"You mean the bird of your voice? Oh, but that is quite impossible. One can hear it calling out of the leaves every time you speak."

"I'm afraid you can't get him to do any more than call out of the leaves."

"But--but--pardon me--is it because you don't intend there should be any more song? Is that your intention?"

"That I couldn't say," said the Marchesa, smoking, smoking.

"Yes," said Manfredi. "At the present time it is because she WILL not--not because she cannot. It is her will, as you say."

"Dear me! Dear me!" said Algy. "But this is really another disaster added to the war list.--But--but--will none of us ever be able to persuade you?" He smiled half cajoling, half pathetic, with a prodigious flapping of his eyes.

"I don't know," said she. "That will be as it must be."

"Then can't we say it must be SONG once more?"

To this sally she merely laughed, and pressed out her half-smoked cigarette.

"How very disappointing! How very cruel of--of fate--and the war--and--and all the sum total of evils," said Algy.

"Perhaps--" here the little and piquant host turned to Aaron.

"Perhaps Mr. Sisson, your flute might call out the bird of song. As thrushes call each other into challenge, you know. Don't you think that is very probable?"

"I have no idea," said Aaron.

"But you, Marchesa. Won't you give us hope that it might be so?"

"I've no idea, either," said she. "But I should very much like to hear Mr. Sisson's flute. It's an instrument I like extremely."

"There now. You see you may work the miracle, Mr. Sisson. Won't you play to us?"

"I'm afraid I didn't bring my flute along," said Aaron "I didn't want to arrive with a little bag."

"Quite!" said Algy. "What a pity it wouldn't go in your pocket."

"Not music and all," said Aaron.

"Dear me! What a _comble_ of disappointment. I never felt so strongly, Marchesa, that the old life and the old world had collapsed.--Really--I shall soon have to try to give up being cheerful at all."

"Don't do that," said the Marchesa. "It isn't worth the effort."

"Ah! I'm glad you find it so. Then I have hope."

She merely smiled, indifferent.

The teaparty began to break up--Aaron found himself going down the stairs with the Marchesa and her husband. They descended all three in silence, husband and wife in front. Once outside the door, the husband asked:

"How shall we go home, dear? Tram or carriage--?" It was evident he was economical.

"Walk," she said, glancing over her shoulder at Aaron. "We are all going the same way, I believe."

Aaron said where he lived. They were just across the river. And so all three proceeded to walk through the town.

"You are sure it won't be too much for you--too far?" said the little officer, taking his wife's arm solicitously. She was taller than he. But he was a spirited fellow.

"No, I feel like walking."

"So long as you don't have to pay for it afterwards."

Aaron gathered that she was not well. Yet she did not look ill--unless it were nerves. She had that peculiar heavy remote quality of pre-occupation and neurosis.

The streets of Florence were very full this Sunday evening, almost impassable, crowded particularly with gangs of grey-green soldiers. The three made their way brokenly, and with difficulty. The Italian was in a constant state of returning salutes. The grey-green, sturdy, unsoldierly soldiers looked at the woman as she passed.

"I am sure you had better take a carriage," said Manfredi.

"No--I don't mind it."

"Do you feel at home in Florence?" Aaron asked her.

"Yes--as much as anywhere. Oh, yes--quite at home."

"Do you like it as well as anywhere?" he asked.

"Yes--for a time. Paris for the most part."

"Never America?"

"No, never America. I came when I was quite a little girl to Europe--Madrid--Constantinople--Paris. I hardly knew America at all."

Aaron remembered that Francis had told him, the Marchesa's father had been ambassador to Paris.

"So you feel you have no country of your own?"

"I have Italy. I am Italian now, you know."

Aaron wondered why she spoke so muted, so numbed. Manfredi seemed really attached to her--and she to him. They were so simple with one another.

They came towards the bridge where they should part.

"Won't you come and have a cocktail?" she said.

"Now?" said Aaron.

"Yes. This is the right time for a cocktail. What time is it, Manfredi?"

"Half past six. Do come and have one with us," said the Italian. "We always take one about this time."

Aaron continued with them over the bridge. They had the first floor of an old palazzo opposite, a little way up the hill. A man-servant opened the door.