumbled :around the finger. "The whole thing is bewildering."

"Isn't it a fact, Mr. Millar," the detective's voice filled the office with hoa.r.s.e insistence, "that you were on more friendly terms with Sara Falsoner than with anyone else in the trust company?"

The younger man raised his head and looked Alec Rush in the eye -held his gaze with brown eyes that were doggedly level.

"The fact is," he said quietly, "that I asked Sara Falsoner to marry me the day she left." "Yeah. And she -?"

"And she -I suppose it was my fault. I was clumsy, crude, whatever you like. G.o.d knows what she thought - that I was asking her to marry me out of pity, that I was trying to force her into marriage by discharging her when I knew she was over her head in debt! She might have thought anything. Anyhow, it was - it was disagreeable."

"You mean she not only refused you, but was - well - disagreeable about it?"

"I do mean that."

Alec Rush sat back in his chair and brought fresh grotesqueries into his face by twisting his thick mouth crookedly up at one corner. His red eyes were evilly reflective on the ceiling.

"The only thing for it," he decided, "is to go to Landow and give him what we've got."

"But are you sure he -?" Millar objected indefinitely.

"Unless he's one whale of an actor, he's a lot in love with his wife," the detective said with certainty. "That's enough to justify taking the story to him."

Millar was not convinced.

"You're sure it would be wisest?"

"Yeah. We've got to go to one of three people with the tale -him, her, or the police. I think he's the best bet, but take your choice."

The younger man nodded reluctantly.

"All right. But you don't have to bring me into it, do you?" with quick alarm. "You can handle it so I won't be involved. You understand what I mean? She's his wife, and it would be -"

"Sure," Alec Rush promised, "I'll keep you covered up."

Hubert Landow, twisting the detective's card in his fingers, received Alec Rush in a somewhat luxuriously furnished room in the second story of the Charles-Street Avenue house. He was standing - tall, blond, boyishly handsome - in the middle of the floor, facing the door, when the detective - fat, grizzled, battered and ugly - was shown in.

"You wish to see me? Here, sit down."

Hubert Landow's manner was neither restrained nor hearty. It was precisely the manner that might be expected of a young man receiving an unexpected call from so savage-visaged a detective.

"Yeah," said Alec Rush as they sat in facing chairs. "I've got something to tell you. It won't take much time, but it's kind of wild. It might be a surprise to you, and it might not. But it's on the level. I don't want you to think I'm kidding you."

Hubert Landow bent forward, his face all interest. . "I won't," he promised. "Go on."

"A couple of days ago I got a line on a man who might be tied up in a job I'm interested in. He's a crook. Trailing him around, I discovered he was interested in your affairs, and your wife's. He's shadowed you and he's shadowed her. He was loafing down the street from a Mount Royal Avenue apartment that you went in yesterday, and he went in there later himself."

"But what the devil is he up to?" Landow exclaimed. "You think he's -"

"Wait," the ugly man advised. "Wait until you've heard it all, and then you can tell me what you make of it. He came out of there and went to Camden Station, where he met a young woman. They talked a bit, and later in the afternoon she was picked up in a department store - shoplifting. Her name is Polly Bangs, and she's done a hitch in Wisconsin for the same racket. Your photograph was on her dresser."

"My photograph?"

Alec Rush nodded placidly up into the face of the young man who was now standing.

"Yours. You know this Polly Bangs? A chunky, square-built girl of twenty-six or so, with brown hair and eyes - saucy looking?"

Hubert Landow's face was a puzzled blank.

"No! What the devil could she be doing with my picture?" he demanded. "Are you sure it was mine?"

"Not dead sure, maybe, but sure enough to need proof that it wasn't. Maybe she's somebody you've forgotten, or maybe she ran across the picture somewhere and kept it because she liked it."

"Nonsense!" The blond man squirmed at this tribute to his face, and blushed a vivid red beside which Alec Rush's complexion was almost colorless. "There must be some sensible reason. She has been arrested, you say?"

"Yeah, but she's out on bail now. But let me get along with my story. Last night this thug I've told you about and I had a talk. He claims he has been hired to kill your wife."

Hubert Landow, who had returned to his chair, now jerked in it so that its joints creaked strainingly. His face, crimson a second ago, drained paperwhite. Another sound than the chair's creaking was faint in the room: the least of m.u.f.fled gasps. The blond young man did not seem to hear it, but Alec Rush's bloodshot eyes flicked sidewise for an instant to focus fleetingly on a closed door across the room.

Landow was out of his chair again, leaning down to the detective, his fingers digging into the ugly man's loose muscular shoulders.

"This is horrible!" he was crying. "We've got to-"

The door at which the detective had looked a moment ago opened. A beautiful tall girl came through - Sara Landow. Her hair rumpled, was an auburn cloud around her white face. Her eyes were dead things. She walked slowly toward the men, her body inclined a little forward, as if against a strong wind.

"It's no use, Hubert." Her voice was dead as her eyes. "We may as well face it. It's Madeline Boudin. She has found out that I killed my uncle."

"Hush, darling, hush!" Landow caught his wife in his arms and tried to soothe her with a caressing hand on her shoulder. "You don't know what you're saying."

"Oh, but I do." She shrugged herself listlessly out of his arms and sat in the chair Alec Rush had just vacated. "It's Madeline Boudin, you know it is. She knows I killed Uncle Jerome."

Landow whirled to the detective, both hands going out to grip the ugly man's arm.

"You won't listen to what she's saying, Rush?" he pleaded. "She hasn't been well. She doesn't know what she's saying."