"Still shall I seek Apollo's shelt'ring ray, To cheer my spirits and inspire my lay."

If any parent or guardian desires any further information about _Les Enfans devenus celebres par leurs ecrits_, he will find it in a work of that name, published in Paris in 1688. The learned Scioppius published works at sixteen, "which deserved" (and perhaps obtained) "the admiration of dotards." M. Du Maurier a.s.serts that, at the age of fifteen, Grotius pleaded causes at the Bar. At eleven Meursius made orations and harangues which were much admired. At fifteen, Alexandre le Jeune wrote anacreontic verses, and (less excusably) a commentary on the Inst.i.tutions of Gaius. Grevin published a tragedy and two comedies at the age of thirteen, and at fifteen Louis Stella was a professor of Greek. But no one reads Grevin now, nor Stella, nor Alexandre le Jeune, and perhaps their time might have been better occupied in being "soaring human boys"

than in composing tragedies and commentaries. Monsieur le Duc de Maine published, in 1678, his _OEuvres d'un Auteur de Sept Ans_, a royal example to be avoided by all boys. These and several score of other examples may perhaps reconcile us to the spectacle of puerile genius fading away in the existence of the common British schoolboy, who is nothing of a poet, and still less of a jurisconsult.

The British authors who understand boys best are not those who have written books exclusively about boys. There is Canon Farrar, for example, whose romances of boyish life appear to be very popular, but whose boys, somehow, are not real boys. They are too good when they are good, and when they are bad, they are not perhaps too bad (that is impossible), but they are bad in the wrong way. They are bad with a mannish and conscious vice, whereas even bad boys seem to sin less consciously and after a ferocious fashion of their own. Of the boys in "Tom Brown" it is difficult to speak, because the Rugby boy under Arnold seems to have been of a peculiar species. A contemporary pupil was asked, when an undergraduate, what he conceived to be the peculiar characteristic of Rugby boys. He said, after mature reflection, that "the _differentia_ of the Rugby boy was his moral thoughtfulness." Now the characteristic of the ordinary boy is his want of what is called moral thoughtfulness.

He lives in simple obedience to school traditions. These may compel him, at one school, to speak in a peculiar language, and to persecute and beat all boys who are slow at learning this language. At another school he may regard dislike of the manly game of football as the sin with which "heaven heads the count of crimes." On the whole this notion seems a useful protest against the prematurely artistic beings who fill their studies with photographs of Greek fragments, vases, etchings by the newest etcher, bits of China, Oriental rugs, and very curious old bra.s.s candlesticks. The "challenge cup" soon pa.s.ses away from the keeping of any house in a public school where Bunthorne is a popular and imitated character. But when we reach aesthetic boys, we pa.s.s out of the savage stage into hobbledehoyhood. The bigger boys at public schools are often terribly "advanced," and when they are not at work or play, they are vexing themselves with the riddle of the earth, evolution, agnosticism, and all that kind of thing. Latin verses may not be what conservatives fondly deem them, and even cricket may, it is said, become too absorbing a pursuit, but either or both are better than precocious freethinking and sacrifice on the altar of the Beautiful.

A big boy who is tackling Haeckel or composing _virelais_ in playtime is doing himself no good, and is worse than useless to the society of which he is a member. The small boys, who are the most ardent of hero-worshippers, either despise him or they allow him to address them in _chansons royaux_, and respond with trebles in _triolets_. At present a great many boys leave school, pa.s.s three years or four at the universities, and go back as masters to the place where some of their old schoolfellows are still pupils. It is through these very young masters, perhaps, that "advanced" speculations and tastes get into schools, where, however excellent in themselves, they are rather out of place. Indeed, the very young master, though usually earnest in his work, must be a sage indeed if he can avoid talking to the elder boys about the problems that interest him, and so forcing their minds into precocious att.i.tudes. The advantage of Eton boys used to be, perhaps is still, that they came up to college absolutely dest.i.tute of "ideas," and guiltless of reading anything more modern than Virgil. Thus their intellects were quite fallow, and they made astonishing progress when they bent their fresh and unwearied minds to study. But too many boys now leave school with settled opinions derived from the very latest thing out, from the newest German pessimist or American socialist. It may, however, be argued that ideas of these sorts are like measles, and that it is better to take them early and be done with them for ever.

While schools are reformed and Latin grammars of the utmost ingenuity and difficulty are published, boys on the whole change very little. They remain the beings whom Thackeray understood better than any other writer: Thackeray, who liked boys so much and was so little blind to their defects. I think he exaggerates their habit of lying to masters, or, if they lied in his day, their character has altered in that respect, and they are more truthful than many men find it expedient to be. And they have given up fighting; the old battles between Berry and Biggs, or Dobbin and Cuff (major) are things of the glorious past. Big boys don't fight, and there is a whisper that little boys kick each other's shins when in wrath. That practice can hardly be called an improvement, even if we do not care for fisticuffs. Perhaps the gloves are the best peacemakers at school. When all the boys, by practice in boxing, know pretty well whom they can in a friendly way lick, they are less tempted to more crucial experiments "without the gloves."

But even the ascertainment of one's relative merits with the gloves hurts a good deal, and one may thank heaven that the fountain of youth (as described by Pontus de Tyarde) is not a common beverage. By drinking this liquid, says the old Frenchman, one is insensibly brought back from old to middle age, and to youth and boyhood. But one would prefer to stop drinking of the fountain before actually being reduced to boy's estate, and pa.s.sing once more through the tumultuous experiences of that period. And of these, _not having enough to eat_ is by no means the least common. The evidence as to execrable dinners is rather dispiriting, and one may end by saying that if there is a worse fellow than a bully, it is a master who does not see that his boys are supplied with plenty of wholesome food. He, at least, could not venture, like a distinguished headmaster, to preach and publish sermons on "Boys' Life: its Fulness." A schoolmaster who has boarders is a hotel-keeper, and thereby makes his income, but he need not keep a hotel which would be dispraised in guide books. Dinners are a branch of school economy which should not be left to the wives of schoolmasters. _They_ have never been boys.

FOOTNOTES

{1} "Mauth" is Manx for dog, I am told.

{2} It is easy to bear the misfortunes of others.

{3} In the third volume of his essays.

{4} "I remember I went into the room where my father's body lay, and my mother sat weeping alone by it. I had my battledore in my hand, and fell a-beating the coffin and calling 'Papa,' for I know not how, I had some slight idea that he was locked up there."--STEELE, _The Tatler_, June 6, 1710.

{5} Longmans.

{6} I like to know what the author got.

{7} Salmon roe, I am sorry to say.

{8} "Why and Wherefore," Aytoun.

{9} _Fersitan legendum_, "Help Thou."

{10} I know, now, who Miriam was and who was the haunter of the Catacombs. But perhaps the people is as well without the knowledge of an old and "ower true tale" that shook a throne.

{11} Cannot the reader guess? I am afraid that I can!

{12} Edinburgh, 1685.